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Ernest Hemingway

 
Who2 Biography:

Ernest Hemingway, Writer

Ernest Hemingway
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  • Born: 21 July 1899
  • Birthplace: Oak Park, Illinois
  • Died: 2 July 1961 (suicide)
  • Best Known As: Famously manly author of For Whom the Bell Tolls

Ernest Hemingway is one of the most famous American writers of the 20th century. He wrote novels and short stories about outdoorsmen, expatriates, soldiers and other men of action, and his plainspoken no-frills writing style became so famous that it was (and still is) frequently parodied. His dashing machismo was almost as famous as his writing: he lived in Paris, Cuba and Key West, fancied bullfighting and big game hunting, and served as a war correspondent in WWII and the Spanish Civil War. Hemingway sealed his own notoriety when he killed himself with a shotgun in 1961. His books include The Sun Also Rises (1926), A Farewell to Arms (1929) and For Whom the Bell Tolls (1940). His short novel The Old Man and the Sea (1952) won the Pulitzer Prize in 1953, and Hemingway was given the Nobel Prize for Literature in 1954. His memoir of his early life in Paris, A Moveable Feast, was published posthumously in 1964.

Hemingway is also called by his familiar nickname "Papa"... His birthdate is sometimes listed in error as 1898. According to a 1954 article in the New York Times, "In most reference books and in his own conversation he is one year older because he gave 1898 as his birth date when he tried to enlist [in the army] early in 1917, and stuck to that date ever since"... Hemingway's father also committed suicide, shooting himself with a Civil War pistol in 1928... He wrote several short stories about the character Nick Adams, his youthful alter ego; they were collected in The Nick Adams Stories in 1972.

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Britannica Concise Encyclopedia:

Ernest Hemingway

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Ernest Miller Hemingway
Ernest Hemingway, photograph by Yousuf Karsh, 1959.
(click to enlarge)
Ernest Hemingway, photograph by Yousuf Karsh, 1959. (credit: Courtesy of Mary Hemingway; photograph, © Karsh from Rapho/Photo Researchers)
(born July 21, 1899, Cicero [now in Oak Park], Ill., U.S. — died July 2, 1961, Ketchum, Idaho) U.S. writer. He began work as a journalist after high school. He was wounded while serving as an ambulance driver in World War I. One of a well-known group of expatriate writers in Paris, he soon embarked on a life of travel, skiing, fishing, and hunting that would be reflected in his work. His story collection In Our Time (1925) was followed by the novel The Sun Also Rises (1926). Later novels include A Farewell to Arms (1929) and To Have and Have Not (1937). His lifelong love for Spain (including a fascination with bullfighting) led to his working as a correspondent during the Spanish Civil War, which resulted in the novel For Whom the Bell Tolls (1940). Other short-story collections include Men Without Women (1927), Winner Take Nothing (1933), and The Fifth Column (1938). He lived primarily in Cuba from c. 1940, the locale of his novella The Old Man and the Sea (1952, Pulitzer Prize). He was awarded the Nobel Prize for Literature in 1954. He left Cuba shortly after its 1959 revolution; a year later, depressed and ill, he shot himself. The succinct and concentrated prose style of his early works strongly influenced many British and American writers for decades.

For more information on Ernest Miller Hemingway, visit Britannica.com.

Military History Companion:

Ernest Hemingway

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Hemingway, Ernest (1899-1961), American big-game hunter, deep-sea fisherman, war correspondent, and winner of the 1954 Nobel Prize for Literature. Still a teenager, Hemingway volunteered for war work and was wounded on the Italian front in 1918, the basis for his first major book A Farewell to Arms (1929). His fascination with ‘grace under pressure’ was explored in his treatise on bullfighting, Death in the Afternoon (1932), and he returned to Spain in 1937 to cover the Spanish civil war, arriving in time for the end of the battle of Brihuega, part of the battle of Guadalajara, in which the Italians were stopped in a battle involving about 70 tanks. As war correspondents sometimes do, he overestimated its significance, reporting that ‘Brihuega will take its place in military history with all the other decisive battles of the world’; but that was the way it was in Spain, sometimes, and he distilled the experience in his greatest novel For Whom the Bell Tolls (1940). In WW II he was a thrusting war correspondent with US forces in Europe. After the war he summarized his philosophy with marvellous economy in The Old Man and the Sea (1952). Repeated accidents and alcoholism sapped his vitality and he shot himself in 1961.

