Sonnet

I say nay

my butt

They are called quatrains, which means "four line unit". They are followed by a couplet, which means "two line unit".

All blank verse has ten syllables per line.

His mistress in this poem is his beloved. That is not a particularly obsolete meaning.

A common phrase for that is "cheating the reaper".

A sonnet is a 14-line poem usually written in iambic pentameter. Typical rhyme schemes are abbaabbaccdccd (Petrarchian) or ababcdcdefefgg (Shakespearean). Shakespeare is credited with 154 of them.

There are fourteen examples of it--one in each line.

Imperfect.

Ugly

Some facts about William Shakespeare :

He passed away on his birthday

He started a family he had a wife and 2 children and his birthday was in the 23rd of April.

His loved his family and friends very much. They would never have a fall out with his wife. They are always by his ans hers side :-

Here are the three most common candidates for writing Shakespeare's plays apart from Shakespeare, who is the clear front-runner:

Francis Bacon-University Educated dude who publicly said he hated plays and the theatre and wrote only turgid academic treatises.

Edward de Vere, Earl of Oxford, who published a few insipid works in his own name. Nobody can explain why he would choose to have all of his most brilliant work published under someone else's name.

Christopher Marlowe, who, if he was Shakespeare, was writing plays twenty years after his death for some reason.

It`s about an old man who has fallen in love with a young man and is telling him that he is (1)Beautiful- and (2)Everyone dies. No one knows if Shakespeare was the old man or the young man or if he just made it up. Hope this helps! :)

Sir Thomas Wyatt and Henry Howard

Kidd

When I do count the clock that tells the time,

And see the brave day sunk in hideous night;

When I behold the violet past prime,

And sable curls, all silvered o'er with white;

When lofty trees I see barren of leaves,

Which erst from heat did canopy the herd,

And summer's green all girded up in sheaves,

Borne on the bier with white and bristly beard,

Then of thy beauty do I question make,

That thou among the wastes of time must go,

Since sweets and beauties do themselves forsake

And die as fast as they see others grow;

And nothing 'gainst Time's scythe can make defence

Save breed, to brave him when he takes thee hence.

14 lines

The emperor's new sonnet doesn't have any lines... no words at all. It's like the story The Emperor's New Clothes... he is just too boastful about his new cloth when in fact, he doesn't even have one. ---Marianne H.

A Shakespearean sonnet is a 14-line poem that rhymes in ababcdcdefefgg format. It's divided into three quatraines (4 line segments) and a couplet (two line segment), with the three quatraines introducing the problem or the question and the couplet bringing about the resolution or answer.

Polish and English families spoke completely different languages. Polish families consume bread with every meal and primarily eat pork for meals.

a sonnet consisting three quatrains and a concluding couplet in iambic pentameter with the rhyme pattern abab cdcd efef gg.

you simply write it with the pattern above(abab cdcd efef gg.) Sonnets are also usually in the theme of love

every holy books sent by god,to the messenger"s like bible to jesues and holy quran to mohamath (sal)so this book from god to people .

The volta, also called the turn, takes place in line 9 of a sonnet. The eight lines, called the octet, sets up a problem or describes a situation. The second part of a sonnet, six lines called the sestet, answers or complicates the octet. At the beginning of line 9, there should be a clear change from problem to solution, or situation to complication.

Frequently a sonnet's ninth line will begin with an opposite from something used near the end of line eight. One example is where "day" is the subject or metaphor of the octet, and is used in line eight. Then, at the start of the sestet, the first or second word is "night," and the sestet clearly focuses on some opposite of the "day" meaning or metaphor.

So, the "volta" is a change of meaning, intent, focus, direction, or outlook that occurs in line 9 of a sonnet. From day to night, from love to hate, from desire to indifference, or from desire to desire unfulfilled. Opposites or denials are common in line 9 as a turn. But, some poetic schools require that the very first word of the volta must signal change, or it becomes a delayed volta. A delayed volta might not signal the change until halfway through line 9. Or a delayed volta might not happen until line 10.

Shakespeare sometimes used the final couplet to shock, or deny the subject of the rest of the sonnet, and this served as the turn. Even though he might express a difference, or a hint of change in line 9, his volta came at line 13.

In order to demonstrate the difficulty of the accurately timed volta, think of a subject that has an opposite viewpoint, or focus. Write the octet extolling the virtues of the subject (in iambic pentameter.) Then write the sestet with an opposing viewpoint or opposing focus. Once you have written the sestet and have a clear understanding of the opposite, see if you can make the very first word of the sestet embody the essence of the opposite.

One such comparison comes to mind. "Samurai, honored clash of blades held high / or clean slice across the neck to die." There are many good or historical things to say about a samurai to fill the octet. At the beginning of line 9, focusing on the samurai's opponent, I would write: "Hacker with dull brass blade that only maims / who cannot see his target nor his aims." You see that even the first syllable, "hack" shows change from skill to inept use of a blade. That is a volta.

Shakespearean sonnets typically have 14 lines, written in iambic pentameter, with a rhyme scheme of ABAB CDCD EFEF GG. They often explore themes of love, beauty, time, and mortality, and use poetic devices like metaphors, similes, and personification.

The analysis of Sonnet 30 by Shakespeare focuses on themes of memory, loss, and the power of poetry to preserve love and beauty. The speaker reflects on past sorrows and finds solace in the memory of a loved one, suggesting that through the act of writing poetry, he can transcend the pain of loss and keep the memory of his beloved alive.