
n.
- The process of doing quilted work.
- Material used to make quilts.
- Material that has been quilted.
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American Heritage Dictionary:
quilt·ing |

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Britannica Concise Encyclopedia:
quilting |
For more information on quilting, visit Britannica.com.
Oxford Grove Art:
Quilting |
Method of securing wadding between two layers of fabric with lines of stitching, or a decorative technique employing various forms of padding. From the earliest times simple wadded quilting was used to make furnishings and warm and protective garments and it survives in this form throughout the world. Decorative quilting, worked usually in running or back stitches, also has a long history. Some of the earliest examples come from sites dating from the 1st century AD in the Noin-ula Mountains of northern Mongolia; they include a wadded carpet (St Petersburg, Inst. Archaeol.) that has a centre quilted in an all-over pattern of spirals and a border of diamond quilting and applied animal shapes with contour-quilted fillings. Both patterns and techniques remain part of the quilter's repertory.
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Gale Encyclopedia of US History:
Quilting |
A quilt is made by sewing two pieces of cloth together with a padding in between the two layers held in place by stitching that creates a design. The first quilts emerged in ancient Egypt, and the decorative art form traveled to Asia and later to Europe during the Crusades (c. 1100–1300). By 1300, quilting had spread to Italy, where women sewed bed quilts, and from there a long tradition of quilt making developed throughout Europe. Female European immigrants brought their quilting skills to the United States where the art form flourished during the colonial era. American women often created patchwork quilts made from scraps of fabric. Women also participated in quilting bees in which they worked together in groups to sew quilts. African American women began quilting as slaves with scraps from their masters and continued the art form after their emancipation. As Americans migrated west during the nineteenth century, women's quilting patterns reflected their new experiences and carried such names as wagon wheel, log cabin, and North Star. Picture quilts also emerged during this time with designs that looked like pictures sewn onto quilts. Women sewed "friendship" quilts to create an album for special events like weddings and births. The AIDS Memorial Quilt originated in 1987 as a friendship quilt to remember those who died from AIDS. Each panel of the quilt includes the name and date of death of a person who died from AIDS.
Bibliography
Cooper, Patricia, and Norma Bradley Buferd. The Quilters: Women and Domestic Art. Garden City, N.Y.: Anchor Press, 1993.
Orlofsky, Patsy, and Myron Orlofsky. Quilts in America. New York: McGraw-Hill, 1974.
Columbia Encyclopedia:
quilting |
While some 18th-cent. examples are extant, the American quilt as art and craft is largely a 19th-century phenomenon. Dozens of traditional patchwork patterns have evolved, such as Sunburst, Sawtooth, Log Cabin, Schoolhouse, and Bear's Paw, and have continued in use well into the 20th cent. The quilts of certain American groups are especially compelling works of art. Among the most notable of these were made by the Amish (particularly c.1870-1935) who created utilitarian quilts with geometric designs in areas of unpatterned color-deep, vibrant, and close-toned-now much sought after by collectors. The Victorian period marked the popularity of the crazy quilt, in which asymmetrical designs were made of patches of various textiles in a multiplicity of sizes and shapes often connected by decorative stitching.
Part of the American folk art tradition, quilting is still practiced by Southern mountainfolk, the Pennsylvania Dutch, and other rural dwellers and has been revived as ornamental needlework. Traditional African-American quilts have been particularly praised for their bold, asymmetrical designs and brilliant colors, often complemented by the use of tied knots. Of particular interest are quilts (1930s-present) created by the women of Gee's Bend, an historically black Alabama community-jazzy, colorful works in irregular geometric patterns of remarkable abstract power that have been widely exhibited, e.g., at the Whitney Museum of American Art, NYC (2002). The quilt has also been used as a form of textile art, as in the work of Faith Ringgold, who blends African-American tradition with contemporary art. Quilting also has a utilitarian function in modern life with machine-quilted materials used for wearing apparel and in interior decoration, particularly for bed and couch covers.
Bibliography
See P. Cooper and N. B. Buferd, The Quilters: Women and Domestic Art (1978); M. Walker, The Complete Guide to Quiltmaking (1986); C. L. Mosey, Contemporary Quilts from Traditional Patterns (1988); C. Benberry, Always There: The African-American Presence in American Quilts (1992).
