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Bob Hope

 
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Bob Hope, Comedian / Actor

Bob Hope
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  • Born: 29 May 1903
  • Birthplace: Eltham, England
  • Died: 27 July 2003 (pneumonia)
  • Best Known As: The comedian who entertained GIs

Name at birth: Leslie Townes Hope

Bob Hope was a triple-threat superstar of radio, film and television during the 1940s and 1950s. Primarily a comedian, Hope also acted, sang and danced a little, hosted his own radio and television shows, and carried on a famous comic feud with his friend and fellow star, crooner Bing Crosby. Hope spent much of World War II travelling the world to entertain Allied troops, a service he also performed with gusto during later wars in Korea, Vietnam, and the Middle East; his entertain-the-troops tours became one of his enduring signatures. Though his superstar years ended in the 1960s, Hope continued to make appearances well into the 1990s. In May of 2003 he celebrated his 100th birthday with a typical wisecrack: "I'm so old they've cancelled my blood type." He died a few months later, in July 2003.

Hope never won an Oscar for a film performance, but received five honorary Academy Awards for his contributions to the motion picture industry... He was a frequent host of the annual Academy Award ceremonies... Hope's love of golf was famous, and his annual golf tournament, the Bob Hope Desert Classic, became a regular stop on the PGA Tour... Hope was born in England but was raised in Cleveland, Ohio after his family moved there when Hope was four years old... Hope married Dolores Reade in 1934, and they remained married until his death in 2003; the couple adopted four children: Linda, Anthony, Honora (called Nora), and William Kelly... "Thanks For the Memory" was Hope's theme song; the tune came from his first feature film, The Big Broadcast of 1938.

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(born May 29, 1903, Eltham, Eng. — died July 27, 2003, Toluca Lake, Calif., U.S.) British-born U.S. actor. His family immigrated to Ohio when he was four years old. He created a song-and-comedy vaudeville act and in 1933 won his first substantial role in a musical, Roberta. Success in radio led to his first film, The Big Broadcast of 1938, in which he sang his theme song, "Thanks for the Memory." He hosted the highly rated Bob Hope Show (1938 – 50) on radio and later hosted and appeared in numerous popular television specials. He costarred with Bing Crosby and Dorothy Lamour in seven popular "Road" pictures, beginning with The Road to Singapore (1940), and won fans in The Paleface (1948), My Favorite Spy (1951), and The Seven Little Foys (1955). For more than 40 years he performed with his variety show for U.S. troops overseas.

For more information on Bob Hope, visit Britannica.com.

Oxford Companion to American Theatre:

[Leslie Townes] Bob Hope

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Hope, [Leslie Townes] Bob (1903–2003), comic actor. Born in England but raised in Cleveland, he made his professional debut in vaudeville and his Broadway debut in the chorus of The Ramblers (1926). He subsequently appeared in Sidewalks of New York (1927), Ups‐a‐Daisy (1928), Smiles (1930), and Ballyhoo of 1932. By 1932 he had become a headliner at the Palace Theatre, where Max Gordon caught his act, which consisted largely of brash one‐liners, and cast him for the part of Huckleberry Haines in Roberta (1933). He played similar wisecracking roles in Say When (1934), The Ziegfeld Follies of 1936, and Red, Hot and Blue! (1936), then abandoned the theatre for films, radio, and television, becoming one of the most successful comedians of the time, especially remembered for his extended tours of army camps during various wars.

In addition to his successes on radio, in movies, on television, and in live shows, Bob Hope (born 1903) has developed a reputation for his untiring efforts to entertain and boost the morale of American military personnel stationed all over the world and for the numerous appearances he has made in the name of various charities.

Bob Hope is perhaps the most widely known and loved stand-up comedian in America. On July 13, 1969, long before Hope reached his greatest fame, the Milwaukee Journal stated that Hope had "undoubtedly been the source of more news, and more newspaper feature stories than any other entertainer in modern history."

"Hopeless" Childhood

Born in Eltham, England on May 30, 1903, Leslie Townes Hope was one of seven surviving boys. By the age of four he was a skilled mimic and loved to sing and dance. In 1908 Hope's family moved from England to Cleveland, Ohio. Hope's father, Harry, was a hard-drinking stonemason whose income was irregular. For Hope, who looked and sounded British, the Americanization process was difficult. The Cleveland neighborhood in which he lived was tough, and the neighborhood kids made fun of him. They inverted his name, Leslie Hope, to create the nickname "Hopelessly." When he shortened his name to Les, they countered with another nickname, "Hopeless." Hope was a scrappy kid and to ward off the ridicule he fought easily and sometimes successfully, developing into a boxer of some skill.

As a youth Hope sold two-cent newspapers on the streets of Cleveland to supplement his family's income. On one occasion a gentleman in a long black limousine waited while Hope, who did not have change for a dime, rushed into a nearby store to get change. When he returned he received a lecture about the importance of keeping change in order to take advantage of all business opportunities. The man was oil magnate John D. Rockefeller, founder of Standard Oil Company.

As a teenager Hope once boasted that he would rather be an actor than hold an honest job, and he participated in all kinds of school and amateur training groups, specializing in dancing and in the one-liner jokes for which he ultimately became famous. He gained a great deal of experience in an act Hope formed with a comedian from Columbus, Ohio, named George Byrne. Adopting the name Lester, Hope went with Byrne to New York City in 1926. He and Byrne performed in cities and towns outside New York City, and finally appeared in a New York City vaudeville production called "Sidewalks." They were fired within a month, however, because the show was a success and did not need the short dancing act that Hope and Byrne performed.

Vaudeville Comic

Hope got his first trial as a solo act at Chicago's Stratford Theatre in 1928. For this solo appearance he changed his name to Bob because he felt that would be "chummier" and look better on a theatre marquee. In solo appearances, Hope always made his audience feel at ease and comfortable with his self-deprecating humor. He worked desperately hard and succeeded but soon left the Stratford to tour midwestern cities.

From 1920 to 1937 Hope performed in all kinds of shows in vaudeville both on and off Broadway. Vaudeville was hard work for Hope. A typical show consisted of comedians running a patter of one-liners around various kinds of variety acts ranging from dancing dogs to sword-swallowers but featuring mainly dancing. Hope is considered a master of the one-liner. In later years Hope sometimes employed up to three joke writers at a time. One standard line when he boards an airplane is, "I knew it was an old plane when I found Lindbergh's lunch on the seat." He used a line in 1970 when he met with the English Royal Family: "I've never seen so much royalty. … It looks like a chess game … live!" In 1932, when fifteen million Americans suffered the joblessness of the Great Depression, Hope was earning a thousand dollars a week in his particular kind of vaudeville act. But he was not satisfied. Hope was always ambitious and wanted to improve. He yearned, as he said, "to be the best, " to be the outstanding comic in the business.

Hope and Crosby

Hope met actor and singer Bing Crosby in 1932. They liked each other immediately because their personalities and styles of acting fitted well, and they started performing together in song and dance routines. Hope met aspiring actress Delores Reade in 1933 and later married her. Already well established as a comedian by 1935, Hope that year joined the "Ziegfield Follies" and performed in cities outside New York; then on January 30, 1936, he opened in the "Follies" at New York City's Winter Garden Theatre, with such stars as Fanny Brice and Eve Arden. The "Ziegfield Follies" was a new vaudeville high for Hope. The show was the musical highlight of Broadway, consisting of dazzlingly beautiful girls and costumes, witty lines between the actors and actresses, and music by such great composers as Vernon Duke and Ira Gershwin. During his years in vaudeville, Hope was on the stage with such actors as Jimmy Durante, Ethel Merman, Edgar Bergen and Charlie McCarthy, Al Jolson, and many others.

