Compare Parker Sonnet to Waterman Hemisphere pen?
I believe that the parker sonnet is a far supirior pen. The writing style is a higher quality from the parker and also allows a better in stroke from the nib. Although both pens feel good in the hand the seem to be good quality however the parker seems to fit in the hand better and feel more comfortable. The waterman also seems a bit thin and light when writing.
What are Shakespeare's most famous sonnet?
My personal favorite is Sonnet 130. Very traditional Shakespearean sonnet, in that the couplet at the end offers a twist on the three previous quatrains. I think that number 18 "Shall I compare thee to a summer's day..." is the most quoted and well known of his sonnets.
Analysis
Shakespeare's Sonnet 55 deals with the idea that the subject will be made immortal in these verses, though everything else will be lost through war, "sluttish" time, or other violent forces. Shakespeare elevates poetry as superior, and the only assurance of immortality in this world, but lowers this particular sonnet itself as being unworthy of his subject. Thus, his theme is that everything will be destroyed and forgotten except the subject, who will be praised forever, because they are immortalized in these lines.
The first stanza talks about how time will not destroy the subject, though it shall destroy the world's most magnificent structures. Thus, poetry is stronger than these structures. The second stanza says that war will not destroy the subject; the third states that the subject will forever be remembered and honored. The couplet sums this up, and also suggests that the subject is love itself. Thus, the thesis of this sonnet is that the subject will be honored forever in the verses, though the verses themselves are unworthy of them.
At the very beginning, Shakespeare suggests that his sonnet is magnificent by using very magnificent comparisons in lines 1-2:Not marble, nor the gilded monuments ,Of princes, shall outlive this powerful rhyme;
In contrast, he uses the word "rhyme" at the end of line 2, which is often used to signify common and mediocre, even bad, poetry, which suggests that it is the subject of his sonnet that lends magnificence to the verses.
This is only confirmed in lines 3-4:But you shall shine more bright in these contentsThan unswept stone, besmeared with sluttish time.
Shakespeare comments that his subject will be brighter in his sonnet than an old and dirty stone, again suggesting, by equating his poem with dirt, that his sonnet does not live up to the subject. He likewise calls Time "sluttish", clearly comparing it unfavourably to his female subject. Also, the reference to stone recalls the structures alluded to in line 1.
Lines 5-6 (a new stanza) begins a new idea:When wasteful war shall statues overturnAnd broils root out the work of masonry,
Shakespeare has so far spoken of two destructive forces: time and war. He is here describing war destroying stone structures, which relates back to the "marble" and "gilded monuments" in line 1, that likewise do not last.
Lines 7-8 continue the war theme:Nor Mars his sword nor war's quick fire shall burnThe living record of your memory.
These lines talk of more war, and how it shall not destroy the poem. "Mars his sword" is a possessive, using the his genitive. "Living" contrasts with the destruction of the non-living structures in lines 1 and 5-6, meaning that the subject lends not only magnificence, but a living soul to these verses.
The next stanza does not talk about survival, but of human appreciation. He continues to praise his subject:'Gainst death and all-oblivious enmityShall you pace forth; your praise shall still find roomEven in the eyes of all posterityThat wear this world out to the ending doom.
There is still a suggestion of survival, but survival of human appreciation, and not of the verse itself. "Doom" refers to Judgement Day, suggesting in the context of the rest of the poem that this poetic record of his subject will survive, and be praised, to the end of time. The slight deviation of the meter in the words "Even in" creates emphasis for this permanency.
The ending couplet is a summary of the survival theme:So 'till the judgment that yourself arise,You live in this, and dwell in lovers' eyes.
The couplet not only summarizes the rest of the sonnet, but also seems to contradict itself. "Judgement" goes with the talk of Judgement Day in the last stanza, and implies that the subject is alive and will be judged on that day, but "dwelling in lovers' eyes" suggests that the subject is love itself. Thus, Shakespeare seems to consider the subject so lovely that he is a personification of Love, which cannot be conquered and to which no poetry can do justice.
From Shakespeare's Sonnet 18, beginning, "Shall I compare thee to a summer's day?"
Analysis of sonnet 126 of William Shakespeare?
