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Stephen King

 
Who2 Biography: Stephen King, Writer
Stephen King
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  • Born: 21 September 1947
  • Birthplace: Portland, Maine
  • Best Known As: The author of scary bestsellers

Since the early 1970s, Stephen King has been America's most famous horror writer. His books are a mainstay of paperback bookracks everywhere, and have spawned a multi-media franchise that includes movies, TV shows, video games and comic books. King is famously fecund, turning out a novel a year and sometimes more. His string of bestsellers began with Carrie (1974), and his early horror novels include Salem's Lot (1975), The Shining (1977) and The Dead Zone (1979), all of which have been adapted for film or television. Since conquering the horror market, King has written novels in other genres and experimented with various publishing methods, including issuing installments of The Green Mile (1996) and beginning the Internet-first publication of The Plant in 2000 (commercially unsuccessful, installments were suspended after five months). King's other books include: The Stand (1978); Firestarter (1980); Cujo (1981); Pet Sematary (1983); Insomnia (1984); Misery (1987); Delores Claiborne (1992); Bag of Bones (1998); and Cell (2006).

King also writes under the pseudonym Richard Bachman... King is one of the members of the Rock Bottom Remainders, a rock band made up of published writers and including Dave Barry and Amy Tan.

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Britannica Concise Encyclopedia: Stephen Edwin King
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(born Sept. 21, 1947, Portland, Maine, U.S.) U.S. writer. Educated at the University of Maine, he wrote a number of enormously popular books, which made him one of the world's best-selling writers. His books blend horror, the macabre, fantasy, and science fiction. Carrie (1974; film 1976), his first published novel and an immediate success, was followed by a long string of popular books, including The Shining (1977; film, 1980; television miniseries, 1997), The Dead Zone (1979; film, 1983), Pet Sematary (1983; film, 1989), and Misery (1987; film, 1990). Most of his novels have been adapted for television or film, and most have been translated into many languages.

For more information on Stephen Edwin King, visit Britannica.com.

Biography: Stephen King
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Stephen King (born 1947) is a prolific and immensely popular author of horror fiction. In his works, King blends elements of the traditional gothic tale with those of the modern psychological thriller, detective, and science fiction genres.

Stephen King was born on September 21, 1947, in Portland, Maine. When he was two years old King's father deserted the family, leaving his mother to care for Stephen and his older brother. By the time King was seven he had begun writing stories. After discovering a box of horror and science fiction books in his aunt's house, he discovered his forte. In 1965 his first story was published in Comics Review.

King graduated high school in 1966 and pursued a bachelor of arts degree in English at the University of Maine at Orono. He graduated in 1970 and married Tabitha Spruce the following year.

King began work on a novel about a girl with telekinetic abilities entitled Carrie. When it was released in 1974, the book was an instant success and catapulted King into the top ranks of horror writers.

King's fiction features colloquial language, clinical attention to physical detail and emotional states, realistic settings, and an emphasis on contemporary problems, including marital infidelity and peer group acceptance, that lend credibility to the supernatural elements in his fiction. King's wide popularity attests to his ability to create stories in which he emphasizes the inability to rationalize certain facets of evil in seemingly commonplace situations.

King's interest in the demonic and the paranormal is usually reflected in his protagonists, whose experiences and thoughts serve to reveal psychological complexities and abnormalities. Carrie concerns a socially outcast teenage girl whose emotional insecurities lead her to take violent revenge on taunting classmates by means of telekinetic powers. In The Shining, malevolent spirits in a remote resort hotel manipulate a recovering alcoholic caretaker into attempting to murder his wife and child. Similarly, a haunted car in Christine gains control of an alienated teenage boy. Other works in which paranormal events recur include The Dead Zone and Firestarter.

Some of King's novels offer variations on classic stories of fantasy and horror. Salem's Lot, for example, is a contemporary version of Bram Stoker's novel Dracula set in an isolated New England town. In this work, a young writer and an intelligent youth combat a small group of vampires that turns out to include an increasing number of the town's residents. King's apocalyptic epic The Stand is close in structure to J. R. R. Tolkien's The Lord of the Rings in its tale of a deadly virus and the resulting battle between the surviving forces of good and evil. Pet Sematary, a version of W. W. Jacob's classic short story "The Monkey's Paw," tells of a physician who discovers a supernatural Indian burial ground where the dead return to life and succumbs to temptation after his child is killed. The Talisman, written in collaboration with English horror writer Peter Straub, also recalls The Lord of the Rings in its evocation of a fantasy world in which a boy searches for a cure for his mother's cancer. The Dark Tower: The Gunslinger and The Dark Tower: The Drawing of the Three are two in a series of episodes previously published in periodicals and inspired by Robert Browning's poem "Childe Roland to the Dark Tower Came." These books focus on a gunslinger who pursues a mysterious man in black toward the Dark Tower, "the linchpin that holds all of existence together."

King has admitted to writing five novels under the pseudonym Richard Bachman to avoid overpublishing under his own name. These novels seldom contain elements of the supernatural or occult, focusing instead on such themes as human cruelty, alienation, and morality. In Rage, a psychopath shoots a schoolteacher and holds a classroom hostage, singling out one pupil for physical and mental torture. The Long Walk and The Running Man focus on near-future societies in which people compete to the death in ritualistic games. Roadwork explores a man's reactions after observing his family, work, and home destroyed by corporate and governmental forces beyond his control. Thinner describes the fate of an obese man who begins to lose weight following a gypsy's curse.

It is intended as a compendium of horror that King has identified as concluding his treatment of children and supernatural monsters. Set in the fictional community of Derry, Maine, the novel focuses on a self-proclaimed "Losers Club" consisting of seven outcasts who successfully fought off a supernatural threat living below the town's sewer system in 1958, unaware that It resurfaces every twenty-seven years to control individuals and kill children as a sacrifice for adult sins. An amalgam of fears, It may appear as whatever frightens an individual, as a vampire or werewolf, or less melodramatically, in the form of crime, racial and religious bigotry, or domestic violence. When It telepathically recalls the Losers Club in 1985, the group's members must rediscover their childhood humor and courage to counter the limitations of adulthood. Although many reviewers considered the novel overlong, Robert Cormier commented: "King still writes like one possessed, with all the nervous energy of a young writer seeking his first big break. He never cheats the reader, always gives full measure. … He is often brilliant, and makes marvelous music, dark and sinister."

King's recent fiction is often semiautobiographical in subject. Misery focuses on Paul Sheldon, a pseudonymous author of popular historical romances featuring an indomitable heroine known as Misery Chastain. After writing his first "literary" novel, Sheldon stages a funeral for his alias but suffers an automobile accident and awakes to find himself the invalid prisoner of a psychotic nurse who forces him to resurrect Misery by writing another book. Christopher Lehmann-Haupt commented: "[Unlike] much of Mr. King's fiction, this novel is more than just a splendid exercise in horror. … Not only must Paul create under pressure a story he doesn't particularly want to tell, but he must also make it plausible, even inspired, for Annie Wilkes is a shrewd connoisseur of storytelling, what one might call the ultimate editor and critic. Under her tutelage the experiences of meeting a deadline and being cut take on terrifyingly literal meanings." The Dark Half revolves around Thaddeus Beaumont, a writer who as a child experienced headaches resulting from the incompletely absorbed fetus of a twin lodged in his brain. Although Thad decides to give up his pseudonymous identity as an author of thrillers, his alter ego returns, intent on revenge and forcing Thad to teach him the craft of writing by holding his wife and child hostage. George Stade called The Dark Half "a parable in chiller form of the popular writer's relation to his creative genius, the vampire within him, the part of him that only awakes to raise Cain when he writes."

King has also written two short story collections, Night Shift and Skeleton Crew, comprised of detective, science fiction, and horror tales. Stephen King's Danse Macabre includes autobiographical essays and a critical history of the horror genre in films, television, and literature. Different Seasons consists of four novellas which, like the Bachman novels, focus on the terrors of everyday existence. King has also written screenplays for several films. These include Creepshow and Cat's Eye, which consist of horror vignettes presented in a humorous, comic-book style; Silver Bullet, an adaptation of an earlier novel, Cycle of the Werewolf; and Maximum Overdrive, an expansion of the short story "Trucks," which King himself directed. In this film, a passing comet inexplicably causes motor vehicles to come alive and hold a group of people captive in a highway diner.

Further Reading

Authors and Artists for Young Adults, Volume 1, Gale, 1989.

Beahm, George, editor, The Stephen King Companion, Andrews and McMeel, 1989.

Collings, Michael R., Stephen King as Richard Bachman, Starmont House, 1985.

Collings, Michael R., The Many Facets of Stephen King, Starmont House, 1985.

Collings, Michael R., and David Engebretson, The Shorter Works of Stephen King, Starmont House, 1985.

Collings, Michael R., The Annotated Guide to Stephen King: A Primary and Secondary Bibliography of the Works of America's Premier Horror Writer, Starmont House, 1986.

Collings, Michael R., The Films of Stephen King, Starmont House, 1986.

 
Columbia Encyclopedia: Stephen King
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King, Stephen, 1947-, American writer, b. Portland, Maine. He writes horror stories influenced by the 19th-century Gothic tradition, especially that of Edgar Allan Poe. His novels, short stories, screenplays, and essays have made him one of the best-selling authors in the world. King takes everyday situations and experiences and reveals their macabre and horrific potential. Noted for their cinematic style, many of his novels and stories have been turned into successful motion pictures, some with screenplays by King, e.g., Pet Sematary (1989, film 1992). His novels include Carrie (1974, film 1976), The Shining (1977, film 1980), Misery (1987, film 1990), Needful Things (1991, film 1993), Dolores Claiborne (1992, film 1995), Rose Madder (1995), Bag of Bones (1998), Dreamcatcher (2001, film 2003), a seven-volume fantasy series entitled The Dark Tower (1982-2004), Cell and Lisey's Story (both: 2006), and Duma Key (2008). His novella Riding the Bullet (2000, film 2004) was released as an electronic entity, to be read on an e-book reader, personal digital assistant, or computer, and a subsequent novel, The Plant, was electronically self-published and released in installments on the Internet beginning in 2000. In his On Writing (2000), King describes his life, his craft, and a near-fatal accident.
Works: Works by Stephen King
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(b. 1947)

1974Carrie. The Maine-born writer's first novel, about a put-upon high school girl who gains her revenge through her telekinetic powers, initiates an unprecedented string of best-selling horror and suspense novels that would make King the best-selling American author during the final quarter of the twentieth century. The Shining (1977), The Stand (1978), Cujo (1981), Misery (1987), and other popular books would follow.

Children's Author/Illustrator: Stephen (Edwin) King
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(1947–)

(also known as Richard Bachman, Eleanor Druse, Steve King, John Swithen)

Continuing the legacy of American writers Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Henry James, and H. P. Lovecraft, Stephen King is perhaps the most famous horror writer of his generation. He is known for his ability to transform the ordinary and everyday into the horrific, a talent that is exhibited in books such as Christine, about a car; Cujo, about a dog; Carrie, about a misunderstood teen; and 'Salem's Lot, about the ghostly, vacant house on the hill that exists in every town and is the stuff of neighborhood legend and childish nightmare. As Atlantic Monthly contributor Lloyd Rose wrote, "King takes ordinary emotional situations—marital stress, infidelity, peer-group-acceptance worries—and translates them into violent tales of vampires and ghosts. He writes supernatural soap operas." While some critics have dismissed King's work as genre fiction, others recognize the skill and sensitivity with which King taps our collective unconscious; his work was duly honored in 2003 when he received the National Book Award Medal for Distinguished Contribution to American Letters.

During King's teen years growing up in Maine, writing was a powerful diversion, and science-fiction and adventure stories comprised his first literary efforts. Penning his first story at age seven, he began submitting short fiction to magazines at age twelve, and published his first story by the time he was eighteen. In high school he authored a small, satiric newspaper titled "The Village Vomit"; in college he penned a popular and eclectic series of columns under the heading "King's Garbage Truck." He also started writing the novels he eventually published under the pseudonym of Richard Bachman—novels that focus more on elements of human alienation and brutality than supernatural horror. After graduation, King supplemented his teaching salary with various odd jobs and by selling stories to men's magazines. Searching for a form of his own, and responding to a friend's challenge to break his writing out of the machismo mold and move to longer fiction, King wrote the manuscript that was eventually published as Carrie. When the novel was marketed by its publisher in the horror genre, and went on to become a best seller as well as a feature film, King's course as a novelist was firmly set.