— Christopher Bellamy

Biography:

Ernest Miller Hemingway

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Ernest Miller Hemingway (1899-1961), American Nobel Prize-winning author, was one of the most celebrated and influential literary stylists of the 20th century.

Ernest Hemingway was a legend in his own life-time - in a sense, a legend of his own making. He worked hard at being a composite of all the manly attributes he gave to his fictional heroes - a hard drinker, big-game hunter, fearless soldier, amateur boxer, and bullfight aficionado. Because the man and his fiction often seemed indistinguishable, critics have had difficulty judging his work objectively. His protagonists - virile and laconic - have been extravagantly praised and vehemently denounced. In his obsession with violence and death, the Hemingway creation has been rivaled only by the Byronic myth of the 19th century. Despite sensational publicity and personal invective, Hemingway now ranks among America's great writers. His critical stature rests solidly upon a small body of exceptional writing, distinguished for its stylistic purity, emotional veracity, moral integrity, and dramatic intensity of vision.

Ernest Hemingway was born in Oak Park, Ill., on July 21, 1899. His father was a country physician, who taught his son hunting and fishing; his mother was a religiously puritanical woman, active in church affairs, who led her boy to play the cello and sing in the choir. Hemingway's early years were spent largely in combating the repressive feminine influence of his mother and nurturing the masculine influence of his father. He spent the summers with his family in the woods of northern Michigan, where he often accompanied his father on professional calls. The discovery of his father's apparent cowardice, later depicted in the short story "The Doctor and the Doctor's Wife," and his suicide several years later left the boy with an emotional scar.

Despite the intense pleasure Hemingway derived from outdoor life, and his popularity in high school - where he distinguished himself as a scholar and athlete - he ran away from home twice. However, his first real chance for escape came in 1917, when the United States entered World War I. He volunteered for active service in the infantry but was rejected because of eye trouble.

After spending several months as a reporter for the Kansas City Star, Hemingway enlisted in the Red Cross medical service, driving an ambulance on the Italian front. He was badly wounded in the knee at Fossalta di Piave; yet, still under heavy mortar fire, he carried a wounded man on his back a considerable distance to the aid station. After having over 200 shell fragments removed from his legs and body, Hemingway next enlisted in the Italian infantry, served on the Austrian front until the armistice, and was decorated for bravery by the Italian government.

Learning His Trade

Shortly after the war Hemingway worked as a foreign correspondent in the Near East for the Toronto Star. When he returned to Michigan, he had already decided to commit himself to fiction writing. His excellent journalism and the publication in magazines of several experimental short stories had impressed the well-known author Sherwood Anderson, who, when Hemingway decided to return to Europe, gave him letters of introduction to expatriates Gertrude Stein and Ezra Pound. Hemingway and his bride, Hadley Richardson, journeyed to Paris, where he served his literary apprenticeship under these two prominent authors. Despite the abject poverty in which he and his wife lived, these were the happiest years of Hemingway's life, as well as the most artistically fruitful.

In 1923 Hemingway published his first book, Three Stories and Ten Poems. The poems are insignificant, but the stories give strong indication of his emerging genius. "Out of Season" already contains the psychological tension and moral ambivalence characteristic of his mature work. With In Our Time (1925) Hemingway's years of apprenticeship ended. In this collection of stories, he drew on his experiences while summering in Michigan to depict the initiation into the world of pain and violence of young Nick Adams, a prototype for later Hemingway heroes. The atrocities he had witnessed as a journalist in the Near East became the brief vignettes about intense suffering that formed inter chapters for the collection. One story, "Indian Camp," which sets the tone for the entire volume, has Nick accompanying his father, Dr. Adams, on a call during which the physician performs a caesarean operation with no anesthetic. They discover afterward that the squaw's husband, unable to bear his wife's screams, has killed himself by nearly severing his head with a razor. The story is written in Hemingway's characteristically terse, economic prose. "The End of Something" and "The Three Day Blow" deal with Nick's disturbed reaction to the end of a love affair. "The Big Two hearted River" describes a young man just returned from war and his desperate attempt to prevent mental breakdown.

