Hatshepsut

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Senenmut was, without doubt, the most important man in Hatshepsut's life. Twenty-five statues of Senenmut have so far been discovered, more than almost any other non-royal individual in the history of ancient Egypt. When Neferure was still a child, Hatshepsut's architect Senmut was her tutor. The actual nature of his relationship with Hatshepsut is unknown, but he was one of her strongest supporters, probably even one of her top advisers. During his career, he gained over 40 titles, including "chief architect." He disappeared some time before the end of Hatshepsut's reign, and it is unknown what actually happened to him. The architect Senmut designed the temple with rows of colonnades that reflect vertical patterns displayed by the cliff backdrop. In this way the temple is a successful example of architectural harmony between man and nature. A ramp connects the three levels of the temple, and on either side of the lower end of the incline were T-shaped papyrus pools. On the ground level the ramp was in antiquity lined with 200 sandstone statues of sphinxes with Hatshepsut's head. The third level is decorated with 22 life size statues featuring Hatshepsut in the Osirde shape. It was a matter of fashion.

In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating.

Speaking was a time when that became an issue. Historians say that her paintings were carved out because of religion problems. Maybe it was something she learned from Moises the Hebrew that she saves from the river.

After tutmoses 11 died, tutmoses 111 was too young to rule. She put on the fake beard and ruled with all his stricken.

Thutmose III was one of the most successful Egyptian pharaohs, known for his military campaigns. He expanded Egypt's borders, creating an empire that stretched from Syria to Nubia. He also initiated extensive building projects and is credited with advancing Egyptian art and architecture. Hatshepsut, the first female pharaoh, focused on trade and international diplomacy. She led successful military campaigns, built many impressive temples and monuments, and promoted economic prosperity during her reign.

Since Thutmose III was too young to assume the throne unaided, Hatshepsut served as his regent. Initially, Hatshepsut bore this role traditionally until, for reasons that are unclear, she claimed the role of pharaoh. Technically, Hatshepsut did not 'usurp' the crown, as Thutmose the III was never deposed and was considered co-ruler throughout her life, but it is clear that Hatshepsut was the principal ruler in power. He was her nephew.

In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs.

Her mummy has been studied for years. The mummy was found long ago but it was unidentified until 2014. They found a tooth in the organ jars and it was a match. Her mummy was found at last. Her mummy was found under the instruction of Dr. Hawass. But the tooth was not taken from the jar because they don't open those. Instead it was compared in x-rays. With all that, they don't know the type of blood the queen had.

Thutmose II died after a 15 year reign, making Hatshepsut a widow before the age of 30. Hatshepsut had no sons -- only a daughter, Neferure -- and the male heir was an infant, born to a concubine named Isis.

She builds the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri, The Obelisks of Hatshepsut and The Red Chapel. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exists a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down.

Her time or reign was 1508-1458 BC. Seven before that she served as a regent.

yes she did

She was pharaoh for 15 years, from 1473 to 1458 BC. Before becoming pharaoh, she ruled for several years with her half brother Thutmose II, who she had married, and then with his son Thutmose III.

Crete was a significant center of trade in the ancient Mediterranean, exporting goods such as olive oil, wine, pottery, and textiles. The island's fertile lands allowed for the production of high-quality olive oil, while its artisans created renowned ceramics and textiles. Additionally, Cretan merchants traded precious metals and agricultural products, contributing to the island's wealth and influence in trade networks.

Trade

He had 7-Amenmhat,Amentotep ii BEKETAMUN, Iset, Menkhepere, Meryetamun, Siamun :)

For the looks on the statues, she looks like a Nubian to me. And now that the Mummy was identified, for more reasons I say she looks like a Nubian. Identifying Hatshepsut in 2014, we could the age and the state and being of heath. She died of natural causes Hatshepsut was the longest reigning female pharaoh in Egypt, ruling for 20 years in the 14th century B.C. She is considered one of Egypt's most successful pharaohs. In recent years, scientists have speculated the cause of her death to be related to an ointment or salve used to alleviate a chronic genetic skin condition a treatment that contained a toxic ingredient. Testing of artifacts near her tomb has revealed traces of a carcinogenic substance. Helmut Wiedenfeld of the University of Bonn's pharmaceutical institute has asserted, "If you imagine that the queen had a chronic skin disease and that she found short-term improvement from the salve, she may have exposed herself to a great risk over the years."

they were women rulers

In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs.

villian

She builds the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri, The Obelisks of Hatshepsut and The Red Chapel. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs.

Her time or reign was 1508-1458 BC. She was the fifth pharaoh of the Eighteenth dynasty of Egypt.