Share on Facebook Share on Twitter Email
Answers.com

Mary J. Blige

 
Who2 Profiles:

Mary J. Blige, Singer / Songwriter

Mary J. Blige
View Poster

  • Born: 11 January 1971
  • Birthplace: New York, New York
  • Best Known As: The "Queen of Hip-Hop and Soul"

A native of Yonkers in New York City, Mary J. Blige caught the attention of record promoters in 1992 and became one of the top hip-hop and soul performers by the end of the decade, known to her fans as "Queen Mary." Her career was helped by Sean "Puffy" Combs and her first record, What's the 411? (1992) was a commercial and critical success. Her next records were equally well-received, My Life (1994), Share My World (1997), The Tour (1998) and Mary (1999). One of the biggest R&B stars of the 1990s, she has worked with other recording artists Busta Rhymes, Lil Kim, DMX, Lauryn Hill and Elton John. Blige released her sixth album No More Drama in 2001.

Previous:Martin Van Buren (U.S. President), Marlon Brando (Actor)
Next:Mary McLeod Bethune (Educator / Activist), Matthew Broderick (Actor)
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics

singer; songwriter

Personal Information

Born Mary Jane Blige, January 11, 1971, in Yonkers, NY; daughter of Cora (a nurse) and a jazz musician; married Kendu Isaacs (a music producer), 2003.

Career

Worked various part-time jobs in late teens. Released albums, starting with 1992's What's the 411?. Appeared on The Jamie Foxx Show, 1998; film, Prison Song, 2000; performed in VH1's Divas Live concerts, 1999, 2001, 2002.

Life's Work

"Mary J. Blige has been called the inventor of New Jill Swing," Ron Givens wrote in Stereo Review in 1993. When the vocalist came to the public's attention the previous year, she became a magnet for the kind of superlatives music critics love to create. In an interview for the Source, Adario Strange described his subject as a "delicate ghetto-princess songstress," "the flower of the ghetto," and "the real momma of hip-hop R&B." In his Washington Post review of Blige's second album, Geoffrey Himes called her "the premier soul diva of the hip-hop generation." But more than anything else, the music media has crowned her the Queen of Hip Hop Soul.

Early Life Shaped Her

Part of the fuel for Blige's rocket to hip-hop stardom was her "street cred." She was born on November 11, 1971 in Yonkers, and grew up in the Schlobohm Housing Projects--or "Slow Bomb" projects as its residents called it. Blige's coming of age on the mean streets of the Bronx provided her with the "credentials" demanded by audiences who also grew up on city streets. Blige described the setting for Essence's Deborah Gregory, recalling that there "was always some sh** going on. Every day I would be getting into fights over whatever. You always had to prove yourself to keep from getting robbed or jumped. Growing up in the projects is like living in a barrel of crabs. If you try to get out, one of the other crabs tries to pull you down." The family, including Blige's older sister and two younger brothers, subsisted on her mother Cora's earnings as a nurse after her father left the family in the mid-1970s. "My mother made me strong," Blige told Strange. "Watching my mother struggle to raise us and feed us made me want to be a stronger woman," she continued.

Blige's environment also provided the sound and encouragement that first shaped her musical identity. A professional jazz musician, her father left his mark on Blige's ability to harmonize during the brief time he was present. Block parties in the Bronx taught her the rhythms and sampling styles created by the early hip-hop deejays. At home, her mother played a steady stream of R&B, soul, and funk, including Sam Cooke, Aretha Franklin, Stevie Wonder, Chaka Khan, and Gladys Knight. Blige sang regularly with her mother and sister in the choir at the House of Prayer Pentecostal Church, honing vocal skills and imbibing gospel. "We used to go to church all night. Everybody would be real good to us," Blige told Emil Wilbekin in a Vibe interview. She expanded on the experience for Essence's Gregory, remembering that she "felt so much better going to church every Sunday, just being there, testifying and just being kids. It was a lot of fun." By the time Blige was a teenager, she had solo spots in the choir and she made the rounds of local talent shows. Though she attended Lincoln High School--a school that specialized in the performing arts--studied music and participated in school sponsored talent shows, she dropped out of high school in the eleventh grade.

While she enjoyed singing, Blige did not expect to make her living at it and, like most teenagers in her position, helped bring in money with several part-time jobs. She told Allison Samuels of Newsweek, "People in church would say 'You should do something with your voice.' And I'd be like 'What? I am living in the projects in Yonkers. What am I going to do with my voice?'" Her first "demo" tape was, in fact, just a karaoke style recording made one night at a mall to entertain friends when she was 17. Before too long, however, the cover of Anita Baker's "Caught Up In The Rapture" found its way to Andre Harrell, an executive with Uptown Records: Blige's mother gave it to her boyfriend, who gave it to a friend, who gave it to R&B vocalist Jeff Redd. Redd passed it on, enthusiastically, to Harrell. On Harrell's initiative, Blige was brought onto Uptown's growing roster of young R&B talents. Sean "Puffy" Combs (later known as P. Diddy) became the young singer's mentor when the company began preparing her album.

Ushered in New Jill Swing

In 1992 What's the 411? introduced Blige's voice to audiences with a growing interest in the New Jack Swing take on R&B. The album not only fit neatly into that R&B revival, but also began to define it. Driven primarily by the single "Real Love," 411 reached double-platinum status after it sold more than two million copies in a short time. Its appeal crossed over from the R&B charts and entered the Top Ten on Billboard's pop chart. When Havelock Nelson gave the album an "A" in his Entertainment Weekly review in August of 1992, he began with the news everyone would soon know--that Blige was "the first diva to deliver frisky, fly-girl funk" and that she "conquers everything she tackles." He concluded that the album was "one of the most accomplished fusions of soul values and hip-hop to date."

Nelson described, in particular, how Blige took the then male-defined domain of New Jack Swing and remade it in her own image, kicking off the rage for New Jill Swing. She became known as the initiator of a new female incarnation of hip-hop. "Mary has become an icon of today's young Black nation," wrote the Source's Strange, "representing the feminine yet strong-willed woman that many young girls hope to be, and the sexy yet not too cute for a ruffneck girlfriend that many brothers from the hood long for." In April of 1993, Rolling Stone reviewer Steve Hochman noted that Blige had "become the role model for the new breed of strong hip-hop women." Strange dubbed her the "first true feminine hero of R&B lovin' ghetto residents." The singer commented on the phenomenon herself, telling Hochman, "I think I'm creating a style for women--a more feminine version of the way a lot of hip-hop guys dress now." As Strange noted, the impact of 411 showed up soon on other performers, as "baseball caps and boots suddenly became in vogue for female singers" and "divas everywhere demanded hip-hop tracks to back up their cubic zirconian efforts."

Attitude Turned Off Fans

The accolades was marred, however, by some bad publicity. It seemed to begin at the 1993 Soul Train Music Awards, where Blige accepted her award not in the expected glittering evening gown, but in standard street gear: jeans and a shirt. The public expressed its disapproval instantly: as the Source's Strange reported, "radio stations everywhere were flooded with phone calls from disgruntled fans." That incident occurred in the midst of other, less public, reports of bad behavior. Wilbekin recounted the history for Vibe, recalling that the "stories of tardiness, cancellations, and general lack of professionalism are endless. Mary was eight hours late to one magazine photo shoot, and threw a fit and walked out of at least one more. She conducted interviews where she did as much drinking as talking and acted like a zombie on national television. Then there was the concert in London where she was so out of it the crowd booed her off the stage."

It was only after the release of her second album that Blige was able to reflect on what might have fed her behavior at the time. She speculated that the attention had disconcerted her--that she had not been prepared, socially or professionally, for the kind of intense spotlight music celebrity creates. Harrell suggested to Wilbekin in Vibe that "the whole experience was overwhelming for her. She wasn't ready to be put under the microscope in that fashion." Friend and manager Steve Lucas told Gregory that "Mary got an undeserved bad rap because of what was going on around her-- the confusion, the lack of organization. When you communicate honestly with Mary, there aren't any problems. She's willing to cooperate and do whatever it takes to be successful. She's basically a very sweet, humble person." The difficulty of the situation was magnified, Blige admitted to Rolling Stone's Hochman, by her basic shyness. "I'm just not a very open person," she told him. "The most open I am is when I sing. I've always been kind of shy." On a more concrete note, she also felt there were problems with her management, which she changed before recording the second album. Combs was fired at Uptown and in 1993 started his own company, Bad Boy Entertainment, where Blige took her management business while still recording with Uptown.

Blige also pursued practical measures to prepare herself for the fresh onslaught of publicity that would accompany the second album: she enrolled with a public relations firm, Double XXposure, that trained artists to deal with the demands of public reputation. She worked extensively with the company's president, Angelo Ellerbee, whom she later credited with not just polishing her interview style, but changing her life more broadly. She told Wilbekin in Vibe that Ellerbee "gave me a totally new kind of life. There was a time when I wouldn't read nothin'," but Ellerbee sparked her interest in books her for the first time, introducing her, for example, to a novel by Zora Neale Hurston called Their Eyes Were Watching God.

When Uptown released My Life in 1994, it marked many changes for Blige, including the personal refining that turned around her public image. The vocalist also contributed lyrics for most of the songs; she had been writing before the debut album, but had little confidence in her skill as a lyricist. The sound of the music shifted also, due in part to the use of live horns and strings in place of the standard sampling, moving Blige deeper into the fusion of hip-hop and soul. Ultimately, all of the changes added up successfully for Blige and her producers: My Life debuted in December in the top position on Billboard's R&B album chart.

Shared Her World

In 1996, Blige released another album, Share My World. Along with the album, she sported a new attitude: self-love. She parted company from people who she felt were negative influences, including her producer and mentor, Combs, Deathrow Records president Suge Knight, and K-Ci of Jodeci fame, her on-again, off-again boyfriend. Her new attitude can also be traced to her renewed commitment to God. Blige spoke to Christopher John Farley of Time, "God comes first. If I don't love him, I can't love anybody. And if I can't love me, I can't love nobody."

