Plays

So we can survive the weathers in our system.The Earth travels on its axis in 23.5 degrees toward the sun.

I'm not sure but i bet she is single

i hope that answered your question kinda !!!

-Tori

There are many tragic elements present in King Lear that follow the outlines of most Shakespearian tragedies.

Firstly it is easy to note that King Lear was not a wise man. He is easily susceptible to flattery and would rather listen to the empty words of Goneril and Regan than that of Cordelia, who truly loves his but refuses to pander to his whims. It is clear that this is Lear's hamartia that it is this fatal character flaw that is his undoing.

When Cordelia refuses to give in to her father's need for flattery, he turns on her, disowning her without real cause. The parent turns on their child and thus upsets the natural order of things. This is another tragic element of this play and one that is echoed though out its cause, as later Lear's other daughters, Goneril and Regan, disown Lear, rejecting him and refusing to support him now they have what they wanted. The theme of children turning on their parent adds to the upset the in natural order further, creating the breakdown in state and leading to disorder on a massive scale. This theme of children and parentage is further used in the guise of Edgar and Edmund and their father Gloucester, but to a lesser extent than the primary characters.

Yet another tragic element is the decline in Lear's mental state. He spirals quickly from being a powerful king to an unwanted reject, an insane old man whom nobody wants. His life descends into chaos with the world around him, a fate that was put into action by his own hamartia and hubris.

The nature of tragedies is suffering, and it is inevitable that will suffer mentally and physically, or in some cases both. Lear's mental anguish is not the only tragic element within this play, there are many points that result in the suffering of the characters, even from the outset. The angst and pain caused by Cordelia's disinheritance, Gloucester and the loss of his eyes, the decline in his own metal state to the point of contemplating suicide, they are all examples of this tragic element.

As with most classic tragedies, the hamartia of the main character lead to a state of disorder on a massive scale, in that case of King Lear, this tragic element is displayed with the French invade and war ensues. (Modern tragedies tend to portray this element on a domestic level, such as conflicts with the family, discord in the home, etc.)

One of the final tragic elements that all tragedies deal with in one way or another is death, and King Lear has it in abundance. Through the course of the play and the many flaws of the characters, death rears its head many times. Cornwall is killed by a servant, Oswald by Edgar, Regan poisoned by her sister Goneril, Edmund by Edgar's hand, Goneril by her own hand, Gloucester through the events, Cordelia via Edgar's earlier edict and finally Lear through grief and madness.

However, as this tragic elements dictates, the death of the King and the others result in a learning experience for the other characters and even the audience. It is thought this final tragic element that hope of redemption is offered. In the case of King Lear, we find this redemption in Albany, Goneril's husband. He refused to aid his wife's cruelty towards Lear, and also helped to defend the country against the French invasion. In him we see the possibility of a better future and regeneration for the characters and countries in the story, and the audience as through the catharsis elements, they learn from the mistakes made, so that they might not commit the same errors.

"How like a fawning publican he looks!" Act 1 Scene 3

John Proctor's major complaint against Parris's sermons is that he preaches too much about hell and the eternal damnation of the people of Salem. Reverend Parris is a paranoid, power-hungry, yet oddly self-pitying figure. Many of the townsfolk, especially John Proctor, dislike him, and Parris is very concerned with building his position in the community.

In Henrik Ibsen's "A Doll's House," repetition manifests in themes, dialogue, and character behavior, highlighting the constraints of societal norms and personal relationships. Nora's repeated acts of deception, such as her secret borrowing, symbolize her struggle for autonomy. Additionally, the recurring motif of doors represents both entrapment and the potential for liberation. This use of repetition underscores the play's exploration of identity, gender roles, and the quest for self-discovery.

It's possible to make a strong case. Cassius' motivations are purely self-serving; whereas Brutus' motivations are - arguably - for the good of Rome. Therefore, each person's attitude/motivation towards Caesar's murder highlights the other's attitude/motivation. Thus, they are foils for one another.

The solution to the mystery is never explicitly expressed. The audience is given the facts and left to draw the correct conclusion.

who killed juler caesar

Macduff castle is located on the shore of the firth of Forth below the village of east wemyss

They're up to bat now.

hes not

The Prince of Arragon plays the casket game, chooses the silver casket and loses.

This play is a hilarious presentation of the primary cause behind the Trogen War: the abduction of Helen, the wife of the Spartan king, Menelaus, by Paris, the prince of Troy

Thomas Becket, the Archbishop of Canterbury in the 12th century, was a staunch advocate for the church's independence from royal authority. He believed in the primacy of the Church over secular powers and was committed to upholding ecclesiastical rights and privileges. Becket's strong convictions led to a conflict with King Henry II, ultimately resulting in his martyrdom, which reinforced his legacy as a symbol of religious integrity and resistance against tyranny.

They begin with the hero on top of the world.

Much Ado About Nothing.

Before Naruto could master Sage Mode, JIraiya was stronger than Naruto. Now that Naruto mastered Sage Mode and controlled Kurama, he is now stronger than Jiraiya.

First line of the play: "Now is the winter of our discontent made glorious summer by this son of York."

"A horse! A horse! My kingdom for a horse!"

"Was ever woman in this humour woo'd? Was ever woman in this humour won?"

Iago is disrespectful to women. To sweet Desdemona he talks about her in front of her, and even talks bad about his wife Emilia. He says that Emilia is a quiet women that when she needs to stand up for herself she doesn't talk, but when she doesn't need to talk, she's like a parrot. She cannot stop talking.

At the beginning of Act 2 scene 1 he says about women "You are pictures out of door, bells in your parlours, wildcats in your kitchens, saints in your injuries, devils being offended, players in your housewifery, and hussies in your beds."`

The correct quotation from Shakespeare's The Tempest is as follows:

Where the bee sucks. there suck I:

In a cowslip's bell I lie;

There I couch when owls do cry.

On the bat's back I do fly

After summer merrily.

Merrily, merrily shall I live now

Under the blossom that hangs on the bough.

It's a song sung by Ariel, who's a kind of fairy, and it's all about being a fairy. What does a bee suck? Nectar from a flower. Where the bee sucks is in a flower. Ariel says he or she does the same as the bee. The next line, "in a cowslip's bell I lie" says the same--Ariel is living in a flower.

Don't get put off by the reversed words "there suck I" instead of "there I suck". Try substituting other verbs. "Where Paris Hilton shops, there shop I", "Where the US Army fights, there fight I", or "Where the Pope prays, there pray I."

Everyman

We don't know who made it. An Egyptian sorcerer gave it to Othello's mother as a charm. Othello, in turn, gave it to Desdemona to insure her fidelity.