"Disney credited animator Webb Smith with creating the idea of drawing scenes on separate sheets of paper and pinning them up on a bulletin board to tell a story in sequence, thus creating the first storyboard."

Source: wikipedia.org/wiki/Storyboard

Angles gives more oppertunitys to portray fear, happines and such. It allows one to show things from different perspectives and not make the movie boring, like an old and bad TV-movie.

Actually, they don't need any. One option is to apprentice to an established director. And, there are two-year and four-year courses offered in cinematography, acting, sound design, and various forms of literary storytelling. All of these courses will help you as a director.

Concept: the underlying plot point that a film revolves around, eg. Trons concept is that it was set in a video game.

Robert Redford. It's named after his character in "Butch Cassidy and the Sundance Kid" (1969).

The Boom Operator on a movie set is a person who is the second in command in the Sound Department. Her/His duties include holding what is called a Boom Pole, which is a long fiber or aluminum pole, which typically has a shotgun mic affixed to the end, over the heads of the actors to pick up their dialog. The boom operator must be careful to keep the mic as close as possible to the people speaking, but out of view of the camera lens.

Other important duties of the boom operator including putting wireless mics on actors, wiring vehicles for sound, and "planting" mics around the set to pick up dialog and ambiance.

John Bailey says, "There is an element in film noir, in the way light and shadow is used in such extreme contrast, that is almost religious or spiritual or philosophical.

people loved silent films because, let's face it, there were no movies with sound in creation at the time, so the silent film was a big enough step into the future. it was like the ipad. when the first ipad came out, no one cared that there was no 3G, eveyone bought it because it was so cool and revolutionary. then when the ipad 2 came out, everyone thought the first one was obsolete and not as good. also with silent movies, when they first came out they were so cool and new everyone wanted to see one. once the invention of movies with sound was made, it made silent films look bad

Yes he does and it is very interesting they end up having babies

I dont beleive they have babies but that they just fall in love while Alex teaches Gia the trampoline tricks

An example of an auteur is Alfred Hitchcock, the reason behind this is that he uses the same visual style and types of cinematography in each of his films. He also has his own cameo roles in most of his films Hope it helps out x

== == well...you have to be technically capable of making a film. You have to have a clear idea of what you want your film to be...

Basically, you have to be able to take a story on paper (The script) and make it into a movie. If your just starting out, odds are, your gonna be doing a lot of jobs (i.e. Operating the camera, editing the footage, writing scripts) but if you get collaborators around with you, you'll be able to rely on them to help you make your film.

Also, some nice skills to have are...

- Technical understanding of Cameras/Cinematography

- Communication skill (So you can tell others (actors) what you want, and how you want it

- Commitment. If you ever want your movie to be finished, you have to completely committed to it getting done...or it won't

Knowledge in visual composition, writing, technical application, computers, and film in general. Personal skills needed are, organized, decisive, and management skills, because when a production is actually filmed, it is like an assembly-line of fragmented scenes all shot on a tight time schedule. A director needs to be organized, decisive, and have management skills because when a production is filmed, it is a series of fragmented scenes shot out of order and on a tight time schedule. A director is in charge of this assembly line, and in most cases answers to the producer. While not film producers or directors have earned degrees, but must have some sort of formal training, to understand the technical aspects of film making, equipment use or to make certain adjustments in angle or lighting to transform the image.

Quentin Tarantino was a high-school dropout and never spent a day in film school. A degree in journalism, communications, media or film will help. While earning your degree you can also work in local television which will give you experience, connections, and help pay the bills. Film and television are very related to each other. Directors usually have worked their way up doing physical production work. A degree in media, journalism or communications is very helpful. While earning your degree, you can also work in television at the same time and help pay the bills while in school. To see what I mean, read the article links. Hope this helps. Normally a degree in film, but there are other ways depending on your aspirations. The entertainment industry has many other opportunities to direct besides feature films.

i dont know and i dont care i just know you eat underwear

he was one of the earliest film special effects director or cinematographer . he used double exposures and substitution stop techniques to achieve many special effects that where revolutionary for the era of film he lived during.

There are lots of scopes in film makin spkn in technical sense, It is Bioscope and cinemascope... but, i reckon itz not ur question, You can really make a life out of it.. derz a lot of scope/demand for making films.. Promos, Tech videos, documentaries on almost eveythn', films for entertainment, motivation, for the sake of art, emotion and even physicalities.. Everybody needs 2 communicate and an effective movie like a brilliant theatrework iz a great way of communication... infact itz a huuuuge industry, Lots of different audience, different ppl 2 impress and at the same time u need 2b happy doin dat.. d way u feel 4 ur idea iz business here.. \m/

critics

In a single shot, probably, the director would film from below the hero's eye-line. In a shot with other actors, the hero could be elevated or be made to stand out in some other way.

cinema

yes he is a racist.. He likes to make racist movies. He can't said some of those stuffs in the movies in real life. he used to be a very insecure little man.

How do you get a licence to sell DVD movies?

In movies montages are used to show viewers things that have gone on in the past that might not have been shown on the screen. Montages are short shots that are put together. This is a good way to let viewers in on past family dynamics, or relationships.

1) The entire subject; usually referring to a person.

2) In a shot glass, 1 1/2 ounces of your favourite "poison". ;-)

I don't know. Personally, it sucked for me.

Yes.

We humans need stories like we need air. You can imagine strangers sitting in a film house watching a story being told, and liken it to human history that began with people sitting around a fire listening to stories.

Cinema is a universal medium for communicating, since it's a visual medium. There is no language barrier for laughter or tears and all the emotions in between.

Realism has become one of the most contested terms in the history of cinema. Cinematic realism is neither a genre nor a movement, and it has neither rigid formal criteria nor specific subject matter. Probably not, as realism has been an extremely useful concept for asking questions about the nature of cinematographic images, the relation of film to reality, the credibility of images, and the role cinema plays in the organization and understanding of the world. Realism, at the very least, has been a productive illusion.

In film history, realism has designated two distinct modes of filmmaking and two approaches to the cinematographic image. In the first instance, cinematic realism refers to the verisimilitude of a film to the believability of its characters and events. This realism is most evident in the classical Hollywood cinema. The second instance of cinematic realism takes as its starting point the camera's mechanical reproduction of reality, and often ends up challenging the rules of Hollywood movie making.