Share My World also broadened Blige's horizons. She worked with producers Jimmy Jam and Terry Lewis, TrackMasters, and R Kelly. Though known for songs with strong hip hop beats, Share My World's songs were more mellow and showed Blige headed for mainstream R&B and pop. Amy Linden of People exclaimed, "Some might gripe that the overall sound is more polished than on her two previous multi-platinum CDs--and it is." The album also included the Babyface-produced and written song, "Not Gon' Cry," from the Waiting To Exhale soundtrack. The song became the jilted black woman's anthem.

Blige also continued to work on her image. In the beginning she did not care about her career or herself. During her interviews, Blige opened up and spoke about her lifestyle, which included using hard drugs. She told Kevin Chappell of Ebony, "I did a lot of stuff, things that a lot of girls wouldn't do, because of a lack of self-love. I did drugs, I did a lot. I did things, not just weed, but beyond...." Her finances also were not in order. She made both management and personal changes. "I'm a young lady now; with growing up comes a lot of responsibilities. So there are a lot of things that I have to do, and there are a lot of things that I can't do anymore.... I want to challenge myself more to see what comes out of it. Patience is a virtue to me," she was quoted as saying in Ebony.

In 1998 Blige headlined her own tour, and that summer she released a live album, called The Tour. "It was a great energy. And it's really at the concert; there are no studio tricks. I'm not afraid for the audience to hear my voice crack," she told Anita Samuels of Billboard. The album featured a medley of previous hits and two new covers. Blige also started her own label, Mary Jane Entertainment. She toured again as a headliner in The Mary Show in 2000 and appeared with Aretha Franklin on the annual VH1 Divas Live broadcast in 2001. With seemingly bottomless energy, Blige made her television acting debut on The Jamie Foxx Show in 1998.

More Mature Mary

Blige's next album, simply entitled Mary found Blige teaming up with legends such as Elton John, Stevie Wonder, and Aretha Franklin. Critics described the album as more mature, toning down the raunchier elements of her persona that had been evident since her debut and repositioning herself as a true soul singer. Mary was Blige's first attempt to truly shape her new image and the results were spectacular. The single "All That I Can Say" with Lauryn Hill hit the Billboard top ten charts and the album was nominated for both a Grammy and a Billboard Music Award.

Starting in 1999 and continuing on into 2000 and 2001, Blige has been very open and vocal about the path that her career and personal life took throughout the nineties and how hard she has worked to turn those around into something that she can be proud of. Blige talked of an abusive relationship that she finally realized she had to get out of before something serious happened to her. In an interview with Essence she says of the relationship, "When I looked back I knew I did the right thing, because if I didn't break out I was going to die. Somebody wanted me dead and subliminally it must have been me, because I drew someone to me who wanted to kill me." Blige has spoken at length about her new found faith in religion. Blige has openly said that it is God that has allowed her to make the changes that she has made in her life. In a Jet interview with Calerence Waldron, Blige said, "I'm trying to build my foundation on the wisdom, the Word, so that I will be able to pass on the right information to the universe. Because you get exactly what you put out there. I'm just happy with that."

One of the main regrets that Mary J. Blige has made public was the fact that she dropped out of high school before getting her diploma. Blige has repeatedly told interviewers that part of the reason that she was so careless with her money and her fame during her early career was due to the fact that she didn't have the proper education and didn't know how to properly invest her money or who she should trust. Blige studied with tutors and gained her Graduate Equivalence Degree (GED). Starting in 2000, Blige began touring schools, trying to convey the message that education was the most important thing and that students needed to stay in school. She told Jet, she emphasized to teens to " ... stay in school. Just be patient and pray. Finish school, finish high school. Don't drop out."

Blige continued to further her career and image with her 2001 release of her album No More Drama. This much-developed album with songs such as "Love," "Family Affair," and "No More Drama" earned her another Grammy nomination and secured Blige's place in the soul diva category. Blige attributed the popularity of the album to the fact that she herself is continuing on her in journey of self discovery and that her fans have turned the corner with her. In a Jet magazine interview, Blige says of No More Drama, "This album is a continuation of a turnaround. The Mary album was a cleanup. It was about cleaning up me. And this album? It's about solidifying and moving even further with the things I've learned and the strides I've made."

The positive reviews on Blige are endless. Geoffrey Himes, among others, paid particular tribute to Blige: "Blige may be a gospel-trained siren like older soul divas," he remarked in the Washington Times, "but these arrangements sound like no record ever made by Aretha Franklin, Diana Ross or Patti LaBelle. All the gooey orchestrations that have sugarcoated romantic crooners from Dinah Washington to Anita Baker are gone, leaving a skeletal rhythm track and a spectacular voice freed from all superfluous sentiment and ornamentation." J.D. Considine, of Baltimore's Evening Sun, noted that "Blige has more than surpassed expectations" and argued that as "good as the grooves are, it's her vocal work that ultimately drives these songs." Similarly, Himes declared her a "major voice of her generation."

She reunited with P. Diddy for Love and Life, in 2003. Also that year, she married music producer Kendu Isaacs. Blige won a Grammy award in 2004, with Sting, for Best Pop Collaboration with Vocals for their work, "Whenever I Say Your Name." In addition to making hit after hit, Blige continued to act. She has appeared in Prison Song, but it may be her last film as she explained in People, "I didn't like being on the set all day and doing scenes over and over.... I like performing more than getting up in the morning." Blige has lent her name and celebrity to support causes she believed in. She has appeared in ads for cosmetic company MAC's Viva Glam, lipstick, which raised money for the MAC AIDS fund. Blige has performed at three VH1's Divas Live concerts that helped raise money for the cable channel's Save the Music Foundation. Blige was also featured on Carson hair company's Dark & Lovely's permanent hair color box, named Red Hot Mary, after the singer.

As Sean Combs explained to Strange in the Source, Blige "represents all the honeys in the urban communities in Detroit, Harlem, Chicago, and Los Angeles that's growing up and going through regular every day things that are a part of hip-hop culture." Blige sums up herself the best. Though gifted with a beautiful voice, she lacked confidence in herself. Mary J. Blige has come through her growing pains into a mature young lady who cares about herself. She stated in Time, "You better believe that I give a damn now."

Awards

Soul Train Music Award, 1993; New York Music Award; NAACP Image Award; double-platinum album award for What's the 411?; Grammy nomination for Best R&B Album, 1995, 1999, 2002; Grammy award, Best Rap Performance by a Duo or Group, with Method Man, 1996; American Music Award, 1998; Soul Train Lady of Soul awards, 1997, 1998; celebrity spokesperson, MAC AIDS Fund, 2001, 2002; Grammy award, Best Pop Collaboration with Vocals (with Sting), 2004.

Works

Selected discography

  • What's the 411?, Uptown/MCA, 1992.
  • My Life, Uptown/MCA, 1994.
  • Share My World, MCA, 1996.
  • The Tour, MCA, 1998.
  • Mary, MCA, 1999.
  • No More Drama, MCA, 2001.
  • Dance for Me, MCA, 2002.
  • Love & Life, Geffen, 2003.

Further Reading

Periodicals

  • Atlanta Journal, November 29, 1994.
  • Billboard, January 16, 1993; July 25, 1998.
  • Boston Globe, December 15, 1994.
  • Dallas Morning News, April 4, 2002.
  • Ebony, January 1998; January 1999; June 2000.
  • Entertainment Weekly, August 7, 1992; November 20, 1992; December 3, 1993; November 25, 1994.
  • Essence, March 1995; November 2001.
  • Evening Sun, (Baltimore, MD), December 2, 1994.
  • Jet, November 29, 1999; August 28, 2000; September 18, 2000; October 1, 2001.
  • Newsweek, May 5, 1997.
  • People, December 5, 1994; May 19, 1997; July 17, 2000.
  • Rolling Stone, April 15, 1993.
  • Source, January 1995.
  • Stereo Review, April 1993.
  • Time, April 28, 1997.
  • Vibe, February 1995.
  • Washington Post, November 27, 1994.
Online
  • All Music Guide, http://www.allmusic.com (January 5, 2005).
  • "Mary J. Blige," MTV.com, http://www.mtv.com/bands/az/blige_mary_j/bio.jhtml (January 7, 2005).
  • Mary J. Blige Online, http://www.mjblige.com (January 5, 2005).
  • Rock On The Net, http://www.rockonthenet.com (January 5, 2005).
Other
  • Additional information for this sketch was obtained from Uptown Records.

— Ondine E. LeBlanc, Ashyia N. Henderson, and Ralph Zerbonia

Gale Musician Profiles:

Mary J. Blige

Top

Singer, songwriter

At a time when the mainstream music industry seems to be crumbling, Mary J. Blige has proven to be one of the music industry's few bankable stars. Enduringly popular, the sultry Bronx-born R&B singer-songwriter continues to make a difference with her music and as a leader in her community.

Stereo Review's Ron Givens wrote, "Mary J. Blige has been called the inventor of New Jill Swing." In his Washington Post review of Blige's second album, Geoffrey Himes called her "the premier soul diva of the hip-hop generation." But more than anything else, the music media has crowned her the Queen of Hip-Hop Soul. Blige's youth in one of New York's poorer neighborhoods—the Slowbam Projects in Yonkers—where she was born on January 11, 1971, provided her with the "credentials" demanded by audiences who also grew up on the city streets. Her family, including Blige's older sister and two younger brothers, subsisted on her mother Cora's earnings as a nurse after her father left the family in the mid-1970s. "My mother made me strong," Blige told Adario Strange in Source. "Watching my mother struggle to raise us and feed us made me want to be a stronger woman."

Blige's environment also provided the sound and encouragement that shaped her musical identity. A professional jazz musician, her father left his mark on Blige's ability to harmonize during the brief time he was present. Block parties in the Bronx taught her the rhythms and sampling styles created by the early hip-hop deejays. At home, her mother played a steady stream of R&B, soul, and funk. Blige sang regularly with her mother and sisters in the choir at the House of Prayer Pentecostal Church, honing vocal skills and imbibing gospel. By the time Blige was a teenager, she had solo spots in the choir and she made the rounds of local talent shows. Before she dropped out of school in the eleventh grade in about 1987, she had also participated in school shows.

While she enjoyed singing, Blige didn't expect to make her living at it, and like most teenagers in her position, she helped bring in money with several part-time jobs. However, a cover she made of Anita Baker's "Rapture" found its way to Andre Harrell, an executive with Uptown Records. On Harrell's initiative, Blige was brought onto Uptown's growing roster of young R&B talents. Sean "Puffy" Combs (later P. Diddy) became the young singer's mentor when the company began preparing her album.

