Hieroglyphics

The Egyptions used it for paper useage and for mumifaction

The egyptians did this by pressing together wet strips of the stems to make paper.

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all of these answers are not wrong but the stems were some sort of reed that grows along the Nile River.

It was only not used for mummifacation but for also, paper, sandals, boats, and the poor would sometimes eat papyrus roots.

Hieroglyphs were never intended to write words in any language but ancient Egyptian, although foreign names could be spelled out phonetically (often only approximately). They do not write vowels (exactly as ancient Hebrew, Phoenician and Arabic did not write vowels), despite the fake hieroglyph charts published on certain web pages. This means that the name would be written nstsy in hieroglyphs, which are always neatly arranged within invisible rectangles to produce an orderly result and make best use of the space.

One way of writing the name would be a horizontal zig-zag line (n) over a door-bolt (a horizontal line with two short vertical lines crossing it in the middle - s), followed by a loaf (curved on top, flat on the bottom like a semi-circle - t) over another door-bolt (s) followed by two parallel slanting strokes (y): nstsy.

Since this is the name of a female person it would be followed by the determinative for "woman" - a kneeling woman wearing a long wig and with arms not represented.

When studying ancient cultures it is important to forget everything you know about modern ideas and concepts, which did not exist at the time.

Ancient Egyptian artists wanted to portray human beings and objects in a way that would make them instantly recognisable, so each element was drawn in a standard way. Faces are usually drawn in profile (from one side), but an eye seen from the side would have been difficult to understand, so the eye was drawn as if seen from the front. This is important because the same mixture of viewpoints carries on throughout each figure - the shoulders are seen frontally, but the arms and legs are seen from one side. This mix of viewpoints is blended into a single form, intended to convey the most lifelike aspects of each part.

A table would often be shown with its top in plan view (as if seen from above), and with the legs shown from one side.

These are called "conventions", the standard way of doing things, which would have been perfectly normal for Egyptian artists. Sometimes they broke away from convention, showing dancers or acrobats in unusual stances, or a very few faces from the front - when both eyes would be depicted.

Ancient Egyptian depictions of people were strictly governed by tradition and religion, as well as purely practical considerations.

The rule was that each individual part of the human figure must be shown from its most recognisable viewpoint, even if this meant showing the eye (for example) as if seen from the front, but the rest of the face is seen in profile (from the side). Look closely at ancient Egyptian paintings and you can see this is true. An eye seen from the side would have been more difficult to understand.

The same applies to shoulders - they make most sense when seen from the front, but the rest of the torso and legs are always shown from the side. This does not mean that ancient Egyptians walked around in a peculiar pose - they walked exactly like everyone else.

Frontal portraits are rare in Egyptian art, but they do exist. They are usually reserved for musicians, acrobats and other entertainers, who were not thought to have any status - so it didn't matter if they were shown differently.

Painting "three dimensionally" on a two-dimensional surface is all about shadow and highlights, light and shade, tonal modelling and understanding perspective. None of these things were known to Egyptian artists, who continued the same flat style of painting for thousands of years and never felt any need to change.