"O thou, my lovely boy, who in thy power / Dost hold Time's fickle glass, his sickle, hour;"
Oh you, my lovely boy, who hold in your power Time's fickle hourglass (or mirror), his sickle, and his very hours;
"Who hast by waning grown, and therein show'st / Thy lovers withering as thy sweet self grow'st;"
You who have grown as your youth has declined; meanwhile, your lovers have withered as your sweet self grows;
"If Nature, sovereign mistress over wrack / As thou goest onwards, still will pluck thee back,"
If Nature, the controller of destruction, will continue to keep you back in the sweetness of youth even as you age,
"She keeps thee to this purpose, that her skill / May time disgrace and wretched minutes kill."
She is keeping you for a reason, so that her power may disgrace time and cancel the wretched effects of time.
"Yet fear her, O thou minion of her pleasure! / She may detain, but not still keep, her treasure:"
But fear her, oh you servant of her pleasure! She may delay the decline of aging, but she cannot keep your youthful beauty forever:
"Her audit, though delay'd, answer'd must be / And her quietus is to render thee."
Time's reckoning, though delayed, must still be settled, and her reconciliation will be to give you up.
Why is he saying it?
Unique in the sequence, sonnet 126 is actually not a sonnet at all, but rather a verse of six rhyming couplets adding up to twelve lines. Nevertheless it is still possible to analyze this "sonnet" quatrain by quatrain, since each four-line block constitutes its own thematic unit within the overall theme of the fair lord's preternatural resilience to the ravages of time. The attitude of the sonnet is not jealousy, as we might expect, but rather admonition: the fair lord's resistance to time's destructive force is ironically (or sadly) just a temporary blessing.
In the first quatrain, the narrator admires his "lovely boy" for the superhuman power he seems to possess over Time's various instruments of destruction. "Time's fickle glass" in line 2 may be an hourglass, but it could also be a mirror - for a mirror shows the present, unlike a picture that shows the past, and thereby a mirror shows the changes that have taken place with time. For the fair lord, however, these changes have yet to detract from his beauty, as lines 3-4 show: "Who hast by waning grown, and therein show'st / Thy lovers withering as thy sweet self grow'st."
The second quatrain identifies Nature as the fair lord's generous accomplice, for it is Nature that has granted him his resilience against time by continually rescuing him from time's destruction. This comes as little surprise, if we have read in sonnet 20 that Nature has been in love with the fair lord all along. She therefore saves him presumably for her own gratification, as we see in the opening of quatrain three: "O thou minion of her pleasure!"
The final quatrain delimits the fair lord's specious immortality, as line 10 warns that Nature "may detain, but not still keep, her treasure." His fate is forever sealed in lines 11-12, one last example of financial imagery in the fair lord sonnets, where Nature's "audit" of life and death must be reconciled by the eventual termination of the fair lord's earthly figure: "Her audit, though delay'd, answer'd must be / And her quietus is to render thee." (The words "quietus est" were written atop acknowledgments of settled debts.) The power of Nature may be great, but it is unable to withstand the ravages of time indefinitely.
One of the most heated debates surrounding the collection of Shakespeare's sonnets is the question of what deeper significance, if any, is to be found in their ordering and internal structure. How deliberate is the ordering of the sequence, and to what extent are we able to divide the sonnets into groupings and subgroupings? As mentioned elsewhere in this ClassicNote, the primary division most scholars make comes between the fair lord sonnets (1-126) and the dark lady sonnets (127-154). Sonnet 126 is often viewed as the definitive breaking point, for its aberrant "non-sonnet" structure seems to be evidence of the poet's insertion of these lines as an explicit "curtains close," or at least as some sort of meaningful interlude. Sonnet 126 is the narrator's final farewell to the fair lord and also his final admonition, reminiscent of the prophetic epigram of sonnet 60, that Time "Feeds on the rarities of nature's truth / And nothing stands but for his scythe to mow."
The expression occurs in Shakespeare's Sonnet 30:
"Then can I drown an eye, unused to flow,
For precious friends hid in death's dateless night,"
and something similar in The Rape of Lucrece:
"Their gentle sex to weep are often willing;
Grieving themselves to guess at others' smarts,
And then they drown their eyes or break their hearts."
Either way, the image is of an eye so full of water it is drowning--it means crying or weeping. The passage in the sonnet is about weeping for friends who have died. The passage in Lucrece says that women are often willing to cry rather than break their hearts in pity of others' sorrows.
the sonnet will be read, and its subject thereby visualized far beyond the deaths of anyone then living - indeed, for "so long as men can breathe, or eyes can see".
