William Shakespeare

In Act 2 of William Shakespeare's play "Romeo and Juliet," Romeo goes to the orchard outside the Capulet's house to see Juliet after the Capulet's party. This is where the famous balcony scene takes place, where Romeo overhears Juliet professing her love for him. Romeo climbs the orchard wall to be closer to Juliet and they exchange vows of love.

The Merchant of Venice

Timon of Athens

Pericles Prince of Tyre

The Two Gentlemen of Verona

Othello the Moor of Venice

Hamlet Prince of Denmark

The Merry Wives of Windsor

Oh, dude, Gamzee kills people in the "Hivebent" act of Homestuck. It's like a real party pooper moment, you know? He goes all crazy with his honk-honk horns and takes out some characters. It's like a real clown show, but not the fun kind.

Although they often feel that the setbacks to their relationship will destroy it, Romeo does not accept that their love is doomed until the point when Balthasar brings him the news of Juliet's death and Juliet does not accept it until she sees Romeo's corpse.

Even when Romeo must leave Juliet for Mantua, he says, "All these woes shall serve for sweet discourses in our time to come." At that point, he believes or at least has hopes that they will live happily ever after.

summary of shakespeare alive book 1 written by brendan buxton/twelfth night chapter 1-18

The Hollywood film that has a similar plot to Shakespeare's "Romeo and Juliet" is "West Side Story." Both stories revolve around a forbidden love affair between two young individuals from rival groups, leading to tragic consequences. "West Side Story" is a musical adaptation set in New York City, while "Romeo and Juliet" is a classic play set in Verona, Italy. Both narratives explore themes of love, conflict, and societal divisions.

'All's fair in love and war,' quotes Frank Farleigh (1850, by Francis Edward Smedley, 1818 - 1864) and is the popular paraphrase of 'Love and War are the same thing, and stratagems and polity are as allowable in the one as in the other.' - Miguel de Cervantes (1547 - 1616), Don Quixote (1605 -1615)

They were expected to take care of the house by cooking and cleaning, present themselves well, perform in bed, and be generally obedient and subservient to their husbands.

Othello wasn't written in the 1950s! Women like Desdemona or Emilia did not "take care of the house by cooking and cleaning". They had servants to do that. They were expected to be generally obedient and subservient by the more puritanical members of society. However, the reality was far different, as Shakespeare is at pains to point out. Unmarried women, according to the same sources, were supposed to be obedient and subservient to their fathers, but Desdemona is anything but to Brabantio.

Certainly Othello's action in publicly striking Desdemona was shocking, outrageous and way out of line, and is seen to be so by everyone who witnesses it.

The play "Love's Labour's Lost" by William Shakespeare features a scene with fireworks. In Act 5, Scene 2, Princess and her attendants watch as the fireworks are set off in the King's park.

In A Midsummer Night's Dream, Titania really loves her husband Oberon. Although they are having a spat at the start of the play, and Oberon causes her to have a temporary infatuation with the half-donkey Bottom, in the end she comes back to Oberon who is her true love.

The period most closely associated with Leonardo da Vinci, Michelangelo, William Shakespeare, and Nicolaus Copernicus is the Renaissance in Europe, which spanned approximately from the 14th to the 17th century. This era was characterized by a flowering of arts, culture, and scientific exploration, marking a significant shift from the Middle Ages. These individuals made remarkable contributions to their respective fields and are considered among the greatest minds of the Renaissance.

Their quarrel really did affect nature especially the weather: it was very stormy although it was supposed to be a pleasant season. Because of their quarrel it changed everything and made nature seem unhappy.

Oberon wants Titania to fall in love with some vile thing so she will have no afection for the boy stolen from the Indian King anymore. This way, he can take the boy as a servant and won't have Titania in the way. Later Oberon plans to cure the love spell from the Queen using a herb.

The Renaissance period in European history is most closely associated with Leonardo da Vinci, Michelangelo, William Shakespeare, and Nicolaus Copernicus. This period, known for its significant cultural, artistic, and scientific achievements, took place roughly between the 14th and 17th centuries. These figures contributed greatly to various fields such as art, literature, and astronomy during this time.

Titania and Oberon blame each other for the recent storms and floods, as their ongoing quarrels and battles have disrupted the natural balance and caused chaos in the weather patterns. They believe that their conflict has angered the elements and brought about these calamities.

During the playHenry the Eighth a theatrical canon misfired causing the wooden beams and thatching to catch fire.
The theatre was set on fire after a cannon exploded to signal that queen elizabeth had arrived
it burnt downby some people protesting agaist theaters so they set it alight to get rid of it.

Lord Capulet supervised the plans for Juliet and Paris's wedding. The wedding was originally on a Thursday, but Lord Capulet moved the wedding to a Wednesday.

what kind of scientific inventions existed during 1564 1616

Hecate, in a scene which is always cut from any production of the play because Shakespeare didn't actually write it.

Count Paris visited the Capulet house in order to ask for Juliet's hand in marriage. He had been informed by Lord Capulet that Juliet was of marriageable age and possessed of sufficient assets and beauty to make her a desirable bride. He was determined to win her hand and sought an audience with her and her family.

Count Paris had several incentives for wanting to marry Juliet. These included:

• The wealth and prestige associated with a Capulet
• The beauty and grace of Juliet herself
• The potential political alliances that could be forged through the marriage

Count Paris was ultimately successful in his quest and Juliet's father granted him permission to marry her. He was delighted and the two were soon betrothed.

None. She was not the judge (although she is called a "judge" by the Duke, who is the real judge) and did not have the power to sentence Shylock. She did, however, advise the court that in her view Shylock fell under a statute which imposed a sentence of death or such lesser sentence as the court might see fit on an "alien" who made an attempt on the life of a citizen of Venice.

he was upset that Othello promoted Cassio, instead of him, because Iago is of lower class. so Iago basically hates the whole system because he has no chance of climbing up the social ladder by hard work. all he wants is revenge. but maybe hes just crazy.

As the play opens, the citizens of Rome have taken to the streets to celebrate Caesar's triumphant return to Rome after defeating Pompey's sons in Spain. To judge from the events in Act I, the political mood and behavior of the Roman populace can best be termed unswervingly patriotic and firm.

Shakespeare wrote two revenge tragedies, Hamlet and Titus Andronicus. Let's see if some suggested elements fit both plays and two other famous revenge tragedies, Kyd's The Spanish Tragedy and Webster's The White Devil:

1. A play within a play: Hamlet yes, Spanish Tragedy yes, Devil no, Titus not really, unless you count Tamora dressing up as Revenge.

2. Ghosts: Hamlet yes, Spanish Tragedy yes, Devil and Titus no.

3. Murder/death: You betcha, lots of both in all four plays

4. Madness: Yes, there is feigned madness in The White Devil and Hamlet and real madness in the Spanish Tragedy, Titus and Hamlet.

5. Personifications of Revenge: Yes in Spanish tragedy and Titus, no in the others

6. Feigned reconciliation: Spanish Tragedy yes, Titus yes, Hamlet yes, Devil no.

7. Moors: Titus yes, White Devil yes, the others no.

8. Disguise: In The White Devil and Titus, and also in The Revenger's Tragedy, another revenge tragedy

9. Adultery: Implied in Hamlet, yes in the White Devil and Titus, not in the Spanish Tragedy.