Phantom of the Opera Movie

I believe that the rising action would be during the time between Christine accepting Raoul's proposal and her agreement to perform in the Phantom's opera, Don Juan Triumphant. Most of the action would take place during The Point of No Return, and the climax would be her unmasking him and then the scene down in the Phantom's lair.

Major cast members of the original Broadway cast when it pened in 1956 were Rex Harrison (Henry Higgins), Julie Andrews (Eliza), Stanley Holloway (Alfred P. Doolittle) and Robert Coote (Pickering).

Yes in Gaston Leroux's Phantom of the Opera, he dies of a broken heart. Christine's kiss was too much for him, he never been kiss before. He decided to set her free, Raoul free, told her she can marry Raoul or anyone if she likes.

Andrew Lloyd Webber's Musical Phantom of the Opera-No, the Phantom disappears.

Lon Chaney's 1925 Phantom of the Opera, he is killed by the mob.

Claude Rain's 1943 Phantom of the Opera, the cave's rocks falls on him.

Other movies of the Phantom of the Opera will have their own ending to the Phantom.

Michael Crawford created most of the role and won all the awards a stage actor can get. He played the Phantom role in London, New York City and Las Vegas.

Sarah Brightman played Christine Daaé, but Dale Kristien took off since Sarah had left in 1988. Dale Kristien is the longest running Christine in history, since 1988 em New York City to Las Vegas. She played with both Michael and Steve Barton. Steve Barton played Raoul in London and New York City. The Phantom of the Opera is the longest running musical in the history of Broadway, because of the hard work of Michael, the cast and the producers.

Very basically - Set in Rome 1800. Tosca [opera singer] and Cavaradossi [painter / artist] are in love. Scarpia [police chief] is in love with Tosca and offers to spare Cavaradossi's life in exchange for her love. She agrees so Scarpia tells her [untruthfully] they will only pretend to execute Cavaradossi and gives her a safe passage pass. She them kills Scarpia but on finding they have executed Cavaradossi she kills herself.

The opera usually lasts around 3 hours in a theater (when you see it live), and a little less on a recording, which has no intermissions.

the song directly before all i ask of you is why have you brought me here

Athena sent telemachos to pylos and Sparta mainly for two reasons. Firstly to become a man, as he would have still been viewed as a boy as he hadn't gone of one his own at this point in the story and secondly because as he was getting older he was a threat to the suitors so they might have killed him to get to his mother.

Gaston Leroux-Phantom of the Opera

Christine age 20 from Sweden, her father dying promises her an Angel of Music to protect her and teach her the beauty of music. She lives at the Opera House in Paris as a understudy dancer.

Raoul age 22, rich, a Count, a childhood friend of Christine.

Erik age unknown, deformed, musical genius, he teaches Christine to sing with perfection falls in love with her, would do anything for her even to commit murder.

Christine sings about her father in the Angel of music and in the graveyard when she sings Wishing you were somehow here again.

Sincerely,

Phantomfreak6377

Le Fantôme de l'Opéra (English: The Phantom of the Opera) was first published as a serialisation in Le Gaulois from September 23, 1909 to January 8, 1910.

Her father is a "WASP" (her words!) and her mother is Jewish.

christine main soprano

phantom also known as eric sings duets with christine

philip christines fiance and childhood friend

The three original cast from Phantom of the Opera, in 1925, Lon Chaney as the Phantom, Mary Philbin as Christine, Norman Kerry as Raoul.

Andrew Lloyd Webber's Phantom of the Opera in October 1986, Michael Crawford as the Phantom, Sarah Brightman as Christine, Steve Barton as Raoul.

Broadway-New York

Rear Mezzanine(F to J)-$76.50

Rear Mezzanine (A to E)- $91.50

Front Mezzanine- $131.50

Orchestra- $131.50

Premium Orchestra-$201.50

This does not include tax.

Gaston Leroux meant for it to be a horror/mystery novel, but he connected it to some real life events, such as the chandelier crashing. The Phantom of the Opera is believed to be based on a true story, meaning that there may have really been a disfigured genius who lived beneath the Opera House.

Christine, Roul(not sure if I spelled that right), and the Phantom

No no noo!!! I think the questioner is asking who they ARE!

Phantom- Gerald Butler

I have no idea what Christine and Raoul's real names are,

but Google it, and you'll find a movie thing with all the names of the characters!~

you have to get it in tanglevine jungle near the river. it is near a rock with crystals on them u have to go through them.


NOT REAL CRYSTALS THAT U CAN GET!

The primary conflict is that between Raoul and the Phantom, as they vie for Christine's love; the interal conflict of Christine herself, having to choose of the two, is also somewhat present in the first act. Secondary conflicts are those for control of the opera house between the Phantom and the managers Andre and Firmin, and for the top spot as female lead between Christine and Carlotta (although this is not so much of a conflict itself as another facet of the previous one).

Yes, in very many ways. A monkey symbolizes many things that are strongly related to the story. The movie's end has a moment where Christine is sailing away with Raoul but turns to look back at the Phantom, while she sings the words "Share each day with me, each night, each morning...", that is also in the original screenplay, which states that she seems to be singing that to the Phantom.

In India, the monkey is a symbol of soul. Monkeys may represent lust. A monkey may also represent positive attributes, such as inspiration and a sense of freedom. Monkeys as symbols appear to have a double or twin meaning. Whether positive or negative, the monkey is revealing something about what is going on in your inner world.

This is why it may be validly interpret that Christine, though had been a happy and beloved wife and mother in her marriage with Raoul, she had always been torn in two. As in never felt truly free because by leaving the Phantom behind, she parted from an essential part of her. The Phantom had once inspired her voice and she obviously had felt tons of lust towards him and according to the film's director, Joel Schumacher, she felt a very deep and very soulful union with the Phantom. Perhaps, by bringing to her graveside, the monkey music box which by the way had belonged to the person with whom Christine had emotionally/spiritually shared every moment of her life, Raoul wanted to make a gesture of understanding or apology to her. After all he went through a lot of trouble to get the object and the film makes it seem like the story we see is him remembering the events on his way to Christine's grave.

Also, the music box plays the tune of "Masquerade", which lyrics appeal and connect to the Phantom's character. ("Masquerade, paper faces on parade. Masquerade, hide your face so the world will never find you.")

Not technically. Technically speaking, both versions - film and stage - are not classical operas, they're musicals. (And even the literature/promotional materials refer to it as such, actually-) Traditionally, operas have little or no spoken words - all of the dialogue is sung. Musicals have numbers that represent conversations, advance the plotline, or serve some other major purpose... but they also contain "normal" theatrical spoken dialogue. It's close, though. The spoken dialogue really is at a minimum... but then again, music IS the soul of the entire plot, more or less, which makes it much easier to fuse the two.

The Phantom: Gerard Butler

Christine Daae: Emmy Rossum

Raoul: Patrick Wilson

Madame Giry: Miranda Richardson

Meg Giry: Jennifer Ellison

La Carlotta: Minnie Driver

Buquet: Kevin McNally

Firmin: Ciaran Hinds

Andre: Simon Callow Director: Joel Schumacher

Original stage production/producer: Andrew Loyd Webber

Original Novel: Gaston Leroux

Right hand intro :

C# E A E C# E A E C# E G# E C# C# E A E B A C# E A E C#.

Left hand plays arpeggios to the chords A and C# minor.