Music Theory

There is no "allefro" tempo, but there is one called allegro.

The tempo range for allegro is 120-168 bpm.

The letters F-A-C-E appear in the spaces between the lines in the treble clef.

An amp is what produces the sound, however the amp cord is what carries the sound. Some instruments do not need an amp cord.

Stated in another way, an amp (or amplifier) is the device that converts the electrical impulses from an instrument into amplified sound. The electrical impulses from the instrument are carried to the amplifier by an amp cord, or an audio cable. This is usually a shielded, two or three conductor cable with male plugs at either end.

C sharp.

There are four semiquavers in a crotchet.

First it would depend on the number of double-sharps in the key signature. Since any fewer than 7 double-sharps in the key signature would create a mode other than major or the natural minor, we would have to begin with 7 double-sharps. This would effectively raise every note in the C Major scale up one whole step giving us C double-sharp major. Note that this particular key signature would be impractical to read since C double-sharp Major is enharmonic with D Major which only has one sharp.

D major(D,F#,A,D) for sub domonant, and E major(E,G#,B,E) for dominant

Alla breve

Sonic Components:

* sound spectrum

* frequency range

* equalization

* dynamics

* sound contrast

* mix

* panning

* effects processing

To play legato, you make all your notes slightly slurred and a melodic rhythm to it. Trie and keep notes ncie and even together.

Another term that usually refers to a piece of (although it can also refer to a rhythm or a chord progression) is "motif." A motif is a short musical idea-shorter than a phrase-that occurs often in a piece of music. A short melodic idea may also be called a motif, a motive, a cell, or a figure.

16 quavers can be played in the same time as 8 crotchets.

Yes, tenor clef is a C clef, in that it indicates the position of middle C, which in this case is on the 4th line from the bottom.

The timbre refers to the quality of a specific sound, which differentiates it from other sounds. Tessitura refers to a comfortable range for a singer or, sometimes, a musical instrument.

Amy Castle

F major and its relative harmonic minor, D minor, have only b flat.

I will assume you understand basic diatonic harmony to even be asking this question.

The principle of doubling in harmony is a reference to the common practice of four-part harmony: soprano (S), Alto (A), tenor (T), and bass (B). Triads have only three tones: a root, a third, and a fifth. Therefore, in four-voice harmony, one of those chord members must be doubled. So here are the basic principles. But remember, music is art, not science. There are always exceptions, and times when a different doubling is preferred. At any rate here are what I call the "Standard Doubling Procedures."

Root position triad: double the root

First inversion triad: double the root or the fifth. Do not double the third.

Second inversion triad: double the fifth (in this case, the bass).

A few exceptions:

In a progression from V-vi, double the third of the vi chord, which is the tonic scale degree.

In a ii6 - V progression, double the third of the ii chord (the bass) it tends to strengthen the progression as it is doubling the subdominant scale degree.

vii6 chord, usually has the third doubled, sometimes the fifth, but NEVER the root because the root is the leading tone.

It indicates the position of G

Treble

Allemande

Respell the G-sharp as A-flat, then it's an F minor chord. If the C is on bottom, then it's Fm/C.

Move everything up 12 frets. Don't forget that the 'nut' represents a string to be held down at the 12.

the leitmotif is the recurring theme or motif of a musical piece (usually a small melodic thought or idea).... so any secondary melodic passages or main motif parts of the piece that do not resemble the main may be examples of things that do not refer to the leitmotif... hope that helps.

Tone, Tone, Semitone, Tone, Tone, Tone, Semitone.

If that's a minor V moving to a IV chord, then no, it's not allowed. A minor V doesn't fit in anywhere in a major key, nor is V permitted to move directly to IV. To have a lowered 7th scale degree in the 2nd chord, leading to IV, try a V7/IV. It's a I chord with a minor 7th in it, working as a secondary dominant.