Like the Maine settings that are characteristic of the author's work, Death figures strongly in King's novels and short fiction. Interestingly, although his novels are geared toward older readers, King's central characters are often children or adolescents, and the empowerment of estranged young people is a theme that recurs throughout his fiction. "If Stephen King's kids have one thing in common," declared Robert Cormier in the Washington Post Book World, "it's the fact that they all are losers. In a way, all children are losers, of course—how can they be winners with that terrifying adult world stacked against them?" Cormier makes a valid point: Carrie is about a persecuted teenaged girl, while an alienated teenaged boy is the main character in King's Christine. In The Shining and Firestarter, King's young characters are marked as different through the powers they possess and by those who want to manipulate them: evil supernatural forces in The Shining, and the U.S. Government in Firestarter. Children also figure prominently, although not always as victims, in 'Salem's Lot, It, The Tommyknockers, Pet Sematary, The Eyes of the Dragon, The Girl Who Loved Tom Gordon, and The Talisman.

Many of King's novels are considered classics within the horror genre, and have become part of modern America's cultural fabric through both King's books and the popular film adaptations that have been made from them. As critics note, despite King's extreme popularity, his more recent works reflect the same high caliber of writing and stylistic experimentation as did his early work. In Desperation, for example, a group of strangers drive into Desperation, Nevada, where they encounter a malign spirit, or Tak, in the body of police officer Collie Entragian. The survivors of this apocalyptic novel are few, but include David Carver, an eleven-year-old boy who talks to God, and John Edward Marinville, an alcoholic novelist. Robert Polito, writing for the New York Times, noted that "King's peculiar knack as a novelist is to strip away much of the complexity and nearly all of the art from a terrifying vision of an unknowable universe ruled by a limited, perhaps evil God and insinuate that Gnosticism into the rituals and commodities of everyday America." Mark Harris remarked in Entertainment Weekly that King "hasn't been this intent on scaring readers—or been this successful at it—since The Stand," a terrifying read about a viral outbreak that kills most of the population of Earth.

Set in the Deep South in 1932, The Green Mile: a prison expression for death row—begins with the death of twin girls and the conviction of John Coffey for their murder. Block superintendent Paul Edgecombe, who narrates the story years later from his nursing home in Georgia, slowly unfolds the story of the mysterious Coffey, a man with no past and with a gift for healing. An Entertainment Weekly reviewer called the book a novel "that's as hauntingly touching as it is just plain haunted." The Green Mile captured the imagination of both readers and critics, and was adapted as a popular feature film.

Bag of Bone tells of a writer struggling with both his grief for the death of his wife and writer's block while living in a haunted cabin. The Girl Who Loved Tom Gordon, published in 1999 and a short work by King's standards, centers on a nine-year-old girl from a broken home who gets lost in the Maine woods for two weeks. She has her radio with her, and survives her ordeal by listening to Boston Red Sox baseball games on her Walkman and imagining conversations with her hero, Red Sox relief pitcher Tom Gordon.

Called by Booklist contributor Ray Olson a "massive, postapocalyptic, chivalrized western," King's "Dark Tower" series encompasses seven illustrated novels published from 1982 and 2004 that feature Roland the gunslinger and his efforts to save multiple worlds from the Crimson King and the powers of Chaos. Roland, whose course of right action is mapped by The Beam, is accompanied by a small band of ragtag friends, all of whom encounter a host of adventures and challenges in both late twentieth-century Earth and King's alternate universe, all while moving along their intended path: to save the world from Evil by reaching the Dark Tower, the place where time and space meet. In a surprise for fans, King introduces himself as a character in the sixth installment, a move a Publishers Weekly reviewer called "gutsy." While commenting that "there's no denying the ingenuity with which King paints a candid picture of himself." Reviewing the final volume of the series, The Dark Tower, Library Journal reviewer Mary McNichol wrote that the series "resonates with the ancient fundamentals of story-telling."

King undertook his own epic journey of sorts beginning in 1999, along the road to physical recovery. Struck by a van while walking alongside a road near his home in Maine, the author sustained injuries to his spine, hip, ribs, and right leg. One of his broken ribs punctured a lung, and King nearly died. Fortunately, he overcame these injuries and began a slow progress toward recovery, cheered by countless cards and letters from his fans. Bedriden for a lengthy period, he began experimenting with e-publishing, and has gone on to self-publish several works on his Web site. Three years after the accident, in 2002, he announced his retirement from publishing in the mainstream press.

Just prior to announcing his retirement, King produced On Writing: A Memoir of the Craft, which serves as both a writer's manual and autobiography. In addition to King's advice on crafting fiction, the author chronicles his childhood, his rise to fame, his struggles with addiction, and the horrific accident that almost ended his life. "King's writing about his own alcoholism and cocaine abuse," noted John Mark Eberhart in the Kansas City Star, "is among the best and most hon-
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est prose of his career." Similarly, Jack Harville reported in the Charlotte Observer that "the closing piece describes King's accident and rehabilitation. The description is harrowing, and the rehab involves both physical and emotional recovery. It is beautifully told in a narrative style that would have gained [noted grammar gurus] Strunk and White's approval."

Prior to his retirement King wrote daily, exempting only Christmas, the Fourth of July, and his birthday. He enjoys working on two things simultaneously, beginning his day early with a two-or three-mile walk: "What I'm working on in the morning is what I'm working on," he said in a panel discussion at the 1980 World Fantasy Convention, reprinted in Bare Bones. He devoted his afternoon hours to rewriting. Despite chronic headaches, occasional insomnia, and even a fear of writer's block, he continued produced six pages daily; "And that's like engraved in stone," he told Joyce Lynch Dewes Moore in Mystery. Despite retiring, the author did not see much reduction in his writing time.

Despite the fact that his books have been marketed to adult readers, King's focus on story and psychological rather than graphic violence has made his books suitable for teen readers. As he wrote in his Danse Macabre, children are "better able to deal with fantasy and terror than their elders are." In an interview for High Times, he marveled at the resilience of a child's mind and the inexplicable, yet seemingly harmless, attraction of children to nightmare-inducing stories: "We start kids off on things like 'Hansel and Gretel,' which features child abandonment, kidnaping, attempted murder, forcible detention, cannibalism, and finally murder by cremation. And the kids love it." Adults are capable of distinguishing between fantasy and reality, but in the process of growing up, laments King in Danse Macabre, they develop "a good case of mental tunnel vision and a gradual ossification of the imaginative faculty"; thus, King explains, he sees the central the task of the fantasy or horror writer as enabling an adult reader to become, "for a little while, a child again."

Career

Writer. Has worked as a janitor, a laborer in an industrial laundry, and in a knitting mill. Hampden Academy (high school), Hampden, ME, English teacher, 1971–73; University of Maine, Orono, writer-in-residence, 1978–79. Owner, Philtrum Press (publishing house), and WZON-AM (rock 'n' roll radio station), Bangor, ME. Has made cameo appearances in films, including Knightriders, 1981, Creepshow, 1982, Maximum Overdrive, 1986, Pet Sematary, 1989, and The Stand, 1994. Judge for 1977 World Fantasy Awards, 1978.

Member

Authors Guild, Authors League of America, Screen Artists Guild, Screen Writers of America, Writers Guild.

Awards, Honors

Carrie named to School Library Journal Book List, 1975; World Fantasy Award nominations, 1976, for 'Salem's Lot, 1979, for The Stand and Night Shift, 1980, for The Dead Zone, 1981, for "The Mist," and 1983, for "The Breathing Method: A Winter's Tale," in Different Seasons; Hugo Award nomination, World Science Fiction Society, and Nebula Award nomination, Science Fiction Writers of America, both 1978, both for The Shining; Balrog Awards, second place in best novel category, for The Stand, and second place in best collection category for Night Shift, both 1979; named to American Library Association list of best books for young adults, 1979, for The Long Walk, and 1981, for Firestarter; World Fantasy Award, 1980, for contribu-tions to the field, and 1982, for story "Do the Dead Sing?"; Career Alumni Award, University of Maine at Orono, 1981; Nebula Award nomination, 1981, for story "The Way Station"; special British Fantasy Award for outstanding contribution to the genre, British Fantasy Society, 1982, for Cujo; Hugo Award, 1982, for Stephen King's Danse Macabre; named Best Fiction Writer of the Year, Us magazine, 1982; Locus Award for best collection, 1986, for Stephen King's Skeleton Crew; Bram Stoker Award for Best Novel, Horror Writers Association, 1988, for Misery; Bram Stoker Award for Best Collection, 1991, for Four Past Midnight; World Fantasy award for short story, 1995, and O. Henry Award, 1996, all for The Man in the Black Suit; Bram Stoker Award for Best Novelette, 1996, for Lunch at the Gotham Cafe; Bram Stoker Award for Best Novel, 1997, for The Green Mile; Bram Stoker Award for Best Novel, 1999, for Bag of Bones; Bram Stoker Award nominee in novel category (with Peter Straub), 2001, for Black House; Medal for Distinguished Contribution to American Letters, National Book Award, 2003; The Stand was voted one of the nation's 100 best-loved novels by the British public as part of the BBC's The Big Read, 2003.

Writings

novels

  • Carrie: A Novel of a Girl with a Frightening Power (also see below), Doubleday (New York, NY), 1974, movie edition published as Carrie, New American Library/Times Mirror (New York, NY), 1975, published in a limited edition with introduction by Tabitha King, Plume (New York, NY), 1991.
  • 'Salem's Lot (also see below), Doubleday (New York, NY), 1975, television edition, New American Library (New York, NY), 1979, published in a limited edition with introduction by Clive Barker, Plume (New York, NY), 1991.
  • The Shining (also see below), Doubleday (New York, NY), 1977, movie edition, New American Library (New York, NY), 1980, published in a limited edition with introduction by Ken Follett, Plume (New York, NY), 1991.
  • The Stand (also see below), Doubleday (New York, NY), 1978, enlarged and expanded edition published as The Stand: The Complete and Uncut Edition, Doubleday (New York, NY), 1990.
  • The Dead Zone (also see below), Viking (New York, NY), 1979, movie edition published as The Dead Zone: Movie Tie-In, New American Library (New York, NY), 1980.
  • Firestarter (also see below), Viking (New York, NY), 1980, with afterword by King, 1981, published in a limited, aluminum-coated, asbestos-cloth edition, Phantasia Press (Huntington Woods, MI), 1980.
  • Cujo (also see below), Viking (New York, NY), 1981, published in limited edition, Mysterious Press (New York, NY), 1981.
  • Pet Sematary (also see below), Doubleday (New York, NY), 1983.
  • Christine (also see below), Viking (New York, NY), 1983, published in a limited edition, illustrated by Stephen Gervais, Donald M. Grant (Hampton Falls, NH), 1983.
  • (With Peter Straub) The Talisman, Viking Press/Putnam (New York, NY), 1984, published in a limited two-volume edition, Donald M. Grant (Hampton Falls, NH), 1984.
  • The Eyes of the Dragon (young adult), limited edition, illustrated by Kenneth R. Linkhauser, Philtrum Press, 1984, new edition, illustrated by David Palladini, Viking (New York, NY), 1987.
  • It (also see below), Viking (New York, NY), 1986.
  • Misery (also see below), Viking (New York, NY), 1987.
  • The Tommyknockers (also see below), Putnam (New York, NY), 1987.
  • The Dark Half (also see below), Viking (New York, NY), 1989.
  • Needful Things (also see below), Viking (New York, NY), 1991.
  • Gerald's Game, Viking (New York, NY), 1992.
  • Dolores Claiborne (also see below), Viking (New York, NY), 1993.
  • Insomnia, Viking (New York, NY), 1994.
  • Rose Madder, Viking (New York, NY), 1995.
  • The Green Mile (serialized novel), Signet (New York, NY), Chapter 1, "The Two Dead Girls" (also see below), Chapter 2, "The Mouse on the Mile," Chapter 3, "Coffey's Hands," Chapter 4, "The Bad Death of Eduard Delacroix," Chapter 5, "Night Journey," Chapter 6, "Coffey on the Mile," 1996, published in one volume as The Green Mile: A Novel in Six Parts, Plume (New York, NY), 1997.
  • Desperation, Viking (New York, NY), 1996.
  • (And author of foreword) The Two Dead Girls, Signet (New York, NY), 1996.
  • Bag of Bones, Viking (New York, NY), 1998.
  • Hearts in Atlantis, G. K. Hall (Thorndike, ME), 1999.
  • The Girl Who Loved Tom Gordon, Scribner (New York, NY), 1999, published as a pop-up book, illustrated by Alan Gingman, Simon & Schuster (New York, NY), 2004
  • Dreamcatcher, Simon & Schuster (New York, NY), 2001.
  • (With Peter Straub) Black House (sequel to The Talisman), Random House (New York, NY), 2001.
  • (Editor) Ridley Pearson, The Diary of Ellen Rimbauer: My Life as Rose Red, Hyperion (New York, NY), 2001.
  • From a Buick 8, Scribner's (New York, NY), 2002.
  • (Under name Eleanor Druse) The Journals of Eleanor Druse: My Investigation of the Kingdom Hospital Incident, Hyperion (New York, NY), 2004.
  • Also author of early unpublished novels "Sword in the Darkness" (also referred to as "Babylon Here"), "The Cannibals," and "Blaze," a reworking of John Steinbeck's Of Mice and Men.

