James Naismith, originally from Al-monte, Ontario, invented basketball at the International YMCA Training School in Springfield, Massachusetts, in 1891. The game was first played with peach baskets (hence the name) and a soccer ball and was intended to provide indoor exercise for football players. As a result, it was originally a rough sport. Although ten of Naismith's original thirteen rules remain, the game soon changed considerably, and the founder had little to do with its evolution.
The first intercollegiate game was played in Minnesota in 1895, with nine players to a side and a final score of nine to three. A year later, the first five-man teams played at the University of Chicago. Baskets were now constructed of twine nets but it was not until 1906 that the bottom of the nets were open. In 1897, the dribble was first used, field goals became two points, foul shots one point, and the first professional game was played. A year later, the first professional league was started, in the East, while in 1900, the first intercollegiate league began. In 1910, in order to limit rough play, it was agreed that four fouls would disqualify players, and glass backboards were used for the first time. Nonetheless, many rules still differed, depending upon where the games were played and whether professionals, collegians, or YMCA players were involved.
College basketball was played from Texas to Wisconsin and throughout the East through the 1920s, but most teams played only in their own regions, which prevented a national game or audience from developing. Professional basketball was played almost exclusively in the East before the 1920s, except when a team would "barnstorm" into the Midwest to play local teams, often after a league had folded. Before the 1930s very few games, either professional or amateur, were played in facilities suitable for basketball or with a perfectly round ball. Some were played in arenas with chicken wire separating the players from fans, thus the word "cagers," others with posts in the middle of the floor and often with balconies overhanging the corners, limiting the areas from which shots could be taken. Until the late 1930s, all players used the two-hand set shot, and scores remained low.
Basketball in the 1920s and 1930s became both more organized and more popular, although it still lagged far behind both baseball and college football. In the pros, five urban, ethnic teams excelled and played with almost no college graduates. They were the New York Original Celtics; the Cleveland Rosenblums, owned by Max Rosenblum; Eddie Gottlieb's Philadelphia SPHAs (South Philadelphia Hebrew Association); and two great black teams, the New York Renaissance Five and Abe Saperstein's Harlem Globetrotters, which was actually from Chicago. While these teams had some notable players, no superstars, such as Babe Ruth, Jack Dempsey, or Red Grange, emerged to capture the public's attention as they did in other sports of the period. The same was true in college basketball up until the late 1930s, with coaches dominating the game and its development. Walter "Doc" Meanwell at Wisconsin, Forrest "Phog" Allen at Kansas, Ward "Piggy" Lambert at Purdue, and Henry "Doc" Carlson at Pittsburgh all made significant contributions to the game's development: zone defenses, the weave, the passing game, and the fast break.
In the decade preceding World War II, five events changed college basketball and allowed it to become a major spectator sport. In 1929, the rules committee reversed a decision that would have outlawed dribbling and slowed the game considerably. Five years later, promoter Edward "Ned" Irish staged the first intersectional twin bill in Madison Square Garden in New York City and attracted more than 16,000 fans. He demonstrated the appeal of major college ball and made New York its center. In December 1936, Hank Luisetti of Stanford revealed the virtues of the one-handed shot to an amazed Garden audience and became the first major collegiate star. Soon thereafter, Luisetti scored an incredible fifty points against Duquesne, thus ending the East's devotion to the set shot and encouraging a more open game. In consecutive years the center jump was eliminated after free throws and then after field goals, thus speeding up the game and allowing for more scoring. In 1938, Irish created the National Invitation Tournament (NIT) in the Garden to determine a national champion. Although postseason tournaments had occurred before, the NIT was the first with major colleges from different regions and proved to be a great financial success. The National Collegiate Athletic Association (NCAA) created its own postseason tournament in 1939 but did not rival the NIT in prestige for some time.
The 1940s saw significant changes for college basketball. Players began using the jump shot after Kenny Sailors of Wyoming wowed the East with it in 1943. The behind-the-back dribble and pass also appeared, as did exceptional big men. Bob Kurland at Oklahoma A&M was almost seven feet tall and George Mikan at DePaul was six feet ten inches. While Kurland had perhaps the better college career and played in two Olympics, he chose not to play professional ball, whereas Mikan became the first dominant star in the pros. Their defensive play inspired the rule against goal tending (blocking a shot on its downward flight). Adolph Rupp, who played under Phog Allen, also coached the first of his many talented teams at Kentucky in that decade. However, in 1951, Rupp and six other coaches suffered through a point-shaving scandal that involved thirty-two players at seven colleges and seriously injured college basketball, particularly in New York, where four of the seven schools were located. While the game survived, the NCAA moved its tournament away from Madison Square Garden to different cities each year and the NIT's prestige began to decline.
