Iago instructs the search party for Desdemona to meet him at the town square of Venice after they learn about her elopement with Othello. He uses this opportunity to manipulate the situation further, guiding them into their next actions. The town square serves as a central location for the unfolding drama and subsequent developments in the story.
To Iago. Iago does manage to get Desdemona safely to Cyprus. He doesn't do much about getting her back.
Iago and Emilia are on the same boat as Desdemona.
Iago advises Cassio to ask Desdemona to plead on his behalf. This will help Iago poison Othello's mind, as Desdemona will appear to be doing so out of her (illicit) love for Cassio.
Emilia, Iago's wife. She is an interesting character. She receives no respect from Iago, but she trusts him. She is much more realistic than the lady she serves, Desdemona, but she is also devoted to Desdemona, and dies--at Iago's hand--defending Desdemona's honor.
Iago uses vivid and animalistic imagery to describe Othello and Desdemona's elopement, portraying it as a corrupt and scandalous act. He refers to Othello as an "old black ram" and Desdemona as a "white ewe," emphasizing racial and sexual themes that highlight their differences and the perceived unnaturalness of their union. This imagery serves to manipulate and incite jealousy in other characters, particularly Roderigo, by suggesting that their relationship is both immoral and grotesque.
To Iago. Iago does manage to get Desdemona safely to Cyprus. He doesn't do much about getting her back.
Iago and Emilia are on the same boat as Desdemona.
Iago advises Cassio to ask Desdemona to plead on his behalf. This will help Iago poison Othello's mind, as Desdemona will appear to be doing so out of her (illicit) love for Cassio.
Emilia, Iago's wife. She is an interesting character. She receives no respect from Iago, but she trusts him. She is much more realistic than the lady she serves, Desdemona, but she is also devoted to Desdemona, and dies--at Iago's hand--defending Desdemona's honor.
Cassio sees Desdemona as a sort of secular Virgin Mary, as from the quote, "O behold...Hail to thee lady!". On the other hand, Iago sees Desdemona as competition for Othello's affections.
Iago tells Cassio that he must persuade Othello to reinstate him. He says "the general's wife is now our general" and so the best way to persuade Othello is to get Desdemona to plead on Cassio's behalf. Since Iago has also told Othello that Desdemona and Cassio are having an affair, the harder Desdemona pleads, the worse it is going to look for both her and Cassio.
Casio asks Desdemona to ask Othello to reinstate Iago. This is all per Iago's request. ChaCha!
He tells Cassio to ask Desdemona for her help to get him reinstated.
While Othello is hiding, Iago and Cassio discuss Desdemona. Iago uses this opportunity to manipulate Cassio into speaking favorably about Desdemona, knowing that Othello is eavesdropping. This conversation plays a crucial role in Iago's scheme to incite jealousy in Othello regarding Desdemona's loyalty.
Othello and desdemona
Iago
Iago and Emilia.