Although Hope had acted in some short motion picture comedies as early as 1934, he began his feature-length movie career in Hollywood in 1938, with the Paramount film The Big Broadcast of 1938 starring Hope, W.C. Fields, Martha Raye, Dorothy Lamour, and Shirley Ross. This was the beginning of an active career in film entertainment for Hope, who went on to appear in fifty-two movies; six of these comprise the Road to … series featuring Hope, Crosby, and Dorothy Lamour.

Hope has always been fiercely patriotic about his adopted country. On December 7, 1941, when Japanese attack planes bombed the American naval installation in Hawaii's Pearl Harbor, thereby provoking U.S. participation in the Second World War, Hope denounced the attack. On December 16, during a radio broadcast, Hope declared his patriotism and voiced optimism about the outcome of the war: "There is no need to tell a nation to keep smiling when it's never stopped. It is that ability to laugh the makes us the great people that we are … Americans!"

Performed for the Troops

One of Hope's former stand-ins who had joined the armed forces knew of Hope's reputation for charitable work and in 1942 asked the comedian to make an entertainment tour of Alaskan Army bases. Hope enlisted Frances Langford, Jerry Colonna, Tony Romany, and other performers to put together a variety show for the troops stationed there. That was the beginning of a commitment on Hope's part that has never ended. Every year, especially during the Christmas season, Hope has spearheaded a drive to present shows to American men and women in the armed forces. His service to American troops added to Hope's established reputation for activity in the name of numerous charities and benefits, including political, cultural, and humanitarian causes. In fact, at the Academy Awards on February 21, 1941, Hope was given an honorary award "to pay tribute … to a man who has devoted his time and energy to many causes. His unselfishness in playing countless benefits has earned him a unique position in a hectic community where his untiring efforts are deeply, profoundly appreciated." Hope also won honorary Oscars in 1940, 1944, 1952, and 1965.

Hope has long been many Americans' favorite comedian, from the average radio-listener and movie-goer to the rich and powerful. He often enjoyed a close relationship with the men serving as President of the United States. Since the administration of Franklin Roosevelt, Hope has appeared many times at the White House. President Jimmy Carter, in paying tribute to the man who had entertained America for so long, commented on Hope's role as White House guest: "I've been in office 489 days. … In three weeks more I'll have stayed in the White House as many times as Bob Hope has." Hope's seventy-fifth birthday party, held in the Washington Kennedy Center to honor the United Service Organization (USO), was attended by members of Congress and many of Hope's acting friends, including John Wayne, Elizabeth Taylor, and George Burns.

Another celebration was held at the Kennedy Center in 1983 when Hope turned eighty years old, this time hosted by President Ronald Reagan and his wife, Nancy. Again Hope's friends were present to honor the occasion, including models Cheryl Tiegs and Christie Brinkley. At the celebration Hope was still what Time magazine called "The All-American Wisecracker, " and showed no signs of slowing down.

Hope can look back upon a life that has been full to the brim. One of his writers, Larry Klein, once said: "You know, if you had your life to live over again, you wouldn't have time to do it." Hope answered: "I wouldn't want to live it over again. It's been pretty exciting up to now. The encore might not be as much fun." Behind all Hope's humor is a serious core that directs his life, as evidenced by his efforts to help others less fortunate than himself. Some of his charitable activities involve golf benefits. A twelve stroke handicapper, Hope has played the game all his life, often joining presidents, Hollywood's greats, and golf's immortals on the links. Because of the benefits the game brings to charities, Hope agreed in 1964 to have the Palm Springs Classic golf tournament renamed The Bob Hope Desert Classic, and he has hosted it ever since. Hope's serious side was also apparent in the preface to his 1963 book I Owe Russia $1200, in which he wrote: "Yes, the conquest of space is within our grasp, but as we reach out we seem to have diminished the inward search. No significant breakthrough has yet been made in the art of human relations. So perhaps this is the precise moment in history for each of us to look into his heart and his conscience and determine in what way we may be responsible for our present dilemma."

Celebrated the First 90 Years

In May 1993, NBC celebrated Hope's 90th birthday with the three-hour special "Bob Hope: The First Ninety Years." The show, which won an Emmy, featured tributes from every living U.S. president at that time - Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George Bush, and Bill Clinton. By then, according to TV Guide, Hope had made more than 500 TV shows and 70 movies. Hope concluded his 60-year contract with NBC on November 23, 1996, when his final NBC TV special, Laughing With the Presidents was aired.

The Guinness Book of World Records called Hope the most honored entertainer in the world. By mid-1995, he had received more than 2, 000 awards and citations, including 54 honorary doctorate degrees, The Saturday Evening Post reported. At age 92, he released a book, video, and two compact discs commemorating the 50th anniversary of the end of the Second World War. The Saturday Evening Post printed this excerpt from Hope's book: "I was there. I saw your sons and your husbands, your brothers and your sweethearts. I saw how they worked, played, fought, and lived. I saw some of them die. I saw more courage, more good humor in the face of discomfort, more love in an era of hate, and more devotion to duty than could exist under tyranny."

Further Reading

Faith, William Robert, Bob Hope: A Life in Comedy, Putnam, 1982.

Hope, Bob, I Never Left Home, Simon & Schuster, 1944.

Hope, Bob, Have Tux, Will Travel: Bob Hope's Own Story, Pocket Books, 1956.

Good Housekeeping, July 1982, pp. 107-130; December 1994, pp. 88+.

New York Times, January, 1985, p. 50.

The Saturday Evening Post, May/June 1995, pp. 16+.

Time, May 30, 1983.

TV Guide, May 21-27, 1983, pp. 14-16; May 8, 1993, p. 25

Los Angeles Times November 23, 1996, Sec: F, p: 1, col: 2.

Columbia Encyclopedia:

Bob Hope

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Hope, Bob, 1903-2003, American comedian, b. London as Leslie Townes Hope; he came to the United States at the age of five. Famous for his "ski-jump" nose, topical humor, superb timing, brashly irreverant attitude, and rapid-fire delivery, Hope enjoyed immense popularity. He began his show-business career as a vaudeville dancer and later appeared in plays and film, on radio and television, and in concert. In addition, he hosted the Academy Awards ceremonies a record-breaking 17 times over 38 years. Hope made more than 50 films, including seven "Road" pictures, a comic series that began with Road to Singapore (1940), which introduced his long partnership with crooner Bing Crosby and actress Dorothy Lamour, included Road to Morocco (1942), and ended with Road to Hong Kong (1962). Among Hope's other movies are Monsieur Beaucaire (1946), The Paleface (1947), The Seven Little Foys (1955), and How to Commit Marriage (1969). He also wrote books on various topics, including his overseas travels and his love of golf. After 1972 he left movies but continued as the host of numerous television variety specials. A master of the monologue and the mildly salacious one-liner, he was an indefatigable entertainer of U.S. troops overseas from the 1940s into the 1990s.

Bibliography

See his autobiographical Have Tux, Will Travel (1959) and his Bob Hope: My Life in Jokes (2003).

A British-born twentieth-century American comedian. Hope is known for his work in films, especially a series of seven “Road” pictures, including The Road to Zanzibar and The Road to Morocco. His costars in all these films were Bing Crosby and Dorothy Lamour. He is also famous as a tireless entertainer of American service personnel overseas.

Quotes By:

Bob Hope

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Quotes:

"I don't generally feel anything until noon, then it's time for my nap."

"Middle age is when your age starts to show around your middle."

"You know you're getting old when the candles cost more than the cake."

"If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf."

"When we recall the past, we usually find that it is the simplest things -- not the great occasions -- that in retrospect give off the greatest glow of happiness."

"The only thing chicken about Israel is their soup."

