Composers

Mozart was born on the 27th January 1756 in Salzburg, Austria and died on the 5th of December, 1791 in Vienna, Austria. He was 36 when he died. He was more famous after death.

Anyone on the national team, some might be Emily S.,10-12, Michelle K.,10-12, and Helen G., 8-10

Piano prodigy Emily Bear is 16 years old (birthdate: August 30, 2001).

Baroque

Since he was involved in the transition from the Classic Period to the Romantic Period.

the composer of the maroon 5 is me or you because of the gravity

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Some of Vivaldi's most famous pieces are: The Four Seasons, his Bassoon Concertos, and his Lute Concertos.

Undoubtedly, Mozart's most famous piece is Eine Kleine Nachtmusik for string ensemble. His popular symphonies include Symphony 40 in G minor and Jupiter symphony. His popular piano works include Twinkle-twinkle variations and Turkish Rondo.

It's a folk song, it's open to interpretation. Personally, I prefer triple; it imparts more liveliness to the tune.

Largo, Quarter-note = 60

(60 beats per minute)

Set in Egypt it tells of the exploits of Tamino, a prince, and Papageno the bird catcher, in rescuing Pamina the Queen's daughter who is imprisoned in the castle of a wicked demon, Sarastro. The quest is aided by the supernatural assistance of the magic flute.

Salzburg, Austria

The harpsichord is both a concertino and a ripieno instrument: in the concertino passages the part is obbligato; in the ripieno passages it has a figured bass part and plays continuo.

This concerto makes use of a popular chamber music ensemble of the time (flute, violin, and harpsichord), which Bach used on their own for the middle movement. It is believed that it was written in 1719, to show off a new harpsichord by Michael Mietke which Bach had brought back from Berlin for the Cöthen court. It is also thought that Bach wrote it for a competition at Dresden with the French composer and organist Louis Marchand; in the central movement, Bach uses one of Marchand's themes. Marchand fled before the competition could take place, apparently scared off in the face of Bach's great reputation for virtuosity and improvisation.

The concerto is well suited throughout to showing off the qualities of a fine harpsichord and the virtuosity of its player, but especially in the lengthy solo 'cadenza' to the first movement. It seems almost certain that Bach, considered a great organ and harpsichord virtuoso, was the harpsichord soloist at the premiere. Scholars have seen in this work the origins of the solo keyboard concerto as it is the first example of a concerto with a solo keyboard part.[8][9]

An earlier version, BWV 1050a, has innumerable small differences from its later cousin, but only two main ones: there is no part for cello, and there is a shorter and less elaborate (though harmonically remarkable) harpsichord cadenza in the first movement. (The cello part in BWV 1050, when it differs from the violone part, doubles the left hand of the harpsichord.)

Ludwig Van Beethoven communicated orally, as well as writing in notebooks. He started this in 1818, seven years before he became completely deaf in 1825. There were about 400 of these books with his notes and conversations. Around 264 of them have since been destroyed.

It is called a CADENZA where the soloist shows their virtuosity. In the Baroque and early Classical period, soloists were free to make up their own cadenzas but later on Composers began writing them out.

because their own hair was too unruly, too thin, or hard to manage, so they wore wigs.

he was between both Classical and Romantic period but is more often classified in the Classical period

Yes he was married twice. His first wife, Barbara Gabler in October 1681. She died along with their only son in October of 1683 during a plague. In August 1684, he married his 2nd wife, Judith Drommer. They had 2 daughters and 5 sons.

Isabella Leonarda was a 17th century Italian nun, who wrote large amounts of music, most of which was for the voice. She didn't really begin composing until she was past age fifty. While the majority of her work was well-liked and appreciated in her lifetime, there does not seem to have been one particular work of hers that she is famous for.

violins, cellos, french horns,oboes, clarinets

Yes he did.

In 1796, Beethoven played before the Court of King Friedrich Wilhelm II of Prussia.

If you only count the current series since 2005, only Murray Gold. Add the 1963-89 series and about a dozen.

john cage

Entre force et tendresse, gaieté et tragédie, le langage de Mozart reste universel. Un langage qui a eu un grand impact sur l'histoire de la musique. Les successeurs de Mozart n'échappent pas à son influence. Beethoven, d'abord, fortement impressionné par Mozart qu'il croise dans sa jeunesse. Puis Schubert, qui grandit à Vienne à l'époque où le génie de Mozart est enfin reconnu, quelques années après sa mort. Quant à Gioacchino Rossini, ses opéras lui doivent beaucoup, et ce n'est pas un hasard si ce dernier choisit de mettre en musique Le barbier de Séville de Beaumarchais, premier volet des frasques de Figaro. Enfin l'opéra allemand de Weber et de Wagner est aussi fortement influencé par La flûte enchantée. Grâce, puissance, émotion, humour et élégance font un cocktail détonnant, à l'image de Mozart, artiste sans doute le plus accompli qui ait jamais existé. Mozart est-il vraiment parti ? Between force and tenderness, cheerfulness and tragedy, the language of Mozart remains universal. A language which had a great impact on the history of the music. Successors of Mozart do not escape its influence. Beethoven, firstly, was strongly impressed by Mozart who he crosses in his youth. Then Schubert, which grows in Vienna with the time when the genius of Mozart is finally recognized, a few years after its death. As for Gioacchino Rossini, its operas owe him much, and this is not a chance if this last chooses to put in music the barber of Seville de Beaumarchais, first shutter of the escapades of Barber. Finally the German opera of Weber and Wagner is also strongly influenced by the Magic Flute. Grace, power, emotion, humour and elegance make a clashing cocktail, with the image of Mozart, the most accomplished artist undoubtedly who ever existed. Did Mozart really leave?