What's the 411? Spurred R&B Revival
In 1992 What's the 411? introduced Blige's voice to audiences with a growing interest in the New Jack Swing take on R&B. The album not only fit neatly into that R&B revival, but also began to define it. Driven primarily by the single "Real Love," the album reached double-platinum status after it sold more than two mil- lion copies in a short time. It crossed over from the R&B charts and entered the top ten on Billboard's pop chart. When Havelock Nelson praised the album in his Entertainment Weekly review in August of 1992, he began with the news everyone would soon know; that Blige was "the first diva to deliver frisky, fly-girl funk" and that she "conquers everything she tackles." He concluded that the album was "one of the most accomplished fusions of soul values and hip-hop to date." Nelson described, in particular, how Blige took the then male-defined domain of New Jack Swing and remade it in her own image, kicking off the rage for New Jill.

Blige would become known as the initiator of a new female incarnation of hip-hop. Rolling Stone reviewer Steve Hochman noted that Blige had "become the role model for the new breed of strong hip-hop women." Strange dubbed her the "first true feminine hero of R&B lovin' ghetto residents." The singer commented on the phenomenon herself, telling Hochman, "I think I'm creating a style for women—a more feminine version of the way a lot of hip-hop guys dress now."

The applause was dimmed, however, by bad publicity, including at the 1993 Soul Train Music Awards, where Blige accepted her award not in the expected glittering evening gown, but wearing jeans and a shirt, causing an outcry of disapproval from fans. There were other less public reports of bad behavior. Emil Wilbekin of Vibe mentioned "stories of tardiness, cancellations, and general lack of professionalism," as well as drinking during interviews and performances. Blige herself admitted that she had not been prepared for the spotlight of celebrity status. She also felt there were problems with her management, and she took steps to make changes before recording her second album. Combs had moved out of Uptown and in 1993 started his own company, Bad Boy Entertainment, and Blige took her management business there while still recording with Uptown.

Blige also pursued practical measures to prepare herself for the fresh onslaught of publicity that would accompany the second album: she enrolled with a public relations firm, Double XXposure, that trained artists to deal with the demands of a public reputation. She worked extensively with the company's president, Angelo Ellerbee, whom she later credited with helping her change her life more broadly. She told Wilbekin that Ellerbee "gave me a totally new kind of life." Ellerbee even sparked her interest in books for the first time, introducing her, for example, to a novel by Zora Neale Hurston titled Their Eyes Were Watching God.

When Uptown released My Life in 1994, it marked many changes for Blige, including the personal refining that turned around her public image. The vocalist also contributed lyrics for most of the songs; she had been writing before the debut album, but had had little confidence in her skill as a lyricist. The sound of the music shifted also, due in part to the use of live horns and strings in place of the standard sampling, moving Blige deeper into the fusion of hip-hop and soul. Ultimately, all of the changes added up successfully for Blige and her producers. My Life debuted in December in the top position on Billboard's R&B album chart.

"Major Voice of Her Generation"
Geoffrey Himes, among others, paid particular tribute to Blige's new take on R&B in My Life: "Blige may be a gospel-trained siren like older soul divas," he remarked in the Washington Post, "but these arrangements sound like no record ever made by Aretha Franklin, Diana Ross or Patti LaBelle. All the gooey orchestrations … are gone, leaving a skeletal rhythm track and a spectacular voice freed from all superfluous sentiment and ornamentation." J.D. Considine, writing for Baltimore's Evening Sun, wrote that "Blige has more than surpassed expectations" and argued that as "good as the grooves are, it's her vocal work that ultimately drives these songs."

Blige's subsequent albums, Share My World (1997), The Tour (1998), and Mary (1999), brought new recognition for the singer. She earned a Grammy Award in 1996 for her rap performance with Method Man, followed by nominations in 1997 and 1998. She received Soul Train Lady of Soul awards in 1997 and 1998, and in 1998 received an American Music Award. Additionally, she toured as a headline act in 1998.

As the 1990s closed, Blige's self-generated strength reflected clearly in her subsequent projects, and she developed a new sense of social commitment, melding her career with worthy causes that concerned her deeply. The proceeds from her 2000 tour, The Mary Show, went to benefit One Hundred Black Men, Inc., of New York City, and in her capacity as spokesperson for MAC Cosmetics' Viva Glam III line, she was invited to appear at the United Nations General Assembly Hall for the Race Against Poverty Awards in 2000 and 2001.

Blige's career continued to see a resurgence during the early 2000s. Her first album of the decade, No More Drama (2001), featured tracks produced by Dr. Dre, Jimmy Jam, and Terry Lewis, among others, and she showed growth in her life and vocals with a more feel-good, upbeat message. A more straightforward R&B album, No More Drama included cover songs that paid tribute to her parents. The single "Family Affair," produced by Dre, was a major hit, and the album itself went triple platinum, selling nearly two million copies within six months of its release. A reworked "special edition" version of the album, released under the same name in 2002, sold an additional 1.1 million copies.

She reunited with Sean "P. Diddy" Combs for love & life in 2003, another upbeat release, which featured guest appearances by Jay-Z, 50 Cent, and Method Man, although critics gave it only mixed reviews. The album only sold about 944,000 copies, making it her lowest selling studio release. Blige's professional life continued to evolve, however, and her personal life saw growth as well, with a deep embracing of faith and a December 2003 marriage to Kendu Isaacs, a music industry insider who became her manager.

The Breakthrough Won Multiple Awards
In February of 2004 she shared the Grammy for Best Pop Collaboration with Vocals, for "Whenever I Say Your Name" with Sting. She received more honors for her next album, 2005's The Breakthrough, which employed 13 different producers. Another uplifting, self-assured album, it lived up to its title, immediately connecting with listeners. It sold about 727,000 copies in its debut week, helped by the strong hit single "Be Without You," which rode the R&B charts for an incredible 16 months. It was her first number one single on Billboard's Adult R&B chart in ten years. Clarence Waldron of Jet claimed that "The Breakthrough is the real Mary, and her fans can hear it." For the album, Blige won multiple BET Awards, American Music Awards, and Billboard Music Awards, as well as eight Grammy Award nominations.

Explaining Blige's appeal, Kevin Chappell of Ebony claimed that "Blige infatuates … an increasing number of people. Men adore her. Women respect her. Little girls want to be her. Singers want to sing like her. Her music has achieved legitimate crossover success. One of the few Black women in music to prove that she has staying power, Blige has moved to diva status, a level of superstardom that few ever achieve."

Also a Humanitarian
Continually working and refining her craft, Blige released Growing Pains in early 2008. Another number one album, it prompted Robert Christgau of Rolling Stone to comment: "Growing Pains is an edgier record than The Breakthrough, but Blige has definitely lost or just outgrown the brassy urgency of her twenties. Then, her confessions had the feel of painful late-night outbursts: these days, they sound more like she's had a lot of therapy."

Therapy or no, Blige has worked obsessively to stay on top of her profession and to provide service to the less fortunate. When she isn't touring with the likes of Jay Z, Alicia Keyes, and others, the superstar/ businesswoman acts as spokesperson for Carol's Daughter beauty products (her mother's company) and is the co-founder and spokesperson for the Mary J. Blige and Steve Stoute Foundation for the Advancement of Women Now, Inc. On FFAWN's Web site, former project-kid-turned-superstar Blige said that she and Stoute created the organization "because I believe every young woman, if given encouragement and a helping hand (a hand filled with resources), can reach her greatest potential. It is my hope that FFAWN will be a vehicle to help other women reach greater heights despite their environment, despite low self-esteem, despite their immediate circumstances."

Selected discography
What's the 411?, Uptown/MCA, 1992.
My Life, Uptown/MCA, 1994.
Share My World, MCA, 1997.
The Tour (live), MCA, 1998.
Mary, MCA, 1999.
No More Drama, MCA, 2001.
Ballads, Polygram, 2001.
No More Drama (special edition), MCA, 2002.
Dance for Me, MCA, 2002.
love & life, Geffen, 2003.
The Breakthrough, Geffen, 2005.
Reflections (A Retrospective), Geffen, 2006.
Growing Pains, Geffen, 2007.
Soul is Forever: The Remix Album, RGS, 2008.

Sources
Periodicals
Atlanta Journal, November 29, 1994.
Billboard, January 16, 1993; August 9, 2003; January 7, 2006; February 4, 2006; December 16, 2006.
Boston Globe, December 15, 1994.
Ebony, August 2002; March 2004.
Entertainment Weekly, August 7, 1992; November 20, 1992; December 3, 1993; November 25, 1994.
Essence, March 1995; April 2001.
Evening Sun (Baltimore, MD), December 2, 1994.
Hollywood Reporter, February 7, 2002.
Interview, September 2001, p. 164.
Jet, July 3, 2000; October 16, 2000; December 25, 2000; October 1, 2001; September 1, 2003; January 23, 2006; July 17, 2006; December 11, 2006; December 25, 2006.
Music Week, December 16, 2006.
Newsweek, August 25, 2003.
People, December 5, 1994.
PR Newswire, October 12, 2000; February 12, 2001; March 13, 2001; April 10, 2001.
Rolling Stone, April 15, 1993.
Source, January 1995.
Stereo Review, April 1993.
Vibe, February 1995.
Washington Post, November 27, 1994.
WWD, December 12, 2005.