See more famous quotes by Bob Hope

AMG AllMovie Guide:

Bob Hope

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Biography

It is hardly necessary to enumerate the accomplishments, patriotic services, charitable donations, awards, medals, and honorariums pertaining to Bob Hope, a man for whom the word "legend" seems somehow inadequate. Never mind that he was born in England; the entertainer unquestionably became an American institution.

Hope's father was a stonemason and his mother a one-time concert singer; when he was two, his parents moved him and his brothers to Cleveland, where relatives awaited. Since everyone in the Hope clan was expected to contribute to the family's income, he took on several part-time jobs early in life. One of these was as a concessionaire at Cleveland's Luna Park, where Hope had his first taste of show business by winning a Charlie Chaplin imitation contest. (He later claimed he'd gotten his brothers to strong-arm all the neighborhood kids to vote for him). At 16, Hope entered the work force full-time as a shoe salesman for a department store, then as a stock boy for an auto company. At night, he and a friend picked up spare change singing at local restaurants and saloons, and, for a brief time, he was an amateur boxer, calling himself "Packy East."

Picking up dancing tips from older vaudevillians, Hope decided to devote himself to a show business career, first in partnership with his girlfriend Mildred Rosequist, then with a pal named Lloyd Durbin. Comedian Fatty Arbuckle, headlining a touring revue, caught Hope and Durbin's comedy/dancing act and helped the boys get better bookings. Following the accidental death of Durbin, Hope found another partner, George Byrne, with whom he developed a blackface act. After several career reversals, Hope and Byrne were about to pack it in when they were hired to emcee Marshall Walker's Whiz Bang review in New Castle, PA. As the more loquacious member of the team, Hope went out on-stage as a single and got excellent response for his seemingly ad-libbed wisecracks. It was in this and subsequent vaudeville appearances that Hope learned how to handle tough audiences by having the guts to wait on-stage until everyone in the crowd had gotten his jokes; he was still using this technique seven decades later.

Dropping his blackface makeup and cannibalizing every college humor magazine he could get his hands on, Hope took on yet another partner (Louise Troxell) in 1928 and started getting choice vaudeville bookings on the Keith Circuit. A year later, he was given a movie screen test, but was told his ski-slope nose didn't photograph well. With material from legendary gagster Al Boasberg, Hope appeared as a single in The Antics of 1931, which led to a better theatrical gig with Ballyhoo of 1932, in which he was encouraged to ad-lib to his heart's content. He then went back to vaudeville and squeezed in his first radio appearance in 1933 before being hired as the comedy second lead in an important Jerome Kern Broadway musical, Roberta. During the long run of this hit, Hope met and married nightclub singer Dolores Reade, who became still another of his on-stage partners when the play closed and Hope yet again returned to vaudeville. He scored a major success in Ziegfeld Follies of 1936, which spotlighted his talent for sketch comedy, and then co-starred with Ethel Merman and Jimmy Durante in Red, Hot and Blue. In 1937, he was brought to Hollywood for Paramount's The Big Broadcast of 1938, in which he duetted with Shirley Ross in the Oscar-winning song "Thanks for the Memory," which became his signature theme from then on. Hope's first few years at Paramount found him appearing in relatively sedate comedy leads, but with The Cat and the Canary (1939) he solidified his screen persona as the would-be great lover and "brave coward" who hides his insecurities with constant wisecracking.

In 1940, Hope was teamed with Bing Crosby and Dorothy Lamour for Road to Singapore, the first of the still-uproarious "Road" series that featured everything from in-jokes about Bob and Bing's private lives to talking camels. While continuing to make money at the box office, Hope was also starring in his long running NBC radio program, which was distinguished by its sharp topical humor and censor-baiting risqué material. But it was not so much his show business earnings as his profitable real estate deals and holdings that formed the basis of Hope's immense personal fortune. In the midst of all his media clowning during World War II, Hope worked tirelessly as a U.S.O. entertainer for troops in the U.S. and abroad -- so much so that he was unable to make any films at all in 1944. In 1950, Hope inaugurated a long-term television contract with NBC, which resulted in more than 40 years worth of periodic specials that never failed to sweep the ratings. He also later hosted (and occasionally starred in) an Emmy-winning '60s anthology series, Bob Hope Presents The Chrysler Theatre.

With his film box-office receipts flagging in the early '50s (audiences didn't quite buy the idea of a 50-year-old man playing a 30-ish girl chaser), Hope took the advice of writer/directors Norman Panama and Melvin Frank and attempted a dramatic film role as Eddie Foy Sr. in The Seven Little Foys (1955). He succeeded in both pulling off the character and in packing a relatively maudlin script with humanity and humor. Hope's last "straight" film part was as New York City Mayor Jimmy Walker in Beau James (1957), in which he again acquitted himself quite nicely. Having long taken a percentage of profits on his Paramount releases, Hope became his own producer in 1957, which at first resulted in such fine pictures as Alias Jesse James (1959) and The Facts of Life (1960, with frequent co-star Lucille Ball). But the quality of Hope's films took a depressing downward spiral in the '60s, and even hard-core Hope fans were hard-pressed to suffer though such dogs as Boy, Did I Get a Wrong Number! (1966) and The Private Navy of Sgt. O'Farrell (1968). It has been theorized that Hope was too wealthy and much too busy with a multitude of other projects to care about the sorry state of his films. Besides, even the worst of the Hope pictures posted a profit, which to him evidently meant more than whether or not the films were any good. His last feature film appearance was a 1985 cameo in Spies Like Us, a spoof of the road pictures he made with Crosby. In 1991, he again traveled overseas to entertain U.S. troops -- this time in Saudi Arabia during the first Gulf War. Though Hope's only onscreen appearances through the remainder of the decade would prove archival in origin, generations of fans would later show their appreciation for his enduring career in the 2003 television special 100 Years of Hope and Humor. Hope proved too frail to attend the celebration in person, though his friends and family assured the public that the star was indeed overwhelmed at the outpouring of public affection.

On Sunday, July 27, 2003, the world lost one of its most beloved comic talents when Bob Hope died of pneumonia in Taluca Lake, CA. He was 100. ~ Hal Erickson, Rovi
Filmography:

Bob Hope

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Army-Navy Screen Magazine

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Bob Hope: His Road to Comedy

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Judy Garland's Hollywood

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Bob Hope: Hollywood's Brightest Star

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Lucy, Queen of Comedy

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Entertaining the Troops: American Entertainers in World War II

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Steve Allen's Golden Age of Comedy

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Raquel!

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The Oscar

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I'll Take Sweden

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Call Me Bwana

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A Global Affair

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The Road to Hong Kong

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Critic's Choice

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Bachelor in Paradise

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The Story of Will Rogers

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The Five Pennies

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Alias Jesse James

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Paris Holiday

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The Seven Little Foys

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Casanova's Big Night

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Off Limits

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Road to Bali

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Son of Paleface

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The Paleface

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My Favorite Brunette

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Monsieur Beaucaire

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Road to Utopia

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The Princess and the Pirate

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Strictly G.I.

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My Favorite Blonde

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The Road to Morocco

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They Got Me Covered

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Star Spangled Rhythm

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Caught in the Draft

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Louisiana Purchase

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Road to Zanzibar

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The Ghost Breakers

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Road to Singapore

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Never Say Die

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College Swing

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Give Me a Sailor

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Thanks for the Memory

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The Big Broadcast of 1938

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  • Genres: Spoken Word

Biography

The facts surrounding the multi-decade, multi-generational success of Bob Hope are irrefutable. He was a resounding success -- a true star -- on the Broadway stage, in movies, on radio, and television, staying with NBC in the latter two ventures for over half-a-century. He appeared in over 70 movies in a film career that spanned four decades. He logged over six million miles entertaining troops in both war and peace time, becoming a goodwill ambassador to every country he traveled to. He became an American show business icon and perhaps one of the richest entertainers this country ever produced, the cable and video age notwithstanding.