Professional basketball remained a disorganized and stodgy sport up until the late 1940s, with barnstorming still central to the game and most players still using the set shot. In 1946, however, hockey owners, led by Maurice Podoloff, created the Basketball Association of America (BAA) in the East to fill their arenas, but few fans came, even after Joe Fulks of Philadelphia introduced the jump shot. The BAA's rival, the National Basketball League, had existed since the 1930s, had better players, like Mikan of the Minneapolis Lakers, Bob Davies of the Rochester Royals, and Dolph Shayes of the Syracuse Nationals, but operated in much worse facilities and did not do much better at attracting audiences. In 1948, Podoloff lured the Lakers, Royals, and two other teams to the BAA and proposed a merger of the two leagues for the 1949–1950 season. The result was the National Basketball Association (NBA), with Podoloff its first commissioner. The seventeen-team league struggled at first but soon reduced its size and gained stability, in large part because of Mikan's appeal and Podoloff's skills.
Despite the point-shaving scandal, college ball thrived in the 1950s, largely because it had prolific scorers and more great players than in any previous decade. Frank Selvy of Furman and Paul Arizin of Villanova both averaged over forty points early in the decade, while Clarence "Bevo" Francis of tiny Rio Grande College in Ohio amazed fans by scoring 116 points in one game while averaging 50 per game for a season. The decade also witnessed some of the most talented and complete players ever. Tom Gola at LaSalle, Bill Russell at San Francisco, Wilt Chamberlain at Kansas, Elgin Baylor at Seattle, Jerry West at West Virginia, and Oscar Robertson at Cincinnati, all had phenomenal skills that have since been the measure of other players. And in 1960 one of the best teams ever, Ohio State, won the NCAA title led by Jerry Lucas and John Havlicek.
Professional basketball underwent major changes in the 1950s that helped increase its popularity. In 1950, Earl Lloyd, from West Virginia, played for the Washington Capitols and became the first African American to play in the NBA. In 1954, Danny Biasone, owner of the Syracuse Nationals, persuaded the NBA to institute the twenty-four-second shot clock, requiring a team to shoot within that time. This eliminated the slow pace that had long prevailed in the pros and made the NBA more exciting. Teams now scored one hundred points a game regularly. The league also now awarded foul shots when the other team received more than five personal fouls a period, greatly reducing the rough play that had hurt the pro game. In 1956, Red Auerbach of the Boston Celtics made the best deal in NBA history when he acquired the draft rights to Bill Russell, the defensive player and rebounder he needed to complement Bob Cousy and Bill Sharman in the backcourt.
With the addition of Russell, the Celtics became the best pro team ever, winning eleven of the next thirteen championship titles before expansion diluted the talent in the NBA. The St. Louis Hawks, with Bob Pettit, beat the Celtics in 1958, and the Philadelphia 76ers, with Chamberlain, beat them in 1967. But Russell, a player-coach for two titles, and his teammates formed the greatest dynasty in pro ball. Even the Los Angeles Lakers, who had moved from Minneapolis in 1960, with West and Baylor, were no match for the Celtics over these years. While West, Baylor, Chamberlain—who averaged over fifty points a game in 1962—and Oscar Robertson—who in the same year averaged a triple double per game in points, assists, and rebounds—were superior to any individual Celtic, no other team could consistently play defense, re-bound, and run with the Celtics.
College basketball also experienced tremendous growth and increasing racial diversity during the 1960s. While Russell, Chamberlain, Baylor, and Robertson were proof of the integration of college ball in most of the country, many teams from the South would still not play against black players. That changed in the 1960s. In 1963, Loyola College of Chicago, on its way to the NCAA title with four black starters, beat Mississippi State, which had refused to play against a team with a black player the year before. Three years later, Texas Western, with five black starters, beat Adolph Rupp's heavily favored all-white Kentucky team for the NCAA title. Thereafter, black players began to dominate basketball, a trend that has since become steadily more pronounced. While pro and college basketball have hired more black coaches and executives than any other sport, their numbers do not begin to match black players' contribution to the game.
