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Writing: Plot and Setting

Elements of plot and setting include the flow of the story and where the story takes place. They are used in creative writing to inform the reader about the characters and to develop the conflict. Plot and setting are very important in story structure.

871 Questions

What is a good plot for a wolf story?

Any idea that is interesting enough to you will be a good idea. You cannot write a story or novel based on ideas that someone else invents - you won't be interested enough in the subject to be able to research and write anything that will actually sell. Plus, anonymous people on the internet have no idea how old you are, what your interests are, or how well you can write!

In order to write, you need a personal connection to the subject. Write about whatever you enjoy, or whatever you find interesting, and you will end up with your novel or story.

WikiAnswers is happy to help you learn how to write better. We will not do your writing for you by giving you ideas and paragraphs to copy.

Here are some more suggestions from WikiAnswers contributors:

• Write about what you know. A good idea for a first novel is to write your own personal story. Everyone has at least one novel in them waiting to be written.

• Observe the world around you. Anything interesting can be an idea for a story or novel.

• Research. The more you know, the more ideas you will have.

• Read stories and books that other authors have written in your chosen genre. This way, you can see how other people do things.

A story can be either plot driven, character driven, or both. Most are stories are both but one or the other usually takes precedence. Charles Dickens' novels are primarily character driven Ian Flemings' are plot driven (although all the plots are the same.) If you need a place to start - trying thinking up interesting characters who can be developed and evolved against an interesting plot, or think up a good crisis that characters can be illuminated through.

Is a character's nickname part of a setting?

A character's nickname can be considered as part of the setting if it is reflective of the cultural or linguistic elements within the story's world. Nicknames can give insight into character relationships, social dynamics, or historical context, contributing to the overall setting of the narrative.

What do writers rely on to give their story a specific setting?

They rely on their imagination. Your setting depends on two things: what you want the setting to be, and what the best setting for your particular story will be. Sometimes, the setting doesn't matter as much, and your story could be set anywhere - Star Wars could easily have been told about characters from different nations instead of from different planets, for example. However, sometimes one particular setting is the only one that will work for that story - if you're using Man vs. Nature, your setting must be somewhere that will challenge the characters physically and mentally.

Why is the setting of the story a major part of the plot?

The setting of the story can influence the characters' actions, shape the conflicts that arise, and contribute to the overall mood and atmosphere of the plot. It provides context for the events that unfold and helps establish the tone of the narrative. In some cases, the setting can even act as a character itself, impacting the story in significant ways.

If there is no plot is there structure?

Yes, a story can have structure without a traditional plot. Structure refers to the way a story is organized, such as through flashbacks, alternating perspectives, or thematic connections, even if there isn't a clear sequence of events leading to a resolution. In narratives without a plot, the structure can still create cohesion and meaning.

What does a classical plot structure look like?

A classical plot structure typically consists of five parts: exposition (introduction of characters and setting), rising action (building of tension and conflict), climax (turning point of the story), falling action (resolution of conflict), and denouement (conclusion and tying up loose ends). This structure helps to create a cohesive and engaging narrative.

What is the setting in the girl who owned a city?

The setting in "The Girl Who Owned a City" is post-apocalyptic, taking place in a world where all adults have died from a mysterious illness, leaving only children to fend for themselves. The story primarily unfolds in a city where a young girl named Lisa takes charge and tries to create a society that can survive in this new world.

How do you create a suspenseful mood in a short story?

Creating a feeling of suspense or tension is essential to keeping your readers turning those pages! Here are some tips you can use:

  • Show, don't tell! The fewer blocks of description or passive writing, the better. Avoid "info dumps" where you just toss down a blob of information - that's going to bring your story to a screeching halt and make it into a textbook. Instead, give your readers information by showing the characters doing things, by including realistic dialogue, and by action scenes.
  • Make your "danger" believable - you can have actual danger, such as an unexploded bomb or an impending train wreck; or you can have psychological danger such as loss of a job or spouse, or even loss of honor. The trick is to make whatever the danger is something that is important to the character - give him something that would devastate him if it occurred!
  • Throw something out of left field - include something unexpected to make the reader want to keep going. This doesn't have to be a huge thing, just don't write the same old cliche scenes that they've seen over and over. Think "What would people normally do in this situation?" and have your character do something different. Or imagine how that situation would normally play out, and make something unusual happen instead. You know those old cartoons where the safe falls on the character? Your readers would not expect him to step into an open manhole right before the safe lands!
  • Watch your pacing. You increase tension by shortening your words and sentences. Long sentences create a more relaxed mood, while short choppy ones make the scene more suspenseful.
  • Watch your pacing Part 2 - don't keep things at a fever pitch, though. Your characters and readers need some downtime after an action scene! Have the mood of your story vary from suspenseful to more relaxed in order to keep the tension higher.
  • Watch your time line - scenes which take place in a short amount of time (one night, an hour) are more suspenseful than scenes which take place over several days or weeks.
  • Throw in a "button" or "hook" at the end of each chapter - in order to keep your reader from closing the book and going to sleep when the chapter ends, toss in a bit of information that the characters do not know at the end of each chapter. This does not have to be a huge crisis, but it should be interesting enough to make the reader say "OK, just one more chapter," and turn the page.