Random House Word Menu:
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Wikipedia on Answers.com:
Quilting |
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Quilting is a sewing method done to join two or more layers of material together to make a thicker padded material. A quilter is the name given to someone who works at quilting. Quilting can be done by hand, by sewing machine, or by a specialist longarm quilting system.
The process of quilting uses a needle and thread to join two or more layers of material to make a quilt. Typical quilting is done with three layers: the top fabric or quilt top, batting or insulating material and backing material. The quilter's hand or sewing machine passes the needle and thread through all layers and then brings the needle back up. The process is repeated across the entire piece where quilting is wanted. A rocking, straight or running stitch is commonly used and these stitches can be purely functional or decorative and elaborate. Quilting is done to create bed spreads, art quilt wall hangings, clothing, and a variety of textile products. Quilting can make a project thick, or with dense quilting, can raise one area so that another stands out.
Quilt stores often sell fabric, thread, patterns and other goods that are used for quilting. They often have group sewing and quilting classes, where one can learn how to sew or quilt and work with others to exchange skills. Quilt stores often have quilting machines that can be rented out for use, or customers can drop off their quilts and have them professionally quilted.
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The word "quilt" comes from the Latin culcita meaning a stuffed sack, but it came into the English language from the French word cuilte. The origins of quilting remain unknown, but historians do know that quilting, piecing, and applique were used for clothing and furnishings in diverse parts of the world in early times.
The earliest known quilted garment is on the carved ivory figure of a Pharaoh of the Egyptian First Dynasty about 3400 B.C.
In 1924 archaeologists discovered a quilted floor covering in Mongolia. They estimated that it dates from somewhere between the first century B.C. to the second century A.D. There are also numerous references to quilts in literature and also inventories of estates. Crusaders brought quilting to Europe from the Middle East in the late 11th century. Quilted garments were popular in the Middle Ages. Knights wore them under their armor for comfort. They also used quilted garments to protect the metal armor from the elements (rain, snow, sun). The earliest known surviving bed quilt is one from Sicily from the end of the fourteenth century. It is made of linen and padded with wool. The blocks across the center are scenes from the legend of Tristan. The quilt is 122" by 106" and is in the Victoria and Albert Museum in London.[1]
Quilting has been part of the needlework tradition in Europe from about the 5th century CE. Early objects contain Egyptian cotton, which may indicate that Egyptian and Mediterranean trade provided a conduit for the technique. Quilted objects were relatively rare in Europe until approximately the 12th century, when quilted bedding and other items appeared after the return of the Crusaders from the Middle East. The medieval quilted gambeson, aketon and arming doublet[2] were garments worn under, or instead of, armor of maille or plate armor. These developed into the later quilted doublet worn as part of fashionable European male clothing from the 14th to 17th century. Quilting clothing began to be generally used in the 14th century, with quilted doublets and armor worn in France, Germany, and England and quilted tunics in Italy.
In American Colonial times, most women were busy spinning, weaving, and making clothing. Meanwhile, women of the wealthier classes prided themselves on their fine quilting of wholecloth quilts with fine needlework. Quilts made during the early 19th century were not constructed of pieced blocks but were instead whole cloth quilts. Broderie perse quilts and medallion quilts were made. Some antique quilts made in North America have worn-out blankets or older quilts as the internal batting layer, quilted between new layers of fabric and thereby extending the usefulness of old material.
During American pioneer days, "paper" quilting became popular. Paper was used as a pattern and each individual piece of cut fabric was basted around the paper pattern. Paper was a scarce commodity in the early American west, and women would save letters from home, newspaper clippings, and catalogs to use as patterns. The paper not only served as a pattern but as an insulator. The paper found between the old quilts has become a primary source of information about pioneer life.
Quilts made without any insulation or batting were referred to as summer quilts. They were not made for warmth, only to keep the chill off during cooler summer evenings.
African-American women developed a distinctive style of quilting, notably different from the style most strongly associated with the Amish. Harriet Powers, a slave-born African American woman, made two famous story quilts. She was just one of the many African American quilters who contributed to the evolution of quilting. The Gee's Bend quilting community was celebrated in an exhibition that travelled to museums including the Smithsonian.[3] The contributions made by her and other quilters of Gee's Bend, Alabama has been recognized by the US Postal Service with a series of stamps.[4] The communal nature of the quilting process (and how it can bring together women of varied races and backgrounds) was honored in the
During the late 20th century, art quilts became popular for their aesthetic and artistic qualities rather than for functionality (they are displayed on a wall or table rather than spread on a bed).