"the Dark Tower" Series

  • The Dark Tower: The Gunslinger (also see below), Amereon Ltd. (New York, NY), 1976, published as The Gunslinger, New American Library (New York, NY), 1988, published in limited edition, illustrated by Michael Whelan, Donald M. Grant (Hampton Falls, NH), 1982, second limited edition, 1984, revised and expanded edition, Viking (New York, NY), 2003.
  • The Dark Tower II: The Drawing of the Three (also see below), illustrated by Phil Hale, New American Library (New York, NY), 1989, with new introduction, Plume (New York, NY), 2003.
  • The Dark Tower III: The Waste Lands (also see below), illustrated by Ned Dameron, Donald M. Grant (Hampton Falls, NH), 1991.
  • The Dark Tower Trilogy: The Gunslinger; The Drawing of the Three; The Waste Lands (box set), New American Library (New York, NY), 1993.
  • The Dark Tower IV: Wizard and Glass, Plume (New York, NY), 1997.
  • The Dark Tower V: Wolves of the Calla, illustrated by Bernie Wrightson, Plume (New York, NY), 2003.
  • The Dark Tower VI: The Songs of Susannah, Donald M. Grant (Hampton Falls, NH), 2004.
  • The Dark Tower VII, Scribner (New York, NY), 2004.

novels; Under Pseudonym Richard Bachman

  • Rage (also see below), New American Library/Signet (New York, NY), 1977.
  • The Long Walk (also see below), New American Library/Signet (New York, NY), 1979.
  • Roadwork: A Novel of the First Energy Crisis (also see below) New American Library/Signet (New York, NY), 1981.
  • The Running Man (also see below), New American Library/Signet (New York, NY), 1982.
  • Thinner, New American Library (New York, NY), 1984.
  • The Regulators, Dutton (New York, NY), 1996.

short Fiction

  • (Under name Steve King) The Star Invaders (privately printed), Triad, Inc./Gaslight Books (Durham, ME), 1964.
  • Night Shift (also see below), introduction by John D. MacDonald, Doubleday (New York, NY), 1978, published as Night Shift: Excursions into Horror, New American Library/Signet (New York, NY), 1979.
  • Different Seasons (novellas; contains Rita Hayworth and the Shawshank Redemption: Hope Springs Eternal [also see below]; Apt Pupil: Summer of Corruption; The Body: Fall from Innocence; and The Breathing Method: A Winter's Tale), Viking (New York, NY), 1982.
  • Cycle of the Werewolf (novella; also see below), illustrated by Berni Wrightson, limited portfolio edition published with "Berni Wrightson: An Appreciation," Land of Enchantment (Westland, MI), 1983, enlarged edition including King's screenplay adaptation published as Stephen King's Silver Bullet, New American Library/Signet (New York, NY), 1985.
  • Stephen King's Skeleton Crew (story collection), illustrated by J. K. Potter, Viking (New York, NY), 1985.
  • My Pretty Pony, illustrated by Barbara Kruger, Knopf (New York, NY), 1989.
  • Four Past Midnight (contains "The Langoliers," "Secret Window, Secret Garden," "The Library Policeman," and "The Sun Dog"; also see below), Viking (New York, NY), 1990.
  • Nightmares and Dreamscapes, Viking (New York, NY), 1993.
  • Everything's Eventual: Fourteen Dark Tales, Scribner (New York, NY), 2002.
  • Also author of short stories "Slade" (a western), "The Man in the Black Suit," 1996, and, under pseudonym John Swithen, "The Fifth Quarter." Contributor of short story "Squad D" to Harlan Ellison's The Last Dangerous Visions; contributor of short story "Autopsy Room Four" to Robert Bloch's Psychos, edited by Robert Bloch. Also contributor to anthologies and collections, including The Year's Finest Fantasy, edited by Terry Carr, Putnam (New York, NY), 1978; Shadows, edited by Charles L. Grant, Doubleday (New York, NY), Volume 1, 1978, Volume 4, 1981; New Terrors, edited by Ramsey Campbell, Pocket Books (New York, NY), 1982; World Fantasy Convention 1983, edited by Robert Weinberg, Weird Tales Ltd., 1983; The Writer's Handbook, edited by Sylvia K. Burack, Writer, Inc. (Boston, MA), 1984; The Dark Descent, edited by David G. Hartwell, Doherty Associates, 1987; Prime Evil: New Stories by the Masters of Modern Horror, by Douglas E. Winter, New American Library (New York, NY), 1988; Dark Visions, Gollancz (London), 1989; and Dark Love: Twenty-two All-Original Tales of Lust and Obsession, edited by Nancy Collins, Edward E. Kramer, and Martin Harry Greenberg, ROC (New York, NY), 1995.

screenplays

  • Stephen King's Creep Show: A George A. Romero Film (based on King's stories "Father's Day," "The Lonesome Death of Jordy Verrill" [previously published as "Weeds"], "The Crate," and "They're Creeping up on You"; released by Warner Bros. as Creepshow, 1982), illustrated by Berni Wrightson and Michele Wrightson, New American Library (New York, NY), 1982.
  • Cat's Eye (based on King's stories "Quitters, Inc.," "The Ledge," and "The General"), Metro Goldwyn-Mayer/United Artists, 1984.
  • Stephen King's Silver Bullet (based on and published with King's novella Cycle of the Werewolf; released by Paramount Pictures/Dino de Laurentiis's North Carolina Film Corp., 1985), illustrated by Berni Wrightson, New American Library/Signet (New York, NY), 1985.
  • (And director) Maximum Overdrive (based on King's stories "The Mangler," "Trucks," and "The Lawnmower Man"; released by Dino de Laurentiis's North Carolina Film Corp., 1986), New American Library (New York, NY), 1986.
  • Pet Sematary (based on King's novel of the same title), Laurel Production, 1989.
  • Stephen King's Sleepwalkers, Columbia, 1992.
  • (Author of introduction) Frank Darabont, The Shawshank Redemption: The Shooting Script, Newmarket Press (New York, NY), 1996.
  • Storm of the Century (also see below), Pocket Books (New York, NY), 1999.
  • (Author of introductions with William Goldman and Lawrence Kasdan) William Goldman and Lawrence Kasdan, Dreamcatcher: The Shooting Script, Newmarket Press (New York, NY), 2003.

teleplays

  • Stephen King's Golden Years, CBS-TV, 1991.
  • (And executive producer) Stephen King's The Stand (based on King's novel The Stand), ABC-TV, 1994.
  • (With Chris Carter) Chinga, (episode of The X-Files,) Fox-TV, 1998.
  • Storm of the Century, ABC-TV, 1999.
  • Rose Red (also see below), ABC-TV, 2001.
  • Stephen King's Kingdom Hospital, ABC-TV, 2004.
  • Desperation, USA, 2004.
  • Also author of Battleground (based on short story of same title; optioned by Martin Poll Productions for NBC-TV), and "Sorry, Right Number," for television series Tales from the Dark Side, 1987.

omnibus Editions

  • Another Quarter Mile: Poetry, Dorrance (Philadelphia, PA), 1979.
  • Stephen King (contains The Shining, 'Salem's Lot, Night Shift, and Carrie), W. S. Heinemann/Octopus Books (London, England), 1981.
  • Stephen King's Danse Macabre (nonfiction), Everest House (New York, NY), 1981.
  • The Plant (privately published episodes of a comic horror novel in progress), Philtrum Press (Bangor, ME), Part 1, 1982, Part 2, 1983, Part 3, 1985.
  • Black Magic and Music: A Novelist's Perspective on Bangor (pamphlet), Bangor Historical Society (Bangor, ME), 1983.
  • (And author of introduction) The Bachman Books: Four Early Novels (contains Rage, The Long Walk, Roadwork, and The Running Man), New American Library (New York, NY), 1985.
  • Dolan's Cadillac, Lord John Press (Northridge, CA), 1989.
  • Stephen King (contains Desperation and The Regulators) Signet (New York, NY), 1997.
  • Stephen King's Latest (contains Dolores Claiborne, Insomnia and Rose Madder) Signet (New York, NY), 1997.

other

  • Nightmares in the Sky: Gargoyles and Grotesques (nonfiction), photographs by F. Stop FitzGerald, Viking (New York, NY), 1988.
  • On Writing: A Memoir of the Craft, Scribner (New York, NY), 2000.
  • (With Stewart O'Nan) Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season, Thorndike Press (Waterville, ME), 2005.
  • Author of e-book The Plant, and "Riding the Bullet," 2000. Author of weekly column "King's Garbage Truck" for Maine Campus, 1969–70, and of monthly book review column for Adelina, 1980. Contributor of short fiction and poetry to numerous magazines, including Art, Castle Rock: The Stephen King Newsletter, Cavalier, Comics Review, Cosmopolitan, Ellery Queen's Mystery Magazine, Fantasy and Science Fiction, Gallery, Great Stories from Twilight Zone Magazine, Heavy Metal, Ladies' Home Journal, Magazine of Fantasy and Science Fiction, Maine, Maine Review, Marshroots, Marvel comics, Moth, Omni, Onan, Playboy, Redbook, Reflections, Rolling Stone, Science-Fiction Digest, Startling Mystery Stories, Terrors, Twilight Zone, Ubris, Whisper, and Yankee. Contributor of book reviews to the New York Times Book Review.
  • Most of King's papers are housed in the special collection of the Folger Library at the University of Maine at Orono.

Adaptations

Carrie was adapted for film by Lawrence D. Cohen, directed by Brian De Palma, United Artist, 1976, and was also produced as a Broadway musical in 1988 by Cohen and Michael Gore, developed in England by the Royal Shakespeare Company, featuring Betty Buckley; 'Salem's Lot was produced as a television miniseries in 1979 by Warner Brothers, teleplay by Paul Monash, featuring David Soul and James Mason, and was adapted for the cable channel TNT in 2004, with a teleplay by Peter Filardi and direction by Mikael Salomon; The Shining was filmed in 1980 by Warner Brothers/Hawks Films, screenplay by director Stanley Kubrick and Diane Johnson, starring Jack Nicholson and Shelley Duvall, and was filmed for television in 1997 by Warner Bros., directed by Mick Garris, starring Rebecca De Mornay, Steven Weber, Courtland Mead, and Melvin Van Peebles; Cujo was filmed in 1983 by Warner Communications/Taft Entertainment, screenplay by Don Carlos Dunaway and Lauren Currier, featuring Dee Wallace and Danny Pintauro; The Dead Zone was filmed in 1983 by Paramount Pictures, screenplay by Jeffrey Boam, starring Christopher Walken, and was adapted as a cable television series starring Anthony Michael Hall by USA Network, beginning 2002; Christine was filmed in 1983 by Columbia Pictures, screenplay by Bill Phillips; Firestarter was produced in 1984 by Frank Capra, Jr., for Universal Pictures in association with Dino de Laurentiis, screenplay by Stanley Mann, featuring David Keith and Drew Barrymore; Stand by Me (based on King's novella The Body) was filmed in 1986 by Columbia Pictures, screenplay by Raynold Gideon and Bruce A. Evans, directed by Rob Reiner; The Running Man was filmed in 1987 by Taft Entertainment/Barish Productions, screenplay by Steven E. de Souza, starring Arnold Schwarzenegger; Misery was produced in 1990 by Columbia, directed by Reiner, screenplay by William Goldman, starring James Caan and Kathy Bates; Graveyard Shift was filmed in 1990 by Paramount, directed by Ralph S. Singleton, adapted by John Esposito; Stephen King's It was filmed as a television mini-series by ABC-TV in 1990; The Dark Half was filmed in 1993 by Orion, written and directed by George A. Romero, featuring Timothy Hutton and Amy Madigan; Needful Things was filmed in 1993 by Columbia/Castle Rock, adapted by W. D. Richter and Lawrence Cohen, directed by Fraser C. Heston, starring Max Von Sydow, Ed Harris, Bonnie Bedelia, and Amanda Plummer; The Tommyknockers was filmed as a television mini-series by ABC-TV in 1993; The Shawshank Redemption, based on King's novella Rita Hayworth and the Shawshank Redemption: Hope Springs Eternal, was filmed in 1994 by Columbia, written and directed by Frank Darabont, featuring Tim Robbins and Morgan Freeman; Dolores Claiborne was filmed in 1995 by Columbia; Thinner was filmed by Paramount in 1996, directed by Dom Holland, starring Robert John Burke, Joe Mantegna, Lucinda Jenney, and Michael Constantine; Night Flier was filmed by New Amsterdam Entertainment/Stardust International/Medusa Film in 1997, directed by Mark Pavia, starring Miguel Ferrer, Julie Entwisle, Dan Monahan, and Michael H. Moss; Apt Pupil was filmed in 1998 by TriStar Pictures, directed by Bryan Singer, starring David Schwimmer, Ian McKellen, and Brad Renfro; The Green Mile was filmed in 1999 by Castle Rock, adapted and directed by Frank Darabont, starring Tom Hanks; Hearts in Atlantis was filmed in 2001 by Castle Rock, directed by Scott Hicks, screenplay written by William Goldman, starring Anthony Hopkins; Dreamcatcher was filmed in 2003 by Warner Bros./Castle Rock Entertainment, directed by Lawrence Kasdan, written by William Goldman, starring Morgan Freeman. Several of King's short stories have also been adapted for the screen, including The Boogeyman, filmed by Tantalus in 1982 and 1984 in association with the New York University School of Undergraduate Film, screenplay by producer-director Jeffrey C. Schiro; The Woman in the Room, filmed in 1983 by Darkwoods, screenplay by director Frank Darabont, broadcast on public television in Los Angeles, 1985 (released with The Boogeyman on videocassette as Two Mini-Features from Stephen King's Nightshift Collection by Granite Entertainment Group, 1985); Children of the Corn, produced in 1984 by Donald P. Borchers and Terrence Kirby for New World Pictures, screenplay by George Goldsmith; The Word Processor (based on King's "The Word Processor of the Gods"), produced by Romero and Richard Rubenstein for Laurel Productions, 1984, teleplay by Michael Dowell, broadcast in 1985 on Tales from the Darkside series (released on videocassette by Laurel Entertainment, Inc., 1985); Gramma, filmed by CBS-TV in 1985, teleplay by Harlan Ellison, broadcast in 1986 on The Twilight Zone series; Creepshow 2 (based on "The Raft" and unpublished stories "Old Chief Wood'nhead" and "The Hitchhiker"), filmed in 1987 by New World Pictures, screenplay by Romero; Sometimes They Come Back, filmed by CBS-TV in 1987; "The Cat from Hell" included in three-segment anthology film Tales from the Darkside—The Movie, produced by Laurel Productions, 1990; The Lawnmower Man, written by director Brett Leonard and Gimel Everett for New Line Cinema, 1992; The Mangler, filmed by New Line Cinema, 1995; and The Langoliers, filmed as a television mini-series by ABC-TV, 1995; "Secret Window, Secret Garden" filmed by Columbia as Secret Window, written and directed by David Koepp, 2004; "All That You Love Will Be Carried Away" adapted as a short film by James Renner. Film rights to "1408," from Everything's Eventual, was optioned by Dimension Films.