In 1863, two guns that changed the course of firearms history were first delivered to the U.S. government. These are the Henry and Spencer repeaters. These arms were among the first to use rimfire cartridges. The Henry was not actually designed as a military weapon. Some were purchased by the Army due to the emergency of the war. The Spencer, however, was specifically intended for military service. Almost 100,000 rifles and carbines were delivered on federal contracts before the end of the Civil War, not to mention state purchases. The Spencer Repeating Rifle Company went on to produce improved models after 1865. Unfortunately, they never got the really big government or foreign contracts needed to stay in business after the war. The company closed and was sold to the Fogerty Rifle Company in 1869, who in turn were bought by Winchester.
It is no coincidence that Spencer carbines and rifles are quite similar to the corresponding Sharps models. Christopher Spencer was very familiar with the durability problems patent arms had experienced in service trials. He incorporated the best features of the most successful breechloader in his design. In fact, Spencer purchased complete barrels from the Sharps company for his first Navy rifles. Internal lock components are identical to the corresponding Sharps parts, except the sear, which must be ground a little to clear the Spencer magazine tube. Since the lock was one of the most vulnerable parts of a weapon, this interchangeability became a strong selling point. Spencers could be repaired with Sharps parts already on hand.
The military Spencers of 1863 were all chambered for the 56-56 cartridge, which was developed by Crittenden and Tibbles about 1861. This firm supplied Smith and Wesson with the first cartridges made under the latter's rimfire patents of 1854. In an attempt to make militarily useful ammunition, the 56-56 features the largest case that was practical to form at the time. When fired in a rifle, this round would approach the performance of the 58 caliber musket then in use.
During the War Between the States, the relatively low power of the 56-56 was not a great handicap. Most battles were fought at much less than 400 yards. Here, the cartridge was more than adequate. It also had the distinct advantage of light recoil. This was especially true for the rifle, which weighs almost ten pounds. In May of 1863, Spencer rifles became the first of the repeaters to be issued. They had an immediate and profound effect on tactics. Shortly after receiving the new rifles, Wilder's Lightning Brigade defeated a Confederate force several times their own number at Hoover's Gap, Tennessee. In July, Irvin Gregg's cavalry division, including George Custer's brigade, stopped Jeb Stuart's southern troopers at Gettysburg. The Confederate cavalry was attempting to flank the Army of the Potomac in support of Pickett's ill fated charge. The Southerners had fought these same Federal troopers to a standstill at Brandy Station, only three weeks before. The Confederate horsemen then managed to hold the Yankee cavalry in check a week later at the battles of Aldie, Middleburg and Upperville. Non of the handful of units in the Army of the Potomac equipped with Spencer rifles took a major part in these battles.
The 5th and 6th Michigan cavalry had been rearmed in May of 1863 with Spencer's repeaters. Before July, their main posting had been picket duty in the Washington D.C. area. At Gettysburg, they held the center of the Federal line that stopped the southern cavalry. Not only was the Federal mounted service coming of age, so were their weapons. A good case can be made that, had Stuart's flanking movement been successful, reinforcements would not have been so readily available to the besieged Federal line. Then, Pickett's charge may well have carried the day.
The M-1865 is the Spencer of the Indian Wars era. The only major changes are a reduction in caliber to .50" and 20 inch barrels for the carbines, down from the M-1863's 22 inches. Rifles remained at 30 inches. This, and all later military Spencers, are chambered for the 56-50 cartridge. The round was actually developed by the US Ordinance Department during the Civil War. Its introduction in March of 1865 was just barely too late for service in that conflict.
The limiting factor in the Spencer design is overall cartridge length. Cases longer than about 1.75 inches will not feed through the action. By using a lighter bullet and slightly larger powder charge, the 56-50 improved on the ballistic performance of the 56-56 about as much as was possible.
The 50 caliber Spencer went on to develop an enviable reputation on the frontier. This in spite of the fact that the round was under powered for the wide open west, even when it was first introduced. Spencers were the standard issue weapon of mounted troops for a decade after 1865, with few exceptions. Their firepower saved the day in many actions. When it came to a close fight, such as Beecher's Island in eastern Colorado, the repeaters were hard to beat. In a cost cutting move, they were finally superseded by the single shot Model 1873 Springfield carbine. The changeover started late in 1874, five years after the Spencer company went out of business. Some units were equipped with Spencers well into 1876. They continued to be issued to teamsters and settlers well after their departure from front line service. Westerners prized them as a handy saddle gun. Many were in use as late as the turn of the century. Their cartridges were loaded commercially at least through 1919.
