A double sharp raises a natural note up a tone - so lets take for example F double sharp. F double sharp is one whole tone higher than F which is enharmonically equivalent to G natural.
It's because that note is the only one two half-steps away from another flat/sharp note in both directions.
if you are playing a brass instrument you tighten or loosen your ambocure (lips) to come out with a higher or lower note a sharp
Anything beyond a double sharp exists only in theory and not in practice. A quintuple sharp would raise a note by 5 half steps, so a C with 5 sharps would sound the same as F.
There are two half-steps in the key of b: D to E flat and A to B flat.
It depends honestly because there no such thing as an E sharp or F flat and also a flat is a sharp at the same time an A sharp is the same thing as B flat but between an A sharp And C sharp(or D flat) (also B and C is just like E and F) there is one and one half steps between those two notes. It honestly depends on what sharp and Flat youre talking about
E NaturalRemember, double sharp takes two half steps!First you begin with D natural. Since double sharp represents two half steps (above) you would then move one half step (next key) which is D sharp then you would take the next and final half step which lands you in E natural.E natural and D double sharp share the same pitch but but are represented by different letter names or accidentals
E NaturalRemember, double sharp takes two half steps!First you begin with D natural. Since double sharp represents two half steps (above) you would then move one half step (next key) which is D sharp then you would take the next and final half step which lands you in E natural.E natural and D double sharp share the same pitch but but are represented by different letter names or accidentals
It's because that note is the only one two half-steps away from another flat/sharp note in both directions.
A G quintuluple sharp would be raised four half steps, or two whole steps, making it a B.
No
The half steps in an E major scale are from Gis / G-sharp (enharmonically, As / A-flat) to A, and from Dis / D-sharp (enharmonically, Es / E-flat) to E.
if you are playing a brass instrument you tighten or loosen your ambocure (lips) to come out with a higher or lower note a sharp
Anything beyond a double sharp exists only in theory and not in practice. A quintuple sharp would raise a note by 5 half steps, so a C with 5 sharps would sound the same as F.
A C to a G would be a perfect fifth. Because the interval was decreased by 2 half-steps (by sharping the C and flatting the G), the interval C sharp to G flat is a double-diminished 5th.
Half- sharp
The answer is A. One whole, one half
There are two half-steps in the key of b: D to E flat and A to B flat.