Music Theory

Yes--

No sharps: C


1 sharp: G


2 sharps: D


3: A


4: E


5: B


6: F#


7: C#


Hope this helps! :D

In a c sharp major:

C#, E#, G#

In a c sharp minor:

C#, E, G#

Johann Sebastian Bach, composer of the Baroque Era -

Born - 21st March, 1685 in Eisenach, Germany

Died - 28th July, 1750 in Leipzig, Germany

It stands for forte-piano (refering to the expressive technique not the instrument) which means you hit the note hard (forte) and as suddenly as you can you die down to piano. It's quite common for a crescendo to follow a forte-piano.

A natural. If a natural is added before a note, then if that note is sharpened or flattened in the key signature, then for that one note that has the natural in front of it (and all of the rest of the same notes in the bar), it will not be sharpened or flattened.

Eg. If I was composing a song in the key of D Major (F# and C# in the key signature) and I wanted a normal F (not sharp), then I would add a natural in front of it. And for the rest of the song, all of the Fs would still be sharpened.

There were a lot of symphonies that extended their pieces to be incredibly long back when classical music was the thing. It's probably impossible to know for sure which was first.

When something is divisi you split the notes between two people or more of the same instrument.

ako ay nagtanim ng kapirasong luya tumubo ay gabe namunga ng mangga ng pipitasin koy hinog na papaya nalaglag sa lupa magandang dalaga

ito ay tunugang d menor

lento=very slow

adagio=slow

andante=moderately slow

moderato=moderately

allegretto=fairly fast

allegro=fast

presto/vivace=quite fast

prestissimo=very fast

African music has many functions, including a way of communication and also a way of celebration. Music in Africa is used at funerals, weddings and other important celebrations throughout the year. Music is also a way of bringing communities together, as the elders of the community teach the young people how to play instruments such as djembe drums just by playing to the young people. Music is passed on through generations by people learning by ear, there is no music involved.

You can get very good books on music theory in most bookstores or music stores... perhaps even the library. Music theory is not easy, however it is something you can teach yourself. You need a keyboard or something for note playing, but mostly, it's reading. You also need blank music sheets. You may be able to find a class in a junior college as well, or seek out a music teacher who tutors from a high school or college.... even a music theory student might be willing to teach you.

I also find that as you play instruments or sing, you learn some theory as you go along. Hearing the flavor of a theoretical idea (for example: pentatonic vs major scale, waltz vs. common time) is crucial to understanding and remembering. When you hear the difference, you've already learned it (though may not remember the name for it!).

aka the "C" clef ... the middle line is the note "C".

Most regular musical meters are either simple or compound meters. The term "simple" and "compound" refer to the natural divisions of the pulse within each measure.

In simple time, the pulse divides into two equal halves. Most music shows this by using quavers that divide into semi-quavers (or, quarter notes dividing into eighth notes). One would count the rhythm as 1 & 2 & 3 & 4 &. Simple time can consist of two, three, or four pulses (ie. 2/4, 3/4, or 4/4 time). In all cases, each main pulse or beat of each measure would naturally divide into two sub-pulses.

In compound time, the pulse divides into three equal portions. Most music shows this by writing each pulse as a dotted quaver (or dotted quarter note). Each dotted quaver divides into three equal semi-quavers, counted as 1 & a 2 & a.

Compound time can consist of two, three, or four pulses. These time signatures are written as 6/8, 9/8 or 12/8. In all cases of compound meter, the top number is a multiple of 3, because the number represents the number of groupings of 3 (6 = 2 groups of 3, 9 = 3 groups of 3, 12 = 4 groups of 3).

This bit of articulation in sheet music is called a tenuto. Notes marked with a tenuto are usually meant to be played at full length (or a bit longer if you are playing with rubato in some cases). Some people emphasize the note by playing it louder. Listen to a professional recording of the piece you are trying and see how the performer plays the note(s) marked with a tenuto.

It really depends on your time signature (that is what defines a beat as). In terms of the most common time signature 4/4, the note that has a rhythmic value of three beats is called a dotted half note.

Leonin, who worked in Paris during the second half of the 12th century, and Perotin, who continued after Leonin, developed polyphonic organum. This was a type of music composition the was developed into counterpoint.

Prior to organum, music was very simple, with a single melodic line, sung in unison. There were possible additions, such as a drone, which stuck to a single tone. Organum used the same melodic line duplicated in easy ways such as at an interval of a third or fourth above the main line. This was developed with increasing complexity until, with counterpoint, second and third melodic lines that were very different melodies were used simultaneously, related to each other in accordance with a set of rules developed for the purpose.

The notes in a g major scale:

G A B C D E F# G

Those two notes equal a dotted eighth note. In terms of beats, (assuming common time) then the eighth note gets a half a beat and the sixteenth note gets a quarter of a beat, so the two of them together get 3/4 of a beat.

A flat key is a key that has a flat on its tonic note. A sharp key is a key that has a sharp on its tonic note.

The proper musical term for a desired "smoothness" in a musical piece or movement in a composition is legato. Legato is an Italian word meaning tied together, which explains its use in the musical world.

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Everything goes down a line; so the B which normally has the midlle line cutting through it would have the one from bottom line going through it. This is very simple but takes a while to get used to. And of couse everything on the treble clef is octaves higher

If you mean a common f sharp triad on a piano, then they would be F sharp, A Sharp, and C sharp, any combination of the three.

The notes of the diatonic F sharp scale are F sharp, G sharp, A sharp, B, C sharp, D sharp and E sharp