Scales and Key Signatures

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G Major

Thee are literally thousands of songs out there, in nearly every language, that use that harmonic structure.

I was wondering the same thing and quickly realized that almost any band I could think of had at least one hit with this formula.

A bar iz 2 linez.

Example:

"you wanted to learn about what's a bar in rap/

And now I'm letn you know, so how hard wuz that?"

That's one bar. A good sized verse has 16 barz, and a full song usually has 2 or 3 versez. Although a verse can also be 4, 6, 8, 12, 24, 32, and so on.

No that's a common mistake a bar is not every two lines, that would make a 16 bar verse a 32. A bar refers to the counts in a beat, so when your writing a rap lyris you usually listen to a beat and work with it. The beat has a metranome, a certain time count. i.g 1-2-3-4 1-2-3-4. and each bar would be after usually every 2 cycles, i think it use to be four, but its changed now. Im not sure anout that. Any ways that's what a bar is not every two lines like this man above claims. Its a very common mistake by young mc's i use to think that also.

Click on the Time Signature tool, It's the 4/4 picture near the top of screen.

Then double-click on the measure you want the change to happen. The Time Signature dialog box will appear. That's what you need to change the document's time signature.

Hope this helps.

The leading note of g minor is F#. by the way leading note means 7th note.

8 eighth notes are in a whole note because it is 1/8 of a whole note.

Raises it by a semitone

8

a dotted sixteenth is equal to rest/note is equal to 3/8 of a beat in 4/4 time signature.

a dotted half is equal to 3 beats or 24/8 of a beat. so 24/3=8

G, d, a, e, b, f#, c#

The major keys with sharps in order are:

G Major, DM, AM, EM, BM, F#M, C#M.

For flute the F scale in thirds going up the scale follows the pattern of F, A, G, Bb, A, C, Bb, D, C, E, D, F, E, G, F and is reversed to go down the scale.

Any song can be transposed into any key. This is very often done with popular music, but is also done with classical 'songs' or solo pieces, to accommodate individual performers.

There are several fingerings for g minor on a guitar. One simple one is the first three (highest) strings on fret three, playing only those three strings. One harder one is the full g minor chord in barred form. That is with one finger (index) on all strings at fret three, with two fingers (usually ring and picky) on strings 4 and 5 at fret 5. (That is an e minor chord barred up three frets.)

The parallel minor key is that which has the same tonic note. So, the parallel minor to F major is F minor.

The sharp notes in E major are F, C, G, and D.

Three sharps mean the piece is played in the key of A. If one sharp is in front of Middle C, you play C sharp. If two sharps are in front of Middle C, you play D. If three sharps are in front of Middle C, you play D sharp.

There are 7 natural musical notes - A, B, C, D, E, F, and G.

However, if you take into account all notes with accidentals (sharps, which raise a note 1 half step, or flats, which lower a note 1 half step) such as C# or Bb, not counting enharmonic notes (2 different notes that sound the same such as D# and Eb) separately, there are actually 12 notes - A, A#/Bb, B, C, C#/Db, D, D#/Eb, E, F, F#/Gb, G, G#/Ab.

Each scale has a Leading Tone (which is the 7th note of the scale) and a Tonic Note (which is the first/eighth note of the scale). For the key of C major, the leading tone would be B, and the tonic note would be C.

C melodic Minor

B diminished whole

C hawaiian

G hindu etc..

no

sorry

I Am into music a lot and i count them in 1,2,3 go, 1,2,3 go, 1,2,3 go etc.

Try It xx

The timing of music depends upon the time signature - 4/4 time has 4 beats to a measure; 3/4 time has three beats and so on. In 4/4 time, a quarter note gets 1 beat; a whole note gets 4.

Where b = flat sign

Gb - Ab - Bb - Cb - Db - Eb - F - Gb

The reason why it is Cb and not just B is because of the theory of a scale, where each scale degree can only be used once in the scale. It doesn't change anything in the scale, but just the way of writing it.

It depends on context. If the piece continues in minor after the major chord, it was probably a half cadence on a major V chord. If the very last chord of a minor piece is major, that's called a Picardy 3rd.

Because he was writing one for every major and minor key. J.S Bach did the same in his collection of 24 Preludes and Fugues, The Well Tempered Clavier.