Online
"The Continuing Drama of Mary J. Blige," Rolling Stone.com, http://www.rollingstone.com/news/story/9447919/the_continuing_drama_of_mary_j_blige">http://www.rollingstone.com/news/story/9447919/the_continuing_drama_of_mary_j_blige (March 10, 2006).
E! Online, http://www.eonline.com (November 26, 2003).
"Growing Pains review," Rolling Stone.com, http://www.rollingstone.com (December 13, 2007).
"Mary J. Blige," All Music Guide, http://www.allmusic.com (June 16, 2008).
"Mary J. Blige," Internet Movie Database, http://www.imdb.com (June 16, 2008).
"Mary J. Blige," Mary J. Blige and Steve Stoute Foundation for the Advancement of Women Now, http://www.ffawn.org (June 22, 2008).
"Q&A: Mary J. Blige," Rolling Stone.com, http://www.rollingstone.com/news/story/13153301/qa_mary_j_blige (January 25, 2007).
Additional information for this profile was obtained from Uptown Records publicity materials.
  • Genres: Rhythm & Blues

Biography

When her debut album, What's the 411?, hit the street in 1992, critics and fans alike were floored by its powerful combination of modern R&B with an edgy rap sound that glanced off of the pain and grit of Mary J. Blige's Yonkers, New York childhood. Called alternately the new Chaka Khan or new Aretha Franklin, Blige had little in common stylistically with either of those artists, but like them, she helped adorn soul music with new textures and flavors that inspired a whole generation of musicians. With her blonde hair, self-preserving slouch, and combat boots, Blige was street-tough and beautiful all at once, and the record company execs who profited off of her early releases did little to dispel the bad-girl image that she earned as she stumbled through the dizzying first days of her career. As she exorcised her personal demons and softened her style to include sleek designer clothes, she remained a hero to thousands of girls growing up in the same kinds of rough places she came from. Blige reinvented her career again and again by shedding the bad habits and bad influences that kept her down; by the time her fourth album, Mary, was released in 1999, she had matured into an expressive singer able to put the full power of her voice behind her music, while still reflecting a strong urban style. With her fifth album, No More Drama, it wasn't just Blige's style that shone through the structures set up for her by songwriters and producers, it was her own vision -- spiritual, emotional, personal, and full of wisdom, it reflected an artist who was comfortable with who she was and how far she had come.

Born in the Bronx on January 11, 1971, Blige spent the first few years of her life in Savannah, Georgia before moving with her mother and older sister to the Schlobam housing projects in Yonkers, New York. Her rough life there produced more than a few scars, physical and otherwise, and Blige dropped out of high school during her junior year, instead spending time doing her friends' hair in her mother's apartment and hanging out. When she was at a local mall in White Plains, New York, she recorded herself singing Anita Baker's "Caught Up in the Rapture" into a karaoke machine. The resulting tape was passed by Blige's stepfather to Uptown Records CEO Andre Harrell. Harrell was impressed with Blige's voice and signed her to sing backup for local acts like Father MC. In 1991, however, Sean "Puffy" Combs took Blige under his wing and began working with her on What's the 411?, her debut album. Combs had a heavy hand in What's the 411?, along with producers Dave Hall, Mark Morales, and Mark Rooney, and the stylish touches that they added to Blige's unique vocal style created a stunning album that bridged the gap between R&B and rap in a way that no female singer had before. Uptown tried to capitalize on the success of What's the 411? by issuing a remixed version of it a year later, but it was only a modest success creatively and commercially.

Her 1995 follow-up, My Life, again featured Combs' handiwork, and if it stepped back stylistically from its urban roots by featuring less of a rap sound, it made up for it with its subject matter. My Life was full of ghetto pathos and Blige's own personal pain shone through like a beacon. Her rocky relationship with fellow Uptown artist K-Ci Hailey likely contributed to the raw emotions on the album. The period following the recording of My Life was also a difficult time professionally for Blige, as she severed her ties with Combs and Uptown, hired Suge Knight as a financial advisor, and signed with MCA.

Released in 1997, Share My World marked the beginning of Blige's creative partnerships with Jimmy Jam and Terry Lewis. The album was another hit for Blige and debuted at number one on the Billboard charts. Critics soured somewhat on its more conventional soul sound, but Blige's fans seemed undaunted. By the time her next studio album, Mary, came out in 1999, the fullness and elegance of her new sound seemed more developed, as Blige exuded a classic soul style aided by material from Elton John and Bernie Taupin, Stevie Wonder, and Lauryn Hill. Mary made it obvious that the ghetto fabulous style and more confrontational aspects of her music were gone, while the emotive power still remained.

That power also helped carry the more modern-sounding 2001 release No More Drama, a deeply personal album that remained a collective effort musically yet reflected more of Blige's songwriting than any of her previous efforts. The Mary J. Blige on No More Drama seemed miles away from the flashy kid on What's the 411?, yet it was still possible to see the path through her music that produced an older, wiser, but still expressive artist. In 2003 she was reunited with P. Diddy, who produced the majority of that year's patchy Love and Life album. The Breakthrough followed two years later and was a tremendous success, spawning a handful of major singles. By the December 2006 release of Reflections (A Retrospective), The Breakthrough's lead single, "Be Without You," had spent nearly a year on the R&B chart, while the album's fifth single, "Take Me as I Am," had been on the same chart for over four months. A year later Blige came out with her eighth studio album, Growing Pains. It was her third consecutive studio album to top both the Billboard 200 and the R&B/Hip-Hop Albums charts. While on tour with Robin Thicke during 2008, Blige began working on Stronger with Each Tear, which was released near the end of the following year and came one spot short of topping the Billboard 200. My Life II...The Journey Continues (Act 1), previewed through the Eric Hudson-produced single "25/8," followed in 2011 with appearances from Beyoncé, Drake, Rick Ross, and Busta Rhymes. ~ Stacia Proefrock, Rovi
Wikipedia on Answers.com:

Mary J. Blige

Top
Mary J. Blige

Blige performing at the Raggamuffin Music Festival in January 2011.
Background information
Birth name Mary Jane Blige
Born January 11, 1971 (1971-01-11) (age 41)
The Bronx, New York, U.S.
Origin Yonkers, New York
Genres R&B, soul, gospel, hip hop
Occupations singer-songwriter, record producer, actress
Instruments Vocals
Years active 1989–present
Labels Uptown / MCA (1989–1996)
MCA (1997–2002)
Matriarch / Geffen (2003—present)
Associated acts Nas, The Notorious B.I.G., Method Man, Monica
Website mjblige.com

Mary Jane Blige (play /ˈblʒ/; born January 11, 1971) is an American singer, songwriter, record producer and occasional actress. She is a recipient of nine Grammy Awards and four American Music Awards, and has recorded eight multi-platinum albums. She is the only artist with Grammy Award wins in Pop, Rap, Gospel, and R&B.

Blige started her musical career in 1992, releasing her debut album, What's the 411? on MCA Records and Uptown. With her tenth album, My Life II... The Journey Continues (Act 1) (2011), she had ten consecutive albums debut in the top 10 on the Billboard 200. Blige's work has defined the course of R&B/Hip-Hop music. My Life, in particular, is considered among the greatest albums ever recorded according to Rolling Stone (279/500),[1] Time,[2] and Vibe. For her part in combining hip hop and soul in the early 1990s and its subsequent commercial success, Blige received the World Music Awards "Legends Award". In 2007 the American Society of Composers, Authors and Publishers awarded her its "Voice of Music" Award. ASCAP official Jeanie Weems stated that "[Blige's] music has been the voice of inspiration to women worldwide in both struggle and triumph."[3] That same year, Time included her in its "Time 100" list, a collection of the year's 100 most influential individuals around the world.[4]

As of 2011, Blige has sold over 50 million albums and 15 million singles worldwide.[5] Billboard Magazine ranked Blige as the most successful female R&B artist of the past 25 years.[6] The magazine also lists her 2006 song "Be Without You" as the top R&B song of the 2000s, as it spent an unparalleled 15 weeks atop the Hot R&B/Hip-Hop Songs chart.[7] In 2011, Vh1 ranked Blige as the 80th greatest artist of all time.[8] Moreover, she is ranked number 100 on the list of "100 greatest singers of all time" by Rolling Stone magazine.[9]

Blige also earned high remarks for her work in film and fragrance. She starred in the 2009 Tyler Perry box-office hit I Can Do Bad All By Myself and will play a lead role in the film Rock of Ages, which is set to be released to theaters in 2012. She is a recipient of two Golden Globe Awards nominations for her musical contributions to the films Bobby and The Help, and is a 2012 front-runner for the Academy Award for Best Original Song after making the category's short-list with "The Living Proof". Blige is named to play music icon Nina Simone in the upcoming biopic Nina.[10] In partnership with the Home Shopping Network (HSN) and Carol's Daughter, Blige released her "My Life" perfume. The perfume broke HSN records by selling 65,000 bottles during its premier.[11] The scent went on to win two FiFi Awards, including the prestigious "Fragrance Sales Breakthrough" award.[12]

Contents

Career

What's the 411? (1992–1993)

Production for Blige's debut album began in 1992, with Sean "Puffy" Combs, who was at the time a 19-year-old A&R executive at Uptown, selected as the executive producer of the project. When first introducing Mary J. Blige to Uptown Executives at a convention, Sean Combs originally nicknamed Blige the "Queen of Ghetto Love". However, Andre Harrell, Combs's supervisor, found the name unsatisfactory and subsequently dubbed her the "Queen of Hip-Hop Soul".

Establishing Blige's niche in R&B became the paramount goal for Sean Combs. Given the fact that most female R&B acts during that time were very glamorous and refined, Combs purposely molded Blige into the exact opposite so as to underscore her uniqueness and maintain her connection to her urban roots. From her fashion style to her sound, Blige was completely different from most female artists in the early 1990s. Baseball caps, combat boots, and baggy clothes constituted her signature style. In regards to her music, on July 28, 1992, Uptown Records released What's the 411?. Blige's inaugural album ushered in a new era and genre of R&B music. Blige's raw and gritty sound was utterly antithetical to that of pop icons Whitney Houston, Mariah Carey, and Janet Jackson. Her East Coast hip hop, Northern Urban City-influenced sound became the blueprint for artists such as Faith Evans, Aaliyah, TLC, Destiny's Child, Monica, Ashanti, Pink, and Keyshia Cole.

"You Remind Me", the album's first single, peaked at number one on the R&B singles chart that summer. The second single, "Real Love", was released in the fall. It too topped the R&B singles chart, and became Blige's first top ten Hot 100 single, peaking at number seven. Both singles were certified gold for their sales volume. More What's the 411? singles followed into 1993, including "Sweet Thing", a cover of Rufus's "Sweet Thing", and "Love No Limit". By the end of the year, What's the 411? had sold three million copies. Blige, meanwhile, released a hip hop single "You Don't Have to Worry". After the success of What's the 411, Sean "Puffy" Combs hailed the singer as "the queen of hip-hop soul". [13] The album's success spun off What's the 411? Remix, a remix album released in December that was used to extend the life of the What's the 411? singles on the radio into 1994, as Blige recorded her follow-up album. With combined sales of over 5 million albums and singles from her debut album, Blige was the best selling female artist on the Uptown label.

