It depends on which scale of c-minor you would use: there are four basic scales, aeolian: this is the scale you extract from E flat major (c, d, e flat, f, g, a flat, b flat), harmonic: (c, d, e flat, f, g, a flat, b), melodic (c, d, e flat, f, g, a, b) - in classical music this is the upgoing version, the downversion is c, b flat, a flat, g, f, e flat, d, c. then you have the c minor dorian scale: this you can hear on so what by miles Davis and is often related to the modal idiom: (c, d, e flat, f, g, a, b flat). to know which scale to use you have to know something about functional harmony: what you play has to have some reference to what's coming (a different chord), f.i.: you cannot play an a in c minor when going to f minor.
Notes are what is played that creates music that can be heard. Notes are also what musicians read when they play an instrument.
F diminished 7, B diminished 7, D diminished 7, and G# diminished 7 will all have these same four notes.
F diminished ( Fdim )
It's actually an F whole diminished 7th chord. It would be an F diminished chord if there were no 'd' in the cord. Also, the correct way to spell the chord would actually be like this:
F-Ab (not G#)-Cb (not B)-Ebb (not D).
All the pitches are correct, just not their names. Any F triad with any kind of 7th attached will be some alteration of the notes F-A-C-E. This is how people quickly identify chords based on the root.
Hope that helps! just thought that would improve the answer a little bit.
www.myspace.com/thekilnsband
ANSWER:
G#dim7
while, Mary's song (oh my my my) has chords D, A, G, and E
The key of D major is based off of the D major scale: D, E, F sharp, G, A, B, C sharp, D. Within the scale, the most important chords are D major (D, F sharp, A), E minor (E, G, B), F sharp minor (F sharp, A, C sharp), G major (G, B, D), A (A, C sharp, E), and B minor (B, D, F sharp). If you are feeling really crafty, you can add a seventh to some of the chords to give it a more interesting sound.
If you are writing a song, using these chords will keep it in the key of D. If you are transposing a song, lower or raise the entire song the same number of steps until you are using mostly (if not all) the chords in the key of D.
dont you dudes and dudets have clarinet books but whatever here r the notes
g a g f e f g, d e f, e f g; g a g f e f g, d g e c london bridge is falling down falling down falling down london bridge is falling down my fair lady
give credit to the stranger
The C Major scale is a musical scale beginning and ending on the note C.
In ascending order (going up) the notes are:
C D E F G A B C
The pattern of whole and half steps is:
W W H W W W H
The major scale has a bright sound, which differs from the minor scale which has a dark sound. Most music is based on these two scales.
Major and minor refer to the tonality of the scale or chord. The I-note (tonic?) of the major scale has a major tonality to it. However, so does the lydian (IV) and the mixolydian (V). The dorian (II), phrygian (III), and the aeolian (VI) scales are minor in tonality. The locrian scale (VII) has a diminished sound or feel to it.
I C - Ionian, natural C D E F G A B C major
II D - Dorian, b3 b7 C D Eb F G A Bb C minor
III E - Phrygian, b2 b3 b6 b7 C Db Eb F G Ab Bb C minor
IV F - Lydian, #4 C D E F# G A B C major
V G - Mixolydian, #4 #7 C D E F# G# A B C major
VI A - Aeolian, b3 b6 b7 C D Eb F G Ab Bb C minor
VII B - Locrian, b2 b3 b5 b6 b7 C Db Eb F Gb Ab Bb C diminished
Try playing a typical I-IV-V chord progression (in this example, C - F - G) and play the different scales over it and you'll hear the mood or feel that each scale imparts.
|------3--1--0------------------------------------------------ E
|---------------3--1--0--------------------------------------- A
|------------------------2--0--------------------------------- D
|------------------------------3--2--0------------------------ G
|---------------------------------------3--2--0--------------- B
|------------------------------------------------3--1--0------ e
A chord with the fourth in it. C fourth chord is C F and A, although, it's not really called a fourth, it's called a suspension or suspended chord.
None. If you are playing in G Major there is only one sharpe ( F) no flats. But if you play in E Minor there is one flat ( E ).
