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Why does Christine faint when the phantom shows her the manequin of her?
Wiki User
∙ 11y ago
It not the mannequin itself that frightens Christine, it is the wedding gown the mannequin is wearing. Christine is shocked, surprised, bewitched that the Phantom has asked her in his own unique way to marry him by using the mannequin that looks like her dressed in a wedding gown. The wedding gown is intended for her to wear at their wedding.
Wiki User
∙ 11y ago
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Is Christine in Phantom of the opera a real person?
Christine was seduced by the phantom, and loved what he represented... danger, passion, music, and a lost connection to her father. But as the play continues, Raoul enters and offers a secure relationship, one that is safer and more familiar, and the phantom's darkness and passion become increasingly dangerous and no longer appealing to her. At the masquerade, he pulls her engagement ring from her neck, in jealousy, and says "these chains are mine, you belong to me". As she is set up as bait in the trap to capture the phantom, she confesses to Raoul that she is scared, and if the phantom finds her she will be his forever. In the end, when the phantom drives her to make an extreme decision, marry him or he will kill Raoul, she sees the phantom's dark and dangerous side for what it is. She pities him, and hates him. She puts on the ring and kisses him once in an attempt to save Raoul; but then is suprised by the passion that she feels, and kisses him again. This is when the phantom finally sees himself for what he is, and loving Christine, he no longer wants her to stay with him. In their final encounter, she returns the ring that he has stolen from her neck to him, showing that she and is still bound to him, and watches the phantom as Raoul takes her away. Yes, she loved the phantom. Some of these answers are found in an interview with phantom producer, Austin Shaw: http://www.reallyuseful.com/rug/shows/phantom/newsDetail.htm?id=207
Who is the best Phantom of the opera- Colm Wilkinson Gerard Butler Howard Mcgillin Anthony crivello or Michael crawford?
It depends who you want to listen to of Andrew Lloyd Webber's The Phantom of the Opera.Michael Crawford- was the first Phantom, so his voices changes a lot from high to low, he has a fantastic voice, he is a baritone with a falsetto. In 1986 Crawford won an Olivier Award (Best Actor in a Musical). In 1988 a Tony Award from Broadway (Best Performance By An Actor in a Lead Role, Musical), an N.Y's Drama Desk Award. In 1989 a Los Angeles Drama Critics Circle Award for Distinguished Achievement in Theatre (Lead Performance). During the run of Phantom in Los Angeles, Crawford was asked to perform "The Music of the Night" at the Inaugural Gala for President George Bush in Washington, D.C., on 19 January 1989. At the gala, Crawford was presented with a birthday cake (it was his own 47th birthday). Crawford's interpretation is pleading to be loved and how he loves Christine.His performance can be seen on Youtube, CDs.Gerard Butler- his singing is over whelmed and over shadowed by Emmy Rossum and Patrick Wilson, he needs training and notice his weakness when sings with his co-stars. His able to bring across I am mad as hell I am not going lose Christine to Raoul. His performance is on film: Youtube, DVD, VHS and CDsColm Wilkinson- gives the role some disturbing pathos, alone, doomed feel, Christine you are my only hope to live. His rendition of "The Point of No Return" with Rebecca Caine is considered one of the definitive interpretations, as featured on compilation recording of Lloyd Webber's hits. Can be seen on Youtube, CDsHoward Mcgillin- he looks great in tux, but his singing well he wants to bring terror back into the Phantom he does a great job. He holds the record for the most performances by an actor in the role on Broadway, and was part of the musical when it became the longest-running production in Broadway history on January 9, 2006, and its twenty-first anniversary on January 26, 2009. He currently has more than 2,450 performances to his credit.. Can