My Life (1994–1996)

On November 29, 1994, Uptown Records released Blige's second album, My Life which was again overseen by Combs who also produced more than half of the album along with Washington DC native Carl "Chucky" Thompson (despite his having recently left the label), who, with Combs, co-produced all but one of the album's tracks, and took over as Blige's manager. Unlike What's the 411?, Blige co-wrote a large body of the material, basing it on her personal life. In its first week, My Life debuted at number seven on the US Billboard 200, and debuting at number one on the Top R&B/Hip-Hop Albums chart, for an unprecedented eight consecutive weeks. The album received critical praise for Combs' production, Blige's songwriting and vocals, and today, is still regarded as one of the best albums in Blige's discography. In 2003, the album was ranked at #279 on the The 500 Greatest Albums of All Time by magazine Rolling Stone. In late 1995, Blige topped the Billboard Year-End chart toppers as Top R&B Album, Top R&B Album Artist, Top R&B Album Artist - Female, and Top-Hot Dance Maxi-Single Sales (for her collaboration with Method Man on "All I Need").

"Be Happy", the album's lead single, peaked at number 29 and number six on the Hot 100 and R&B singles chart, respectively. In early 1995, it was followed up with a cover of Rose Royce's 1976 hit "I'm Goin' Down", which became her first top 20 hit in the UK, peaking at number 12, it also reached number 22 and number 13 on the Hot 100 and R&B singles chart. Other My Life singles include "You Bring Me Joy" and "I Love You". "Mary Jane (All Night Long)" and "My Life" received heavy radio play, despite never being officially released as singles apart from the UK, where "Mary Jane (All Night Long)" became Blige's second top 20 hit from the album there. My Life was eventually certified triple platinum. In spite of its success and her growing fame, Blige later admitted that she was simultaneously dealing with long time bouts of drug addiction, alcoholism, and depression, as well as an abusive relationship with then-boyfriend K-Ci Hailey of Jodeci.

Blige involved herself in several outside projects, recording a cover of Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" for the soundtrack to the FOX series New York Undercover, and "Everyday It Rains" (co-written by R&B singer Faith Evans) for the soundtrack to the hip hop documentary, The Show. That summer she collaborated with rapper Method Man on his song, "I'll Be There for You/You're All I Need to Get By". Later in the year, she recorded the Babyface-penned and produced "Not Gon' Cry", for the soundtrack to the motion picture Waiting to Exhale. The platinum-selling single rose to number two on the Billboard Hot 100 and number one on the Hot R&B/Hip-Hop Songs in early 1996, and became her biggest commercial hit at the time. Blige gained her first two Grammy nominations, won her first – 'Best Rap Performance by a Duo or Group' for her collaboration with Method Man. My Life was also nominated for Best R&B Album, but lost to TLC's CrazySexyCool. In addition, My Life received a nomination for the 1996 American Music Awards for "Favorite Soul/R&B Album".

Throughout 1996, Blige appeared in collaborations with Ghostface Killah, on their co-written single, "All That I Got Is You", though in the video, Blige was replaced by Wu-Tang affiliate, Tekitha, due to scheduling conflicts. She also collaborated with then up-and-coming musicians, singer Case, on his breakthrough single, "Touch Me, Tease Me", featuring Foxy Brown and also appeared on rapper Jay-Z's single, "Can't Knock the Hustle", released off the rapper's debut album, Reasonable Doubt.

Share My World (1997–1998)

On April 22, 1997, MCA Records (parent company to Uptown Records, which was in the process of being dismantled) released Blige's third album, Share My World. By then, she and Combs had dissolved their working relationship. In his place were the Trackmasters, who executive-produced the project along with Steve Stoute. Sharing production duties were producers Jimmy Jam and Terry Lewis, R. Kelly, Babyface and Rodney Jerkins.

The album was made at a time when Blige was trying to "get her life together", by trying to overcome drugs and alcohol, as well as the ending of her relationship with Hailey. After an encounter with a person who threatened her life the previous year, she tried to quit the unhealthy lifestyle and make more upbeat, happier music. As a result, songs such as "Love Is All We Need" and "Share My World" were made.

Share My World debuted at number one on the Billboard 200 and spawned five hit singles: "Love Is All We Need" (featuring Nas), "I Can Love You" (featuring Lil' Kim), "Everything", "Missing You" (UK only) and "Seven Days" (featuring George Benson). The album became Blige's most commercially successful, selling three million copies in the U.S. In February 1997, Blige performed her hit at the time, "Not Gon' Cry", at the 1997 Grammy Awards, which gained her third Grammy Award nomination, her first for Best Female R&B Vocal Performance, as Blige was recording the follow-up to My Life. In early 1998, Blige won an American Music Award for "Favorite Soul/R&B Album". That summer, she embarked on the Share My World Tour, which resulted in a Gold-certified live album released later that year, simply titled The Tour. The album spawned one single, "Misty Blue".

Mary (1999–2000)

On August 17, 1999, Blige's fourth album, titled Mary was released. It marked a departure from her more familiar hip hop-oriented sound; this set featured a more earthy, whimsical, and adult contemporary-tinged collection of songs, reminiscent of 1970s to early 1980s soul.

On December 14, 1999, the album was re-released as a double-disc set. The second disc was enhanced with the music videos for the singles "All That I Can Say" and "Deep Inside" and included two bonus tracks: "Sincerity" (featuring Nas, Andy Hogan and DMX) and "Confrontation" (a collaboration with hip hop duo Funkmaster Flex & Big Kap originally from their 1999 album The Tunnel). The Mary album was critically praised, becoming her most nominated release to date, and was certified double platinum (selling over two million in sales.) It was not as commercially successful as Blige's prior releases, though all of the singles: "All That I Can Say", "Deep Inside", "Your Child", and "Give Me You" performed considerably on radio. In the meantime, MCA used the album to expand Blige's demographic into the nightclub market, as club-friendly dance remixes of the Mary singles were released. The club remix of "Your Child" peaked at number-one on the Billboard's Hot Dance Club Play chart in October 2000.

In 2001, a Japan-only compilation, Ballads, was released. The album featured covers of Stevie Wonder's "Overjoyed", and previous recordings of Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" and Dorothy Moore's "Misty Blue".

No More Drama (2001–2002)

On August 28, 2001, MCA released Blige's fifth studio album, No More Drama. The album's first single, "Family Affair" (produced by Dr. Dre) became her first number-one single on the Billboard Hot 100, where it remained for six consecutive weeks. It was followed by two further hit singles, the European only single "Dance for Me" featuring Common and the Jimmy Jam and Terry Lewis-produced title track (originally recorded for the Mary album), which sampled "Nadia's Theme", the piano-driven theme song to the daytime drama The Young and the Restless.

Though the album sold nearly two million copies in the U.S., MCA was underwhelmed by its sales, and subsequently repackaged and re-released the album on January 29, 2002. The No More Drama re-release featured a new album cover, deleted three of the songs from the original track listing, while adding two brand-new songs—one of which was the fourth single and top twenty Hot 100 hit "Rainy Dayz", (featuring Ja Rule), plus two remixes; one of the title track, serviced by Puff Daddy and the single version of "Dance for Me" featuring Common. The album sold another million-plus units (3.2 million in total) in the U.S. and seven million worldwide. Blige won a Grammy for 'Best Female R&B Vocal Performance' for the song "He Think I Don't Know." In April 2002, Blige performed with Shakira with the song "Love Is a Battlefield" on VH1 Divas show live in Las Vegas, she also performed "No More Drama" and "Rainy Dayz" as a duet with the returning Whitney Houston.

On July 22, 2002, MCA released Dance for Me, a collection of club remixes of some of her past top hits including the Junior Vasquez remix of "Your Child", and the Thunderpuss mix of "No More Drama." This album was released in a limited edition double pack 12" vinyl for DJ-friendly play in nightclubs.

Love & Life (2003–2004)

On August 26, 2003, Blige's sixth album Love & Life was released on Geffen Records (which had absorbed MCA Records.) Blige heavily collaborated with her one-time producer Sean Combs for this set. Due to the history between them on What's the 411? and My Life, which is generally regarded as their best work, and Blige having just come off of a successful fifth album, expectations were high for the reunion effort.

Despite the album debuting at number one on the Billboard 200 and becoming Blige's fourth consecutive UK top ten album, Love & Life's lead-off single, the Diddy-produced "Love @ 1st Sight", which featured Method Man, barely cracked the top ten on the Hot R&B/Hip-Hop Songs, while altogether missing the top twenty on the Hot 100 (although peaking inside the UK top twenty). The following singles, "Ooh!", "Not Today" featuring Eve, "Whenever I Say Your Name"featuring Sting on the international re-release, and "It's a Wrap" fared worse. Although the album was certified platinum, it became Blige's lowest-selling to date. Critics and fans alike largely panned the disc, citing a lack of consistency and noticeable ploys to recapture the early Blige/Combs glory. Blige and Combs reportedly struggled and clashed during the making of this album, and again parted ways upon the completion of it.

The album became Blige's first album in six years to debut at number one on the Billboard 200, selling 285,298 copies in first week.[14]

Love & Life received mixed reviews from music critics.[15] Allmusic gave it 4 stars and said the album "beamed with joy" and Rolling Stone gave it three stars, saying "You may not always love Blige's music, but you will feel her".

The album was eventually certified Platinum by the RIAA. To date the album has sold over 1,000,000 copies in the U.S. and over 2,000,000 copies worldwide.[16] The album was nominated for the Best Contemporary R&B Album at the 46th Grammy Awards.

The Breakthrough and Reflections – A Retrospective (2005–2006)

Geffen Records released Blige's seventh studio album, The Breakthrough on December 20, 2005. For the album, Blige collaborated with J.U.S.T.I.C.E. League, Rodney Jerkins, will.i.am, Bryan Michael Cox, 9th Wonder, Jimmy Jam and Terry Lewis, Raphael Saadiq, Cool and Dre, and Dre & Vidal. The cover art was photographed by Markus Klinko & Indrani. It debuted at number one on both the Billboard 200 and Top R&B/Hip-Hop Albums charts. Selling 727,000 copies in its first week, it became the biggest first-week sales for an R&B solo female artist in SoundScan history,[17][18] the fifth largest first-week sales for a female artist, and the fourth largest debut of 2005. Since its release, The Breakthrough has sold over three million copies in the U.S and over seven million copies worldwide, becoming one of the five best-selling albums of 2006.