But with the success came the assertion that Hope was little more than the Michael Bolton of standup comics; adored by millions, but with no respect forthcoming from his immediate peer group. Groucho Marx once acerbically opined that Hope was merely a public-address system for a joke machine fed by an army of writers. High irony indeed, especially for a comic who made his stand as a master of the ad-lib, ready for any situation that crossed his path.

It also seems ironic that the man who became an American comedic institution wasn't actually born in the United States. He was born Leslie Townes Hope, in the London suburb of Eltham on May 29, 1903. Sired into a brood of six sons, he found himself in America with his family by his fourth year, settling in Cleveland, OH. His mother -- who had been a concert singer -- instilled in him a love for music and entertaining. Hope would later claim that he first warmed to an audience laughing at him when his voice cracked while singing at a family backyard reunion. His boyhood and teen years were spent in a variety of odd jobs; newspaper boy, bootblack, shoe salesman, butcher's mate, stock boy, golf caddy, and even a short spell as a prizefighter, working under the name Packy East. During this time he was the regular winner of local talent contests with his impression of Charlie Chaplin and, under the tutelage of African American tap dancer King Rastus Brown, had developed into a fair enough hoofer that he opened up his own dance instruction studio. His first professional turn came at the age of 18, as part of a dance act with his then girlfriend, Mildred Rosequist. By 1924, he had a new partner and was working as "Two Diamonds on the Rough." They opened the bill one night for down-and-out silent comedian Fatty Arbuckle, who was so impressed that he recommended the act to Fred Hurley, the producer of a small-time vaudeville musical comedy ensemble. In Hurley's Jolly Follies, Hope not only danced and sang, but played a rudimentary saxophone and appeared in blackface during several comedy sketches. This was vaudeville on-the-job training at its finest, or worst, if one had to endure the work schedule and traveling conditions of the day. Sometime during his tenure with Hurley, he changed his stage name to Bob Hope.

The next important step in his development as a comedian came when he was called to fill in as a master of ceremonies at a small vaudeville house in New Castle, PA. Liberating several then-fashionable Scotsman jokes that he had been polishing up for public consumption, Hope scored big enough to decide to go on as a solo act, no longer appearing in blackface or wearing the tiny derby hat and huge red bow-tie that were part of his regular stage outfit. He stretched a one-week appearance as an emcee at Chicago's Stratford Theater into a six-month engagement. It was here that Hope developed his mastery of the spontaneous ad-lib, making him able to parry and joust with anything an audience member or fellow comic could throw at him.

From his triumph at the Stratford, Hope moved on to the greener pastures of Broadway, making his Palace debut in the musical comedy Ballyhoo of 1932. The following year he appeared in Jerome Kern's musical, Roberta, and became a Broadway star. Holding his own with the bigger names in the cast, Hope showed remarkable restraint in his delivery, establishing a light comedic touch that took some of the edge off his rapid-fire delivery. This put him in good stead in future Broadway productions, including Red, Hot, and Blue and the Ziegfeld Follies.

The next logical step was radio, with its magical coast-to-coast allure of "playing everywhere at the same time." After guest spots and semi-regular work on such forgotten shows as the R.K.O. Theater of the Air, The Woodbury Soap Show, The Atlantic Oil Show, and the improbably named Bromo-Seltzer Intimate Hour, Hope struck paydirt with his own show on NBC sponsored by Pepsodent toothpaste, a relationship that would last for the next 15 years.

Unlike a Jack Benny or a Fred Allen, Hope never really developed a situation-type comedy format, but went instead in an entirely different direction. On his 30-minute program, the opening monologue set the tone for the rest of the show, not unlike today's late-night talk shows. His machine-gun delivery, where no joke was any more important than the next one coming up ("and I wanna tell you" would became a Bob Hope catch phrase after almost every punch line; whether the joke brought uncontrolled laughs or a mild titter, it gave the audience a chance to get it), was honed to perfection during this period and proved to be perfect for the medium. It has been argued that every comedian without a defined character (Eddie Cantor, for example) had to start fresh with an audience every time. With Hope, it was as if he was starting fresh with each punch line. His joke file was as cutting edge as anyone, firing off barbs about current news events with alarming frequency. Soon, in the minds of his radio audience, he became the more citified and modern extension of the late humorist Will Rogers. When a news story broke, everybody wanted to know what Bob Hope was going to say about it on his next show.

It was during this immense radio success that he cultivated the most identifiable aspect of his character and the one he would always turn to as the years slowed his delivery down to a crawl; the seasoned performer exuding more self-assuredness than anyone who had ever walked on a stage. Around this time, Hope also developed his counter stage persona; a star who just happened to be an American Everyman, complete with all of the personality failings -- greed, cowardice, lechery, jealously, vanity -- endemic of the human condition. He would play one character against the other for the rest of his career and no comedian got as much mileage out of being a coward as Bob Hope.

Hollywood came a-calling in the early '30s with a series of marginally successful shorts for Educational and Warner Brothers. His first full-length movie debut came with The Big Broadcast of 1938, introducing him singing what would become his theme song, "Thanks for the Memories." Two years later, he was teamed up with crooner Bing Crosby for a successful series of Road pictures, starting with The Road to Singapore and ending with The Road to Hong Kong some 22 years later. The team of Hope and Crosby -- usually playing down-on-their-luck entertainers -- was a well-oiled machine, with both men swapping their respective talents (Crosby as comic, Hope as song-and-dance man) and having a grand old time in the process. Hope's other notable films during this period include The Seven Little Foys, Paleface, Fancy Pants, Beau James, and The Lemon Drop Kid.

The rise in popularity of television soon compelled him to join the fray. Doing numerous guest shots and specials for NBC in the early '50s, his annual trips overseas to entertain the troops -- which had started full bore during World War II, helping to establish the USO -- soon became a regular Christmas television event. By the end of the '60s however, Hope's hawkish, right-wing political stance was at odds with the country's mood concerning the Vietnam War, and it cost him nearly all the credibility that 30 years of performing had built up. He had become that most odious of all celebrities, one whose politics cannot be separated from their stage persona. If there could be said to be any show-business casualties from the Vietnam War, then Bob Hope's name would certainly head that list. For the first time in years of traveling to entertain the troops, he found his welcome less than enthusiastic. Hope, who had entertained Presidents throughout his career without becoming political himself, had finally crossed the line and it cost him dearly.

His career -- although still profitable -- was never quite the same after that moment in time. Although he would continue into the next three decades doing tired specials with current NBC TV stars, Hope was quickly becoming an anachronism, getting slower and slower, his style becoming more corny, mannered, and clichéd with each successive broadcast. In 1996, NBC announced that their contract with Bob Hope was coming to an end after 60 consecutive years of broadcasting over their airwaves. His network broadcast of that year, Bob Hope Salutes the Presidents, was his final Christmas special, capping a long-running tradition. Nearing total blindness and with his performing days behind him, Hope must have found comfort in knowing that his 70-plus years in show business were well spent and most profitable, eventually making him one of the richest entertainers of all time. Hope passed away July 7, 2003 at the remarkable age of 100. Conquering stage, movies, radio, and television, Bob Hope was -- and remains -- an American comedy institution. ~ Cub Koda, Rovi
Bob Hope

Hope in The Ghost Breakers (1940)
Born Leslie Townes Hope
May 29, 1903(1903-05-29)
Eltham, London, England
Died July 27, 2003(2003-07-27) (aged 100)
Toluca Lake, Los Angeles, U.S.[1]
Cause of death Pneumonia
Nationality American
Occupation Actor, comedian, author, golfer
Years active 1925–2001
Religion Roman Catholic
Spouse Grace Louise Troxell (m. 1925-1926)
Dolores Hope (m. 1928–2003)
Children Eleanora(born 1930)
Linda(born 1933)
William Kelly Francis(born 1934)
Grace(born 1936)
Maureen(born 1939)

