Music Theory

Queen

A note which is neither sharp nor flat is called natural.
A natural

Harmonic perception is how one person receives musical language. Chords can be perceived as having different harmonic functions to different people for example.

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Whatever the person that wrote it wants to call it.

Symphonies can have all sorts of variations in number of movements. Stravinsky wrote a piece he called "Symphony in Three Movements". Mozart's "Prague" Symphony (No. 38) has only three movements and is sometimes called the symphony without a minuet. Schubert's "Unfinished" Symphony only has two movements, thought presumably it was not planned that way.

In the final consideration, it's best simply to go with whatever the composer called it.

homophonic

In a melodic minor scale, the sixth and seventh degrees are sharpened. In real cases - we have to use the word 'raised' rather than 'sharpened' since sometimes we need to raise the sixth degree of a major scale which is already flat. In Ab minor for example - we use naturals to raise the sixth and seventh degrees ascending since those notes (F and G), are already flatted due to the key signature.

Because the subdominant seventh chord in any key introduces the flattened mediant in the original key, this new flat note becomes the subdominant note in the new key. One logical progression is:

C F7 Bâ™­

It stands to reason that this remains consistent through each of the twelve major keys - though the treatment of major chords in minor keys is different.

A quaver.

The interval between C and D is a major second or a "whole step".

He is at least 70,000 because of his awesome singing voice.

No it is not the same.

G major has a tonic (root) a third and a fifth

The G major 7 has an added seventh

In the case of G maj 7 the the notes would be G B E and the added sventh is in this case an F#

7 chords are mostly used in jazz and sometimes in pop or rock music in order to alter the harmony of the song.

The two clefs normally used are treble and bass. Treble has the higher pitches.

F# major has 6 sharps (F, C, G, D, A, E) and only B is natural.

A

As far as I know it isn't possible in Sibelius Student, but it might be in other versions.

Sure can

the Dorian mode scale has semitones between the 2-3 notes and the 6-7 notes the mixolydian mode scale, on the otherhand, has semitones between the 3-4 notes and the 6-7 notes.

the Dorian mode can be written on D, with no accidentals

the Mixolydian mode can be written on G, with no accidentals.

they can be recognized in a song or piece based on the key signature and accidentals invovled.

no

the "blue note" is the flattened 3rd of the major scale. So in A, the blue note would be a C note.

The tonic, the submediant and the dominant (1, 3 and 5).

F would be C quintuple sharp.

Yes, unless otherwise noted on the sheet music by a key change.