The lead-off single, "Be Without You", peaked at number three on the Billboard Hot 100, while peaking at number one on the R&B chart for a record-setting fifteen consecutive weeks; it remained on the chart for over sixteen months. "Be Without You" found success in the UK (peaking in the lower end of the top forty) it became Blige's longest charting single on the UK Singles Chart. It is her second longest charting single to date. The album produced three more singles including two more top five R&B hits—"Enough Cryin'", which features Blige's alter ego Brook-Lynn (as whom she appeared on the remix to Busta Rhymes's "Touch It" in 2006); and "Take Me as I Am" (which samples Lonnie Liston Smith's "A Garden of Peace"). Blige's duet with U2 on the cover of their 1992 hit, "One" gave Blige her biggest hit to date in the UK, peaking at number two on the UK Singles Chart eventually being certified one of the forty highest-selling singles of 2006;[19] it was her longest charting UK single. The success of The Breakthrough won Blige nine Billboard Music Awards, two American Music Awards, two BET Awards, two NAACP Image Awards, and a Soul Train Award. She received eight Grammy Award nominations at the 2007 Grammy Awards, the most of any artist that year. "Be Without You" was nominated for both "Record of the Year" and "Song of the Year". Blige won three: "Best Female R&B Vocal Performance", "Best R&B Song" (both for "Be Without You"), and "Best R&B Album" for The Breakthrough.[20] Blige completed a season sweep of the "big three" major music awards, having won two American Music Awards in November 2006[21] and nine Billboard Music Awards in December 2006.[22]

In December 2006, a compilation called Reflections - A Retrospective was released. It contained many of Blige's greatest hits and four new songs, including the worldwide lead single "We Ride (I See the Future)". In the UK, however, "MJB da MVP" (which appeared in a different, shorter form on The Breakthrough) was released as the lead single from the collection. The album peaked at number nine in the U.S, selling over 170,000 copies in its first week, while reaching number forty in the UK. It has sold more than 1.6 million copies. In 2006, Blige recorded a duet with rapper Ludacris, "Runaway Love", which is the third single on his fifth album, Release Therapy. It reached the top five on the Billboard Hot 100 and the R&B chart. Blige was featured with Aretha Franklin and The Harlem Boys Choir on the soundtrack to the 2006 motion picture Bobby, on the lead track "Never Gonna Break My Faith". The song was nominated for a Golden Globe and won the Grammy Award for Best Gospel Performance at the 50th Annual Grammy Awards.

Growing Pains (2007–2008)

Blige's eighth studio album, Growing Pains, was released on December 18, 2007, debuting at number two on the Billboard 200 and at number one on the Top R&B/Hip-Hop Albums chart. It sold 629,000 copies in its first week, marking the third time since Nielsen SoundScan began collecting data in 1991 that two albums sold more than 600,000 copies in a week in the United States. In its second week, the album climbed to number one, making it Blige's fourth number-one album. The lead single, "Just Fine", peaked at number twenty-two on the Billboard Hot 100 and at number three on the Hot R&B/Hip-Hop Songs chart. "Just Fine" was nominated for the Grammy Award for "Best Female R&B Vocal Performance", and Blige won "Best R&B Performance by a Duo or Group with Vocals" for the Chaka Khan duet "Disrespectful" (featured on Khan's album Funk This) which Blige wrote.

Growing Pains was not released in the UK until February 2008, where it became Blige's fifth top ten and third-highest charting album.The Breakthrough and Reflections (A Retrospective) were released in the Christmas rush and therefore settled for lower peaks, although both selling more than her top five album Mary.[citation needed] "Just Fine" returned Blige to the UK singles chart top 20 after her previous two singles failed to chart highly. Subsequent singles from Growing Pains include "Work That", which accompanied Blige in an iTunes commercial, and "Stay Down".

Blige was featured on 50 Cent's 2007 album, Curtis, in the song "All of Me". In March 2008, she toured with Jay-Z in the Heart of the City Tour. They released a song called "You're Welcome". In the same period, cable network BET aired a special on Blige entitled The Evolution of Mary J. Blige, which showcased her career. Celebrities such as Method Man and Ashanti gave their opinions about Blige and her music. Blige is featured on singles by Big Boi, and Musiq Soulchild.

Growing Pains was nominated for and won the Grammy Award for "Best Contemporary R&B Album", at the 51st Grammy Awards held on February 8, 2009, earning Blige her 27th Grammy nomination, in a mere decade.

Blige went on the Growing Pains European Tour, her first tour there in two years. A tour of Australia and New Zealand was scheduled for June but was postponed due to "weariness from an overwhelming tour schedule"[23] and then eventually canceled entirely.[24]

On August 7, 2008, it was revealed Blige faced a US$2 million federal suit claiming Neff-U wrote the music for the song "Work That", but was owned by Dream Family Entertainment. The filing claimed that Dream Family never gave rights to use the song to Blige, Feemster or Geffen Records. Rights to the lyrics of the song used in an iPod commercial are not in question.[25]

Stronger with Each Tear (2009–2010)

Blige in January 2010

Blige returned to performing in January 2009 by performing the song "Lean on Me" at the Presidential Inauguration Committee's, "We Are One: The Obama Inaugural Celebration at the Lincoln Memorial". Blige also performed her hit 2007 single, "Just Fine", with a new intro at the Neighborhood Inaugural Ball after Barack Obama was sworn in on January 20, 2009. Blige appeared as a marquee performer on the annual Christmas in Washington television special.

Blige's ninth studio album, Stronger with Each Tear, was released on December 21, 2009, debuting at number two on the Billboard 200 and at number one on the Top R&B/Hip-Hop Albums chart, selling 332,000 units in its first week of release. It became her fifth album not to take the top spot in the United States.

The lead single, "The One", which features Canadian rapper Drake,[26] was released for airplay in June 2009, and was officially and digitally released in July 2009, peaking at number sixty-three on the Hot 100. Blige recorded "Stronger", as the lead single from the soundtrack to the basketball documentary "More Than a Game" in August 2009. The second single from Stronger with Each Tear, "I Am", was released in December 2009 and reached number fifty-five on the Hot 100. The third international single from the album, "Each Tear", was remixed with different featured artists from different countries, then being released in February 2010. The single failed to chart anywhere except in the UK where it reached number one-hundred-eighty-three and in Italy where it reached number one. The album's third U.S. single, "We Got Hood Love" featuring Trey Songz, was released in March 2010 and reached number twenty-five on the Hot R&B/Hip-Hop Singles chart though it failed to reach the Hot 100.[27] One of Blige's representatives reported to US Weekly magazine that a tour in support of Stronger with Each Tear will begin in the fall of 2010.[28] On March 2010, Blige released Stronger with Each Tear in the United Kingdom, as well as in the European markets. The album performed modestly in the United Kingdom, debuting at number thirty-three on the UK Albums Chart and at number four on the UK R&B Chart. It reached the top 100 in other countries.

Blige was honored at the 2009 BET Honors Ceremony and was paid tribute by Anita Baker and Monica. On November 4, 2009, Blige sang The Star-Spangled Banner at Yankee Stadium before the New York Yankees and Philadelphia Phillies played the last game (game 6) of the World Series. Blige performed two songs from her ninth album as well as her previous hits, "No More Drama" and "Be Without You" along with the song "Color", which was featured on the Precious soundtrack. Blige appeared as a guest judge on the ninth season of American Idol on January 13, 2010.

On January 23, 2010, Blige released a track "Hard Times Come Again No More" with The Roots as well as performing it at the Hope for Haiti Now telethon. At the 2010 Grammy Awards, Blige and Andrea Bocelli performed Bridge Over Troubled Water. Blige also performed on BET's SOS Help For Haiti, singing "Gonna Make It" with Jazmine Sullivan and "One." Blige also took part in February 2010's We Are the World 25 for Haiti, singing the solo originally sung by Tina Turner in the original 1985 We Are The World version. At the 41st NAACP Image Awards Blige won Outstanding Female Artist and Outstanding Album for Stronger with Each Tear.[29] On November 18, 2010, Billboard revealed Mary J. Blige as the most successful female R&B/Hip Hop Artist on the Top 50 R&B/Hip Hop Artists of the Past 25 Years list. Mary came in at number 2 overall.[30] Blige named her fans " Mary Janes ".

My Life II... The Journey Continues (Act 1) (2011–present)

Blige performing in January 2011

On January 4, 2011 on Hot 97, Angie Martinez premiered a new version of Diddy-Dirty Money's "Someone to Love Me". The remix, titled "Someone to Love Me (Naked)", features new vocals from Blige and Lil Wayne.[31] The song was released as an iTunes digital download single on March 29, 2011 and serves as a teaser until the official first single from the album. The video for the song was directed by Colin Tilley.[32] The video premiered online via Vevo on April 4, 2011 and made their television debut on April 5, 2011 following BET’s “The Game.”