Bob Hope, KBE, KCSG, KSS (born Leslie Townes Hope; May 29, 1903  – July 27, 2003) was a British-born American comedian and actor who appeared in vaudeville, on Broadway, and in radio, television and movies. He was also noted for his work with the US Armed Forces and his numerous USO shows entertaining American military personnel.[2] Throughout his long career, he was honored for his humanitarian work. In 1996, the U.S. Congress honored Bob Hope by declaring him the "first and only honorary veteran of the U.S. armed forces." Bob Hope appeared in or hosted 199 known USO shows.[3]

Contents

Early years

Hope was born in Eltham, London, England, the fifth of seven sons. In his biography Arthur Marx gives evidence that Hope may actually have been born in 1901. His English father, William Henry Hope, was a stonemason from Weston-super-Mare, Somerset, and his Welsh mother, Avis Townes, was a light opera singer from Barry (a small town outside Cardiff) who later worked as a cleaning woman. She married William Hope in April 1891 and the couple set up home at 12 Greenwood Street in the town, then moved to Whitehall and St George in Bristol, before eventually moving to Cleveland, Ohio, in 1908. The family emigrated to the United States aboard the SS Philadelphia, and passed inspection at Ellis Island on March 30, 1908.[4] Hope became a U.S. citizen in 1920 at the age of 17.[5] In a 1942 legal document, Hope's legal name is given as Lester Townes Hope.[6] His name on the Social Security Index is also listed as Lester T. Hope.[7] His name at birth as registered during the July–August–September quarter in the Lewisham district of Greater London was Leslie Towns [sic] Hope.

From the age of 12, Hope worked at a variety of odd jobs at a local boardwalk. He would busk,[8] doing dance and comedy patter to make extra money (frequently on the trolley to Luna Park). He entered many dancing and amateur talent contests (as Lester Hope),[8] and won prizes for his impersonation of Charlie Chaplin. Hope also boxed briefly and unsuccessfully under the name Packy East (after the popular Packey McFarland), once making it to the semifinals of the Ohio novice championship.[9][10]

In 1918, at the age of 15, Hope was admitted (as Lester Hope) to the Boys Industrial School in Lancaster, Ohio.[11] Formerly known as the Ohio Reform School, this was one of the more innovative, progressive institutions for juvenile offenders. As an adult, Hope donated sizable sums of money to the institution.[12]

Silent film comedian Fatty Arbuckle saw one of Hope's performances with his first partner, Lloyd "Lefty" Durbin, and in 1925 got the pair steady work with Hurley's Jolly Follies. Within a year, Hope had formed an act called the Dancemedians with George Byrne and the Hilton Sisters, conjoined twins who had a tap dancing routine. Hope and his partner, George Byrne, had an act as a pair of Siamese twins as well, and both danced and sang while wearing blackface, before friends advised Hope that he was funnier as himself.[13] In 1929, he changed his first name to "Bob". In one version of the story, he named himself after racecar driver Bob Burman. In another, he said he chose Bob because he wanted a name with a friendly "Hiya, Fellas!" sound to it. After five years on the vaudeville circuit, by his own account, Hope was surprised and humbled when he and his partner (and future wife) Grace Louise Troxell failed a 1930 screen test for Pathé at Culver City, California.

Boxing Record

Result Record Opponent Method Date Round Time Event Location Notes
Win 1-0-0 United States Unknown Knockout 1919 1 Ohio State Boxing Amateurs (Tournament) Moose Hall, Cleveland, Ohio Opening match (Lightweight Division) Hope fought as Packy East. Source: New York Herald Tribune, July 10, 1938.
Win 2-0-0 United States Unknown Default (Hope's opponent fails to show for bout.) 1919 Ohio State Boxing Amateurs (Tournament) Moose Hall, Cleveland, Ohio Semi-Finals (Lightweight Division) Hope fought as Packy East.
Loss 2-1-0 United States Happy Walsh Knockout 1919 Ohio State Boxing Amateurs (Tournament) Moose Hall, Cleveland, Ohio Finals (Lightweight Division) Hope fought as Packy East. Source: The Plain Dealer, August 17, 1984.
Win 3-1-0 United States Jack Dempsey Knockout April 10, 1948 1 0:14 Charity match for the US Airforce Madison Square Garden,New York Clearly a "rigged" bout. Former heavyweight champ Dempsey is "KO'd" in 14 seconds.[14]
No-Contest 3-1-0-1 United States Rocky Marciano No Contest 1968 1 "Salute To The USO" Madison Square Garden,New York Charity match. Bing Crosby was referee. 19,000 fans attended.(RING Magazine, May 1968,page 33)
style="text-align:center;" N/A 3-1-0-1 United States Sugar Ray Robinson Result Unknown April 21, 1972 Sugar Ray Youth Foundation North Hollywood, California Charity match for the Sugar Ray (Robinson) Youth Foundation

[15]

Career

Film

Hope, like other stage performers, made his first films in New York. Educational Pictures employed him in 1934 for a short-subject comedy, Going Spanish. Hope sealed his fate with Educational when Walter Winchell asked him about the film. Hope cracked, "When they catch John Dillinger, they're going to make him sit through it twice."[16] Educational fired him, but he was soon before the cameras at New York's Vitaphone studio starring in 20-minute comedies and musicals from 1934 through 1936, beginning with Paree, Paree (1934).

Paramount Pictures signed Hope for the 1938 film The Big Broadcast of 1938, also starring W. C. Fields. During a duet with Shirley Ross as accompanied by Shep Fields and his orchestra, Hope introduced the song later to become his trademark, "Thanks for the Memory", which became a major hit and was praised by critics. The sentimental, fluid nature of the music allowed Hope's writers (whom he is said to have depended upon heavily throughout his career[17]) to later invent endless variations of the song to fit specific circumstances, such as bidding farewell to troops while on tour.

Handprints at The Great Movie Ride in Disney World's Hollywood Studios theme park

Hope became one of Paramount's biggest stars, and would remain with the studio through the 1950s. Hope's regular appearances in Hollywood films and radio made him one of the best known entertainers in North America, and at the height of his career he was also making a large income from live concert performances. He was both a world-class singer and dancer, introducing many major songs during the course of his career, including the Oscar-winning "Buttons and Bows" in The Paleface (1948), his biggest hit song by far, and he matched James Cagney's bravura dancing during the tabletop showdown sequence in The Seven Little Foys (1955).

Bob Hope, Bing Crosby, and Dorothy Lamour

As a movie star, he was best known for comedies like My Favorite Brunette and the highly successful "Road" movies in which he starred with Bing Crosby and Dorothy Lamour. Hope had seen Lamour as a nightclub singer in New York, and invited her to work on his USO tours. Lamour is said to have arrived for filming prepared with her lines, only to be baffled by completely re-written scripts from Hope's writers without studio permission. Hope and Lamour were lifelong friends, and she remains the actress most associated with his film career. The series consists of Road to Singapore (1940), Road to Zanzibar (1941), Road to Morocco (1942), Road to Utopia (1946), Road to Rio (1947), Road to Bali (1952), and The Road to Hong Kong (1962). Hope's other leading ladies included Paulette Goddard, Katharine Hepburn, Hedy Lamarr, Lucille Ball, Jane Russell, Betty Grable, Betty Hutton, Arlene Dahl, Rosemary Clooney, Eva Marie Saint, Rhonda Fleming, Lana Turner, Anita Ekberg, and Elke Sommer.