be seen on Youtube, CDsAnthony Crivello- He has the most amazing voice. His upper register is so beautiful. Accordingly to the Los Vegas Review Journal Anthony brings menace to the role with subtlety and balance, his phantom is with Phantom of the Opera Spectaculor in Los Vegas 2008. His singing is available on Youtube, CDS.Hugh Panaro-He is currently playing the Phantom on Broadway. He is noted for his hypnotic performance with a strong voice, he is worth the $75 a ticket. He has perfect diction of the Music of the Night, his pronoun-cation is commended. He comes across with elegant and fierceness when he is attacking Raoul. His singing is available on Youtube, CDs.John Cudia-He has a strong voice with a touch of menace as the Phantom. He gives a heart-breaking performance when he is rejected by Christine. His singing is available on Youtubes, CDs.Ramin Karimloo-He brings vitality to the role of the Phantom. He sings with perfection hitting every high note. He is recognized by fans of the show as it earned him a Theatregoers' Choice Award Nomination for Best Actor in a Take Over Role in 2007. Can be seen on Youtube, CDs, 25th London Anniversary DVD, VHS, CDs.Robert Guillaume - He replaced Michael Crawford in the Los Angeles 1990 Phantom of the Opera, he is the first and only African American to play the Phantom. He has a rich baritone voice, his singing blending well almost effortlessly with Dale Kristien's soprano voice. He had hard time filling the shoes of Michael Crawford's Phantom but in a few performance he commanded the show delighting the audience. His singing is only available on youtube. This could be not available at all.John Owen Jones- His singing of the Music of the Night is sensual, romantic. He sings without any struggle and effort, a stellar performance. In 2001, he was chosen to succeed Scott Davies in the title role in The Phantom of the Opera. He left the role on 26 February 2005, after three and a half years and nearly 1,400 performances, making him the longest running London Phantom. His last performance in this run was with Rachel Barrell as Christine. His singing is available on Youtube, CDs, 25th London Anniversary DVD, VHS, CDs.Anthony Warlow- He has the deepest voice almost a bass but his singing noted for the range tenor to baritone. He has a romantic but commanding performace with authority as the Phantom. He is the original cast of Australia and New Zealand. His singing is available on Youtube, CDs, 25th the London Anniversary DVD, VHS, CDs.Sarah Brightman-Christine-Her voice is wonderful, very rich and extremely High first Dramatic Mezzo-Soprano. She is famous for possessing a vocal range of over 3 octaves. 'The Phantom of the Opera', in which the role of Christine was written for her by Sir Andrew Lloyd Webber. Can be seen on Youtube, CDs, 25th London Anniversary DVD, VHS, CDs.Rebecca Caine- She was less of a hypnotised Christine and more of a Christine with both feet on the ground, although she was in awe of the phantom. She joined the original cast of Phantom of the Opera to play Christine opposite Michael Crawford as alternate (performing 2 shows a week) when original Christine Sarah Brightman left the show. Andrew Lloyd Webber, who greatly admired Caine's portrayal of Christine in the London production, also strongly suggested she take the role. At the time, Caine was very close to signing a contract to star in another West End show. She decided to move to Canada and joined the Phantom of Opera cast in 1989. She performed with Colm Wilkinson in the Canadian Original cast of the Phantom of the Opera. She is an opera and theatre singer. Can be seen on Youtube, CDs.Dale Kristien-She played Christine only in the Los Angeles 1989 with Michael Crawford, Steve Barton, David Gaines, Robert Guillaume who played the Phantom. She is Michael Crawford's favorite Christine. She has performed with Michael Crawford at his concerts. Can be seen on Youtube, CDs.Emmy Rossum-Christine-Second to first Soprano, her voice is not as high as Sarah Brightman but she comes across as naive and innocent. Can be seen on Youtube, DVD, VHS, and CDs
What is the theme for the phantom of the opera?