Models and TypesThe greatest difference between the various Spencer models is the cartridge extraction system. Model 1863 and 1865 Spencers use a long blade on the left of the breech block carrier. In the M-1865, this blade is held forward with a helper spring to make single loading easier. M-1867 guns use the Lane patent extractor, a spring loaded tooth mounted on the centerline of the breech block carrier. The models of 1868 use a short blade relocated to the left of the breech block carrier.
With the addition of Breechloader II to NSSA events, we can now enjoy the singular pleasure of competing with history's first general issue military repeater. All that is needed is a center fire breechblock and a flat faced magazine follower from S&S, about sixty 50-70 cases and a reasonably well supplied loading bench. There are several models to choose from, both rifles and carbines. In addition, excellent reproductions of the M-1865 have recently become available through Lodgewood.
Reloading TipsThere are some peculiarities that may be encountered when preparing a Spencer for use today. First, most Spencers have been dry fired, some a lot. Dry firing will pound the firing pin, which is case hardened, into the rim area of the chamber, which is not. The result is a dent of variable severity in the barrel breech. Often this dent will be bad enough to prevent cartridge chambering. If an otherwise correct cartridge will not seat completely, it may be necessary to find and carefully remove the dent.
Spencer cases are not currently available, so other types must be converted. The easiest cases to modify are 50-70's, but most rims are a little too large in diameter for Spencer chambers, the original 50-70 specification is .670". Turn them down to .650" and they will fit fine. Some of the newer 50-70 case rims are being made slightly undersize, due to the popularity of centerfire Spencer conversions.
Two other cases can be formed into Spencer rounds with a suitable neck expander. 348 Winchesters are the most readily available but, due to their smaller rim, these will only extract with the M-1867 Lane extractor. French Lebel cases often work well. However, their rims are also occasionally a little too small to extract reliably with the blade type extractor. In addition, they can be rather difficult to find in boxer primed versions.
A problem that occasionally appears is inability to close the breech on an apparently correct case. This is caused by the chamber's rim cut being less than .065" deep. The result can be negative headspace when using 50-70 based cases, which will prevent closing of the action. If this problem is encountered, the front face of the rim must be thinned. If the back face is thinned instead, which is much easier, primers may protrude when fully seated. It is very important to seat primers fully flush with the case. If a primer is not quite seated, the chance of a magazine explosion is great.
Case length for 56-56 rounds will vary with the type of bullet chosen. Original style bullets can require cases as short as .90". Some Rapine bullets will function quite well with cases up to 1.1". Case length for 56-50 rounds should be between 1.15" and 1.18". Often the action will function with shorter cases, however, exceeding the maximum length almost always results in jams.
Some case modification directions do not mention neck reaming as the final step. It can be skipped, but the necks will be so stiff that gas leakage back through the action is almost guaranteed. Best results are usually obtained by trimming to length then resizing before reaming to get a reasonable neck thickness. A 33/64" (.5156") reamer is commonly available and works quite well for this application. Do not neglect to anneal before the first loading, or there is a good chance of cases splits.
As for reloading dies, if you already have a set of RCBS 50-70 dies, you are in luck. The sizer and shell holder will work perfectly. All that is needed to load Spencer ammo is an appropriate neck expander plug and seat/crimp die. RCBS and Rapine will sell these separately. Otherwise, full 56-56 or 56-50 Spencer sets can be ordered through RCBS, Springfield Minute Man and Rapine. Be prepared, they are semi-custom and thus not exactly cheap.
When it comes to selecting a bullet mold, Spencer shooters have a wide range of choices. But, it will be necessary to know the groove diameter of your gun. Due to the very deep rifling popular in the 1860's, groove diameter of model 1863 Spencers can be as large as .540" although .535" is more common. To insure that the soft lead bullets would fill any bore in which they might possibly be fired, even if damaged in transport, the average bullet diameter of original rounds is about .55". The post war models usually slug out at .515", although .518" is not especially rare. The Springfield rebuilt M-1863's tend to have the tightest bores. As with any antique gun, it is a very good idea to slug your bore and order a mold a couple of thousandths oversize.