Bob Hope & Bing Crosby sing and dance during "Chicago Style" in Road to Bali (1952)

Hope's informal teaming with Bing Crosby for the seven "Road" pictures from 1940 to 1962 and countless stage, radio, and television appearances together over the decades were critically important to Hope's career. At the beginning of the "Road" series, Broadway star Hope was relatively little known nationally compared to Crosby, and was actually billed under Dorothy Lamour in the first film, while Crosby had already been a hugely popular singer and movie star for years. After the release of Road to Singapore (1940), Hope's screen career immediately became white hot and stayed that way for over two decades, actually continuing until Cancel My Reservation (1972), his last theatrical starring role. Bing Crosby and Bob Hope became linked in public perception to the extent that it became difficult to think of one without the other even though they actually conducted predominately separate careers. They had planned one more movie together, The Road to the Fountain of Youth, until Crosby's demise abruptly intervened.[18]

Dorothy Lamour, Bing Crosby, and Bob Hope made up to look older at the end of Road to Utopia

Hope starred in fifty-two theatrical features altogether between 1938 and 1972, not to mention cameos and short films, and frequently stated that his movies were the most important part of his career. Some notable examples include College Swing (1938; with George Burns, Gracie Allen, and Betty Grable), Some Like It Hot (1939; with Shirley Ross and Gene Krupa), The Ghost Breakers (1940, with Paulette Goddard), The Paleface (1948; with Jane Russell), Sorrowful Jones (1949; with Lucille Ball), The Seven Little Foys (1955; with James Cagney as George M. Cohan), The Iron Petticoat (1956; with Katharine Hepburn), and Beau James (1957; with Hope as James J. Walker).

Hope was host of the Academy Awards ceremony 18 times between 1939 and 1977. His feigned lust for an Academy Award became part of his act. In one scene from Road to Morocco he erupted in a frenzy, shouting about his imminent death from exposure. Bing Crosby reminds him that rescue is just minutes away, and a disappointed Hope complains that Crosby has spoiled his best scene, and thus his chance for an Academy Award. Also, in Road to Bali, when Crosby finds Humphrey Bogart's Oscar for The African Queen, Hope grabs it, saying "Give me that. You've got one." Although Hope was never nominated for an Oscar for his performances (Bing Crosby won the 1944 Best Actor Oscar for Going My Way), the Academy of Motion Picture Arts and Sciences honored him with four honorary awards, and in 1960, the Jean Hersholt Humanitarian Award. While introducing the 1968 telecast, he quipped, "Welcome to the Academy Awards, or, as it's known at my house, Passover."[19]

Broadcasting

Barbara Eden and Bob Hope honor the Apollo 7 astronauts

Hope first appeared on television in 1932 during a test transmission from an experimental CBS studio in New York. In January 1947, Hope was master of ceremonies for the first telecast by California's first television station, KTLA. His career in broadcasting spanned 64 years and included a long association with NBC. Hope made his network radio debut in 1937 on NBC. His first regular series for NBC Radio was the Woodbury Soap Hour. A year later, The Pepsodent Show Starring Bob Hope began, continuing as The New Swan Show in 1948 (for the same sponsor, Lever Brothers). After 1950, the series was known simply as The Bob Hope Show, with Liggett & Myers (1950–52), General Foods (1953) and American Dairy Association (1953–55) as his sponsors, until it finally went off the air in April 1955. Regulars on his radio series included zany Jerry Colonna and Barbara Jo Allen as spinster Vera Vague.

Jerry Colonna and Bob Hope as caricatured by Sam Berman for NBC's 1947 promotional book.

Hope did many specials for the NBC television network in the following decades, beginning in April 1950. These were often sponsored by General Motors (1955–1961), Chrysler (1963–73) and Texaco (1975–1985), and Hope served as a spokesman for these companies for many years and would sometimes introduce himself as "Bob, from Texaco, Hope." Hope's Christmas specials were popular favorites and often featured a performance of "Silver Bells" (from his 1951 film The Lemon Drop Kid) done as a duet with an often much younger female guest star (such as Olivia Newton-John, Barbara Eden, and Brooke Shields), or with his wife Delores, with whom he dueted on two specials.

In October 1956, Hope appeared on an episode of the most-viewed program in America at the time, I Love Lucy. He said, upon receiving the script: "What? A script? I don't need one of these"[cite this quote], and ad-libbed the entire episode. Desi Arnaz said of Hope after his appearance: "Bob is a very nice man, he can crack you up, no matter how much you try for him to not."[cite this quote] Lucy and Desi returned the favor by appearing on one of his Chevy Show specials (with Vivian Vance and William Frawley) later that season.

With James Garner (1961)

Hope's 1970 and 1971 Christmas specials for NBC—filmed in Vietnam in front of military audiences at the height of the war—are on the list of the Top 30 U.S. Network Primetime Telecasts of All Time. Both were seen by more than 60% of the U.S. households watching television.

In 1992, Bob Hope made a guest appearance as himself on The Simpsons, in the episode "Lisa the Beauty Queen" (season 4, episode 4). The episode attracted 11.1 million viewers when it premiered on October 15. Hope's NBC television career consisted of monthly shows successfully spanning so many decades that it literally outlasted his ability to read his monologue from cue cards; toward the end, SCTV Hope impressionist Dave Thomas would deliver the monologue for him while imitating Hope's delivery. After 1992, his specials were re-formatted into retrospectives of Hope's past career, for occasions such as his 90th birthday in May of 1993, which resulted in an Emmy-winning TV celebration on NBC, featuring guests such as Betty White, Walter Cronkite, Gerald Ford, Jay Leno and a rare post-Tonight Show appearance by Johnny Carson.

In October of 1996, Hope announced, via a press release, that he was ending his 60-year contract with NBC, joking that he "decided to become a free agent". His final television special, Laughing with the Presidents, was broadcast in November of 1996, with Tony Danza helping Hope present a personal retrospective of presidents of the United States known to the comedian. The special received mixed reviews, mostly due to the weakening appearance and speech of the 93-year old Hope.

Following a brief appearance at the 50th Primetime Emmy Awards in 1997. Bob Hope's last TV appearance was in a 1997 K-Mart commercial directed by Penny Marshall.

USO

For more on this topic see USO – Honoring Bob Hope

Bob Hope's 1966 Christmas Show at Nakhon Phanom, Thailand
Bob Hope in Korea climbing out of a Lockheed T-33 Shooting Star, which flew him from Daegu to Gimpo airfield in Korea, on his entertainment tour.
Bob Hope sits with men of X Corps, as members of his troupe entertain at Womsan, Korea. October 26, 1950. (Army)
Bob Hope and golf club, Lackland Air Force Base, 1990

Hope's first wartime performance occurred at sea. Aboard the RMS Queen Mary when World War II began in September 1939, he went to the captain to volunteer to perform a special show for the panicked passengers, during which he sang "Thanks for the Memory" with rewritten lyrics.[20] Hope performed his first United Service Organizations (USO) show on May 6, 1941, at March Field, California. He continued to travel and entertain troops for the rest of World War II[21] and later during the Korean War, the Vietnam War, the third phase of the Lebanon Civil War, the latter years of the Iran–Iraq War, and the 1990–1991 Persian Gulf War. When overseas he almost always performed in Army fatigues as a show of support for his audience. Hope's USO career lasted half a century, during which he headlined approximately 60 tours. For his service to his country through the USO, he was awarded the Sylvanus Thayer Award by the United States Military Academy at West Point in 1968.