Rolling Stone revealed the tracks likely to make the final cut of Mary's tenth studio album are the Jerry “Wonda” Duplessis-produced "Feel Inside" and "Beautiful Scars," a ballad by Diane Warren. Also describing the album as retro with lots of live instrumentation and soul samples. Mary has also teamed back up for production from long time collaboraters Jimmy Jam & Terry Lewis and Babyface.[33] The album's guests include R&B/pop songstress Beyonce, in addition to male rappers Busta Rhymes, Nas, Drake and Rick Ross.[34] MTV.com revealed that the album titled My Life II... The Journey Continues (Act 1), was released November 21, 2011.[35] The LP, recorded in Los Angeles and New York City, sees Mary looking toward the future while acknowledging the past. “From me to you, My Life II… Our journey together continues in this life,” explained Mary. “It’s a gift to be able to relate and identify with my fans at all times. This album is a reflection of the times and lives of people all around me.” The album will aso feature production from Kanye West and The Underdogs.[36]

Mary was awarded Outstanding Female Artist at the 42nd NAACP Image Awards.[37]

On July 5, 2011, Mary released the song "The Living Proof" as the lead single to the soundtrack of the film The Help.[38] On July 24, VH1 premiered their third Behind the Music on Mary that profiled Mary's personal and career life. August 25, 2011 Mary released her first single off the album simply titled "25/8", which later reached number ten on iTunes for Top R&B/Soul song. My Life II... The Journey Continues (Act 1) will be released November 21[39]

In November 2011, Mary confirmed in an interview that there will be a sequel to the album which will be titled My Life: Act 2 in May 2012.[40]

Acting career

In 1998, Blige made her acting debut on the sitcom The Jamie Foxx Show playing a character, the apparently southern Ola Mae; a preacher's daughter who wanted to sing more than gospel music. Her father was portrayed by Ronald Isley of The Isley Brothers. In 2001, Blige starred opposite rapper Q-Tip in the independent film Prison Song. That same year, Blige made a cameo on the Lifetime network series, Strong Medicine; playing the role of Simone Fellows. Blige's character was the lead singer of a band who was sick, but would not seek treatment. In 2000, Blige was featured in a superhero web cartoon in junction with Stan Lee. Blige used the cartoon as part of her performance while on her 2000 Mary Show Tour. In 2004, Blige starred in an Off-Broadway play, The Exonerated. The play chronicled the experiences of death row inmates. Blige portrayed Sunny Jacobs, a woman who spent 20 years in prison for a crime she did not commit. In late 2005, it was reported that Blige landed the starring role in the upcoming MTV Films biopic on American singer/pianist Nina Simone. According to IMDB.com the film will be released in 2012.[41]

In February 2007, Blige guest-starred on Ghost Whisperer, in an episode called "Mean Ghost", as the character Jackie Boyd, the school's cheer leader coach grieving for the death of her brother and affected by the ghost of a dead cheerleader. The episode features many of Blige's songs. In August 2007, Blige was a guest star on Entourage, in the role of herself, as a client of Ari Gold's agency. In October 2007, Blige was also a guest star on America's Next Top Model, as a creative director for a photo shoot by Matthew Rolston. In May 2009, Mary made a guest appearance on 30 Rock, as an artist recording a benefit song for a kidney. Blige also had a supporting role in Tyler Perry's movie I Can Do Bad All By Myself, which was released in September 2009.

As of March 2011, Blige has signed on to star alongside Tom Cruise, Julianne Hough, and Alec Baldwin in the film adaptation of the 80s jukebox hit musical Rock of Ages. Blige will play Justice Charlier, the owner of a Sunset Strip gentlemen's club, when production began in May 2011.

Business ventures

In 2004 Blige launched her own record label, Matriarch Records, distributed through Interscope.

In July 2010, Blige launched her first perfume, My Life (through Carol's Daughter), exclusively on HSN.[42] The fragrance's unprecedented success broke sales records in hours[43] and has been awarded two prestigious FIFI awards from the Fragrance Foundation.[44] The newest fragrance, My Life Blossom launched in August, 2011 exclusively to HSN.

In October 2010 Blige released a line of sunglasses called "Melodies by MJB". The first Melodies collection featured four styles with a total of 20 color options. Each style represented a specific facet of Blige’s life. Essence magazine reported that in the spring of 2011, "Melodies by MJB" extended their collection to offer more styles.[45][46]

Blige's production company, along with William Morris Endeavor is also working on several TV and film projects.[47]

Blige has had endorsement contracts with Reebok, Air Jordan, Pepsi, Coca-Cola, Gap, Target, American Express, AT&T, M·A·C, Apple Inc. and Chevrolet.[citation needed] She has also been a spokesperson with Carol's Daughter beauty products and Citibank's with Nickelback program.

Personal life

During the early 1990s, Blige dated singer K-Ci from Jodeci. The relationship ended in 1997. Blige also briefly dated rapper Nas. In 2000, Blige met record industry executive Martin Kendu Isaacs (known as "Kendu") who became her manager. The two were married on December 7, 2003, in a small private ceremony at Blige's home attended by 50 guests.[48]

Blige earned her GED in 2010.[49]

Blige has been a resident of Cresskill, New Jersey.[50]

Legacy

Known to the music world as the reigning "Queen of Hip-Hop Soul", Mary would go on to be responsible for changing the construct of R&B music. Credited for the musical marriage of Hip-Hop and R&B, she introduced elements of hip-hop/rap into modern, contemporary r&b/pop music. Using old school hip-hop samples and loops, Mary would bridge "the gap between R&B and rap in a way that no female singer had before.".[51] Ethan Brown of The New Yorker says that albums "What's the 411?" and "My Life", in hindsight, invented "the sample-heavy sound that reinvigorated urban radio and became a blueprint for nineties hip-hop and R&B.".[52] Brown further concludes that Mary's "duets with the Wu-Tang Clan's Method Man and Ghostface Killah set the trend for collaborations between rappers and R&B songbirds like Mariah Carey.".[53] Tom Horan of The Telegraph comments that Blige, being a hugely influential figure in popular music, "invented what is now called R&B by successfully combining female vocals with muscular hip hop rhythm tracks. All over the world, that recipe dominates today's charts.".[54] Called one of the "most explosive, coming-out displays of pure singing prowess"[55] and "one of the most important albums of the nineties",[56] What's the 411? saw Blige pioneer "the movement that would later become Neo soul, generating gripping songs that were also massive radio hits.".[57]

Blige has received notable awards and achievements. In 2010, she was ranked 80th on VH1's list of the 100 Greatest Artist of All Time.[58] Blige was listed as one of the 50 most influential R&B singers by Essence.[59] Rolling Stone magazine ranked My Life at number 279 on its list of the 500 Greatest Albums of All Time.[60] The album was also included on Time's list of the 100 Greatest albums of All Time.[61] Alternately called the "Queen of R&B" for her unprecedented success in the realm of R&B, Blige has amassed eight number one albums on the R&B/Hip Hop Albums chart - a record for a female artist.[30] Blige is also the only artist to have won Grammy's in the R&B, Rap, Pop, and Gospel fields.

Philanthropy

In 2001, Mary performed "Do Nothin' Till You Hear From Me" for the Red Hot Organization's compilation album Red Hot + Indigo, a tribute to Duke Ellington, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease

On May 9, 2008, The Mary J. Blige and Steve Stoute Foundation for the Advancement of Women Now, Inc. (FFAWN) was inaugurated at Roosevelt High School in Yonkers, New York. FFAWN's purpose is to inspire women "to reach their individual potential". The foundation offers scholarships and programs whose aim is to foster self-esteem and career development. The Mary J. Blige Center for Women has opened in Yonkers.[62]

In 2008, Mary teamed up with Carol's Daughter executive Lisa Price to make a perfume which would be called "My Life". On July 31, 2010, Mary J. Blige was on 6 live televised Home Shopping Network specials to promote and sell her perfume. On that day, "My Life" sold a record breaking 60,000 + units. Her perfume was the first to sell over 60,000 bottles in one day on HSN. Also $1 from each purchase was donated to FFAWN her foundation for women to send more women to college.[63]

Discography

Awards

Tours

Filmography

Film
Year Film & Television Role Notes
1998 The Jamie Foxx Show Ola Mae "Papa Don't Preach" (episode 14, season 2)
2001 Angel: One More Road to Cross Guardian Angel Direct to DVD
Prison Song Mrs. Butler Main Role
Strong Medicine Simone Fellows "History" (episode 4, season 2)
2007 Ghost Whisperer Jackie Boyd "Mean Ghost" (episode 15, season 2)
Entourage Herself "Gary's Desk" (episode 8, season 4)
2009 I Can Do Bad All By Myself Tanya Supporting Role
30 Rock Herself Guest
2010 American Idol Guest judge/Herself Auditions were held in Atlanta, Georgia at the Georgia Dome when Blige guest judged.
2012 Rock of Ages Justice Charlier

