Composers

No. This is an artistic fabrication by the director of the movie.

It is in fact true that Ludwig van Beethoven had many various people in his life to help him throughout his career, but many if not all are unidentified.

Vivaldi

It depends on the what instruments are made and what the music arrangements are like, and how many instruments are played.

I would assume homophonic because it's a very steady piece which holds silmiar beats.

Bach

Organist

False. Both have 4 players. That's why they are called 'quartets' - it means 'consisting of four'.

Gabrieli

I don't believe so.

the organ

The show's score, including the opening and closing themes, was composed by longtime session drummer Rick Marotta. Seems to be referred to only as "Everybody Loves Raymond Theme Song". http://en.wikipedia.org/wiki/Everybody_Loves_Raymond

Hands down, the Brahms- Paganini Variations. Followed by the Handel Variations and Fugue, both mammoth pieces, but hard in different ways. The Paganini Variaions are wicked, fire eating virtuoso pieces. Clara Schumann sourly called them "witch variations", admitting she couldn't even manage them herself.

one way i know of is because all good composers know that turtles like skittles

Charlemagne

Brahms was brought up a Lutheran protestant.

Apparently, he read the Bible throughout his life, but early on distanced himself from Christian doctrine. He regularly used the Bible as a source of powerful poetry, e. g. in his choral motets op. 29, op. 47, and op. 110, as well as in his "Four Serious Songs" and in the "German Requiem".

However, when reading the texts chosen for the latter carefully, you will notice that all the texts are about the human condition in general, about grief, suffering, the vanity of human existence, and about the promise of consolation. All direct connections to Christ, to the resurrection, or to sin and forgiving are carefully avoided. In a letter written short before the first performance, Brahms all but renounced Christian doctrine explicitly when referring to John 3:16 ("For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.") and saying that he would do rather without that line.

This was noticed by Brahms' contemporaries immediately. When the German Requiem was first performed in Bremen cathedral, on Good Friday, 1868, the conductor suggested to insert movements by Bach and Handel to make up for the lack of a statement of specifically Christian belief.

It is number 550 on the Kochel list of his works

Episode 4 of the HBO tv series: John Adams.

1. The forms in movements 1, 2, and 4: the first movement is in sonata form, the second is a theme and variations, and the fourth is again in sonata form. The Symphony is clearly Romantic in style and has a Romantic theme. The form in the third movement is scherzo-trio, which is a Romantic innovation derived from the minuet-trio that is commonly associated with the Classical period. Also, there are sudden changes in tempo and mood within each movement. I would not call this a Classical symphony. It sounds too far different than one by Haydn or Mozart.

I believe it was Ludwig van Beethoven.
Beethoven

famous maestro and music conductor

Golden girls

no i dont remember that they had married

it was used in the film blackdog

Yes. See Rhapsody in Blue. This is probably heard in any scene where Tom chases Jerry through a city.

Waltz of flowers