Major Novels

Hemingway returned to the United States in 1926 with the manuscripts of two novels and several short stories. The Torrents of Spring (1926), a parody of Sherwood Anderson, was written very quickly, largely for the purpose of breaking his contract with Boni and Liveright, who was also Anderson's publisher. That May, Scribner's issued Hemingway's second novel, The Sun Also Rises. This novel, the major statement of the "lost generation," describes a group of expatriate Americans and Englishmen, all of whom have suffered physically and emotionally during the war; their aimless existence vividly expresses the spiritual bankruptcy and moral atrophy of an entire generation. Hemingway's second volume of short stories, Men without Women (1927), contains "The Killers," about a man who refuses to run from gangsters determined to kill him; "The Light of the World," dealing with Nick Adams's premature introduction to the sickening world of prostitution and homosexuality; and "The Undefeated," concerning an aging bullfighter whose courage and dedication constitute a moral victory in the face of physical defeat and death.

In December 1929 A Farewell to Arms was published. This novel tells the story of a tragically terminated love affair between an American soldier and an English nurse, starkly silhouetted against the bleakness of war and a collapsing world order. It contains a philosophical expression of the Hemingway code of stoical endurance in a violent age: "The world breaks everyone," reflects the protagonist, "and afterward many are strong in the broken places. But those that it will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of those you can be sure that it will kill you too, but there will be no special hurry."

Hemingway revealed his passionate interest in bull-fighting in Death in the Afternoon (1932), a humorous and inventive nonfiction study. In 1933 Scribner's published his final collection of short stories, Winner Take Nothing. This volume, containing his most bitter and disillusioned writing, deals almost exclusively with emotional breakdown, impotence, and homosexuality.

Hemingway's African safari in 1934 provided the material for another nonfiction work, The Green Hills of Africa (1935), as well as two of his finest short stories, "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro." Both stories concern attainment of self-realization and moral integrity through contact with fear and death.

Hemingway wrote To Have and Have Not (1937) in response to the 1930s depression. The novel, inadequately conceived and poorly executed, deals with a Florida smuggler whose illegal activities and frequent brutalities mask his sense of ethics and strength of character. Mortally wounded by the gangsters with whom he has been dealing, the individualistic hero comes to the startling realization that "One man alone ain't got no - chance."

The chief political catalyst in Hemingway's life was the Spanish Civil War. In 1936 he had returned to Spain as a newspaper reporter and participated in raising funds for the Spanish Republic until the war's end in 1939. In 1937 he collaborated on the documentary film The Spanish Earth. Hemingway's only writing during this period was a play, The Fifth Column (1936; produced in New York in 1940), a sincere but dramatically ineffective attempt to portray the conditions prevailing during the siege of Madrid.

Seventeen months after that war ended, Hemingway completed For Whom the Bell Tolls (1940). His most ambitious novel, it describes an American professor's involvement with a loyalist guerrilla band and his brief, idyllic love affair with a Spanish girl. A vivid, intelligently conceived narrative, it is written in less lyrical and more dramatic prose than his earlier work. Hemingway deliberately avoided having the book used as propaganda, despite its strained attempt at an affirmative resolution, by carefully balancing fascist atrocities with a heartless massacre by a peasant mob.

World War II

Following the critical and popular success of For Whom the Bell Tolls, Hemingway lapsed into a literary silence that lasted a full decade and was largely the result of his strenuous, frequently reckless, activities during World War II. In 1942 as a Collier's correspondent with the 3d Army, he witnessed some of the bloodiest battles in Europe. Although he served in no official capacity, he commanded a personal battalion of over 200 troops and was granted the respect and privileges normally accorded a general. At this time he received the affectionate appellation of "Papa" from his admirers, both military and literary.

