Antigone asserts that the unwritten laws of the gods and moral duty are more important than Creon's laws. She believes that divine law transcends human authority, particularly when it comes to honoring the dead. For her, the obligation to bury her brother Polyneices is a sacred duty that cannot be compromised by mortal edicts. This conflict highlights the tension between individual conscience and state power.
The messenger brings news that Creon has decided to spare Antigone from execution, influenced by the public's outcry and support for her actions. However, he also informs that Ismene, who initially sought to share in Antigone's fate, will face punishment as well. This decision highlights the tension between personal morals and state laws in the unfolding tragedy.
Choragos, as the leader of the Chorus in "Antigone," often reflects the moral and ethical dilemmas faced by the characters. He expresses concern about Creon's command, indicating a sense of unease with the rigidity of Creon’s laws and the potential consequences of defying the gods' unwritten laws. This is evident through his cautious dialogue and attempts to mediate between Creon and Antigone, suggesting he values justice and the divine over absolute authority. His hesitation highlights a deeper conflict between human laws and moral obligations.
Creon's tragic flaw is hubris, thinking he can set the laws of human beings above the laws of the gods.
Whom to obey is the conflict between Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone believes that the gods rule in life and death. She chooses to obey the gods when divine and royal laws conflict. In contrast, her uncle King Creon expects his own laws to be obeyed.
As king his laws must be obeyed, no matter what Antigone's reasons to bury her brother may be.
The messenger brings news that Creon has decided to spare Antigone from execution, influenced by the public's outcry and support for her actions. However, he also informs that Ismene, who initially sought to share in Antigone's fate, will face punishment as well. This decision highlights the tension between personal morals and state laws in the unfolding tragedy.
Choragos, as the leader of the Chorus in "Antigone," often reflects the moral and ethical dilemmas faced by the characters. He expresses concern about Creon's command, indicating a sense of unease with the rigidity of Creon’s laws and the potential consequences of defying the gods' unwritten laws. This is evident through his cautious dialogue and attempts to mediate between Creon and Antigone, suggesting he values justice and the divine over absolute authority. His hesitation highlights a deeper conflict between human laws and moral obligations.
Creon's tragic flaw is hubris, thinking he can set the laws of human beings above the laws of the gods.
That they contradict divine laws and Thebantraditions is the reason why Antigone defies royal laws in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, it is the royal edict on non-burial that Theban Princess Antigone defies. Divinely guaranteed rights of all Thebans to below-ground burials are honored for Theban loyalists and denied to King Creon's perceived enemies. Disobeying the royal law involves obeying the divine, which is what Antigone chooses to do.
Whom to obey is the conflict between Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone believes that the gods rule in life and death. She chooses to obey the gods when divine and royal laws conflict. In contrast, her uncle King Creon expects his own laws to be obeyed.
As king his laws must be obeyed, no matter what Antigone's reasons to bury her brother may be.
Devoted to her brother and obedient to divine laws is how Antigone feels about her brother and divine laws in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone devotes herself to her family. She particularly is devoted to the most vulnerable members of her family: her disgraced father, King Oedipus, and her disgraced brother, Prince Polyneices. She manifests equally devoted obedience to her gods and her city's cherished traditions.
It is divine law that Antigone recognizes as supreme law in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, there are two sets of laws in the ancient city of Thebes. There is the set of changing laws specific to a certain king for sorting out the economics and politics of running the governmental apparatus. There also is the set of unchanging laws by which the gods organize the lives and deaths of Thebans.
Antigone is the character who is grouped best with anarchists in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, anarchists do not accept human made laws. Theban Princess Antigone does not honor the royal laws of King Creon, her uncle and intended father-in-law, in their own hometown of Thebes. She obeys only the unwritten laws of expressed divine will and cherished Theban traditions.
Ismene refuses to help Antigone because she follows Creon's laws. She knows the outcome of what will happen, and though she wishes to help Antigone, she claims herself as just a 'woman', meaning they can't fight against the men, and the laws they set up in their life. in the end though, Ismene comes in to help Antigone, when she finally realizes what is actually right.
The conflict between Antigone and Creon was over which laws to respect. Antigone believed that some laws came from the gods. Such laws, such as the rites and rituals for proper burial, must be respected. In contrast, Theban King Creon believed that all lawmaking fell generally within the human domain, and most specifically within his powers as ruler of Thebes.
The flaw in Antigone that the chorus pointed out to her in Scene 4, line 45 was her lack of respect for human laws. This flaw would lead to her death, and the chorus blamed Antigone for her own demise.