Music Theory

That's tricky. It depends on what the other notes (either around or in combination) are; it's a context thing. In other words, it would depend on the harmony and how the note was being used. For example:

Lets say the root of the I chord (here, an E Major triad) was going up in a chromatic line to the notes E#, G# and B, to make a #I diminished triad (E#°) that wants to resolve up to the IIm chord (the F# minor triad) - then the root of that second chord would be an E# - because it is acting like a raised tonic degree [ in solfege the "do" is raised to a "di" ].

However, if the notes F, A and C are used (an F major triad) then we here this as a bII chord (a flat two chord - a type of seconady dominant) which will want to resolve downward to the I chord (the E major triad). Here, we hear the note as a lowered second degree [ in solfege the "re" is lowered to "ra" ]. Again, it depends on context and where that chord (or even just the single note) resolves to to understand what to technically call it.

Having said all that, there could be a flat II diminished chord (in theory) and most people are okay with the enharmonic ambiguity because F is an easier note to conceptualize (for many people) than the note E#. But it usually comes down to the context of usage of the note in question; in other words - it could be either depending on how it's being used.

Pentatonic scale in Greek means five tone scale.

phrase

It depends on the time signature.

4, or subdominant.

Alto clef actually indicates the position of middle C. Whatever line goes through the center of the clef is C.

Normally the waltz is in 3/4 :)

No

Chopin - Fantasie Impromptu Op. 66

Twinkle Twinkle Little Star

All notes look similar. The difference is the line or space it is placed on and its stem.

The beat of a march is normally in two (2/4) and a waltz in three beats (3/4) to the bar. Certain marches often called concert marches are written in four (4/4), but as the name suggests are not for marching. Marches written in 6/8 time are quite common (many Sousa marches are written in 6/8) these are always played with a two to the bar beat.

One beat.

To get the number of 32nd notes in a measure, first, multiply the number on the top of the time signature by 32, then divide it by the number on the bottom half. Another way is to use the time signature as a fraction, the top being the numerator and the bottom being the denominator, then multiply that by 32.

Examples:

2/4: 16

3/4: 24

6/8: 24

4/4: 32

2/2: 32

9/8: 36

12/8: 48

It is a D minor chord, composed of the notes D (root), F (minor third) and A (perfect fifth). It is very often played with the minor seventh, C. In this case it would be written as Dm7.

The order of the sharps is F, C, G, D, A, E and B. In that order.

(chord) progression

G sharp

Sure, you can. Music hearing can be developed practically with anyone.

But the less you are capable of it, the more effort it should take.

Sometimes a clef has the number 8 below it, which indicates that the notes are to be played one octave lower than written. It can be used with treble clef for people who are unfamiliar with bass clef, or in bass clef to avoid excess ledger lines.

Because so many of the greatest Western composers lived and worked in Austria (specifically in Vienna). This includes Haydn, Mozart, Beethoven, Brahms, and Schoenberg.

I consider E, F#, A, those kind of 'bright' keys, but it really depends on how the individual person hears each note.

E-G-B-D-F (bottom to top)

G flat