In 1944 while in London, Hemingway met and soon married Mary Welsh, a Time reporter. His three previous marriages - to Hadley Richardson, mother of one son; to Pauline Pfeiffer, mother of his second and third sons; and to Martha Gelhorn - had all ended in divorce. Following the war, Hemingway and his wife purchased a home, Finca Vigia, near Havana, Cuba. Hemingway's only literary work was some anecdotal articles for Esquire; the remainder of his time was spent fishing, hunting, battling critics, and providing copy for gossip columnists. In 1950 he ended his literary silence with Across the River and into the Trees, a narrative, flawed by maudlin self-pity, about a retired Army colonel dying of a heart condition in Venice and his dreamy love affair with a pubescent girl.

Last Works

Hemingway's remarkable gift for recovery once again asserted itself in 1952 with the appearance of a novella about an extraordinary battle between a tired old Cuban fisherman and a giant marlin. The Old Man and the Sea, immediately hailed a masterpiece, was awarded the Pulitzer Prize in 1953. Although lacking the emotional tensions of his longer works, this novella possesses a generosity of spirit and reverence for life which make it an appropriate conclusion for Hemingway's career. In 1954 Hemingway won the Nobel Prize for literature.

Hemingway's rapidly deteriorating physical condition and an increasingly severe psychological disturbance drastically curtailed his literary capabilities in the last years of his life. A nostalgic journey to Africa planned by the author and his wife in 1954 ended in their plane crash over the Belgian Congo. Hemingway suffered severe burns and internal injuries from which he never fully recovered. Additional strain occurred when the revolutionary Cuban government of Fidel Castro forced the Hemingways to leave Finca Vigía. After only a few months in their new home in Ketchum, Idaho, Hemingway was admitted to the Mayo Clinic to be treated for hypertension and emotional depression and was later treated by electroshock therapy. Scornful of an illness which humiliated him physically and impaired his writing, he killed himself with a shotgun on July 2, 1961.

Shortly after Hemingway's death, literary critic Malcolm Cowley and scholar Carlos Baker were entrusted with the task of going through the writer's remaining manuscripts to decide what material might be publishable. The first posthumous work, A Moveable Feast (1964), is an elegiac reminiscence of Hemingway's early years in Paris, containing some fine writing as well as brilliant vignettes of his famous contemporaries. A year later the Atlantic Monthly published a few insignificant short stories and two long, rambling poems. In 1967 William White edited a collection of Hemingway's best journalism under the title By-Line Ernest Hemingway.

Further Reading

The authorized biography of Hemingway is Carlos Baker, Ernest Hemingway: A Life Story (1969). A controversial portrait is A. E. Hotchner, Papa Hemingway: A Personal Memoir (1966). Among the major full-length critical studies are Carlos Baker, Ernest Hemingway: The Writer as Artist (1952; 3d rev. ed. 1963), a textual study with emphasis on structure and symbolism; Philip Young, Ernest Hemingway (1952; rev. ed. 1966); Earl Rovit, Ernest Hemingway (1963); Richard B. Hovey, Hemingway: The Inward Terrain (1968); and Leo Gurko's more general Ernest Hemingway and the Pursuit of Heroism (1968).

The most valuable early critical essays on Hemingway are Edmund Wilson, "Hemingway: Gauge of Morale," in Wound and the Bow (1941); Robert Penn Warren, "Ernest Hemingway," in Selected Essays (1958); and Malcolm Cowley, "Nightmare and Ritual in Hemingway," reprinted in Robert Percy Weeks, ed., Hemingway: A Collection of Critical Essays (1962). The two major critical collections are John K. McCaffery, ed., Ernest Hemingway: The Man and His Work (1950), and Carlos Baker, ed., Hemingway and His Critics: An International Anthology (1961). See also the relevant sections in Joseph Warren Beach, American Fiction, 1920-1940 (1941); Edwin Berry Burgum, The Novel and the World's Dilemma (1947); Wilbur M. Frohock, The Novel of Violence in America, 1920-1950 (1950; 2d rev. ed. 1958); Frederick J. Hoffman, The Modern Novel in America, 1900-1950 (1951); and Ray B. West, The Short Story in America, 1900-1950 (1952).