The 1960s and 1970s also witnessed the amazing success of John Wooden's UCLA Bruins. In twelve years from 1964 on, the Bruins won ten NCAA titles. While five titles resulted from the dominance of Lew Alcindor (later Kareem Abdul-Jabbar) and then Bill Walton at center, Wooden won the other five with speed, a full court zone defense, and talented guards and forwards. Other coaches have also compiled excellent NCAA tournament records: Rupp at Kentucky; Dean Smith, another Phog Allen protégé, at North Carolina; Bobby Knight at Indiana; Denny Crum at Louisville; and Mike Krzyzewski at Duke. But Wooden and his Bruins remain unique. They also helped create the excitement that now surrounds the NCAA finals.
With the end of the Celtic dynasty, the NBA fell on relatively hard times in the 1970s. There were great play-ers, of course, like Alcindor with the Milwaukee Bucks, Walton with the Portland Trailblazers, Elvin Hayes with the Washington Bullets, Dave Cowens with the Celtics, Rick Barry with the Golden State Warriors, Willis Reed with the New York Knicks, and West and Chamberlain with the Lakers. But no new transcendent stars emerged. In addition, a number of players with drug problems hurt the league's image. Many felt that the rival American Basketball Association—which started in 1968 and had stars like Connie Hawkins, George Gervin, and the amazing Julius Irving—played a more exciting game. The ABA used a red, white, and blue-colored ball, allowed the three-point shot, and had a helter-skelter style. However, it folded in 1976, after which four of its teams joined the NBA.
College basketball, as usual, provided exciting players to revitalize the pros. In the late 1970s, Larry Bird, a marvelous shooter, passer, and rebounder, starred for Indiana State. In 1979, he played and lost in the NCAA finals to another superb player, Earvin "Magic" Johnson, a six foot nine inch guard for Michigan State. The next year, Johnson went to the Lakers and Bird to the Celtics, where they, with talented teammates, created a rivalry that reinvigorated pro basketball. Of equal importance was David Stern, who became commissioner in 1984. He facilitated a compromise between labor and management and helped the NBA become a global success.
Women's basketball also attracted a larger audience beginning in the 1970s with Anne Meyers of UCLA and Nancy Lieberman of Old Dominion as the first big stars. In the early 1980s, Cheryl Miller at USC and Lynette Woodard at Kansas, the first black stars, along with Carol Blazejowski at Montclair State, demonstrated the scoring and athleticism previously associated with men's ball. In 1982, the first NCAA women's tournament was held as the sport grew in popularity. In 1996, the American Basketball League began and the next year the WNBA, sponsored by the NBA, started. In late 1998, the ABL folded with some teams becoming part of the WNBA. The Houston Comets, with its superstar Cynthia Cooper, dominated the league.
College basketball has been very competitive and hugely successful since the Wooden era. Eighteen different teams won the NCAA tournament from 1976 to 2002, although most have been from the major conferences. Since then, the dunk, banned in 1968 to limit Alcindor, has been restored; the shot clock was introduced along with the three-point field goal; first-year students became eligible to play; and recruiting became more competitive among the big conferences. As with the pros, television has made college basketball available on many channels, all season long, with more money involved every year. Many fine teams have arisen: North Carolina, Kansas, Indiana, Georgetown, Duke, Louisville, Michigan, Kentucky, and the University of Nevada at Las Vegas. Increasingly, however, stars have turned pro after one or two years of eligibility and many high school standouts have begun forgoing college altogether. While this has precluded dynasties from developing, it has hurt continuity, hurt the quality of play, and may discourage enthusiasm for the college game.
The pro game enjoyed tremendous success up through the 1990s, thanks to players like Jabbar, Bird, Johnson, Isiah Thomas, Reggie Miller, Charles Barkley, Karl Malone, Patrick Ewing, and Hakeem Olajuwon—and, of course, the magnificent Michael Jordan. Jordan turned pro in 1984, leaving North Carolina early, and became an incredible scorer and a superlative defender for the Chicago Bulls, though it was not until 1991, with Scottie Pippen and Coach Phil Jackson, that the Bulls won a title. They then won five more titles in seven years to rank them near the Celtics. In the process, Jordan became the planet's most famous athlete and the NBA became a marketing phenomenon. Jordan retired in 1998, then returned in 2001, saying he had an "itch that needed to be scratched." Nonetheless, his playing seemed to have lost much of its luster, and despite the emergence of new stars, like Kobe Bryant, Vince Carter, Grant Hill, Allen Iverson, and Shaquille O'Neal, it remained unclear how popular the NBA will be in the years to come.
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—John Syrett