Biographical and Critical Sources

books

  • Badley, Linda, Writing Horror and the Body: The Fiction of Stephen King, Clive Barker, and Anne Rice, Greenwood Press (Westport, CT), 1996.
  • Beahm, George W., The Stephen King Story, revised and updated edition, Andrews & McMeel (Kansas City, MO), 1992.
  • Beahm, George W., editor, The Stephen King Companion, Andrews & McMeel (Kansas City, MO), 1989.
  • Blue, Tyson, Observations from the Terminator: Thoughts on Stephen King and Other Modern Masters of Horror Fiction, Borgo Press (San Bernardino, CA), 1995.
  • Collings, Michael R., Stephen King as Richard Bachman, Starmont House (Mercer Island, WA), 1985.
  • Collings, Michael R., The Works of Stephen King: An Annotated Bibliography and Guide, edited by Boden Clarke, Borgo Press (San Bernardino, CA), 1993.
  • Collings, Michael R., Scaring Us to Death: The Impact of Stephen King on Popular Culture, second edition, Borgo Press (San Bernardino, CA), 1995.
  • Contemporary Literary Criticism, Gale (Detroit, MI), Volume 12, 1980, Volume 26, 1983, Volume 37, 1985, Volume 61, 1990.
  • Davis, Jonathan P., Stephen King's America, Bowling Green State University Popular Press (Bowling Green, OH), 1994.
  • Dictionary of Literary Biography, Volume 143: American Novelists since World War II, Third Series, Gale (Detroit, MI), 1994.
  • Dictionary of Literary Biography Yearbook: 1980, Gale (Detroit, MI), 1981.
  • Docherty, Brian, editor, American Horror Fiction: From Brockden Brown to Stephen King, St. Martin's (New York, NY), 1990.
  • Hoppenstand, Gary, and Ray B. Browne, editors, The Gothic World of Stephen King: Landscape of Nightmares, Bowling Green State University Popular Press (Bowling Green, OH), 1987.
  • Keyishian, Amy, and Marjorie Keyishian, Stephen King, Chelsea House (Philadelphia, PA), 1995.
  • King, Stephen, Stephen King's Danse Macabre (nonfiction), Everest House (New York, NY), 1981.
  • Magistrale, Tony, editor, Landscape of Fear: Stephen King's American Gothic, Bowling Green State University Popular Press (Bowling Green, OH), 1988.
  • Magistrale, Tony, editor, A Casebook on "The Stand," Starmont House (Mercer Island, WA), 1992.
  • Magistrale, Tony, editor, The Dark Descent: Essays Defining Stephen King's Horrorscape, Greenwood Press (Westport, CT), 1992.
  • Magistrale, Tony, Stephen King: The Second Decade—"Danse Macabre" to "The Dark Half," Twayne (New York, NY), 1992.
  • Platt, Charles, Dream Makers: The Uncommon Men and Women Who Write Science Fiction, Berkley (New York, NY), 1983.
  • Russell, Sharon A., Stephen King: A Critical Companion, Greenwood Press (Westport, CT), 1996.
  • Saidman, Anne, Stephen King, Master of Horror, Lerner Publications (Minneapolis, MN), 1992.
  • Schweitzer, Darrell, editor, Discovering Stephen King, Starmont House (Mercer Island, WA), 1985.
  • Short Story Criticism, Volume 17, Gale (Detroit, MI), 1995.
  • Underwood, Tim, and Chuck Miller, editors, Fear Itself: The Horror Fiction of Stephen King, Underwood-Miller, 1982.
  • Underwood, Tim, and Chuck Miller, editors, Kingdom of Fear: The World of Stephen King, Underwood-Miller, 1986.
  • Underwood, Tim, and Chuck Miller, editors, Bare Bones: Conversations on Terror with Stephen King, McGraw-Hill (New York, NY), 1988.
  • Underwood, Tim, and Chuck Miller, editors, Feast of Fear: Conversations with Stephen King, Carroll & Graf (New York, NY), 1992.
  • Underwood, Tim, and Chuck Miller, editors, Fear Itself: The Early Works of Stephen King, foreword by King, introduction by Peter Straub, afterword by George A. Romero, Underwood-Miller, 1993.
  • Winter, Douglas E., Stephen King: The Art of Darkness, New American Library (New York, NY), 1984.

periodicals

  • American Film, June, 1986.
  • Atlantic Monthly, September, 1986.
  • Book, November-December, Chris Barsanti, review of Wolves of the Calla, p. 75.
  • Booklist, July, 1999, Ray Olson, review of Hearts in Atlantis, p. 1893; May 1, 2004, Ray Olson, review of Song of Susannah, p. 1483; September 1, 2004, Ray Olson, review of The Dark Tower, p. 6.
  • Boston Globe, October 10, 1980; April 15, 1990, p. A1; May 16, 1990, p. 73; July 15, 1990, p. 71; September 11, 1990, p. 61; October 31, 1990, p. 25; November 17, 1990, p. 12; December 5, 1990, p. 73; July 16, 1991, p. 56; September 28, 1991, p. 9; November 22, 1991, p. 1; August 21, 1992, p. 21; August 30, 1992, p. 14; May 8, 1993, p. 21; May 24, 1993, p. 43; October 16, 1994, p. 14; May 13, 1995, p. 21.
  • Chicago Tribune, August 26, 1990, p. 3; October 29, 1990, p. 5; November 16, 1990, p. 1; November 30, 1990, p. C29; June 29, 1992, p. 3; November 18, 1992, p. 3; November 7, 1993, p. 9; October 26, 1994, p. 1; May 14, 1995, p. 5.
  • Chicago Tribune Magazine, October 27, 1985.
  • Christian Science Monitor, January 22, 1990, p. 13.
  • Detroit Free Press, November 12, 1982, Jack Matthes, interview with King.
  • Detroit News, September 26, 1979.
  • English Journal, January, 1979; February, 1980; January, 1983; December, 1983; December, 1984.
  • Entertainment Weekly, October 14, 1994, pp. 52-53; June 16, 1995, p. 54; March 22, 1996, p. 63; April 26, 1996, p. 49; May 31, 1996, p. 53; June 28, 1996, p. 98; August 2, 1996, p. 53; September 6, 1996, p. 67; October 4, 1996, p. 54; October 18, 1996, p. 75; December 27, 1996, p. 28; February 7, 1997, p. 111; April 11, 1997, p. 17; April 25, 1997, p. 52; November 28, 1997, p. 41; September 17, 1999, Tom De Haven, "King of 'Hearts': He May Be the Master of Horror, but Stephen King Is Also Adept at Capturing Everyday America," p. 72; September 27, 2002, Chris Nashawaty, "Stephen King Quits," p. 20; June 25, 2004, Gregory Kirschling, review of Song of Susannah, p. 172.
  • Esquire, November, 1984.
  • Fantasy Review, January, 1984.
  • Film Journal, April 12, 1982.
  • High Times, January, 1981; June, 1981.
  • Library Journal, March 1, 2004, Kristen L. Smith, review of Wolves of the Calla, p. 126; May 15, 2004, Nancy McNicol review of Song of Susannah, p. 115; September 15, 2004, Nancy McNichol, review of The Dark Tower, p. 49.
  • Locus, September, 1992, pp. 21-22, 67; November, 1992, pp. 19, 21; February, 1994, p. 39; October, 1994, pp. 27, 29.
  • Los Angeles Times, April 23, 1978; December 10, 1978; August 26, 1979; September 28, 1980; May 10, 1981; September 6, 1981; May 8, 1983; November 20, 1983; November 18, 1984; August 25, 1985; March 9, 1990, p. F16; October 29, 1990, p. F9; November 18, 1990, p. F6; November 30, 1990, p. F1; July 16, 1991, p. F1; May 28, 1992, p. E7; April 16, 1995, p. 28; November 7, 1997, p. D4.
  • Los Angeles Times Book Review, August 29, 1982; July 15, 1990, p. 12; June 9, 1991, p. 6; April 23, 1995, p. 14.
  • Maclean's, August 11, 1986.
  • Miami Herald, March 21, 2001, Rene Rodriguez, review of Dreamcatcher; March 27, 2002, Rene Rodriguez, review of Everything's Eventual.
  • Midwest Quarterly, spring, 2004, Tom Hansen, "Diabolical Dreaming in Stephen King's 'The Man in the Black Suit,'" p. 290.
  • Mystery, March, 1981.
  • New Republic, February 21, 1981.
  • New Statesman, September 15, 1995, p. 33.
  • Newsweek, August 31, 1981; May 2, 1983.
  • New Yorker, January 15, 1979; September 30, 1996, p. 78.
  • New York Review of Books, October 19, 1995, p. 54.
  • New York Times, March 1, 1977; August 14, 1981; August 11, 1982; April 12, 1983; October 21, 1983; November 8, 1984; June 11, 1985; April 4, 1987; January 25, 1988; June 17, 1990, p. 13; October 27, 1990, p. A12; November 16, 1990, p. C38; December 2, 1990, p. 19; June 3, 1991, p. C14; July 14, 1991, p. 25; October 2, 1991, p. C23; June 29, 1992, p. C13; November 16, 1992, p. C15; March 15, 1993, p. D6; June 27, 1993, p. 23; September 17, 1993, p. B8; April 24, 1995, p. C12; May 12, 1995, p. D18; June 26, 1995, p. C16; November 11, 1995, p. 39; April 7, 1996, p. E2; August 5, 1996, p. D7; October 26, 1996, 15; April 25, 1997, p. D22; October 27, 1997, p. C1; November 5, 1997, p. E3; November 7, 1997, pp. A30, D10; February 6, 1998, p. B10.
  • New York Times Book Review, May 26, 1974; October 24, 1976; February 20, 1977; March 26, 1978; February 4, 1979; September 23, 1979; May 11, 1980; May 10, 1981; September 27, 1981; August 29, 1982; April 3, 1983; November 6, 1983; November 4, 1984; June 9, 1985; February 22, 1987; December 6, 1987; May 13, 1990, p. 3; September 2, 1990, p. 21; September 29, 1991, pp. 13-14; August 16, 1992, p. 3; December 27, 1992, p. 15; October 24, 1993, p. 22; October 30, 1994, p. 24; March 24, 1995, p. C14; July 2, 1995, p. 11; October 20, 1996, p. 16.
  • New York Times Magazine, May 11, 1980.
  • Observer (Charlotte, NC), October 4, 2000, Jack Harville, review of On Writing: A Memoir of the Craft; Salem Macknee, review of From a Buick 8.
  • Observer (London, England), October 1, 1995, p. 15.
  • People, March 7, 1977; December 29, 1980; January 5, 1981; May 18, 1981; January 28, 1985; fall, 1989; April 1, 1996, p. 38; October 7, 1996, p. 32; October 21, 1996, p. 16; April 28, 1997, p. 15; January 19, 1998, p. 45.
  • Publishers Weekly, January 17, 1977; May 11, 1984; March 13, 1996, p. 26; April 1, 1996, p. 22; May 13, 1996, p. 26; June 24, 1996, p. 43; August 5, 1996, p. 292; August 26, 1996, p. 34; September 9, 1996, p. 27; October 7, 1996, p. 20; April 7, 1997, p. 52; July 14, 1997, p. 65; October 27, 1997, p. 21; November 10, 1997, p. 10; April 19, 2004, review of Song of Susannah, p. 37; September 20, 3004, review of The Girl Who Loved Tom Gordon, p. 62.
  • Saturday Review, September, 1981; November, 1984.
  • School Library Journal, November, 2004, John Peters, review of The Girl Who Loved Tom Gordon, p. 148.
  • Science Fiction Chronicle, December, 1995; June, 1997, p. 43.
  • Star (Kansas City, MO), October 4, 2000, John Mark Eberhart, review of On Writing.
  • Time, August 30, 1982; July 1, 1985; October 6, 1986; December 7, 1992, p. 81; September 2, 1996, p. 60.
  • Tribune Books (Chicago, IL) June 8, 1980.
  • Village Voice, April 29, 1981; October 23, 1984; March 3, 1987.
  • Voice Literary Supplement, September, 1982; November, 1985.
  • Wall Street Journal, July 7, 1992, p. B2; October 5, 1992, p. B3; November 7, 1997, p. B8.
  • Washington Post, August 26, 1979; April 9, 1985; May 8, 1987; October 29, 1990, p. B8; July 16, 1991, p. B1; April 13, 1992, p. C7; May 21, 1993, p. 16; May 27, 1993, p. D9; May 14, 1995, p. G1.
  • Washington Post Book World, May 26, 1974; October 1, 1978; August 26, 1980; April 12, 1981; August 22, 1982; March 23, 1983; October 2, 1983; November 13, 1983; June 16, 1985; August 26, 1990, p. 9; September 29, 1991, p. 9; October 31, 1991, p. C7; July 19, 1992, p. 7; December 13, 1992, p. 5; October 10, 1993, p. 4; October 9, 1994, p. 4; March 6, 1995, p. D6.

