The Tragedy of Othello, the Moor of Venice

Iago and himself.

Bianca

1. Take SR-17 SOUTH from Othello to U.S. 395 SOUTH to PASCO.
2. Take U.S. 395 SOUTH to I-82 EAST to PENDLETON and UMATILLA.
3. Stay on I-82 EAST to I-84 WEST to PORTLAND in OREGON.
4. Take I-84 WEST to I-5 SOUTH to SALEM via I-205 (EXIT 9 off I-84).
5. Take I-5 SOUTH to Sacramento.

Iago, his ensign.

Iago tells Othello to beware of jealousy, the "green-eyed monster which doth mock/ The meat it feeds on" (III.iii.170-171). Likewise, Emilia describes jealousy as dangerously and uncannily self-generating, a "monster / Begot upon itself, born on itself" (III.iv.156-157). Imagery of hell and damnation also recurs throughout Othello, especially toward the end of the play, when Othello becomes preoccupied with the religious and moral judgment of Desdemona and himself. After he has learned the truth about Iago, Othello calls Iago a devil and a demon several times in Act V, scene ii. Othello's earlier allusion to "some monster in [his] thought" ironically refers to Iago (III.iii.111). Likewise, his vision of Desdemona's betrayal is "monstrous, monstrous!" (III.iii.431). Shortly before he kills himself, Othello wishes for eternal spiritual and physical torture in hell, crying out, "Whip me, ye devils, / . . . / . . . roast me in sulphur, / Wash me in steep-down gulfs of liquid fire!" (V.ii.284-287). The imagery of the monstrous and diabolical takes over where the imagery of animals can go no further, presenting the jealousy-crazed characters not simply as brutish, but as grotesque, deformed, and demonic.

Desdemona is often viewed as a virtuous and innocent character, embodying loyalty and love, particularly in her relationship with Othello. However, some characters perceive her as deceitful or unfaithful, particularly Iago, who manipulates others' perceptions of her. Her strength and agency are sometimes overshadowed by societal norms that label her as submissive or passive, leading to mixed opinions about her character. Ultimately, Desdemona's tragic fate highlights the complexities of how individuals are judged based on gender and societal expectations.

A series of ships arrive in Othello Act II Scene 1. Cassio's ship is the first to arrive. Iago's ship, carrying Desdemona, Emilia and Roderigo, is next. Othello's ship arrives last.

Yes. He smothers her.

She asked him to tell her his life story and he did.

During the brawl, Iago kills Roderigo.

They had a good relationship - Othello trusted Cassio and Cassio respected Othello

Emilia stole it for him.

He is ordered to go to the duke.

There are a lot of themes in Othello, such as revenge, duality, jealousy, etc.

Othello's hamartia would either be his misplaced trust upon Iago or his magnified sense of jealousy.

Desdemona's cousin and a member of Venice's diplomatic service, Lodovico arrives in Cyprus just in time to see Desdemona get slapped by her new husband, and then witness the deaths of all the main characters, and the twisted revelations of jealousy and betrayal. He has no personality - he's just a witness. But, like Horatio in Hamlet, Lodovico is the guy who survives the inevitable bloodbath at the play's end and promises to tell the world about the tragedy that has just unfolded.

sooth

In Shakespeare's "Othello," the handkerchief symbolizes love, fidelity, and the trust between Othello and Desdemona. Given to Desdemona by Othello as a token of his love, its loss and misinterpretation become pivotal in the plot. Iago uses the handkerchief to manipulate Othello into believing Desdemona has been unfaithful, ultimately leading to tragedy. Thus, the handkerchief represents both the fragility of trust and the destructive power of jealousy.

When Brabantio warns the Moor, "Look to her, Moor, if thou hast eyes to see; / She has deceived her father, and may thee" it is merely foreshadowing at this point and nothing more. Certainly, she had betrayed her father, but she has shown she is very loyal in the process also. Brabantio knows nothing of Iago's machinations and he even thought that it was spells and witchcraft that had stolen his daughter. Desdemona telling Brabantio that it was her choice probably just made him very furious. It cannot be argued that it was accurate or inaccurate-Brabantio was merely lashing out to assuage his anger.

there were the good guys and the bad guys

In Shakespeare's "Othello," the Duke listens to Othello's explanation of the events surrounding Desdemona's marriage and the accusations against him. He expresses understanding and respect for Othello's love story and acknowledges Othello's noble character. The Duke ultimately supports Othello, affirming that their bond is strong and that he sees Othello as an honorable man deserving of Desdemona. This response highlights the Duke's trust in Othello, contrasting with the suspicions of others.

Othello promoted Cassio as his lieutenant instead of Iago.