Of Hope's USO shows in World War II, writer John Steinbeck, who was then working as a war correspondent, wrote in 1943:

When the time for recognition of service to the nation in wartime comes to be considered, Bob Hope should be high on the list. This man drives himself and is driven. It is impossible to see how he can do so much, can cover so much ground, can work so hard, and can be so effective. He works month after month at a pace that would kill most people.[22]


In addition to the star-studded casts Hope recruited his own family members for the far-reaching travel. Wife Dolores sang from atop an armored vehicle as recently as the Desert Storm tour, with granddaughter Miranda alongside Hope on an aircraft carrier in the Indian Ocean.[23]

A 1997 act of Congress signed by President Clinton named Hope an "Honorary Veteran." He remarked, "I've been given many awards in my lifetime — but to be numbered among the men and women I admire most — is the greatest honor I have ever received."[24]

Hope appeared in so many theaters of war over the decades that it was often cracked (in Bob Hope style) that "Where there's death, there's Hope".

In 2009, Stephen Colbert carried a golf club on stage each night during his own week-long USO performance and taping of The Colbert Report[25] and explained in his last episode that it was an homage to Hope.

Theater

Hope's first Broadway appearances, in 1927's The Sidewalks of New York and 1928's Ups-a-Daisy, were minor walk-on parts.[26] He returned to Broadway in 1933 to star as Huckleberry Haines in the Jerome Kern/Dorothy Fields musical Roberta. Stints in the musicals Say When, the 1936 Ziegfeld Follies (with Fanny Brice), and Red, Hot and Blue with Ethel Merman and Jimmy Durante followed. His performances were generally well-received and critics noted his keen sense of comedic timing. Hope reprised his role as Huck Haines in a 1958 production of Roberta at The Muny Theater in Forest Park, St. Louis, Missouri.

Hope rescued Eltham Little Theatre from closure by providing the funds to buy the property. He continued his interest and support and regularly visited when in London. The Theatre was renamed in his honor in 1982.[27]

Sports

Bob Hope, a golf fan, putting a golf ball into an ashtray held by President Richard Nixon in the Oval Office in 1973.

Hope was an avid golfer. He was introduced to the game in the 1930s, and eventually played to a four handicap. His love for the game, and the humor he could find in it, made him a much sought-after foursome member. He once remarked that President Dwight D. Eisenhower gave up golf for painting – "fewer strokes, you know."[28] Throughout his career, a golf club became an integral prop for Hope during the stand-up segments of his television specials and USO Shows. In 1978, he putted against a then two-year-old Tiger Woods in a television appearance with James Stewart on The Mike Douglas Show. The Bob Hope Classic was founded in 1960, and it was the only FedEx Cup tournament that took place over five rounds; but for the first time in 2012, it was reduced to the standard four rounds. The tournament made history in 1995, when Hope teed up for the opening round in a foursome that included Presidents Gerald R. Ford, George H.W. Bush and Bill Clinton – the only time ever that three presidents participated in a golf foursome.[29]

Hope would frequently use his television specials to promote the annual College Football All-America Team. The team members would enter the stage one by one and introduce themselves, and Hope would then give a one-liner about the player or his school. Hope would often don a football uniform for these presentations.

Hope bought a small stake in the Cleveland Indians in 1946[30] and owned it for most of the rest of his life.[31] In 1993, he sang "Thanks for the Memory" after the Indians' last game at Cleveland Stadium. Hope also bought a share of the Los Angeles Rams football team in 1947 with Bing Crosby[32] and sold it in 1962.[33]

Personal life

Marriages

The Hope family. Back, from left: Tony, Dolores, and Linda. Front, from left: Kelly, Hope, and Nora.

According to biographer Arthur Marx, Hope's first wife was his vaudeville partner Grace Louise Troxell, whom he married on January 25, 1933. When the marriage record was unearthed some years later, Hope denied that the marriage had any substance and said they had quickly divorced. There were rumors that he fathered a daughter with Troxell and that he continued to send generous checks to her despite a widely documented reputation for frugality. In 1934, Bob Hope married Dolores (DeFina) Reade, and adopted four children at The Cradle in Evanston, Illinois: Linda, Tony, Kelly and Nora.[34] From them he had several grandchildren, including Andrew, Miranda, and Zachary Hope. Tony (Anthony J. Hope), who served as a presidential appointee in the George H.W. Bush and Clinton administrations and in a variety of posts under Presidents Ford and Reagan, died at age 63 in 2004.

Extramarital affairs

From the trailer for Stand By for Action

Hope's "endless extramarital flings had been an open secret in Hollywood for years."[35] In 1949, while Hope was in Dallas on a publicity tour for his radio show, he met starlet Barbara Payton, a contract player at Universal Studios, who at the time was on her own PR jaunt. Shortly thereafter, Hope set Payton up in a luxury apartment in Hollywood.[36] The arrangement soured as Hope was not able to satisfy Payton’s definition of generosity and her insatiable need for attention.[37] Hope paid her off to end the affair quietly. Payton later revealed the affair with a tell-all printed in July 1956 in Confidential.[38] "Hope was...at times a mean-spirited individual with the ability to respond with a ruthless vengeance when sufficiently provoked."[35] His advisors counseled him to ignore the Confidential expose in order to avoid further publicity.[35] "Barbara's ...revelations caused a minor ripple...and then quickly sank without causing any appreciable damage to Bob Hope's legendary career."[35] According to Arthur Marx's Hope biography "The Secret Life of Bob Hope," Hope's subsequent long-term affair with actress Marilyn Maxwell was so open that the Hollywood community routinely referred to her as "Mrs. Bob Hope."

Activism

Hope served as an active honorary chairman on the board of Fight for Sight. He recruited numerous top celebrities for the annual "Lights On" fundraiser, led a coast-to-coast telecast for Fight for Sight in 1960, and donated $100,000 to establish the Bob Hope Fight for Sight Fund.[39]

Later years

Hope (left) with President Ronald Reagan in 1981

As Hope entered his ninth decade, he showed no signs of slowing down and continued appearing in numerous television specials. He was given an 80th birthday party in 1983 at the Kennedy Center in Washington, D.C. which was attended by President Ronald Reagan. In 1985, he was presented with the Life Achievement Award at the Kennedy Center Honors. He was presented with the Ronald Reagan Freedom Award in 1997 by Nancy Reagan.[40] The following year, Hope was appointed an honorary Knight Commander of the Most Excellent Order of the British Empire by Queen Elizabeth II. Upon accepting the appointment, Hope quipped, "I'm speechless. 70 years of ad lib material and I'm speechless."[41]

Nancy Reagan presents Hope with the Ronald Reagan Freedom Award, 1997

At the age of 95, Hope made an appearance at the 50th anniversary of the Primetime Emmy Awards with Milton Berle and Sid Caesar. Two years later, Hope was present at the opening of the Bob Hope Gallery of American Entertainment at the Library of Congress. The Library of Congress has immortalized Bob Hope's life with two major exhibitions - "Hope for America: Performers, Politics and Pop Culture" and "Bob Hope and American Variety."[42][43]

Hope celebrated his 100th birthday on May 29, 2003. He is among a small group of notable centenarians in the field of entertainment. To mark this event, the intersection of Hollywood and Vine in Los Angeles, California was named Bob Hope Square and his centennial was declared Bob Hope Day in 35 states. Even at 100, Hope was said to have maintained his self-deprecating sense of humor, quipping, "I'm so old, they've canceled my blood type."[1] He converted to Roman Catholicism.[44]

Death

Hope performing at a USO show

Hope had premature obituaries on two separate occasions. In 1998, a prepared obituary by The Associated Press was inadvertently released on the Internet, prompting Hope's death to be announced in the U.S. House of Representatives.[45][46] In 2003 he was among several famous figures whose pre-written obituaries were published on CNN's website because of a lapse in password protection.