online

Quotes By: Stephen King
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Quotes:

"Only enemies speak the truth. Friends and lovers lie endlessly, caught in the web of duty."

"Fiction is the truth inside the lie."

"The rope by which the great blocks of taxes are attached to any citizenry is simple loyalty."

"People want to know why I do this, why I write such gross stuff. I like to tell them that I have the heart of a small boy -- and I keep it in a jar on my desk."

Writer: Stephen King
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  • Born: Sep 21, 1947 in Portland, Maine
  • Occupation: Writer, Actor
  • Active: '80s-2000s
  • Major Genres: Horror, Science Fiction
  • Career Highlights: The Shawshank Redemption, The Shining, Misery
  • First Major Screen Credit: Carrie (1976)

Biography

Stephen King wrote his first short story at seven, and was first published (in a comic fanzine) at 18. After attending the University of Maine, he worked as a sportswriter for his local newspaper and labored away for a while in an industrial laundry. He was teaching high school English at Maine's Hampden Academy when his first novel, Carrie, was published in 1974. Over the next decade he blossomed into the most popular writer in America, as well as one of the most prolific; in addition to the books published under his own name, he also wrote five pseudonymously as Richard Bachman (one of these, The Running Man, was filmed in 1989, with Arnold Schwarzenegger in the lead). No mere hack or dilettante, as has sometimes been alleged, King puts his whole heart and soul in every chiller he writes: His criteria is that if it can scare him, it will scare everyone else. Beginning with 1976's Carrie, virtually all of King's novels have been adapted to the screen -- but only a third or so of the filmizations have been truly worth the effort. For every above-average effort like The Shining (1980), The Dead Zone (1983), and Misery (1990), there has been a failure like Pet Cemetery (1989) and Needful Things (1993). While he claims to have adopted a "take the money and run" philosophy concerning most of his filmed novels, King has, in fact, taken a more active part in movies than most of his contemporaries. He often plays small roles in the films based on his works, and in 1986 he made his directorial bow with Maximum Overdrive. He also directed the first five episodes of the 1991 TV series Stephen King's The Golden Years, and essayed a small role as a bus driver. His other TV contributions have included the miniseries It! (1990), Sometimes They Come Back (1991), The Tommyknockers (1993), The Stand (1994), and The Langoliers (1995). In 1997, King oversaw a television miniseries remake of The Shining to insure that it would be closer to his original vision than the 1980 Kubrick film. Not entirely confined to hair-raisers, Stephen King has also turned out "straight" tales like The Body and Rita Hayworth and the Shawshank Redemption, both of which have been filmed as, respectively, Stand by Me (1986) and The Shawshank Redemption (1994). In the years that followed The Shawshank Redemption drew a massive cult following on home video and DVD, and became on of King's most celebrated celluliod adaptations. Of course this would eventually lead to many more film adaptations of King's more dramatic works, and with such efforts as Dolores Caliborne, The Green Mile and Hearts in Atlantis, King adaptations began to take on an air of sophistication (a great irony considering the author himself has deemed his writings to the literary equivilant of a Big Mac and fries) that attracted the likes of such respected dramatic actors as Tom Hanks and Anthony Hopkins. Of course endless sequels to such earlier adaptations as Sometimes They Come Back and Children of the Corn continued to flood the straight-to-video and lend some air of truth to his statements regarding his work, and it seemed that every few years a miniseries based on one of King's novels was almost mandatory. If a belated 1999 sequel to Brian De Palma's 1976 film adaptation of Carrie seemed little more than an attempt to cash in on the current trend towards post-Scream teen horror, a made-for-television remake of the original in 2002 was simply unnecessary. In 2002 The Dead Zone was adapted into a well-recieved television series, and though such feature efforts as 2003's ambitious but laughably flawed Dreamcather proved that filmmakers were willing to take risks with some of the King's more unconventional stories. After adapting Lars Von Trier's acclaimed Danish television chiller The Kingdom into Kingdom Hospital in 2004, fans could look forward to yet another made-for-television adaptation of Salem's Lot and the David Koepp directed Johnny Depp vehicle Secret Window later that same year. Of course as always the line forming to adapt King novels to screen could last be seen winding around the block, and screen versions of Riding the Bullet, The Talisman, Bag of Bones and Desperation wer all in the making as of early 2004.

On a personal note, King suffered massive injuries when struck by a minivan while walking outside in June of 1999, a mere month after announcing that he would likely go blind as a result of being stricken with Macular Degeneration. Though King would eventually recover from the injuries he sustained in the minivan incident, there was little doctors could do to halt the devastating effects of his incurable eye condition and an announcement that he would cease writing in 2002 proved a sad blow to legions of loyal fans. ~ Hal Erickson, All Movie Guide
Filmography: Stephen King
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Thinner

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Rock Bottom Remainders

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Sleepwalkers

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Pet Sematary

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Maximum Overdrive

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Creepshow

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Knightriders

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Secret Window

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Wikipedia: Stephen King
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Stephen King

Stephen King, February 2007
Born Stephen Edwin King
September 21, 1947 (1947-09-21) (age 62)
Portland, Maine, United States
Pen name Richard Bachman, John Swithen
Occupation Novelist, Short story writer, Screenwriter, Columnist, Actor, Television producer, Film director
Genres Horror, Fantasy, Science fiction, Drama, Gothic, Genre fiction
Spouse(s) Tabitha King
Children Naomi King
Joe King
Owen King
Signature
Official website

Stephen Edwin King (born September 21, 1947) is an American writer of contemporary horror fiction, science fiction, fantasy literature, and screenplays. More than 350 million copies[2] of King's novels and short story collections have been sold, and many of his stories have been adapted for film, television, and other media. King has written a number of books using the pen name Richard Bachman, and one short story, "The Fifth Quarter", as John Swithen.

In 2003 the National Book Foundation awarded King the Medal for Distinguished Contribution to American Letters.

Contents

Biography

Early life

Stephen King was born in Portland, Maine. When King was two years old, his father, who was a merchant seaman, left the family under the pretense of "going to buy a pack of cigarettes", leaving his mother to raise King and his adopted older brother David by herself, sometimes under great financial strain. The family moved to De Pere, Wisconsin; Fort Wayne, Indiana; and Stratford, Connecticut. When King was eleven years old, the family returned to Durham, Maine, where Ruth King cared for her parents until their deaths. She then became a caterer in a local residential facility for the mentally challenged.[3]

As a child, King apparently witnessed one of his friends being struck and killed by a train, though he has no memory of the event. His family told him that after leaving home to play with the boy, King returned, speechless and seemingly in shock. Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired some of King's darker works[4], but King himself has dismissed the idea.[5]

King's primary inspiration for writing horror fiction was related in detail in his 1981 non-fiction Danse Macabre, in a chapter titled "An Annoying Autobiographical Pause". King makes a comparison of his uncle successfully dowsing for water using the bough of an apple branch with the sudden realization of what he wanted to do for a living. While browsing through an attic with his elder brother, King uncovered a paperback version of an H. P. Lovecraft collection of short stories that had belonged to his father. The cover art—an illustration of a monster hiding within the recesses of a hell-like cavern beneath a tombstone—was, he writes,

“the moment of my life when the dowsing rod suddenly went down hard ... as far as I was concerned, I was on my way.”

Education and early creativity

King attended Durham Elementary School and graduated from Lisbon Falls High School in Lisbon Falls, Maine. He displayed an early interest in horror as an avid reader of EC's horror comics, including Tales from the Crypt (he later paid tribute to the comics in his screenplay for Creepshow). He began writing for fun while still in school, contributing articles to Dave's Rag, the newspaper that his brother published with a mimeograph machine and later began selling stories to his friends which were based on movies he had seen (though when discovered by his teachers, he was forced to return the profits). The first of his stories to be independently published was "I Was a Teenage Grave Robber", serialized over three published and one unpublished issue of a fanzine, Comics Review, in 1965.[6] That story was published the following year in a revised form as "In a Half-World of Terror" in another fanzine, Stories of Suspense, edited by Marv Wolfman.[7]

From 1966, King studied English at the University of Maine, where he graduated in 1970 with a Bachelor of Science in English. He wrote a column for the student newspaper, The Maine Campus, titled "Steve King's Garbage Truck", took part in a writing workshop organized by Burton Hatlen,[1] and took odd jobs to pay for his studies, including one at an industrial laundry. He sold his first professional short story, "The Glass Floor", to Startling Mystery Stories in 1967.[3] The Fogler Library at UMaine now holds many of King's papers.

After leaving the university, King gained a certificate to teach high school but, being unable to find a teaching post immediately, initially supplemented his laboring wage by selling short stories to men's magazines such as Cavalier. Many of these early stories have been published in the collection "Night Shift". In 1971, King married Tabitha Spruce, a fellow student at the University of Maine whom he had met at the University's Fogler Library after one of Professor Hatlen's workshops.[1] That fall, King was hired as a teacher at Hampden Academy in Hampden, Maine. He continued to contribute short stories to magazines and worked on ideas for novels.[3] It was during this time that King developed a drinking problem, which stayed with him for more than a decade.

Success with Carrie

On Mother's Day, 1973, King's novel Carrie was accepted by publishing house Doubleday. King has written how he became so discouraged when trying to develop the idea of a girl with psychic powers into a novel that he threw an early draft in the trash because he thought it was childish, but his wife, Tabitha, rescued it and encouraged him to finish it.[8] He received a $2,500 advance (not large for a novel, even at that time) but the paperback rights eventually earned $400,000, with half going to the publisher. King and his family relocated to southern Maine because of his mother's failing health. At this time, he began writing a book titled Second Coming, later titled Jerusalem's Lot, before finally changing the title to 'Salem's Lot (published 1975). Soon after the release of Carrie in 1974, his mother died of uterine cancer. His Aunt Emrine read the novel to her before she died. King has written of his severe drinking problem at this time, stating that he was drunk the night before delivering the eulogy at his mother's funeral.[5]

After his mother's death, King and his family had moved to Boulder, Colorado, where King wrote The Shining (published 1977). The family returned to western Maine in 1975, where King completed his fourth novel, The Stand (published 1978). In 1977, the family traveled briefly to England, returning to Maine that fall where King began teaching creative writing at the University of Maine. King has kept his primary residence in Maine ever since.