G Major ( notes/tones) : G, A , B , C , D , E , Fsharpe ,G
E Minor ( notes/tones ) : E , Fsharpe , G , A , B , Csharpe , Eflat , E
****D is replaced by E flat when playing in the key E Minor****
It is a chord, on a guitar it would be played like below
http://z.about.com/d/guitar/1/0/k/9/chord_g7_open.gif
On the Piano and in Sheet music, it looks like this
http://farm3.static.flickr.com/2593/3763824399_1d28fe1970_o.jpg
If you go to music notes.com you can search for clarinet notes for you raise me up. it will only give you the beginning of the song, but the rest is easy to figure out by listening and matching sounds.
Depends on what form of the minor scale you're using, and there are a great variety of options in any case, but here are some basics.
(i) e-minor (e, g, b)
(ii) f#-diminished (f#, a, c) or f#-minor (f#, a, c#). The latter deviates from the scale slightly, but is a common alteration.
(III) G-major (g, b, d)
(iv) a-minor (a, c, e), or sometimes altered to A-major (a, c#, e)
(V) B-major (b, d#, f#) or b-minor (b, d, f#). The latter is the one that technically fits within the natural minor scale, but the former is more commonly used, because it leads easily back to the tonic (i).
(VI) C-major (c, e, g)
(VII) D-major (d, f#, a)
Most commonly used chords are tonic (i, e-minor) and dominant (V, B-major). ii and iv chords lead easily into the dominant, and III is also moderately common because it is the relative major key. If you need more than this, you should pick up a music theory book.
In a melodic minor scale, the 6th and 7th degree of the scale is raised up 1 half step on the way up the scale. On the way back down the scale, the 6th and 7th are back down to the natural form of the minor.
In tab form, E is open, A 2nd fret, D 2nd fret, G 1st fret, all others open.
An open c minor can be played by fretting the first fret of the D string with your index finger, the third fret of the G string with your ring finger, the fourth fret of the B string with your pinky finger and the second fret of the high e string with your middle finger.
I find this to be somewhat uncomfortable, so you can also play it as a barre chord by barring from the C on the third fret of the A string down with your index finger across all 5 strings after omitting the low E, then put your ring finger on fret five of the D string and pinky on fret five of the G string and then your middle finger on the fourth fret of the B string.
A whole note is a note in music that is four beats long.
A half note is a note in music that is two beats long.
A chord is defined as basically two or more notes played at the same time, so any instrument that can only play one note at a time cannot play a chord unless two or more of that same instrument are playing at the same time. Common examples are trumpet, trombone, clarinet, or most any wind instrument.
e d c d e f g a b c b a g
a b c b a g a b c g f e
e d c d e f g a b c b a g
a b c b a g a b c g f e
e d c d e f g c b a a g
c b a g a b c g f e
e d c d e f g a b c b a g
a b c b a g a b c g f e
e d c d e f g a b c b a g
a b c b a g a b c g f e
e d c d e f g c b a b c d e d
c b a g a b c g f e
The mathematical term for chord is a line segment connecting any two points on the circle. In music, any three (or more) notes sounding together make up a chord. The chords constitute the harmony of the music, and along with rhythm and tempo, they support the melody or other musical textures that are sounding along with them.
. Vers:1: High up on a mountain at a place called Calvary
Stood three old wooden crosses for a savior and two thieves
We all know the reason the two men had to die
But the man in the middle was there for you and I
Chorus: And the man in the middle was not an ordinary man
Cause he could make the blind to see with the one touch of his hand
And the sound of his voice brought Lazarus back to life
And the man in the middle was there for you and I
Verse 2: All the wonders of heaven have to bow at his command
And all the things that lie beneath him were made by his two hands
And somewhere in a nursery a new born baby cries
Because the man in the middle was the giver of life
Chorus: And the man in the middle was not an ordinary man
Cause he could make the blind to see with the one touch of his hand
And the sound of his voice brought Lazarus back to life
And the man in the middle was there for you and
Tag: And the man in the middle was there for you and
E, G-sharp, and B
Blue Lawnchairs:
it would be minor because its lowercase so 1,3b,5
E,F,G#,A#,B,C#,D#,E
1 ,2 ,3 ,4 ,5 ,6 ,7 ,8
so Em/e is E,G,B
E(major) is E,G#,B
The notes to hot ai rand holey fingers are:
GABAGAGAB
GABAGBBAG
GABAGAGAB
GABAGBBAG
GG Rest GG Rest GG Rest GG Rest GABAGAGAB
GG Rest GG Rest GG Rest GG Rest GABAGBBAG
REPEAT X2