See also


References

  1. ^ "All-TIME 100 Albums". http://entertainment.time.com/2006/11/02/the-all-time-100-albums/#my-life. 
  2. ^ "My Life - Mary J. Blige". http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/my-life-mary-j-blige-19691231. 
  3. ^ "Mary J. Blige wins Voice of Music award". http://www.usatoday.com/life/music/news/2007-05-15-blige_N.htm. 
  4. ^ "The TIME 100 - are they worthy?". http://www.time.com/time/specials/2007/article/0,28804,1611030_1610841_1609755,00.html. 
  5. ^ "Mary J. Blige - Discography, biography, music, MP3s, credits, pictures & videos at SoundUnwound". Soundunwound.com. http://www.soundunwound.com/music/mary-j-blige/7459?ref=SA. Retrieved 2011-02-22. 
  6. ^ "Best of the 2000s - R&B/Hip hop artists". 
  7. ^ "Best of the 2000s - R&B/Hip hop songs". 
  8. ^ "Who Will Come Out On Top Of VH1′s 100 Greatest Artists Of All Time?". http://blog.vh1.com/2010-08-25/who-will-come-out-on-top-of-vh1s-100-greatest-artists-of-all-time/. 
  9. ^ "100 Greatest Singers". http://www.rollingstone.com/music/lists/100-greatest-singers-of-all-time-19691231/mary-j-blige-19691231. 
  10. ^ "Exclusive: Mary J. Blige Nervous About Playing Nina Simone in New Biopic". http://www.usmagazine.com/entertainment/news/mary-j-blige-nervous-about-playing-nina-simone-in-new-biopic-2011299. 
  11. ^ "Mary J. Blige's fragrance, My Life, Breaks Sales Records on HSN". http://www.totalbeauty.com/news/perfume/womens-perfume/mary-j-bliges-fragrance-life-breaks-sales-records-hsn-1280879335. 
  12. ^ "Star Gazing: MJB Smells Sweet Success at FiFi Awards". http://www.essence.com/2011/05/26/mary-j-blige-wins-2011-fifi-awards-star-gazing/. 
  13. ^ http://www.flixster.com/actor/mary-j-blige#, http://www.pbs.org/kcet/tavissmiley/archive/200711/20071129_blige.html
  14. ^ "Previous Album Sales Chart". HITS Daily Double. http://www.hitsdailydouble.com/sales/archcht.cgi?cht859. Retrieved 2011-02-22. 
  15. ^ Mary J. Blige: Love & Life (2003): Reviews Metacritic. Accessed 2007-11-08.
  16. ^ [1][dead link]
  17. ^ "Mary J. Blige is able to mix integrity, popularity". San Jose Mercury News. September 6, 2006. http://www.mercurynews.com/mld/mercurynews/entertainment/15449943.htm. Retrieved 2007-01-27. 
  18. ^ Cohen, Jonathan (November 21, 2007). "Keys Storms Chart With Mega-Selling 'As I Am'". Billboard. http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003676535. Retrieved 2008-08-09. 
  19. ^ "The Official UK Singles Chart of the year: 2006". BBC Radio 1. Archived from the original on 2007-01-16. http://web.archive.org/web/20070116131915/http://www.bbc.co.uk/radio1/chart/top40_2006.shtml#thirtyone. Retrieved 2007-01-27. 
  20. ^ "Dixie Chicks Make Nice With Five GRAMMYs". http://www.grammy.org/recording-academy/news/dixie-chicks-make-nice-with-five-grammys. 
  21. ^ "2006 American Music Awards Winners". http://abclocal.go.com/kabc/story?section=news/entertainment&id=4766155. 
  22. ^ "Mary J. Blige Wins Big At Billboard Music Awards". http://www.billboard.com/news/mary-j-blige-wins-big-at-billboard-music-1003468190.story#/news/mary-j-blige-wins-big-at-billboard-music-1003468190.story. 
  23. ^ AAP (2008-06-06). "postpones Aussie tour". News.com.au. http://www.news.com.au/story/0,23599,23820830-29277,00.html. Retrieved 2008-10-30. [dead link]
  24. ^ "Chugg Entertainment : Mary J Blige". Chuggentertainment.com. http://www.chuggentertainment.com/tours/maryj/index.php. Retrieved 2008-10-30. [dead link]
  25. ^ Grace, Melissa (2008-08-07). "Mary J. Blige faces 2M lawsuit over stolen song". New York Daily News. http://www.nydailynews.com/gossip/2008/08/07/2008-08-07_mary_j_blige_faces_2m_lawsuit_over_stole.html. Retrieved 2008-11-16. 
  26. ^ The One Songfacts
  27. ^ Reid, Shaheem (2010-05-06). "Mary J. Blige On Making 'Hood Love' Video With Trey Songz - Music, Celebrity, Artist News". MTV. http://www.mtv.com/news/articles/1638621/20100506/blige_mary_j.jhtml. Retrieved 2011-02-22. 
  28. ^ "Mary J. Blige: I'm Not Going to College! - Movies, TV & Music". UsMagazine.com. http://www.usmagazine.com/moviestvmusic/news/mary-j-blige-im-not-going-to-college-201087. Retrieved 2011-02-22. 
  29. ^ "Mary J. Blige and Black Eyed Peas Win 2010 NAACP Image Awards". Celebrity-mania.com. 2010-02-27. http://www.celebrity-mania.com/news/view/00011971.html. Retrieved 2010-07-08. 
  30. ^ a b http://www.billboard.com/#/column/the-juice/the-top-50-r-b-hip-hop-artists-of-the-past-1004127916.story?page=5
  31. ^ "Mary J. Blige, Lil Wayne And Diddy Debut ‘Someone To Love Me’". Rapfix.mtv.com. 2010-12-13. http://rapfix.mtv.com/2011/01/04/mary-j-blige-lil-wayne-diddy-debut-someone-to-love-me/. Retrieved 2011-02-22. 
  32. ^ "Mary J. Blige Readies Video for New Single". Rap-Up.com. 2011-03-31. http://www.rap-up.com/2011/03/31/mary-j-blige-readies-video-for-new-single/. Retrieved 2011-11-24. 
  33. ^ "Spring Music Preview: Lady Gaga, Foo Fighters, Lil Wayne and Many More Pictures - Mary J. Blige". Rolling Stone. http://www.rollingstone.com/music/photos/spring-music-preview-lady-gaga-foo-fighters-lil-wayne-and-many-more-20110323/mary-j-blige-0447446. Retrieved 2011-11-24. 
  34. ^ Mary J. Blige interview by Pete Lewis, 'Blues & Soul' November 2011
  35. ^ Blanco, Alvin (2011-04-05). "Mary J. Blige Announces My Life Sequel Release Date - Music, Celebrity, Artist News". MTV. http://www.mtv.com/news/articles/1661399/mary-j-blige-my-life-2.jhtml?xrs=share_twitter. Retrieved 2011-11-24. 
  36. ^ "Mary J. Blige Readies ‘My Life’ Sequel for September". Rap-Up.com. http://www.rap-up.com/2011/04/04/mary-j-blige-readies-my-life-sequel-for-september/. Retrieved 2011-11-24. 
  37. ^ "The 42nd NAACP Image Awards - Recording". Naacpimageawards.net. http://www.naacpimageawards.net/42/winners-and-honorees/recording/. Retrieved 2011-11-24. 
  38. ^ "New Music: Mary J. Blige – ‘The Living Proof’". Rap-Up.com. http://www.rap-up.com/2011/07/05/new-music-mary-j-blige-the-living-proof/. Retrieved 2011-11-24. 
  39. ^ "Fall Music Preview: The Season's Hottest Albums Pictures - Mary J. Blige - 'My Life II... The Journey Continues Act I' 11/21". Rolling Stone. http://www.rollingstone.com/music/photos/fall-music-preview-the-seasons-hottest-albums-20110914/mary-j-blige-my-life-ii-the-journey-continues-act-i-11-21-0666653. Retrieved 2011-11-24. 
  40. ^ Horowitz, Steven J. (2011-11-09). "Mary J. Blige Reveals "My Life II: Act 2" Will Arrive In May 2012 | Get The Latest Hip Hop News, Rap News & Hip Hop Album Sales". HipHop DX. http://www.hiphopdx.com/index/news/id.17547/title.mary-j-blige-reveals-my-life-ii-act-2-will-arrive-in-may-2012. Retrieved 2011-11-24. 
  41. ^ IMDB
  42. ^ {Date}. "Mary J. Blige on Her New Fragrance: My Life - Beauty Industry and Products News". WWD.com. http://www.wwd.com/beauty-industry-news/mary-j-blige-on-her-new-fragrance-my-life-3055724. Retrieved 2010-07-08. 
  43. ^ "Mary J. Blige Breaks HSN Record With 'My Life'". AOL Stylist. http://www.stylelist.com/2010/08/03/mary-j-blige-hsn-my-life/. Retrieved 2010-08-03. 
  44. ^ "Fragrance Foundation's FiFI Awards Fete Fergie, Halle Berry". NYC New York. http://www.nbcnewyork.com/blogs/threadny/THREAD-This-Years-Fragrance-Foundations-FiFI-Awards-Largely-Celebrity-Focused-122659859.html/. Retrieved 2011-05-26. 
  45. ^ "Mary J. Blige launches "Melodies" sunglasses line w/ Mr. Iovine". WoooHa. http://woooha.com/2010/05/mary-j-blige-launches-melodies-sunglasses-line-w-mr-iovine/. Retrieved 2011-02-22. 
  46. ^ "Mary J. Blige Launches Sunglass Line 'Melodies'". Essence.com. 2010-06-06. http://www.essence.com/fashion_beauty/fashion/mary_j_blige_launches_sunglass_line.php. Retrieved 2011-02-22. 
  47. ^ Up for Discussion Jump to Forums (2009-09-14). "Mary J. Blige, "Stronger withEach Tear"". Billboard.com. http://www.billboard.com/new-releases/mary-j-blige-stronger-witheach-tear-1004061277.story#/features/mary-j-blige-the-billboard-cover-story-and-1004051078.story?page=3. Retrieved 2010-07-08. 
  48. ^ "Mary J. Blige's Wedding Details". Weddings.about.com. http://weddings.about.com/cs/justforfun/a/maryjblige.htm. Retrieved 2008-10-30. 
  49. ^ Oldenburg, Ann (July 12, 2010). "Mary J. Blige isn't going back to school". USA Today. http://content.usatoday.com/communities/entertainment/post/2010/07/mary-j-blige-isnt-going-back-to-school/1. 
  50. ^ via Associated Press. "Lil Wayne, Coldplay top Grammy nods", The Star-Ledger, December 3, 2008. Accessed 2011-02-21. "Other New Jerseyans on the nominees list include Cresskill's Mary J. Blige, contemporary R&B album, for Growing Pains"
  51. ^ Mary J. Blige Biography
  52. ^ "There's Something About Mary"
  53. ^ Brown, Ethan (1999-09-20). "There's Something About Mary". Nymag.com. http://nymag.com/nymetro/arts/music/features/1461/. Retrieved 2011-11-24. 
  54. ^ Blige blows Brum's socks off
  55. ^ What's the 411?
  56. ^ What's the 411? (Review)
  57. ^ Mary J. Blige Album Guide
  58. ^ 100 Greatest Artists of All Time
  59. ^ "50 Most Influential RnB Stars - essence.com". Photos.essence.com. http://photos.essence.com/galleries/50_most_influential_black_musicians#812353. Retrieved 2011-11-24. 
  60. ^ 500 Greatest Albums of All Time
  61. ^ Time's 100 Greatest Albums
  62. ^ FFAWN Official web site foundation's website
  63. ^ "Mary J. Blige breaks HSN record". CNN. http://marquee.blogs.cnn.com/2010/08/04/mary-j-blige-breaks-hsn-record/. 

External links



 
 

 

Copyrights:

AllPosters.com  Posters. Copyright © 1998-2012 AllPosters.com, Inc. All rights reserved. 
Who2 Profiles. Copyright © 1998-2012 by Who2, LLC. All rights reserved. See the Mary J. Blige biography from Who2.  Read more
$copyright.smallImage.alttext Gale Contemporary Black Biography. Contemporary Black Biography. Copyright © 2006 by The Gale Group, Inc. All rights reserved.  Read more
Gale Musician Profiles. Contemporary Musicians © 1989-2010 The Gale Group, Inc. All rights reserved.  Read more
AMG AllMusic Guide: Pop Artists. Copyright © 2012 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia on Answers.com. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article Mary J. Blige Read more

Follow us
Facebook Twitter
YouTube

Mentioned in

» More» More