Themes Appearance and Reality The fact that The Phantom of the Opera takes place behind the scenes of the opera almost automatically draws readers' attention to the disparity between reality and appearances. Leroux gives backstage details, starting with the dancers who line up in the first chapter, gossiping, and continuing on to point out the backdrops and the business arrangements that few opera goers are allowed to see. Un-like most backstage stories, though, this novel also goes into details about the Paris opera house that few of the average workers would be aware of, such as the complicated system of tunnels underneath the building, with furnaces and prisons and hoards of rats and even a lake. Some of these details might be exaggerated from reality, but they are plausible as the reality of the novel. They clearly indicate that, as much as the sets and costumes create a false world on the stage, the opera house that visitors enter only reveals part of the story regarding what it takes to put on a grand spectacle. The phantom himself is also used as a symbol to represent the ways that reality and appearance differ. The most obvious example of this is, of course, the mask that he wears. When he is wearing his mask, Christine can believe that he is a poor, misunderstood man who has just not been given the attention he deserves. When he represents himself to her as the Spirit of Music, she responds to his musical gift and really does see him as angelic. Once she sees Erik without his mask, however, she is so horrified that she can never think fondly of him again. In addition to the phantom's looks, however, his whole existence is one big charade. He is greatly gifted, but his talents are in making voices seem to appear where no one is actually talking; in coming and going without being seen; in overhearing conversations that seem to be private; and in making people think that they see things that are impossible, as in when his torture chamber turns out to be a hall of illusions. He is known as a phantom for a reason: no one is ever really sure that he exists. Innocence The phantom's anger with the society that has rejected him is balanced in this novel with the simple innocence of the love between Christine Daaé and Raoul de Chagny. Christine's life story is surrounded by the sort of heartwarming and fantastic details that are common in fairy tales. Her father, for instance, is a kindly old soul and an incredibly talented musician. He fills her childhood with the sweet view of the world that is found in folk stories. Before he dies, he tells Christine that she will be watched over by the Spirit of Music, which at first serves to give her comfort but later, as is common with innocence carried into adulthood, causes her to fall victim to Erik, who uses his talent for ventriloquism to make her loyal to him. Mme. Valerius is another example of the innocence that surrounds Christine's life. She never questions that the younger woman is doing the right thing even when others doubt her, supplying a level of sweetness and naiveté that reflects on Christine's under-standing of the world. The romance between Christine and Raoul is particularly untouched by the harsher elements of reality. From their first meeting as children, when Raoul puts his life at risk in service to her as he swims out into the ocean to retrieve her scarf, to their chance meeting years later at the opera house when they recognize each other, they are true to each other. A few times, Raoul questions Christine about her purity, but he always accepts her word that such questions are misguided. Readers believe so firmly in the couple's innocence that, when the narrator has bystanders remark that it is scandalous for them to go into her dressing room together and close the door, it is the bystanders who seem ignorant of the reality of true love. Horror This book uses several standard horror elements to make the phantom threatening and mysterious. The most obvious of these is the opera house itself, with its high, shadowy ceilings and miles of tunnels beneath. When Raoul and Christine go up to the roof, they are among the swooping gables and heavy statuary that set the ominous mood in other works, such as The Hunchback of Notre Dame. In its cellars readers are introduced to fantastic sights that are hard to believe: legions of forgotten workers who never see the light of day or swarms of rats that are at the command of the Rat Catcher. The most distinct horror device is Erik's face. Though he is described as having a skin disease, its manifestation gives him the exact semblance of a skull, so that even as a young man he was able to travel to county fairs and bill himself as the living dead man. His eyes, too, are described as glowing in the dark, like a cat's. These details might be unlikely in the real world, but they are not at all out of place in a horror story. Topics For Further Study * Examine the history of the Paris Commune, which Leroux says lived in the jails upon which the Opera House was built. Find out how much the underground life led in the 1870s corresponds to the underground life that Raoul discovers while going to find the place where the phantom lives. * This story centers on the opera company's performance of Faust. Read a version of the Faust story and write a short play in which Erik and Faust meet, telling each other about their common experiences. * One of this story's conceits is that, through the use of ventriloquism, Erik is able to make it seem as if his voice is coming out of places that are far from where he is hiding. Prepare a report on ventriloquism: its capabilities, its shortcomings, and its greatest practitioners. In what ways would proficiency in ventriloquism help Erik in pretending to be the Opera ghost? * Study another opera house, either in person or on the Internet. Report on what areas behind and under the stage would be handy for this house to harbor its own phantom.
What is the Synopsis of the phantom of the opera musical?
The Phantom of the Opera is a very interesting book. I don't want to give it away for you in case you are going to read it, but some things you should know are: This book can be a bit confusing and hard to follow As much as I love the movie, the book is quite boring. There isn't much action as in the movie by Andrew Lloyd Webber, however it does have a lot of romance.
What was the purpose in creating phantom of the opera?
Gaston Leroux meant for it to be a horror/mystery novel, but he connected it to some real life events, such as the chandelier crashing. The Phantom of the Opera is believed to be based on a true story, meaning that there may have really been a disfigured genius who lived beneath the Opera House.
Who shows compassion in the novel the Phantom of the Opera and how they show it to another person?
Christine
What happens at the cemetery in The Phantom of the Opera?
Christine goes to have some "lone time" at her father's grave; the Phantom appears and begins to hypnotise her with music once more; Raoul appears, breaking her trance; he and the Phantom duel, and the Phantom is disarmed; Christine pleads for Raoul to spare his life; they leave and the Phantom declares war for both of them. Also at the end of the movie, we see Raoul going to Christine's grave. He sets a music box with a monkey on her grave. When he turns to leave he sees a rose with a black ribbon and a ring. It shows that the phantom was visiting her grave too. Sincerely, Phantomfreak6377
Did Raoul and Christine marry?
