Music Theory

No. An A flat is the same as a G sharp and an A sharp is the same as a B flat. A flat and A sharps are two different notes, although they are the same distance from A.

Within an octave there are four perfect intervals: perfect unison (P1), perfect fourth (P4), perfect fifth (P5), and perfect octave (P8).

It is usually shortened to just 'rit; and followed by leader dots to indicate the duration.

Piano (p) meaning soft.

Pianissimo (pp) very soft.

Pianississimo (ppp) very very soft

Soprano - Middle C to top A

Alto - Bottom G to top E

Tenor - bottom C (octave below middle C) to F above middle C

Bass - bottom E to Middle C

Yes, B double-flat is the same note as A natural. There are certain times when one spelling is preferable over the other, which is why double-flats exist.

Absolutely not. It's your song, so make it how ever many lines you want. That's the best part about writing music: virtually no rules.

You call it a flag (or if the note has the stem going down it could be the notehead).

It has 7 flats.

B flat

E Flat

A Flat

D Flat

G Flat

C Flat

F Flat

The lines of the treble clef can be remembered using the saing "Every Good Boy Deserves Fudge." E-G-B-D-F

Just the opposite, actually. A sharp RAISES a note by one half-step.

Chromatic

It depends... The lines and spaces are used for musical notation which is pitch and key specific. Solfege (or sol-fa) is a more general system that does not directly apply to the notes on the staff. Solfege refers to notes from their position in the scale, but it is not key specific. Once you determine what key you want the piece to be in - then you could translate it into standard notation on a staff.

However, if you keep everything in C Major (the simplest key) then "Do" would be on middle C, one ledger line below the treble staff. It would also be in the second space from the top, one octave higher. From there every line, space, line, space movement up goes up through the solfege syllables: do, re, mi, fa, so, la, ti, do.

Ying len li wun is the Chinese translation for Music Theory. I should know, I'm Chinese.

A condenser microphone uses phantom power.

"Keep the same speed"

Three quarter beats to a bar. That means every bar contains the equivalent of three quarter notes, the first of the three beats being stressed and the other two unstressed. This creates the familiar ONE-two-three, ONE-two-three rhythm of a waltz.

A hemidemisemi-quaver is more commonly known as a 64th note. So let's do the math:

1 crotchet = 2 quavers

1 quaver = 2 semiquavers

1 semiquaver = 2 demisemiquavers

1 demisemiquaver = 2 hemidemisemiquavers

So there are 16 hemidemisemiquavers in a crotchet.

I always express myself through music because it is the time where my audiences can "hear how I'm feeling". I get overjoyed when I play my trumpet and I can connect to the audience to leave them with an amazing feeling. Music brings people together in more ways than one and it's a great thing when it can connect people of all colors, race, and cultures.

yes a riff in music can be sung for sure

The same as it does in any any other time signature. I think that what you are getting at is what eighth note triplets would sound like. In 6/8 time the 6 represents how many beats there are - 6 beat per measure. The 8 represents the type of note that gets 1 beat - 1/8th notes get 1 beat. Usually the 1/8th notes are grouped into two sets of three 1/8th notes giving each measure a triplet feel to begin with. If you use 1/8th note triplets in 6/8 time, the division would be 3 1/8th triplets into 2 normal 1/8th notes. So you would have 3 groups of 1/8th notes triplets in 6/8 time.

2. A minor second is a half step, or one note to the next. A major second is a whole step, or one note, skip a note.

The term 'octave' is the name for an interval(space) between two notes.

The frequency of the note is doubled, or halved, depending on whether the interval goes up or down in frequency. The two notes are heard toghether as the same, and will also have the same name.

For example,

an octave above A(440 Hz) is A(880 Hz)

an octave under A(440 Hz) is A(220 Hz)

To answer the question, the similarity between the keynote and an octave above it, is that the ratio between the frequency of these notes is 1:2 and of course, their names.

Well it is a component on a stringed instrument that holds the strings

W=whole step

H= half step

A major scale is W-W-H-W-W-W-H