Unusual quilting designs have increasingly become popular as decorative textiles. Industrial sewing technology has become more precise and flexible, and quilting using exotic fabrics and embroidery began to appear in home furnishings in the early 21st century.
Many types of quilting exist today. The two most widely used are hand-quilting and machine quilting.
Hand quilting is the process of using a needle and thread to sew a running stitch by hand across the entire area to be quilted. This binds the layers together. A quilting frame or hoop is often used to assist in holding the piece being quilted off the quilter's lap. A quilter can make one running stitch at a time; this is called a stab stitch.[5] Another option is called a rocking stitch, where the quilter has one hand, usually with a finger wearing a thimble, on top of the quilt, while the other hand is located beneath the piece to push the needle back up. The third option is called "loading the needle" and involves doing four or more stitches before pulling the needle through the cloth. Hand quilting is still practiced by the Amish and Mennonites within the United States and Canada, and is enjoying a resurgence worldwide.
Machine quilting is the process of using a home sewing machine or a longarm machine to sew the layers together. With the home sewing machine, the layers are tacked together before quilting. This involves laying the top, batting, and backing out on a flat surface and either pinning (using large safety pins) or tacking the layers together. Longarm Quilting involves placing the layers to be quilted on a special frame. The frame has bars on which the layers are rolled, keeping these together without the need for basting or pinning. These frames are used with a professional sewing machine mounted on a platform. The platform rides along tracks so that the machine can be moved across the layers on the frame. A Longarm machine is moved across the fabric. In contrast, the fabric is moved through a home sewing machine.
Tying is another technique of fastening the three layers together (and is not a form of quilting at all). This is done primarily on quilts that are made to be used and are needed quickly. The process of tying the quilt is done with yarns or multiple strands of thread. Square knots are used to finish off the ties so that the quilt may be washed and used without fear of the knots coming undone. This technique is commonly called "tacking." In the Midwest, tacked bed covers are referred to as comforters.
Quilting is now taught in some American schools. It is also taught at senior centers around the U.S., but quilters of all ages attend classes. These forms of workshop or classes are also available in other countries in guilds and community colleges.
Contemporary quilters use a wide range of quilting designs and styles, from ancient and ethnic to post-modern futuristic patterns. There is no one single school or style that dominates the quilt-making world.
Traditional quilting is a six-step process that includes: 1) selecting a pattern, fabrics and batting; 2) measuring and cutting fabrics to the correct size to make blocks from the pattern; 3) piecing (sewing cut pieces of fabric together using a sewing machine or by hand to make blocks) blocks together to make a finished "top"; 4) layering the quilt top with batting and backing, to make a "quilt sandwich"; 5) quilting by hand or machine through all layers of the quilt sandwich; and 6) squaring up and trimming excess batting from the edges, machine sewing the binding to the front edges of the quilt and then hand-stitching the binding to the quilt backing. Note: If the quilt will be hung on the wall, there is an additional step: making and attaching the hanging sleeve.
Throughout China, a simple method of producing quilts is employed. It involves setting up a temporary roadside site. A frame is assembled within which a lattice work of cotton thread is made. Cotton batting, either new or retrieved from discarded quilts, is prepared in a mobile carding machine. The mechanism of the carding machine is powered by a small, petrol motor. The batting is then added, layer by layer, to the area within the frame. Between each layer, a new lattice of thread is created with a wooden disk used to tamp down the layer.[2]
About 4 of these can be produced by a two-person team each day. They are sold to local shops for 60 RMB or more depending on size and thickness.
Quilting is usually completed by starting from the middle, and moving outward toward the edges of the quilt.
Quilting can be elaborately decorative, comprising stitching fashioned into complex designs and patterns, simple or complex geometric grids, "motifs" traced from published quilting patterns or traced pictures, freehand, or complex repeated designs called tessellations. The quilter may choose to emphasize these designs by using threads that are multicolored or metallic, or that contrast highly to the fabric. Conversely, the quilter may choose to make the quilting disappear, using "invisible" nylon or polyester thread,thread that matches the quilt top, or stitching within the patchwork seams themselves (commonly known as "stitch in the ditch"). Some quilters draw the quilting design on the quilt top before stitching, while others prefer to stitch "freehand."
Quilting is often combined with embroidery, patchwork, applique, and other forms of needlework.
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