Remember that the Spencer design uses a tubular magazine. Whatever mold is chosen, be sure it is a flat nose design. The original bullets are fairly sharp and would not be safe with modern centerfire ammunition. In fact, they were not entirely safe with rimfire ammunition. Magazine explosions, while rare, were not unknown.
Rapine produces a good selection of Spencer bullet molds. Their catalog lists a 370 grain slug for 56-56 chamberings and a 375 grain weight for 56-50's. In addition, they list several 50 caliber molds that would be suitable, if another weight is desired. An excellent all around bullet for most any 50 caliber antique weapon with limited case capacity can be made by cutting down a Lyman 515141 mold to cast a bullet with just two grease grooves. The cut down modification will weigh about 375 grains when cast in wheel weight. This design's flat nose is large enough to be safe in tubular magazines.
As to casting alloys, all of the Civil War breech loaders of my experience have preferred alloyed lead. Wheel weight or a 50/50 mixture of wheel weight and pure lead is almost guaranteed to shoot better than plain lead.
Spencers generally shoot best with FF, or the new(ish) GOEX CTG black powder. They also generally group tighter when using magnum primers. Forty to forty-five grains is a good starting load. FFF will usually produce higher velocities, but groups will be about 25% larger. Often a light load is desirable for short range target shooting. Thirty to thirty-five grains works well. In order to maintain optimum compression of the charge, a card or wool felt wad should be placed over the powder with reduced loads. The white "Wonder Wads" in 50 caliber size work very well for both 50 and 52 caliber Spencers. Wads are also available treated with a lubricating grease. The yellow color is distinctive. They don't generally work as well. The grease seems to find its way into the powder charge, especially in hot weather.
In chronographing many different Spencer loads, standard deviations have always been surprisingly low. Values for the loads presented in the table shown ranged from only 3.1 to 8.6 FPS for the carbine and 10.3 to 15.1 FPS for the rifle. The higher values of the long gun are probably due to the fact that its bore, while very good, isn't perfect. The carbine used does have a shiny mint barrel. Unfortunately, I didn't have an M-1860 Spencer to chronograph. They generally produce velocities similar to the 56-50 loads presented.
One problem peculiar to the 56-56 is jams due to the bullet being turned out of its case while passing through the action. This failure can be eliminated by using a fairly hard bullet alloy and a solid crimp. Obviously, the correct reloading dies are required to make reliable ammunition, if the magazine is to be used. In order to get a feel for the Spencer before diving in with your bank account, 50-70 dies can usually be adjusted to load rounds that will shoot well. It is impossible to crimp using these dies. A sort of crimp can be applied by removing the decapping pin from a 50-70 sizer. Then gently run the finished rounds through until just the neck is swaged.
On the Firing LineThere are some wide spread prejudices against Spencers that have made their appearance on the line an all too rare occasion. The first is the inescapable fact that they won't shoot quite as fast as a Henry. In the time it takes a typical Henry shooter to get off 8 or 9 rounds, a Spencer will send 6 or 7 down range. This is a disadvantage, but not as much as shooting a muzzle loader in carbine matches. With practice, one can get very close to Henry speed, unless you are a lefty. The problem is mostly caused by the fact that the hammer must be cocked between shots.
Another complaint is the seven round magazine. This can be a serious disadvantage on the pigeon board, since there are eight targets. By starting with a cartridge in the chamber, eight shots are available before reloading. That means 100% hits are required in this event, while the Henry shooters can miss as many as four birds. A helpful trick is to hold a couple of spare rounds between the knuckles of your off hand. Then, when the magazine is empty and only one or two targets are left, the gun can be single loaded very quickly. This option is not nearly as convenient for the unlucky Henry shooter. If reloading becomes necessary, the Spencer's magazine can be refilled far more rapidly than a Henry. If everyone is missing and both the Henry and Spencer must be reloaded, the Spencer armed skirmisher can overtake a Henry shooter. For hanging targets, eight rounds are usually more than sufficient. A positive advantage of the Spencer design is that the magazine is safer to reload, since the muzzle is always pointed down range. If Spencer shooters were allowed to use a Blakslee quickloader on just the pigeon board, the Spencer's biggest single handicap would be eliminated. ( I can't resist slipping in an unabashed suggestion to the rules committee.)
A common misconception is that Spencers are more difficult to operate and prone to jamming. With the wrong ammunition, or a weak magazine spring, this is true. However, a properly prepared Spencer is as smooth and reliable as any Henry on the line.
