Disco Music

The tramps

Harry Wayne Casey, better know as K.C. With the Sunshine Band

George Tarzian

Ten and up

there is no key u have to be a member

go to the upgrades igloo an go to the 5th page and click on remove flooring and it but you must have 20 coins

Disco emerged in the early 1970s and reached its peak popularity during the late 1970s, particularly from 1975 to 1979. The genre is characterized by its danceable beats, orchestral arrangements, and vibrant nightlife culture. Although disco began to decline in the early 1980s, its influence continues to resonate in various music genres today.

1.Open the insert window.

2.Go to the furniture catagory.

3.There is a television in the list, select and insert it.

4.Copy the screen of the television.

5.You may delete the television.

6.With the screen copy, resize it to any size you want.

7.Fill the floor with copies in any order you want.

8.You have made a simple colour-changing disco floor.

Leo Sayer's "You Make Me Feel Like Dancing"

It is spelled the same in Spanish as in English. It is pronounced "deese-co" in Spanish.

This is from Hairspray but you've got it wrong... it's:"Hey mama, hey mama, look around."

The song is Welcome to the Sixties.

It is in Old Wesley Rugby Club, at Donnybrook Stadium in the suburb of Donnybrook on the southside of Dublin. See the map at the link below.

there is nothing called stack entry :p

It isn't closed.

As loud as you want it to be!!!

i forgot

Late 1970's.

barf.

no

Queen of the Disco was created on 2002-03-01.

Twas Gladys Knight & The Pips I think

$198 per s.f.

Although this self-titled LP was recorded in Philadelphia in 1979, it might as well have been recorded in Berlin, Stockholm, or Milan - that's because Ultimate's music is about as Euro-disco as it gets. The production is extremely European sounding, which is exactly what producers Juliano Salerni and Bruce Weeden were going for when their company, South Philly Productions, brought this project to Casablanca (home of Donna Summer and the Village People) in the late '70s. Back then, Philly was giving the world a lot of dance floor classics, but most of them weren't terribly European sounding - think of club-minded artists who recorded in Philly during the Disco Era (Double Exposure and Moment of Truth, among many others), and you tend to think of artists who blended the disco beat with gospel-influenced passion and a strong awareness of disco's soul roots. Ultimate, however, sounds nothing like those artists and is influenced by European acts like Cerrone and Love and Kisses. Ultimate was ignored by pop and R&B radio in the U.S. but was well-received by club DJs who loved the lush, high-gloss approach of tunes like "Take Me to Chinatown" and "Ritmo de Brazil." Dance clubs were especially receptive to Side 1, which brings the songs "Touch Me Baby," "Love Is the Ultimate," and "Dancing in the Night" together for a 14-minute nonstop dance medley. Rock critics, of course, hated this LP with a passion, calling it contrived and campy. And, to be sure, Ultimate is both of those things, but it's still a fun and infectious piece of ear candy. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:dcfixql5ldde

Like most things, funk music was male-dominated at its start. Disco, however, was a reaction to the exclusionary nature of funk as an art, as well as to the exclusionary nature of other types of music prevalent at the time. As such, it was created by those marginalized groups: LGBT individuals, African-Americans, Latinos, and women. Disco, then, was more female-dominated than funk, and funk remained dominated by the mainstream group: white heterosexual men.