Antigone

Whether to live but be unwelcomed by the dead or to die and be welcome is the conflict of the living versus the dead in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).

Specifically, Theban Princess Antigone has to decide whether to obey a royal edict and live or to obey a divine law and die. The new law involves contradictory measures regarding the disposition of the bodies of dead Thebans. She makes the decision that the gods rule in life and death and that far more of her existence is to be spent in the Underworld of the afterlife than in her earthly life in Thees.

Consequences, fate, family and the gods are the four main points in Antigone's goodbye speech in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).

Specifically, Theban Princess Antigone declares that because of her divine obedience and royal disobedience she will die childless, friendless and loveless. She identifies fate as leading her to such an ignoble death because of the curse on her parents and her great-grandfather. She indicates that family ties are strong because she has no competing allegiance to husband or children. She points to the gods as her guidepost and as the ironic cause of her death.

That she loves them, that she has no chance for biological replacements, and that she has to be able to look them in the face for all eternity are the reasons why Antigone is loyal to her family in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).

Specifically, Theban Princess Antigone loves her parents and says that their deaths prevent her having brothers to replace the twins who are dead. Antigone also says that mortals cannot escape death and that they spend less of their existence in the here and now and more in the Underworld of the afterlife. Additionally, Antigone states that there are post-mortem consequences for those who disrespect family ties.

That Antigone's death will bring about another'sdeath and that father and son never will see each other again are the threats made by Haemon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).

Specifically, Theban King Creon says that Princess Antigone will be executed. Prince Haemon, Antigone's betrothed, makes an effort to get Creon to change his mind. Creon does not understand that Haemon is foreshadowing his own death in saying that someone will die as a result of Antigone's death and that he never plans to be in his father's company ever again.

It is in defense of his legitimate claim that Polyneices leads the invasion of the "Seven Against Thebes" by Aeschylus (525/524 B.C.E. - 455/456 B.C.E.).

Specifically, twin brothers Eteocles and Polyneices are joint heirs to the Theban throne. They are supposed to rule in a joint power sharing arrangement of alternating years on the throne. But supported by their uncle Creon, Eteocles does not hand over the throne when his year is up. Polyneices, who is exiled, marries into the Argive royal house. He therefore receives Argive support to assert his royal claim by force.

That it is hired needy thugs whom Creon believes bury Polyneices in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).

Specifically, Theban King Creon hears about the forbidden burial of his nephew Polyneices' body. He immediately is suspicious that people who need money are the culprits. He thinks that his powerful but cowardly enemies are hiring financially strapped underlings to undermine royal authority by disobeying the edict of non-burial of the disloyal Theban dead.

Yes, Aristotle [384 B.C.E.-322 B.C.E.] would consider 'Oedipus Rex' a tragedy. First, Theban King Oedipus is a hero, because he does great deeds and has great powers or strength. For example, he delivers Thebes from the beastly, bullying Sphinx. He alone knows the answer to the Sphinx's unanswerable riddle.

Second, Oedipus is noble. He's the biological son of Theban royal rulers. On both his parents' sides of the family, he descends from Cadmus, Thebes' founder and first king around 2000 B.C.E. Additionally, he's raised as the royal heir apparent by adoptive/foster royal parents.

Third, Oedipus is tripped up by tragically fatal flawswithin his own character and personality. For example, he's so proud that he thinks that he can beat the gods and escape his horrific fate. But the more he tries to flee from his fate, the closer his flight takes him to it because of his own flawed decision making. He's warned that he'll kill his father and marry his mother.

So Oedipus flees what he thinks is his hometown, and the royal couple that he believes to be his biological parents. He then goes on to kill a man old enough to be his father and marry a woman old enough to be his mother. And so the prophecy is fulfilled. An inescapable fate becomes inescapable through the hero's free will in making bad choices and decisions. What Oedipus takes to be biological parents are his adoptive/foster parents, Corinthian King Polybus and Corinthian Queen Merope. What he takes to be strangers are in fact his true parents, Theban King Laius and Theban Queen Jocasta.

Fourth, a pestilence descends upon the city of Thebes. Harvests go bad, livestock die, and more Thebans die than are born. The reason is the unsolved killing of Laius by Oedipus, who is the victim's son and subject. Oedipus needs to be purified of his unknowing but nevertheless heinous crimes. He doesn't go through ritual purification after the killing of father and sovereign. So Oedipus' pollution becomes the pollution of all Thebes.

Fifth, there's a purification of the hero and therefore of his environment. That purification comes about through the hero's death, destruction or downfall. The hero commits an offense against the gods. All offenses must be punished be they the result of deliberate intent or unknowing action. Oedipus' cleansing by being identified and punished as the killer likewise becomes the cleansing of all Thebes.

Sixth, the hero's story is told in verse. That verse doesn't have to rhyme. Socrates [496 B.C.E.-406 B.C.E.] sets his play up as lines of verse. The lines don't rhyme. But the play is clearly a work of poetry, odes and music.

The aftermath of a civil war is the situation in Thebes as the play 'Antigone' begins. The young Theban King Eteocles dies in a bloody fight to the death with his twin brother, Polyneices. The cause of the bloodshed is Eteocles' refusing to honor the royal power sharing arrangement that he has with his co-sovereign, Polyneices.

Traditionally, Thebans respond to war by burying their dead and getting on with their lives. But there's a new twist here. The new monarch, Theban King Creon, decides to end the god given rights of all Thebans to proper Theban style burials. Without a word from the gods, or from their oracular representatives on earth, Creon decides only to respect the burial rights of those who die loyal to Thebes.

Such a decision splits families apart and puts neighbor against neighbor. But Creon is firm even though the decision affects his own royal household. To wit, Eteocles is buried with full Theban honors. But Polyneices is left to the criminal's fate of a corpse whose body is left, above ground, to the cruel workings of the weather and wildlife.

Unquestioning loyalty and obedience are one's duty to the state in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).

Specifically, that is the duty according to Theban King Creon. Creon feels that a ruler makes his own decisions without consideration of contrary opinions and with regard for impact on the populace. He argues that unanimous support for a ruler, as expressed by unquestioning loyalty and obedience, leads to a smooth sailing ship of state.

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No matter who you talk to, tell someone. Abuse can be emotionally painful, embarrassing and hard to talk about, but it rarely stops without some kind of intervention. Do the right thing for yourself and your family. Good luck.

Look in the phone book for helplines.

good luck

No, Creon does not announce his decision to kill himself after Haemon's death in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).

Specifically, Theban King Creon is devastated by the suicide of Prince Haemon, his only surviving child and heir apparent. He looks forward to death. But he makes no actual mention of taking his life.