The best advantage of a Spencer is the outstanding accuracy of these arms. The author's M-1868 carbine has produced 1 ¼ " groups at 100 yards. One particular M-1865 rifle shot a 2 ¼ " group the first time it was fired this century, and using the magazine.
Like almost all Civil War carbines, Spencer's short guns shoot really high, 12" to 18" at 50 yards with original sights. Rifles are much better. They generally print about 8" high at 50 and 4" at 100 yards.
Once the shooting is over, Spencers are probably the easiest Civil War weapons there are to clean. Just open the action, turn the gun upside down and wash and oil the bore. If the mechanism needs attention, which isn't too often, remove the lever pivot screw and the whole assembly will fall out in your hand.
So, if you enjoy shooting something different, like me, bring a Spencer to the line. They have a certain unrefined mechanical charm that few repeaters can match. It won't take long to understand why they became so popular so quickly during the war.
Load and Muzzel Velocity TableLoad M-1865 Rifle, 30" bbl. N.M. Carbine, 20" bbl. 35 gr. GOEX FF 931 FPS 873 FPS 40 gr. GOEX FF 1016 FPS 965 FPS 35 gr. GOEX CTG 939 FPS* 883 FPS* 40 gr. GOEX CTG 1033 FPS 996 FPS * This load gave the lowest standard deviation in both the rifle and carbine.All loads used the following components.To add even more confusion, Springfield was also developing a 50 cal. round for the reduced bore M-1865 Spencer and, supposedly, all future carbines. This one was a great improvement over the commercial ammunition then being produced. It featured a cartridge case that covers and protects the bullet's grease grooves. In a foreshadowing of future designations based on barrel caliber, this became the 56-50. It was also known as the 50 U.S. Carbine and, in spite of its government roots, the 50 Spencer.
There was considerable debate during development of the 56-52 and 56-50 between Christopher Spencer and Steven V. Benet of Frankford (incidentally, father of the poet of the same name). Benet held that the bullet was better protected by a longer cartridge case. Spencer maintained that the heavy crimp used would damage the bullet's nose or even cause it to strip, thus ruining accuracy. The result was that there were two cartridges available for 50 caliber Spencers. The two rounds are different but interchangeable. The 56-50 is the first generally issued inside lubricated rimfire cartridge. The bullet's grease grooves are covered by the cartridge case. In the 56-52, The bullet's grease grooves are exposed. The Army almost exclusively issued the Springfield designed 56-50 ammunition, even if it was commercially made.
Civil War contract arms were all originally made in 52 caliber with 6 groove rifling. Over 11,000 of these were refinished and converted at Springfield to 50 caliber. Most also had Stabler's patent magazine cutoff added to allow use as a single shot. This work was done from late 1865 through the early 1870's. The conversions can easily be distinguished by their three groove rifled barrel liners. All other military models are 50 caliber. While these are the two common calibers of Spencer firearms, other chamberings exist. A few very rare and valuable sporting rifles were produced just after the Civil War, mostly from condemned parts. The greater number of these used a bottlenecked 44 caliber cartridge based on the 56-52 case. There are also a very few early prototypes in various small caliber chamberings, particularly 38 and 46 straight.
What is Shakespeare Sonnet XXIX all about?
Here's a quick hint: if you want an idea of what a Shakespeare sonnet is all about, it often helps to read the first line and the last two lines. The last two lines usually sum up the point he is trying to make, and the first often gives an idea of the background that point is built on. In the famous Sonnet 18, the first line says he's going to compare someone to a day in summer and the last two say that his poetry makes that person eternal. It doesn't always work: in the almost-as-famous sonnet 116, it's the first line and lines 11 and 12 you need to look at. So what about sonnet 29? The first line says, "When, in disgrace with fortune and men's eyes". Clearly, the set-up is that things are going badly for Mr. S.: he is in "disgrace with fortune", meaning he is experiencing a run of bad luck, and he is also disgraced in "men's eyes", so he is currently unpopular. OK, that's the set-up. The last two lines say, "For thy sweet love rememb'red such wealth brings that then I scorn to change my state with kings." If you have trouble reading this line it might help to recognize that "such wealth brings" is a poetic inversion, which Shakespeare uses to get the word he wants to rhyme with at the end of the line. It means "brings such wealth", but of course "wealth" and "kings" don't rhyme. This last couplet together with the first line tell us that our man Will is remembering that someone loves him, and this gives him such (spiritual or emotional) wealth that he wouldn't change places with a king EVEN THOUGH he is down on his luck and nobody appreciates his work. That's the basic idea.