The Dark Tower books

In the late 1970s, King began a series of interconnected stories about a lone gunslinger, Roland, who pursues the "Man in Black" in an alternate-reality universe that is a cross between J. R. R. Tolkien's Middle-earth and the American wild west as depicted by Clint Eastwood and Sergio Leone in their "spaghetti westerns". They were first published in five installments by The Magazine of Fantasy & Science Fiction under the editorship of Edward L. Ferman, beginning in 1977 and the last in 1981. It would be continued as a large 7-book epic called The Dark Tower which would be written and published infrequently over four decades, from the 1970s to the 2000s.

In 1982, the fantasy small-press Donald M. Grant (known for publishing the entire canon of Robert E. Howard) printed these stories for the first time together in hardcover form with color and black-and-white illustrations by then up-and-coming fantasy artist Michael Whelan, as The Dark Tower: The Gunslinger. Each chapter was named for the story previously published in magazine form. King dedicated the hardcover edition to his editor at F&SF, Ed Ferman, who "took a chance on these stories." The original print-run was only 10,000 copies, which was, even by this time, a comparatively low run for a first printing of a King novel in hardcover. His 1980 novel, Firestarter, had an initial print-run in trade hardcover at 100,000 copies, and his 1983 novel, Christine, had a trade hardcover print-run of 250,000 copies, both by the much larger publisher Viking. The Gunslinger's initial release was not highly publicized, and only specialty science-fiction and related bookstores carried it on their shelves. The book was generally not available in the larger chain stores, except by special order. Rumors spread among avid fans that there was a King book out that few readers knew about, let alone had actually read. When the initial 10,000 copies sold out, Grant printed another 10,000 copies in 1984, but these runs were still far short of the growing demand among fans for this book. The Dark Tower: The Gunslinger was the beginning of his magnum opus fantasy epic. Both the first and second printings of The Gunslinger garner premium prices on the collectible book market, notably among avid readers and collectors of Stephen King, horror literature, fantasy literature, and even American western literature. And it is also desirable among avid fans of the artwork of Michael Whelan.

In 1987, King released the second installment, The Dark Tower II: The Drawing of the Three, in which Roland draws three people from 20th-century United States into his world through magical doors. Grant published The Drawing of the Three with illustrations by Phil Hale in a slightly larger run of 30,000 copies, which was still well below King's typical initial hardcover print-run of a new book. (It, published in 1986, had an initial print-run of 1,000,000 copies, King's largest to date.) King had believed that the Dark Tower books would only be of interest to a select group of his fans, and he had resisted releasing it on a larger scale. Finally, in the late 1980s, bowing to pressure from his publishers and fans who were hungry for the books (at this point fewer than 50,000 of his millions of readers would have been able to own any of the Dark Tower books), King agreed to release The Gunslinger and all subsequent Dark Tower books in trade paperback and mass market formats. The series reached seven books, with the final installment called The Dark Tower VII: The Dark Tower, in 2004.

In the early 2000s King revised the original book, The Gunslinger, because he felt the voice and imagery of the original stories of the late 1970s did not seem to fit the voice of the final installment of 2004. King felt the style of the work had markedly changed during the intervening 27 years. The revised version was published in 2003 by his former hardcover publisher Viking. Grant published its hardcover limited edition of the revised version of The Gunslinger along with a prequel story set in the Dark Tower world called "The Little Sisters of Eluria" (from King's short story collection Everything's Eventual) in 2009.

Adaptations

In October 2005, King signed a deal with Marvel Comics to publish a seven-issue, miniseries spin-off of The Dark Tower series called The Gunslinger Born. The series, which focuses on a young Roland Deschain, is plotted by Robin Furth, with dialogue by Peter David, and illustrated by Eisner Award-winning artist Jae Lee. The first issue was published on February 7, 2007, and King, David, Lee and Marvel Editor-in-Chief Joe Quesada appeared at a midnight signing at a Times Square, New York comic book store to promote it.[9][10] The work had sold over 200,000 copies by March 2007.[11]

The Hollywood Reporter announced in February 2007 that plans were underway for Lost co-creator J. J. Abrams to do an adaptation of King's epic Dark Tower series.[12] More recently, Abrams has stated that he would not be taking on the "Tower" project.

Richard Bachman

In the late 1970s-early 1980s, King published a handful of short novels—Rage (1977), The Long Walk (1979), Roadwork (1981), The Running Man (1982) and Thinner (1984)—under the pseudonym Richard Bachman. The idea behind this was largely an experiment to measure for himself whether or not he could replicate his own success again, and allay at least part of the notion inside his own head that popularity might all be just an accident of fate. An alternate (or additional) explanation was because of publishing standards at the time allowing only a single book a year.[13]

Richard Bachman was exposed as being King's pseudonym after a persistent Washington D.C. bookstore clerk, Steve Brown, noticed similarities between the two's works and later located publisher's records at the Library of Congress naming King as the author of one of Bachman's novels.[14] This led to a press release heralding Bachman's "death" — supposedly from "cancer of the pseudonym".[15] King dedicated his 1989 book The Dark Half, about a pseudonym turning on a writer, to "the deceased Richard Bachman", and in 1996, when the Stephen King novel Desperation was released, the companion novel The Regulators carried the "Bachman" byline.

In 2006, during a press conference in London, King declared that he had discovered another Bachman novel, titled Blaze. It was published on June 12, 2007. In fact, the manuscript had been held at King's alma mater, the University of Maine in Orono, for many years and had been covered by numerous King experts. King completely rewrote the 1973 manuscript for its publication.

Confronting addiction

Shortly after The Tommyknockers publication in 1987, King's family and friends staged an intervention, dumping evidence of his addiction taken from the trash including beer cans, cigarette butts, grams of cocaine, Xanax, Valium, NyQuil, dextromethorphan (cough medicine) and marijuana, on the rug in front of him. As King related in his memoir, he then sought help and quit all forms of drugs and alcohol in the late 1980s, and has remained sober since.[5]

Car accident and thoughts of retirement

In the summer of 1999, King had finished the memoir section of On Writing: A Memoir of the Craft, but had abandoned the book for nearly eighteen months, unsure of how or whether to proceed.

On June 19, at about 4:30 p.m., he was reading a book and walking on the shoulder of Route 5, in Center Lovell, Maine. Driver Bryan Smith, distracted by an unrestrained dog moving in the back of his minivan,[16] struck King, who landed in a depression in the ground about 14 feet from the pavement of Route 5.[5] According to Oxford County Sheriff deputy Matt Baker, King was struck from behind and some witnesses said the driver was not speeding or reckless.[17] King's website, however, says King was walking facing traffic.

King was conscious enough to give the deputy phone numbers to contact his family but was in considerable pain. The author was first transported to Northern Cumberland Hospital in Bridgton and then flown by helicopter to Central Maine Medical Center, in Lewiston. His injuries—a collapsed right lung, multiple fractures of his right leg, scalp laceration and a broken hip—kept him at CMMC until July 9, almost three weeks.

Earlier that year, King had finished most of From a Buick 8, a novel in which a character dies after getting struck by a car. Of the similarities, King says that he tries "not to make too much of it."

After five operations in ten days and physical therapy, King resumed work on On Writing in July, though his hip was still shattered and he could only sit for about forty minutes before the pain became worse. Soon it became nearly unbearable.

King's lawyer and two others purchased Smith's van for $1,500, reportedly to prevent it from appearing on eBay. The van was later crushed at a junkyard after King had severely beaten it with a baseball bat. King later mentioned during an interview with Fresh Air's Terry Gross that he wanted to completely destroy the vehicle himself with a sledgehammer.[18]

A fictionalized account of the accident was written into the last novel of the "Dark Tower" series. Parts of the conversation between Smith and King, as he awaited medical attention, were used in the book, as well as an accurate description of the injuries sustained.

Two years later, King suffered severe pneumonia as a direct result of his lung being punctured in the accident. During this time, Tabitha King was inspired to redesign his studio. King visited the space while his books and belongings were packed away. What he saw was an image of what his studio would look like if he died, providing a seed for his novel Lisey's Story.

In 2002, King announced he would stop writing, apparently motivated in part by frustration with his injuries, which had made sitting uncomfortable and reduced his stamina. He has since resumed writing, but states on his website that:

"I'm writing but I'm writing at a much slower pace than previously and I think that if I come up with something really, really good, I would be perfectly willing to publish it because that still feels like the final act of the creative process, publishing it so people can read it and you can get feedback and people can talk about it with each other and with you, the writer, but the force of my invention has slowed down a lot over the years and that's as it should be."[19]

Later works

In 2000, King published a serialized novel, The Plant, over the Internet, bypassing print publication. At first it was presumed by the public that King had abandoned the project because sales were unsuccessful, but he later stated that he had simply run out of stories.[20]

In 2006, King published an apocalyptic novel entitled Cell.

On August 15, 2007, King was accused of "vandalism" in a bookstore in Alice Springs, Australia, when he was seen signing books he had authored. A customer reported there was a vandal scribbling in volumes in the fiction section.[21]

In 2008, King released both a novel, Duma Key, and his 8th short stories collection, titled Just After Sunset. The latter featured 13 short stories, including a novella, N., which was later released as a serialized animated series that can be seen for free, or, for a small payment, can be downloaded in a higher quality.

In 2009, King published a new novella titled "Ur", written exclusively for the launch of the second-generation Amazon Kindle and available only on Amazon.com, and an audiobook titled Road Rage, including both Richard Matheson's short story Duel and also King's homage to this story, Throttle, co-written by his son Joe Hill.

King's newest novel is titled Under the Dome, a reworking of an unfinished novel he tried writing twice in the late 1970s and early 1980s; it was published on November 10, 2009. It is the largest novel he has written since 1986's It, coming in at 1074 pages.

During an interview session at a book signing in Maryland, King stated he will be writing an eighth Dark Tower novel. The working title is The Wind Through The Keyhole and it will be set during the period between Wizard and Glass and Wolves of the Calla.

Jump into comics

As announced on Sunday October 25th, 2009 on the 'DC comics Vertigo Blog' that King will help start a new monthly series with short story writer Scott Snyder and artist Rafael Albuquerque called American Vampire[22] in March of 2010. This is King's long waited first original work on comics. His son Joe Hill narrated a story in comic form first, with the release of his Locke & Key IDW series in February 20, 2008, beating his father by two years. King however learned first hand on comic production by being over-seer to his Marvel Comics adaptions.

The American Vampire series’ first story arc is planned to be told over the course of five issues. These five issues feature two different stories, one written by Snyder and the other by King. King is given the task to provide the origin of the very first American vampire: Skinner Sweet, a bank robbing, murdering cowboy of the 1880s. Snyder’s storyline focuses on 'Pearl' an ambitious modern woman with starlet dreams, in search of that elusive big break. After the conclusion of the first story arc, no mention as of yet if King is part of the project.

Family life

King's home in Bangor

King and his wife own and occupy three different houses, one in Bangor, one in Center, Lovell, Maine, and they regularly winter in their waterfront mansion located off the Gulf of Mexico, in Sarasota, Florida. He and Tabitha have three children and three grandchildren.[3] Tabitha King has published nine of her own novels. Both King's sons are published authors: Owen King published his first collection of stories, We're All in This Together: A Novella and Stories, in 2005; Joseph Hillstrom published an award-winning collection of short stories, 20th Century Ghosts, in 2005, and his first novel, Heart-Shaped Box will be adapted by Irish director Neil Jordan for a 2010 Warner Bros. release.[23] King's daughter Naomi spent two years as a minister in the Unitarian Universalist Church, in Utica, New York. Naomi now ministers for the Unitarian Universalist Church of River of Grass, in Plantation, Florida with her same-sex partner, Rev. Dr. Thandeka.[24]

Interests

Philanthropy

Since becoming commercially successful, King and his wife have donated large amounts of money to causes around their home state of Maine and elsewhere, notably to literacy projects.

The Kings' early '90s donation to the University of Maine Swim Team saved the program from elimination from the school's athletics department. Donations to local YMCA and YWCA programs have allowed renovations and improvements that would otherwise have been impossible. Additionally, King annually sponsors a number of scholarships for high school and college students.

The Kings do not desire recognition for their funding of Bangor-area facilities: they named the Shawn T. Mansfield Stadium for a prominent local little league coach's son who had cerebral palsy, while the Beth Pancoe Aquatic Park memorializes an accomplished area swimmer who died of cancer.

On November 6, 2008, King appeared with friend and fellow author Richard Russo to raise money for the Western Massachusetts food bank. The event held by the Odyssey Bookshop in South Hadley at Mount Holyoke College raised over $18,000 and helped to promote his new collection, Just After Sunset, and Russo's Bridge of Sighs.

Stephen and Tabitha King also donate thousands each year to politically progressive organizations, such as the Maine People's Alliance.

