Franz Liszt

In the movie "Lisztomania," Franz Liszt is portrayed by the British actor Roger Daltrey. The film, directed by Ken Russell, was released in 1975 and features a unique blend of biographical elements and surrealism, showcasing Liszt's life and musical genius. Daltrey is best known as the lead singer of the rock band The Who, and his performance in this film adds a distinctive flair to the character of Liszt.

Franz Liszt's musical excerpts often showcase his virtuosic piano techniques and innovative compositional style. One notable example is the "Liebestraum No. 3," which features lyrical melodies and complex harmonies. Another significant work is the "Hungarian Rhapsodies," where Liszt incorporates folk themes and employs dramatic contrasts to evoke a sense of national identity. His excerpts are characterized by their emotional depth and technical brilliance, making them staples in the classical piano repertoire.

Franz Liszt did not literally steal a horse and carriage; this story is likely a myth or exaggeration stemming from his flamboyant personality and adventurous lifestyle. He was known for his dramatic performances and romantic escapades, which may have contributed to colorful anecdotes about him. Such tales often illustrate the artist's larger-than-life persona rather than factual events.

Herr Liszt is often portrayed as a passionate and dedicated individual, deeply committed to his art and the pursuit of musical excellence. His character embodies a blend of charisma and intensity, with a profound emotional depth that resonates through his performances. Moreover, Liszt is known for his generosity and willingness to support fellow musicians, reflecting a nurturing side that complements his artistic ambition. Overall, he represents a complex figure, balancing brilliance with sensitivity.

While Franz Liszt was alive (1811-1886), Hungary experienced significant political and cultural changes, including the push for national identity and independence from the Austrian Empire. The 1848 Hungarian Revolution sought to establish independence, but it was suppressed by Habsburg forces. Liszt, a prominent figure in the Romantic music movement, became a symbol of Hungarian nationalism through his compositions that incorporated Hungarian folk themes. His music and public persona contributed to the growing sense of Hungarian cultural identity during this tumultuous period.

In Liszt's "Waldesrauschen," the phrase "sin' al fine del pezzo" translates to "without stopping until the end of the piece." This instruction indicates that the performer should maintain a continuous sound or flow, likely suggesting that any pedal usage should sustain the music's expressiveness and fluidity right through to the conclusion of the work. It emphasizes the importance of connectivity in the phrasing and overall performance.

Franz Liszt, the renowned Hungarian composer and pianist, did not receive formal awards in the contemporary sense, as many music competitions and honors were not established during his lifetime. However, he was highly esteemed and recognized for his contributions to music, receiving accolades from various institutions and being made an honorary member of several musical societies. His legacy and influence in the world of classical music are celebrated, particularly through his innovative compositions and virtuosic performances.

"O lieb, O lieb, so lang du lieben kannst" is a song by Franz Liszt that expresses themes of love and the transient nature of life. The title translates to "O love, O love, as long as you can love," emphasizing the importance of cherishing love while it lasts. The lyrics convey a deep yearning and an acknowledgment of love's fleeting moments, urging listeners to embrace their emotions fully. Overall, it reflects Liszt's Romantic ideals, celebrating passion and the ephemeral beauty of relationships.

Herr Liszt dislikes storybooks in "The Boy in the Striped Pajamas" because he believes they are a waste of time and do not contribute to the boy's education or understanding of the world. He values practical knowledge and skills that will be useful in the real world, such as learning languages or history. Additionally, Herr Liszt may see storybooks as a distraction from the serious and somber reality of the time period, where focus should be on survival and practical matters rather than fictional stories.

new school

Bayreuth, Germany

He was inspired by the virtuosity of performers like Niccolo Paganini, and Friederic Chopin. Liszt tried to outdo their virtuosity, creating his own distinct performing style.

Paganini also inspired his piano etude "La campanella," where he used fragments of his Violin Concerto No. 2 in b minor

Franz Liszt's birth name is Ferenc Liszt.

Yes, he had many siblings including Kayla..he was old and creepy and had 2 affairs with married women..BAD BOY!

http://music5.163888.net/a462a4db933/2007/04/29/16/Music/46217134852.mp3

Liszt looked up to performers such as Niccolo Paganini and Frederic Chopin.

Liszt mounted productions of new operas by Berlioz, Verdi, and Schumann. He helped Berlioz and Wagner in their careers, conducting the first performance of Wagner's opera Lohengrin.

Liszt wrote more music for piano than any other instrument, however, he wrote a number of songs (for voice and piano), and syphonic pieces - his symphonic poems, for example - which were scored for full orchestra.

I don't think he wrote chamber music for other instruments - string quartet, piano trio, etc.

I have bought Liszts unrestored from $200 for an oak studio model to $900 for a pipe-top. Restored (to better than new, the kind of work I do) they fetch from $2900 to $3600. But I'm a highly-regarded restorer, and the country's foremost M&H organ expert.

Liszt composed prolifically, and a portion of his music is specific in it's inspiration and homage to his native land, Hungary. But much of Liszt's music is no more or less nationalistic than anyone else's.

I wouldn't call myself an expert, but I suspect if you can nail down his enormous output to one "most famous" piece, and original composition rather than adaptation of somebody else's music, it's probably the 2nd Hungarian Rhapsody in C sharp minor S244 No. 2. It's a tune that's been used quite a lot in pop culture - think of Looney Tunes cartoons, and I know it was used in Who Framed Roger Rabbit in the Dueling Piano scene (as played by Daffy and Donald Duck).

After that, perhaps the Mephisto Waltz No. 1, S514. The Mazeppa Transcendental Etude S139 No. 4 (also used in his orchestral symphonic poem No. 6) I would imagine is a better known tune as well. And finally, there's S525 Totentanz, in both an orchestra/piano and solo piano version.

Franz Liszt was most known for having exceptional skills as a pianist. He was very well known in Europe during his time in the nineteenth century. He was said to be the most technically advanced pianist for his age.