Filmmaking

I was wondering the same thing. Perhaps there isn't one as most of those words are derived from Latin or Greek and they had no films then. Dunno. If I find out, I'll post.

GPO Film Unit was created in 1933.

The first question for YOU to answer is what do you really want to do? There are a lot of different jobs available in the professional film industry. Getting a movie made takes more than just a Director and Actors.

So first, figure out what it is you SPECIFICALLY want to do. Then, you need to find all of the schools and/or workshops that will help teach you that discipline. Then, you need to sift through those to determine which are the best for you plus any other considerations, such as location and cost.

No one can tell you what school is best for YOU. That's something only you can decide for yourself. Once you've narrowed your choices down, contact each school and ask very specific questions about what they will offer in terms of curriculum that will help you achieve your goals.

Having said all of that, you have to also understand that no school or degree will guarantee you a job in the professional film industry. Most careers are built on networking, hard work, perseverance, enthusiasm, and passion. A bit of luck comes into play, but you shouldn't bet your life and career on something so improbable. Once you find a school that suits your specific needs, you should work to improve your odds by going out into the real world and interning or volunteering on actual productions. Find a student film, an indie film, or just a local production company that will let you be there to observe how actual production works. You may be carrying cases or getting coffee, but getting away from the protected school environment and into the thick of the real world gives you actual experience PLUS you'll be meeting people who may be able to help you achieve your career goals.

If you are truly interested in telling stories on film and/or photography, the best advice is to remove yourself from the Internet and get out to the real world to practice your craft.

Yes, certainly, you'll want to learn a few basics, which you may be able to find on the Internet, but you could also find them in a book at your local library.

Your job will be to master your employment of the tool you've chosen to tell stories, and the tool you want to master is not the Internet.

There are 2 main types. The soviet montage, bases in investigations by Lev Kulechov in wich 3 different images conbined in different ways would create different ideas. The order of the images as the main element of language. The natural editing in wich movement, cuts transitions and shots along with rithm helps the audience not to get lost in the acction or in the fictional space. This helps to follow the story in a more natural efect-less narration.

The cameras need a good amount of light and that is done by lighting the set in the back and from the back, which is different from lighting from the side, top or front of the actor/ action scene.

This would be called a visual effect and would combine the talents of the actor, the director, the film editor and special effects team(s).

International Animated Film Association was created in 1960.

In filmmaking, a bullet hit could be described as the special effect that shows the visual result of a bullet hitting something: a human, an object or whatever.

Investors in films are primarily interested in return on their investments.

However, you may be able to find an investor simply interested in the subject matter of the film, the story, some aspect of the filmmaking process and so forth. Investors usually receive screen credit for a film, so seeing his/her name on the screen may be the deciding factor.

Hemdale Film Corporation was created in 1967.

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One definition explains the qualifier as the best, the most perfect example.

A quintessential film may be one that in some way, meets the definition of 'the best' or the 'most perfect example'. The name of the film(s) will be completely subjective, since there is no quantifiable way to name 'the' quintessential film.

The first unit is the main filming crew, which works with the lead actors and is directly controlled by the director.

The second unit is typically smaller and films shots which do not involve the lead actors, such as establishing shots, stunt double shots, etc. Basically, all the little shots which don't require the direct involvement of the director. The second unit will have its own director, who reports to the movie's director.

Pretty much as The boss's cut. The last word, doesn't matter if it's rigth or wrong.

The 'Shambala' festival a small festival with a variety of music, family friendly activities located in Northamptonshire. They have workshops, debates, shows, markets, demonstrations for entertainment.

Yes, some movie sets are miniatures or models.

Rose is a fictional character, Like Colonel Wilhelm Klink, not a real person, awright. It is a bit like asking if Steve Canyon was based on, say Chuck Yeager.

put in the script (acting) next to the character's name

with someone who looks like Lisa Kudrow from the back

a moment in which changes something that plays a big outcome in the end.

Like that moment near the middle or end of Act 2 in any film/play where plots are twisted, characters' motivations and secrets are revealed, leading to new realisations, different perspectives, and new plans. There's a whole section on film and plot techniques in this textbook 'Manipulate Your Marker' by Mitchell Grotte - I found it super helpful when trying to analyse and define pivotal scenes.

Yes, they were.