Baseball

Stephen King is a fan of baseball, and of the Boston Red Sox in particular; he frequently attends the team's home and away games, and occasionally mentions the team in his novels and stories. He helped coach his son Owen's Bangor West team to the Maine Little League Championship in 1989. He recounts this experience in the New Yorker essay "Head Down," which also appears in the collection Nightmares & Dreamscapes. In 1999, King wrote The Girl Who Loved Tom Gordon, which featured former Red Sox pitcher Tom Gordon as the protagonist's imaginary companion. King recently co-wrote a book titled Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season with Stewart O'Nan, recounting the authors' roller coaster reaction to the Red Sox's 2004 season, a season culminating in the Sox winning the 2004 American League Championship Series and World Series. In the 2005 film Fever Pitch, about an obsessive Boston Red Sox fan, King tosses out the first pitch of the Sox's opening day game. He has also devoted one of his recent columns for Entertainment Weekly on the subject of commercialism in Major League Baseball. More recently, King has starred in an ESPN SportsCenter advertisement referencing both his allegiance to the Red Sox and his preferred writing genre (horror fiction).

Radio stations

Stephen and his wife Tabitha own The Zone Corporation, a central Maine radio station group consisting of WZON, WZON-FM, and WKIT. The last of the three stations features a Frankenstein-esque character named "Doug E. Graves" as part of the logo and the tagline "Stephen King's Rock 'n' Roll Station."

Columnist

Since August 2003, King has written a column on pop culture appearing in Entertainment Weekly, usually every third week. The column is called "The Pop of King", a play on the nickname "The King of Pop" commonly given to Michael Jackson.[25]

Political views

In April 2008, King spoke out against HB 1423, a bill pending in the Massachusetts state legislature that would restrict or ban the sale of violent video games to anyone under the age of 18. Although King stated that he had no personal interest in video games as a hobby, he criticized the proposed law, which he sees as an attempt by politicians to scapegoat pop culture, and to act as surrogate parents to others' children, which he asserted is usually "disastrous" and "undemocratic". He also saw the law as inconsistent, as it would forbid a 17-year-old, legally able to see Hostel: Part II, from buying or renting Grand Theft Auto: San Andreas, which is violent but less graphic. While conceding that he saw no artistic merit in some violent video games, King also opined that such games reflect the violence that already exists in society, which would not be lessened by such a law, which would be redundant in light of the ratings system that already exists for video games. King argued that such laws allow legislators to ignore the economic divide between the rich and poor, and the easy availability of guns, which he felt were the more legitimate causes of violence.[26]

A controversy emerged on May 5, 2008, when a conservative blogger posted a clip of King at a Library of Congress reading event. King, talking to high-school students, had said: "If you can read, you can walk into a job later on. If you don't, then you've got the Army, Iraq, I don't know, something like that."[27] The comment was described by the blog as "another in a long line of liberal media members bashing the military," and likened to John Kerry's similar remark from 2006.[28] King responded later that day, saying, "That a right-wing-blog would impugn my patriotism because I said children should learn to read, and could get better jobs by doing so, is beneath contempt...I live in a national guard town, and I support our troops, but I don’t support either the war or educational policies that limit the options of young men and women to any one career—military or otherwise."[29] King again defended his comment in an interview with the Bangor Daily News on May 8, saying, "I’m not going to apologize for promoting that kids get better education in high school, so they have more options. Those that don’t agree with what I’m saying, I’m not going to change their minds."[30]

King's website states that he is a supporter of the Democratic Party. During the 2008 presidential election, King voiced his support for Democratic candidate Barack Obama.[31]

Work

Writing style

Stephen King is known for his great eye for detail, for continuity and for inside references; many stories that may seem unrelated are often linked by secondary characters, fictional towns, or off-hand references to events in previous books. Many of the settings for King's books are in Maine, though often fictional locations, especially the town of Castle Rock. (Castle Rock was the setting for The Body; when the novella was adapted for the screen by Rob Reiner, Reiner formed a production company, Castle Rock Entertainment, which has since gone on to produce other King adaptations including Dolores Claiborne, Hearts in Atlantis, The Shawshank Redemption and The Green Mile.)

King's books are filled with references to American history and American culture, particularly the darker, more fearful side of these. These references are generally spun into the stories of characters, often explaining their fears. Recurrent references include crime, war (especially the Vietnam War), violence, the supernatural and racism.

King is also known for his folksy, informal narration, often referring to his fans as "Constant Readers" or "friends and neighbors." This familiar style contrasts with the horrific content of many of his stories.

King has a very simple formula for learning to write well: "Read and write four to six hours a day. If you cannot find the time for that, you can't expect to become a good writer." He sets out each day with a quota of 2000 words and will not stop writing until it is met. He also has a simple definition for talent in writing: "If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented."[32]

Shortly after his accident, King wrote the first draft of the book Dreamcatcher with a notebook and a Waterman fountain pen, which he called "the world's finest word processor."[33]

King's writing style throughout his novels alternates from future to past, character development (including character illumination, dynamics and revelation), and setting in each chapter—leaving a cliffhanger at the end. He then continues this process until the novel is finished.

When asked why he writes, King responds: "The answer to that is fairly simple—there was nothing else I was made to do. I was made to write stories and I love to write stories. That's why I do it. I really can't imagine doing anything else and I can't imagine not doing what I do."[34] He is also often asked why he writes such terrifying stories and he answers with another question "Why do you assume I have a choice?"[35]

King often uses authors as characters, or includes mention of fictional books in his stories, novellas and novels, such as Paul Sheldon who is the main character in Misery and Jack Torrance in The Shining. See also List of fictional books in the works of Stephen King for a complete list. On 21 September 2009 was announced he will be started as author for Fangoria[36].

Influences

King has called Richard Matheson "the author who influenced me most as a writer."[5] Both authors casually integrate characters' thoughts into the third person narration, just one of several parallels between their writing styles. In a current edition of Matheson's The Shrinking Man, King is quoted: "A horror story if there ever was one...a great adventure story—it is certainly one of that select handful that I have given to people, envying them the experience of the first reading."

King is a fan of H. P. Lovecraft and refers to him several times in Danse Macabre. Lovecraft's influence shows in King's invention of bizarre, ancient deities, subtle connections among all of his tales and the integration of fabricated newspaper clippings, trial transcripts and documents as narrative devices. King's invented trio of afflicted New England towns—Jerusalem's Lot, Castle Rock and Derry—are reminiscent of Lovecraft's Arkham, Dunwich and Innsmouth. King's short story "Crouch End" is an explicit homage to, and part of, Lovecraft's Cthulhu Mythos story cycle. "Gramma," a short story made into a film in the 1980s anthology horror show The New Twilight Zone, mentions Lovecraft's notorious fictional creation Necronomicon, also borrowing the names of a number of the fictional monsters mentioned therein. "I Know What You Need" from the 1976 collection Night Shift, and 'Salem's Lot also mention the tome. Another tribute to Lovecraft is in King's short story "Jerusalem's Lot," which opens Night Shift. King differs markedly from Lovecraft in his focus on extensive characterization and naturalistic dialogue, both notably absent in Lovecraft's writing. In On Writing, King is critical of Lovecraft's dialogue-writing skills, using passages from The Colour Out of Space as particularly poor examples. There are also several examples of King referring to Lovecraftian characters in his work, such as Nyarlathotep and Yog-Sothoth.

Alexandre Dumas, père, an influence on King.

Edgar Allan Poe exerts a noticeable influence over King's writing as well. In The Shining, the phrase "And the red death held sway over all" hearkens back to Poe's "And Darkness and Decay and the Red Death held illimitable dominion over all" from "The Masque of the Red Death." The novella "Dolan's Cadillac" has a theme almost identical to Poe's "The Cask of Amontillado," including a paraphrase of Fortunato's famous plea, "For the love of God, Montresor!" In The Shining, King refers to Poe as "The Great American Hack".

King acknowledges the influence of Bram Stoker, particularly on his novel 'Salem's Lot, which he envisioned as a retelling of Dracula.[37] Its related short story "Jerusalem's Lot", is reminiscent of Stoker's The Lair of the White Worm.

King has also openly declared his admiration for another, less prolific author: Shirley Jackson. 'Salem's Lot opens with a quotation from Jackson's The Haunting of Hill House. Tony, an imaginary playmate from The Shining, bears a striking resemblance to another imaginary playmate with the same name from Jackson's Hangsaman. A pivotal scene in Storm of the Century is based on Jackson's The Lottery. A character in Wolves of the Calla references the Jackson book We Have Always Lived in the Castle.

King is a big fan of John D. MacDonald and dedicated the novella "Sun Dog" to MacDonald, saying "I miss you, old friend." For his part, MacDonald wrote an admiring preface to Night Shift, and even had his famous character, Travis McGee, reading Cujo in one of the last McGee novels and Pet Sematary in the last McGee novel, The Lonely Silver Rain.

In 1987 King's Philtrum Press published Don Robertson's novel, The Ideal, Genuine Man. In his forenote to the novel, King wrote, "Don Robertson was and is one of the three writers who influenced me as a young man who was trying to 'become' a novelist (the other two being Richard Matheson and John D. MacDonald)."[38]

In an Amazon.com interview, King said the one book he wishes he'd written is William Golding's Lord of the Flies.

King makes references in several of his books to characters and events in J. R. R. Tolkien's The Hobbit and The Lord of the Rings.

Robert A. Heinlein's book The Door into Summer is repeatedly mentioned in King's Wolves of the Calla.

In an interview with King, Published in the USA Weekend in March, 2009, the author stated, "People look on writers that they like as an irreplaceable resource. I do. Elmore Leonard, every day I wake up and – not to be morbid or anything, although morbid is my life to a degree – don't see his obituary in the paper, I think to myself, "Great! He's probably working somewhere. He's gonna produce another book, and I'll have another book to read." Because when he's gone, there's nobody else."[39]

Collaborations

King has written two novels with acclaimed horror novelist Peter Straub: The Talisman and a sequel, Black House. King has indicated that he and Straub will likely write the third and concluding book in this series, the tale of Jack Sawyer, but has set no time line for its completion.

King also wrote the nonfiction book, Faithful with novelist and fellow Red Sox fanatic Stewart O'Nan.

In 1996 King collaborated with Michael Jackson to create Ghosts, a long and expensive musical video.

"Throttle", a novella written in collaboration with his son Joe Hill, appears in the anthology He Is Legend: Celebrating Richard Matheson, (Gauntlet Press, 2009).[40]

The Diary of Ellen Rimbauer: My Life at Rose Red, was a paperback tie-in for the King-penned miniseries Rose Red. The book was published under anonymous authorship, and written by Ridley Pearson. This spin-off is a rare occasion of another author being granted permission to write commercial work using characters and story elements invented by King.

Speculation that King wrote the novel Bad Twin, a tie-in to the series Lost, under the pseudonym Gary Troup has been discredited. This theory was fueled by King being an avid and self-declared Lost fan, having mentioned it and praised it several times in his Entertainment Weekly articles.

King has written a musical play with John Mellencamp titled Ghost Brothers of Darkland County.

King played guitar for the rock band Rock-Bottom Remainders, several of whose members are authors. Other members include Dave Barry, Ridley Pearson, Scott Turow, Amy Tan, James McBride, Mitch Albom, Roy Blount, Jr., Matt Groening, Kathi Kamen Goldmark and Greg Iles. None of them claim to have any musical talent. King is a fan of the rock band AC/DC, who did the soundtrack for his 1986 film, Maximum Overdrive. He is also a fan of The Ramones, who wrote the title song for Pet Sematary and appeared in the music video. King referred to the band several times in various novels and stories and The Ramones referenced King on the song "It's Not My Place (In the 9 to 5 World)", which is on 1981's Pleasant Dreams. In addition he wrote the liner notes for their tribute album We're a Happy Family. In 1988, the band Blue Öyster Cult recorded an updated version of their 1974 song "Astronomy". The single released for radio play featured a narrative intro spoken by King.[41]

On Sunday, October 25th, 2009 the DC comics Vertigo blog news fed was released that King will team up with short story writer Scott Snyder and artist Rafael Albuquerque in a new monthly comic book series from Vertigo in March 2010 called American Vampire[42] King is to write the background history of the very first American vampire: Skinner Sweet in the five issues of the first arc. Scott Snyder will write the story of Pearl. Both stories are to weave together to form the first story arc.

Films and TV

Many of King's novels and short stories have been made into major motion pictures or TV movies and miniseries.[43] Unlike some authors, King is untroubled by movies based on his works differing from the original work. He has contrasted his books and its film adaptations as "apples and oranges; both delicious, but very different." The exception to this is The Shining, which King criticized when it was released in 1980; and The Lawnmower Man (he sued to have his name removed from the credits). King seems to have gained greater appreciation for Kubrick's The Shining over the years. Kubrick had described the original novel in an interview as not "literary," having its merits exclusively in the plot. This understandably may have upset King. As a film, The Lawnmower Man bore no resemblance whatsoever to King's original short story. King's name was used solely as a faux-brand.

