"Fat" oil paint is oil paint right out of the tube. Mixing it with an oil makes it even "fatter" and increases the length of time it takes to dry. Mixing it with turpentine makes it "lean" and it will dry faster.
A thicker, slower drying paint should be used after a thinner, faster drying paint to avoid cracking. In other words, "fat" over "lean".
Turpentine is a substance used to thin and clean oil-based paints, made from pine wood.
"Lean", I presume you mean "Just in Time" and not that all of the production employees are leaning against the wall because there is nothing for them to do... In lean production, you match your output to demand and keep less stock in the warehouse.
to lean = nish'an (נשען)
A volatile pungent oil distilled from gum turpentine or pine wood, used in mixing paints and varnishes and in liniment. Hope this helped!!
I assume you mean the white spirit used in dry cleaning, not clear alcoholic spirits. It is said to be less flammable than turpentine, but yes, it is still flammable.
Lean Mean Thirteen has 486 pages.
The homophone for lean is "mean".
Lean Mean Thirteen was created on 2007-06-19.
Well, that could be just about anything. But a common phrase using "lean and mean" is in reference to the US Marines who refer to themselves as "lean, mean fighting machines"
It you mean 'lean' as in without excessive fat, then fat or plump
It you mean 'lean' as in without excessive fat, then fat or plump
well, what do mean by what materials he painted on? I mean, painted with or painted on. most likely, in 16th c. Spain, and having been educated in Italy, Titian was painting on canvas, made of cotton or perhaps linen canvas, made of the fibers from the linseed plant, which also makes the main component of the oil painting medium. after stretching the canvas or linen, he would have sized the canvas with rabbit skin glue, in order to seal it from the harmful acidic qualities of the linseed oil, which otherwise would eat away over time at the organic fibers of the canvas. after sizing, a lead-based white paint, mixed with variable oil based mediums would be applied as a ground to the support. AT this point, the support is ready for any oil based mediums to be applied to it, including the underpainting layers of drawing and shading that might start a classical painting. The paint applied would start off with pigment mixed with a little linseed oil, a little Damar varnish and then a lot of turpentine. As the painting developed, less turpentine would be added to the mixture, eventually going from lean to fat, or turpentiney thinned color to fatty pure oily color.Answer 2:Titian did NOT work in Spain. He refused to go there and sent by ship to pain the paintings the Emperor commissioned.