Beginning in 2000, Hope's health steadily declined and he was hospitalized several times before his death. In June 2000, he spent nearly a week in a California hospital after being hospitalized for gastrointestinal bleeding.[47] In August 2001, he spent close to two weeks in the hospital recovering from pneumonia.[48]

On July 27, 2003, Bob Hope died at his home in Toluca Lake at 9:28 p.m. According to the Soledad O'Brien interview with Hope's grandson Zach Hope, when asked on his deathbed where he wanted to be buried, Hope told his wife, "Surprise me."[49] He was interred in the Bob Hope Memorial Garden at San Fernando Mission Cemetery in Los Angeles, where his mother is also buried.

After Hope's death, many newspaper cartoons worldwide featured some variation of Bing Crosby welcoming Bob Hope into heaven or his work for the USO.[50]

Short subjects

Honors

(left to right) Alex Dreier, Bob Hope, Anne T. Hill, Geraldine Dreier, Roy W. Hill at a fund raiser for Eisenhower Medical Center ca 1975

Books by Bob Hope

(Listed in chronological order)

References

Notes
  1. ^ a b "Comedian Bob Hope dies." BBC News Online, July 28, 2003. Retrieved: September 23, 2011.
  2. ^ "June 7, 1945." war-letters.com. Retrieved: August 7, 2011.
  3. ^ Down-Range." USO Publication August 11, 2004.
  4. ^ Moreno 2008, p. 88.
  5. ^ Molotsky, Irvin. "Bob Hope's Gift to the Nation? Quips, of Course." The New York Times, November 28, 2007. Retrieved: May 20, 2008.
  6. ^ "Application for Permit to Enter Alaska, 1942, in On the Road: USO Shows: Bob Hope and American Variety." Library of Congress. Retrieved: December 24, 2008.
  7. ^ http://ssdi.rootsweb.ancestry.com/cgi-bin/ssdi.cgi
  8. ^ a b "Bob Hope and the American Variety: Early Life." Library of Congress. Retrieved: August 7, 2011.
  9. ^ Current Biography 1941, pp. 402–404.
  10. ^ http://www.cleveland.com/homegrown/index.ssf?/homegrown/more/hope/bio.html
  11. ^ "Boys' Industrial School: Ohio History Central." Ohio Historical Society, July 1, 2005. Retrieved: August 7, 2011.
  12. ^ "Boys and Girls Industrial School Index." Ohiohistory.org. Retrieved: August 7, 2011.
  13. ^ Faith 2003, pp. 402–403.
  14. ^ http://www.itnsource.com/shotlist//RTV/1948/10/04/BGX411070158/?s=*
  15. ^ http://www.newspaperarchive.com/SiteMap/FreePdfPreview.aspx?img=106587368
  16. ^ Maltin 1972, p. 25.
  17. ^ Lahr 1998
  18. ^ "The Road to the Fountain of Youth." BBC. Retrieved: August 7, 2011.
  19. ^ McCaffrey 2005. p. 56.
  20. ^ Friedrich 1986, p. 26.
  21. ^ "WW2 4th of July concert." war-letters.com. Retrieved: August 7, 2011.
  22. ^ Steinbeck 1958, p. 65.
  23. ^ King, Larry. "Interview Q&A between Hope-Smith and Z. Hope: Tribute to Bob Hope." CNN Larry King Live, CNN Transcripts, August 27, 2003.
  24. ^ Faith 2003, p. 429.
  25. ^ "A salute for Stephen Colbert." Los Angeles Times, June 13, 2009.
  26. ^ Faith 2003, p. 403.
  27. ^ "Bob Hope's 100th Birthday." Bobhopetheatre.co.uk,May 29, 2003. Retrieved: April 11, 2010.
  28. ^ West, Bob. "Bob West Sports Rap." Port Arthur (TX) News, May 31, 1980. Retrieved: July 19, 2008.
  29. ^ "Bob Hope Chrysler Classic history." Bhcc.com. Retrieved: August 7, 2011.
  30. ^ "Bing Crosby Buys Chunk of Pirates As Club Sold to New Owners' Group." The Windsor Daily Star, August 9, 1946: Second Section, p. 3.
  31. ^ Rea. Steven X. "Why Bob Hope's Still on the Road." The Montreal Gazette, August 21, 1982, p. E1.
  32. ^ "Reeves Gives Up Active Interest in L-A Rams." The Lewiston Daily Sun, December 28, 1949, p. 8.
  33. ^ "Reeves Buys Rams For $4.8 Million." Lodi News-Sentinel, December 28, 1962, p. 9.
  34. ^ "Bob Hope dead at 100." CNN, July 29, 2003. Retrieved: August 7, 2011.
  35. ^ a b c d O'Dowd 2006, p. 313.
  36. ^ O'Dowd 2006, p. 65.
  37. ^ O'Dowd 2006, pp. 66, 67.
  38. ^ O'Dowd 2006, p. 311.
  39. ^ "Bob Hope Notice." The New York Times, July 29, 2003. Retrieved: August 7, 2011.
  40. ^ "Ronald Reagan Presidential Foundation & Library." Reaganfoundation.org. Retieved: August 7, 2011.
  41. ^ "Bob's Biography (Television)." BobHope.com.
  42. ^ "Hope for America: Performers, Politics and Pop Culture." Library of Congress. Retrieved: August 7, 2011.
  43. ^ "Bob Hope and American Variety." Library of Congress. Retrieved: August 7, 2011.
  44. ^ "St. Charles Catholic Church." Seeing-stars.com. Retrieved: August 7, 2011.
  45. ^ House Proceeding, June 5, 1998 (6:01:45 from start). From C-SPAN.
  46. ^ Quirk 1998, p. 313.
  47. ^ "Bob Hope released from hospital." CNN, June 7, 2000. Retrieved: August 7, 2011.
  48. ^ "Bob Hope stays in hospital." guardian.co.uk, September 4, 2009. Retrieved: August 7, 2011.
  49. ^ "Hope grandson: Laughter until the end." CNN, July 29, 2003. Retrieved: August 7, 2011.
  50. ^ "In Memory of Bob Hope". http://www.fac-assoc.org/memorial/memorial04-hope.html. Retrieved 2012-01-22. 
  51. ^ "USA Patriotism!: Great American Patriot Bob Hope." Usa-patriotism.com, May 6, 1941. Retrieved: August 7, 2011.
  52. ^ "NAB Hall of Fame." National Association of Broadcasters.[dead link]
  53. ^ "Bob Hope gets freedom award". The Record. May 1, 1997.
  54. ^ "Bob Hope." Hollywood Walk of Fame database. Retrieved: August 7, 2011.
  55. ^ "Crypt Church: National Shrine of the Immaculate Conception." Nationalshrine.com. Retrieved: August 7, 2011.
  56. ^ "A Tribute to Bob Hope: Thanks for the Memories." A National Salute to Bob Hope and the Military. Retrieved: August 7, 2011.
  57. ^ "Bob Hope Theater." Marine Corps Air Station Miramar. Retrieved: August 7, 2011.
  58. ^ TV Guide Book of Lists. Running Press. 2007. p. 188. ISBN 0-7624-3007-9. 
  59. ^ "Bob Hope and SMU" Retrieved: December 25, 2011.
Bibliography
Further reading
  • Mills, JD, Robert L. The Laugh Makers:: A Behind the Scenes Tribute to Bob Hope's Incredible Gag Writers. Duncan, Oklahoma: BearManor Media, 2009. ISBN 1-59393-323-1.
  • Marx, Arthur. The Secret Life of Bob Hope: An Unauthorized Biography. New York: Barricade Books, 1993. ISBN 978-0942637748.
  • Young, Jordan R The Laugh Crafters: Comedy Writing in Radio & TV's Golden Age. Beverly Hills: Past Times Publishing 1999. ISBN 0-940410-37-0.

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Comedy Classics: Bob Hope (1998 Comedy Film)
Road to Lebanon (1960 Musical Film)
The Bob Hope Show (TV Series)

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