Christine and Raoul have a complicated relationship. Yes, she does love him. She just often does not show it because the Phantom forbids it. Raoul loves her and shows it, but that sometimes makes Christine act more like she doesnt love him because of the Phantom seeing and hearing. But ultimately, Christine does love Raoul.
Who actually killed the phantom?
No one. The 2004 film clearly shows the Phantom had lived even after Christine died at the age of 65. The Phantom probably died later of old age because he was older than Christine. In the original novel he died soon after Christine left with Raoul, and he (the Phantom) died of love, because he loved Christine so much but had to let her go.
How do you write themes for novel phantom of the opera?
The theme of the novel Phantom of the Opera is Beauty and the Beast. Phantom had a beautiful voice both speaking and singing, but outwardly he looked like a dead corpse. His soul was corrupted from all pain he endured for his appearance, been various freak shows for pennies, now living several cellars below an Opera House. Christine was beautiful outwardly and inwardly, she loved him despite his appearance and she had even kissed him to show he was loved. She was willingly marry to him, so he would not be lonely. Raoul although physically handsome, was jeolous of the Phantom, he even asked her, "If he was a handsome man, Christine, would you still love me?" Raoul was a childhood friend to Christine. She did not want Raoul to die under Phantom's cruelty that she was willingly sacrifice herself to stay with the Phantom. She kissed the Phantom. Once kissed, the Phantom realizes in how wrong he was to keep Christine as his prisoner. He could not offer Christine a proper life. He was dying. He sets her and Raoul free.
Will there be anymore tv shows for danny phantom after phantom planet?
no
When did Christine Daae die in Phantom of the Opera 2004?
10 years after the fire (in the end of Phantom of the Opera), Christine goes to New York to sing for the phantom. Meg is hurt by the betrayal that she feels for phantom. Intending to shoot herself, shoots Christine instead.This is in Andrew Lloyd Webber's "Love Never Dies". It is amazing, I recommend listening to the soundtrack or purchasing the DVD. It will be available May 29th.It never states in any version of Phantom of the Opera that I've seen/read how or WHEN she dies. Assuming you were asking about the 2004 version of Phantom of the Opera, Christine most likely died of old age.
My psp shows no light turning on and when you try to put it on hold it shows a faint light Can someone please tell you What is wrong and if it can be fixed?
You just have to charge your PSP. That "faint light" you see, is not a faint light, It's just a yellow thing letting you know that it is on hold.
Is Christine in Phantom of the opera a real person?
Christine was seduced by the phantom, and loved what he represented... danger, passion, music, and a lost connection to her father. But as the play continues, Raoul enters and offers a secure relationship, one that is safer and more familiar, and the phantom's darkness and passion become increasingly dangerous and no longer appealing to her. At the masquerade, he pulls her engagement ring from her neck, in jealousy, and says "these chains are mine, you belong to me". As she is set up as bait in the trap to capture the phantom, she confesses to Raoul that she is scared, and if the phantom finds her she will be his forever. In the end, when the phantom drives her to make an extreme decision, marry him or he will kill Raoul, she sees the phantom's dark and dangerous side for what it is. She pities him, and hates him. She puts on the ring and kisses him once in an attempt to save Raoul; but then is suprised by the passion that she feels, and kisses him again. This is when the phantom finally sees himself for what he is, and loving Christine, he no longer wants her to stay with him. In their final encounter, she returns the ring that he has stolen from her neck to him, showing that she and is still bound to him, and watches the phantom as Raoul takes her away. Yes, she loved the phantom. Some of these answers are found in an interview with phantom producer, Austin Shaw: http://www.reallyuseful.com/rug/shows/phantom/newsDetail.htm?id=207
Who is the nurse in bad teacher who shows her breasts?
Christine Smith
Why do teenage girls faint during rock shows?
Teenage girls faint during rock shows for many reasons. One such reason is because of cerebral vasoconstriction which is caused by standing for a long period of time.
What happened to Erik at the end of phantom of the opera?
Andrew Lloyd Webber's Musical Phantom of the Opera-At the end, the Phantom lets Christine go. Christine and Raoul actually leave the Phantom's lair together in the boat. The Phantom is left in his lair and is sitting in his throne and throws his cape over himself. When the mob enters the Phantom's lair they lift the cape but only his mask is there. The end.