King has stated that his favorite book-to-film adaptations are Stand by Me, The Shawshank Redemption, and The Mist.[44]

King's first film appearance was in George Romero's "Knightriders" as a buffoonish audience member. His first featured role was in Creepshow, playing Jordy Verrill, a backwoods redneck who, after touching a fallen meteor in hopes of selling it, grows moss all over his body. He has since made cameos in several adaptations of his works. He appeared in Pet Sematary as a minister at a funeral, in Rose Red as a pizza deliveryman, as a news reporter in The Storm of the Century, in The Stand as "Teddy Wieszack," in the Shining miniseries as a band member, in The Langoliers as Tom Holby and in Sleepwalkers as the cemetery caretaker. He has also appeared in The Golden Years, in Chappelle's Show and, along with fellow author Amy Tan, on The Simpsons as himself. In addition to acting, King tried his hand at directing with Maximum Overdrive, in which he also made a cameo appearance as a man using an ATM that is on the fritz.

King produced and acted in a miniseries, Kingdom Hospital, which is based on the Danish miniseries Riget by Lars von Trier. He also co-wrote The X-Files season 5 episode "Chinga" with the creator of the series Chris Carter.

King is friends with film director George Romero, to whom he partly dedicated his book Cell, and wrote a tribute about the filmmaker in Entertainment Weekly for his pop culture column, as well as an essay for the Elite DVD version of Night of the Living Dead.

King has also made an appearance as a contestant on Celebrity Jeopardy! in 1995.

King provided the voice of Abraham Lincoln in the audiobook version of Assassination Vacation.

In a 2009 episode of Family Guy, "Three Kings", three of King's novels' film adaptations, Stand By Me, Misery, and The Shawshank Redemption, were parodied.

Reception

Critical response

Although critical reaction to King's work has been mostly very positive, he has come under fire from several academic writers.

In his analysis of post-World War II horror fiction, The Modern Weird Tale (2001), critic S. T. Joshi[45] devotes a chapter to King's work. Joshi argues that King's best-known works (his supernatural novels), are his worst, describing them as mostly bloated, illogical, maudlin and prone to deus ex machina endings. Despite these criticisms, Joshi argues that since Gerald's Game (1993), King has been tempering the worst of his writing faults, producing books that are leaner, more believable and generally better written. Joshi also stresses that, despite his flaws, King almost unfailingly writes insightfully about the pains and joys of adolescence, and has produced a few outstanding books and stories. Joshi cites two early non-supernatural novels—Rage (1977) and The Running Man (1982)—as King's best, suggesting both are riveting and well-constructed suspense thrillers, with believable characters.

In 1996, King won an O. Henry Award for his short story "The Man in the Black Suit."

In 2003, King was honored by the National Book Awards with a lifetime achievement award, the Medal of Distinguished Contribution to American Letters, with his work being described thus:

Stephen King’s writing is securely rooted in the great American tradition that glorifies spirit-of-place and the abiding power of narrative. He crafts stylish, mind-bending page-turners that contain profound moral truths–some beautiful, some harrowing–about our inner lives. This Award commemorates Mr. King’s well-earned place of distinction in the wide world of readers and book lovers of all ages.

Some in the literary community expressed disapproval of the award: Richard Snyder, the former CEO of Simon & Schuster, described King's work as "non-literature", and critic Harold Bloom denounced the choice:

The decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis.[46]

However, others came to King's defense, such as writer Orson Scott Card, who responded:

Let me assure you that King's work most definitely is literature, because it was written to be published and is read with admiration. What Snyder really means is that it is not the literature preferred by the academic-literary elite."[47]

In Roger Ebert's review of the 2004 movie Secret Window, he states "A lot of people were outraged that [King] was honored at the National Book Awards, as if a popular writer could not be taken seriously. But after finding that his book On Writing had more useful and observant things to say about the craft than any book since Strunk and White's The Elements of Style, I have gotten over my own snobbery."[48]

In 2008, King's book On Writing was selected by Entertainment Weekly as one of the "The New Classics: The 100 Best Reads from 1983 to 2008". On Writing was ranked 21st.[49].

Influence on popular culture

Since the publication of Carrie, public awareness of King and his works has saturated at a high level,[50] and his works have become as popular as The Twilight Zone or the films of Alfred Hitchcock.[51] As one of the best-selling novelists in the world, and the most financially successful horror writer in history, King is an American horror icon of the highest order. King's books and characters encompass primary fears in such an iconic manner that his works have become synonymous with certain key genre ideas.

Awards

  • Spokane Public Library Golden Pen Award 1986: Golden Pen Award
  • Us Magazine 1982: Best Fiction Writer of the Year

See also

Bibliography
Family
King's fictional topography
Publishers
Projects

References

  1. ^ a b c Anstead, Alicia (2008-01-23). "UM scholar Hatlen, mentor to Stephen King, dies at 71". Bangor Daily News. http://bangornews.com/news/t/city.aspx?articleid=159261&zoneid=176. Retrieved 2008-03-04. 
  2. ^ http://www.usaweekend.com/09_issues/090308/090308king.html
  3. ^ a b c d King, Tabitha; Marsha DeFilippo. "Stephen King.com: Biography". http://www.stephenking.com/biography.php. Retrieved 2008-03-04. 
  4. ^ Beahm, George The Stephen King Story: A Literary Profile Andrews and McMeel. 1991. ISBN 0-8362-7989-1 : pp.101
  5. ^ a b c d e King, Stephen (2000). On Writing. Scribner. ISBN 0684853523. 
  6. ^ Wood, Rocky et al. 'Stephen King: Uncollected, Unpublished Abingdon, Maryland 2006 ISBN 1-58767-130-1
  7. ^ Private Research by Rocky Wood confirmed by a copy of the original publication secured in 2008
  8. ^ King, Stephen (2000). On Writing. Scribner. pp. 76–77. ISBN 0684853523. 
  9. ^ Peter David discusses the signing on his blog.
  10. ^ Another blog entry of the signing with photos and links to interviews.
  11. ^ Stephen King Ventures Into Comic Books
  12. ^ Abrams on Dark Tower?
  13. ^ King, Stephen. "Stephen King FAQ: "Why did you write books as Richard Bachman?"". StephenKing.com. http://www.stephenking.com/pages/FAQ/Stephen_King/whybachman.php. Retrieved December 13 2006. 
  14. ^ Brown, Steve. 'Richard Bachman Exposed'. Lilja's Library: The World of Stephen King. Retrieved December 27, 2008.
  15. ^ 'Blaze - Book Summary'. Simon & Schuster. Retrieved January 10, 2009.
  16. ^ Stephen King cracking jokes following surgery - June 21, 1999
  17. ^ Liljas-library homepage
  18. ^ Novelist Stephen King: NPR
  19. ^ "Stephen King.com: The Official FAQ: Is it true that you have retired?". http://www.stephenking.com/pages/FAQ/Stephen_King/retired.php. Retrieved 2008-03-04. 
  20. ^ Slashdot | Stephen King's Net Horror Story
  21. ^ ABC News, Stephen King mistaken for vandal in Alice
  22. ^ Vertigo Blog - SCOTT SNYDER and STEPHEN KING to write a new horror comic book series, AMERICAN VAMPIRE, 10,25,09
  23. ^ Internet Movie DataBase - Heart Shaped Box
  24. ^ "River of Grass Ministry". http://www.riverofgrass.org/index.php?option=com_content&view=category&layout=blog&id=27&Itemid=12. Retrieved 2009-04-05. 
  25. ^ The Pop of King: The Tao of Steve
  26. ^ King, Stephen; "Videogame Lunacy"; "The Pop of King" Entertainment Weekly; April 11, 2008.
  27. ^ Discussion on Writing with Stephen King: C-SPAN Video Library
  28. ^ Writer Stephen King: If You Can't Read, You'll End Up in the Army or Iraq
  29. ^ "StephenKing.com". 2008-05-05. http://www.stephenking.com/. Retrieved 2008-05-23. 
  30. ^ McGarrigle, Dale (2008-05-08). "Stephen King defends remarks on Army, Iraq". Bangor Daily News. http://bangornews.com/news/t/news.aspx?articleid=164062&zoneid=500. Retrieved 2008-05-23. 
  31. ^ Stephen King backing Barack Obama: US Entertainment
  32. ^ Everything You Need to Know About Writing Successfully—in Ten Minutes
  33. ^ King, Stephen (2001). Dreamcatcher. Scribner. ISBN 0743211383. 
  34. ^ "Stephen King's official site". http://www.stephenking.com/pages/FAQ/Stephen_King/whywriter.php. Retrieved 2007-05-14. 
  35. ^ King, Stephen (1976). Night Shift. xii: Doubleday. pp. 336. 
  36. ^ Stephen King writes for FANGORIA!
  37. ^ StephenKing.com: 'Salems Lot
  38. ^ Robertson, Don (1987). The Ideal, Genuine Man. Bangor, ME: Philtrum Press. viiI. 
  39. ^ "Exclusive: Stephen King on J.K. Rowling, Stephenie Meyer"
  40. ^ Gauntlet Press website, forth coming titles
  41. ^ Bolle Gregmar. "Complete Blue Oyster Cult Discography" (PDF). Blue Oyster Cult. http://www.blueoystercult.com/Studio/BOC_Discography.pdf. Retrieved 2008-07-14. 
  42. ^ Vertigo blog, SCOTT SNYDER and STEPHEN KING to write a new horror comic book series, AMERICAN VAMPIRE, Sunday, October 25th, 2009
  43. ^ "Internet Movie Database: Stephen King". http://www.imdb.com/name/nm0000175/. Retrieved 2007-04-10. 
  44. ^ The Today Show, 8 February, 2008
  45. ^ Joshi, S.T, The Modern Weird Tale: A Critique of Horror Fiction, McFarland & Company, 2001, ISBN 978-0786409860
  46. ^ Boston.com / News / Boston Globe / Editorial / Opinion / Op-ed / Dumbing down American readers
  47. ^ Yummi Bears, Lions, Boomtown, Mayer, and King - Uncle Orson Reviews Everything
  48. ^ Chicago Sun-Times - Reviews Secret Window (xhtml)
  49. ^ http://www.ew.com/ew/article/0,,20207076_20207387_20207349,00.html
  50. ^ Linda Badley, Writing Horror and the Body: The Fiction of Stephen King, Clive Barker, and Anne Rice (Contributions to the Study of Popular Culture) (Greenwood Press, 1996); Michael R. Collings, Scaring Us to Death: The Impact of Stephen King on Popular Culture (Borngo Press; 2nd Rev edition, 1997, ISBN 0930261372).
  51. ^ Amy Keyshian, Stephen King (Pop Culture Legends) (Chelsea House Publications, 1995).

Additional reading

  • The Many Facets of Stephen King, Michael R. Collings, Starmont House, 1985, ISBN 0930261143
  • The Shorter Works of Stephen King, Michael R. Collings with David A. Engebretson, Starmont House, 1985, ISBN 093026102X
  • Stephen King as Richard Bachman, Michael R. Collings, Starmont House, 1985, ISBN 0930261003
  • The Annotated Guide to Stephen King: A Primary and Secondary Bibliography of the Works of America’s Premier Horror Writer, Michael R. Collings, Starmont House, 1986, ISBN 0930261801
  • The Films of Stephen King, Michael R. Collings, Starmont House, 1986, ISBN 0930261100
  • The Stephen King Phenomenon, Michael R. Collings, Starmont House, 1987, ISBN 0930261127
  • Horror Plum'd: An International Stephen King Bibliography and Guide 1960-2000, Michael R. Collings, Overlook Connection Press, 2003, ISBN 1-892950-45-6
  • The Complete Stephen King Encyclopedia, Stephen Spignesi, Contemporary Books, 1991, ISBN 9780809238187
  • The Lost Work of Stephen King, Stephen Spignesi, Birch Lane Press, 1998, ISBN 9781559724692
  • The Essential Stephen King, Stephen Spignesi, Career Press, 2001, ISBN 9781564147103
  • The Complete Guide to the Works of Stephen King, Rocky Wood, David Rawsthorne and Norma Blackburn, Kanrock Partners, ISBN 0975059335
  • Stephen King: Uncollected, Unpublished, Rocky Wood, Cemetery Dance, 2006, ISBN 1587671301
  • The Stephen King Collector's Guide, Rocky Wood and Justin Brooks, Kanrock Partners, ISBN 978-0-9750593-5-7
  • Stephen King: A Primary Bibliography of the World's Most Popular Author, Justin Brooks, Cemetery Dance, 2008, ISBN 1587671530
  • Stephen King: The Non-Fiction, Rocky Wood and Justin Brooks, Cemetery Dance, 2008, ISBN 1-58767-160-3
  • Stephen King Is Richard Bachman, Michael R. Collings, Overlook Connection Press, March 2008, ISBN 1-892950-74-X

See also Books about Stephen King

External links



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