What does abab eded efef gg represents?
It is the rhyme scheme of a Shakespearean sonnet. Each letter stands for a rhyme. For example, a limerick
There once was a fellow named John
Who walked around with nothing on
But when the snow fell
It was frosty as Hell
And before spring that fellow was gone.
has the rhyme scheme aabba: "a" represents the rhymes of "John-on-gone" and "b" represents the rhymes of "fell-Hell"
The scheme abab represents a quatrain like
There is no thing I better like to do
Than sit and watch the sun complete its round
Arising in the morning bright and new
And in the evening sett'ling to the ground.
Here "a" represents the rhymes of "do-new" and "b" the rhymes of "round-ground". There are three such quatrains in a Shakespearean sonnet.
How do the sonnets of shakespeare inspire people?
Shakespeare was a great poet, thought to be the greatest in the English language; his potery contains profound and eloquent observations about the human condition. For example "love is not love which alters where it alteration finds, or bends with the bender to remove". That could inspire someone to pursue their love despite all opposition.
What is Shakespeare's Sonnet 29 all about?
The idea behind this poem is "When I'm feeling blue I just think of you then I'm not so blue." That summary is crap poetry and Shakespeare's is great poetry, even though the idea is the same.
What Pun is in the sonnet 147 by William shakespeare?
There aren't any. This sonnet is a metaphysical poem, in the style of Donne and his contemporaries, which becomes evident in the first line, "My love is as a fever." This is not a pun, merely a simile. The poem continues with the conceit of comparing love to illness.
What are the rules of a Shakespearean sonnet?
Try the Poetic Vegetable Garden. There is a detailed article on writing Shakespearean sonnets there. The link is located below.
Are Shakespeare's Sonnets Biographical?
The answer has to be yes, given the exceptional body of evidence. That evidence is both internal to the Sonnets and external. It is literary and historical. It is uncontradicted by facts. There even survives a personal address by Shakespeare, which corroborates all the key facets of the extraordinary artist-aristocrat relationship depicted in the poems.
Moreover, that relationship points to the solutions of other mysteries: including who was Mr WH, who was the Rival Poet, what was the provenance of A Lover's Complaint and why were the circumstances of original publication so peculiar?
Read the full argument - as yet undented by numerous tests or assaults from Shakespeareans of every shade - at the link below for The Biography in Shakespeare's Sonnets.
What is the difference between shakespearean sonnet and spenserian sonnet?
The rhyme scheme is different. A Shakespearean sonnet is ababcdcdefefgg whereas a Spenserian is ababbcbccdcdee.
What line from Shakespeare's sonnet 18 contains a metaphor?
"Too hot the eye of heaven shines"
The eye of heaven is the sun.
"Thy eternal summer shall not fade"
Your youth shall not fade.
There are a few metaphors/personification.
What is the name of the sonnet by Shakespeare Shall I compare thee to a summer's day?
Although it is known as, "Shall I compare thee to a summer's day," this sonnet is also known by sonnet 18.
Whom were Shakespeare's sonnets dedicated to?
The sonnets were published in 1609 by Thomas Thorpe, possibly without Shakespeare's permission. The dedication reads "To the onlie begetter of these insuing sonnets Mr. W.H. all happinesse and that eternity promised by our ever-living poet wisheth the well-wishing adventurer in setting forth. T.T." The signature of T.T. suggests that the dedication was written by Thomas Thorpe. Massive amounts of time have been spent trying to decipher this cryptic dedication and to guess the possible identity of "Mr. W.H." Nobody even knows what Thorpe meant by "the onlie begetter". It could mean someone who gave Shakespeare financial support, someone who gave Thorpe financial support, Shakespeare's inspiration, someone who delivered a manuscript to Thorpe or the poet himself (i.e. Shakespeare himself). Quite a long list of people have been suggested who meet one or other of these qualifications.
How far Shakespeare has unlocked his heart in the sonnets?
Shakespeare wrote a total of 154 sonnets, and they express emotion in such a way that 400 years after his death, we still connect with his words. The cadence and rhythm resonate with our deeper selves, and each sonnet is nothing short of a perfect fourteen-line view into the heart of Shakespeare.