What is the difference between a storyline and plot of a novel?

The plot of a novel refers to the sequence of events that make up the story. On the other hand, the storyline involves the overall narrative arc or direction of the plot, including how events are connected and contribute to the main themes or conflicts of the story. In essence, the plot is what happens in the novel, while the storyline is the underlying structure that ties it all together.

What is character vs character called?

the Harry Potter movies - Harry vs. Voldemort and the death eaters

OR

Twilight - good vs bad vampires (Edward vs. James) -twilight could also be considered an example of character vs self - since it's about Edwards decision to either keep seeing Bella or to leave forever - in New Moon, he then decides that he is weaker than he believed, and leaves - through out the books/movies, Edward is against himself, and keeps making personal decisions about Bella and the others around him.

What is a technique used in short stories to tell the plot quickly?

One technique used in short stories to quickly tell the plot is to focus on a single significant event or moment that drives the story forward. By starting in the middle of the action or conflict, the writer can immediately engage the reader and establish the key elements of the story efficiently. This allows for a concise and impactful narrative in a limited amount of space.

Are external conflicts of a story part of the plot?

Yes, external conflicts are an essential component of the plot in a story. They create tension, drive the narrative forward, and challenge the characters, leading to development and resolution. External conflicts can involve struggles with other characters, nature, society, or any external force outside the protagonist.

Can internal conflict and climax be the same thing?

Internal conflict and climax cannot be the same thing, because the climax of a story is part of an element of the plot diagram of a story whereas conflict is an element in and of itself of a story. The conflict creates the basis for the story. The climax is a certain part of the story where the climax reaches the point where it has to be resolved one way or another.

Does a short story typically has a less developed plot than a novel?

The plot is developed the same as a book -- but novels usually have more complicated plots and sub-plots just because they are longer. The writer has to have just as much development for both, though, in order to have a good story.

What questions about characters and motivation or plot does this story in your mind a story of an hour?

In "The Story of an Hour," some questions about characters and motivation could be: Why does Mrs. Mallard initially feel a sense of freedom and relief upon hearing the news of her husband's death? What drives her to later feel a deep sense of despair upon realizing her newfound independence might be lost? In terms of plot, one might question how Mrs. Mallard's sudden realization of her own desires and needs influences the story's direction and outcome.

What is the resolution of The Ambitious Guest?

"The Ambitious Guest" by Nathaniel Hawthorne is a short story that concludes with a landslide burying the house where the protagonist lived. The family was wiped out, but the guest's memory perseveres; highlighting the transient nature of ambition.

What happens during the climax of a story?

During the climax of a story, the conflict or tension reaches its peak, leading to the most intense moment of the narrative. This is where the main character faces the biggest challenge or makes a crucial decision that determines the outcome of the story. The climax is usually followed by the resolution, where loose ends are tied up and the story concludes.

How the opossum stole fire story elements plot structure?

The story of how the opossum stole fire is a traditional Native American legend that explains how opossum lost its fur and why possums have hairless tails. In the story, opossum steals fire from the gods to share with the animals, but as punishment, the gods remove his fur, leaving him with a bare tail. This tale often serves as a lesson about the consequences of greed or trickery.

What is a story element map?

A story element map is a visual tool that helps writers organize and plan the key elements of a story, such as characters, setting, plot, and themes. It can be a useful way to visually represent how these elements are interconnected and how they contribute to the overall narrative structure.

What is the significance of the title killings by Andre dubus as opposed to a title such as killers?

Strout kills Frank, Matt kills Strout. If it was tittled "Killers" then it would just be referring to those two. "Killings" leaves you open to the fact that there is more than people getting killed.

Which detail best establishes the gothic setting?

Without actually seeing whatever excerpt you've read, we can only guess at the correct answer. Gothic settings are usually spooky places set in the past or somewhere far away from modern civilization like cellphones and computers. The heroes need to be isolated for the gothic horror to work properly.

How can you find out if the setting is integral or Backdrop?

You can determine if the setting is integral or a backdrop by examining its relationship to the characters and plot. If the setting significantly influences the characters' actions and the story's development, it is integral. In contrast, if the setting serves as a background without impacting the narrative in a significant way, it is a backdrop.

Will you give me an example of a story and a plot diagram?

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What prominent parts do puddings or sausages play in the plot of the story get up and bar the door?

Puddings and sausages in the story "Get Up and Bar the Door" act as symbols of the couple's bet and their stubbornness. The wager centers around who will break their silence first to serve the meal, highlighting their pride and unwillingness to give in. The dispute over the food adds humor and tension to the narrative, underscoring the themes of domesticity and power dynamics within the household.

How do you start a stormy story?

To start a stormy story, set the scene with dark clouds gathering in the sky, the wind picking up, and distant thunder rumbling. Describe the tension and anticipation building as characters prepare for the impending storm. Use vivid language to create a sense of urgency and drama.