US History Companion:

Hemingway, Ernest

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(1899-1961), novelist and adventurer. Born in Oak Park, Illinois, Hemingway influenced a generation of American writers and perhaps two generations of American men with his lean prose style and macho ethics. Revolting against an oppressively genteel mother and a stern doctor father, he declared himself a free soul, with allegiance to no country or creed except courage. After a brief stint on the Kansas City Star, he volunteered for the Red Cross ambulance corps in 1918. On the Italian front he was severely wounded after only a few weeks service. Upon recovering, he transferred his activities to Paris, where he reported for the Toronto Star and hobnobbed with writers such as Gertrude Stein. He began writing short stories set largely in northern Michigan where he had spent his boyhood summers.

His first novel, The Sun Also Rises (1926), won him international acclaim. A plotless tale about disillusioned expatriates in Paris who escape their ennui with drinking, brawling, and lovemaking, it became the bible of those whom Gertrude Stein christened "the lost generation." Hemingway followed this book with a far stronger story, A Farewell to Arms (1929), based on his wartime experiences in Italy. He also began cultivating a public persona as a sportsman and adventurer that became almost as important as his literary career. He hunted in the American West and in Africa, fished the Gulf Stream off Cuba, and wrote an essay on bullfighting, Death in the Afternoon (1932). Although he had proclaimed himself apolitical, Hemingway threw himself into supporting the Loyalist side in the Spanish civil war. He covered it as a corrrespondent and drew from the experience another fine novel, For Whom the Bell Tolls (1940).

Although Hemingway remained a public personality, his literary career went downhill, in part because of his alcoholism. He recovered some ground with a novella, The Old Man and the Sea, in 1952. An elemental tale about a heroic Cuban fisherman, the book won the Pulitzer Prize and positioned Hemingway for the Nobel Prize for literature, which he won in 1954. Thereafter he slipped into illness and depression, eventually killing himself with a favorite shotgun. Several works published posthumously have added little to his reputation. But his memoir of 1920s Paris, A Moveable Feast (1964), is full of rich observation and telling detail, including some savage attacks on fellow writers.

War was Hemingway's element. Although he stripped it of its glory, he remained profoundly fascinated by its brutality and violence--and the way it challenged men's traditional values. Oddly, he was unable to write successful fiction about World War II, which he also covered as a correspondent. Hemingway was at his best portraying men enduring defeat stoically, with grace and courage. A victorious war apparently left him artistically baffled. His attempt to create a philosophy out of his love of violence and danger was a failure. But his unforgettable prose style, the concentrated power of his best stories and novels, guarantee him a secure niche in American literature.

Bibliography:

Carlos Baker, Ernest Hemingway: A Life Story (1969); Scott Donaldson, By Force of Will (1977).

Author:

Thomas Fleming

See also Expatriates and Exiles; Literature.


 
Columbia Encyclopedia:

Ernest Hemingway

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Hemingway, Ernest, 1899-1961, American novelist and short-story writer, b. Oak Park, Ill. one of the great American writers of the 20th cent.

Life

The son of a country doctor, Hemingway worked as a reporter for the Kansas City Star after graduating from high school in 1917. During World War I he served as an ambulance driver in France and in the Italian infantry and was wounded just before his 19th birthday. Later, while working in Paris as a correspondent for the Toronto Star, he became involved with the expatriate literary and artistic circle surrounding Gertrude Stein. During the Spanish Civil War, Hemingway served as a correspondent on the loyalist side. He fought in World War II and then settled in Cuba in 1945. In 1954, Hemingway was awarded the Nobel Prize in Literature. After his expulsion from Cuba by the Castro regime, he moved to Idaho. He was increasingly plagued by ill health and mental problems, and in July, 1961, he committed suicide by shooting himself.

Work

Hemingway's fiction usually focuses on people living essential, dangerous lives-soldiers, fishermen, athletes, bullfighters-who meet the pain and difficulty of their existence with stoic courage. His celebrated literary style, influenced by Ezra Pound and Gertrude Stein, is direct, terse, muscular, and often monotonous, yet particularly suited to his elemental subject matter.

Hemingway's first books, Three Stories and Ten Poems (1923), In Our Time (short stories, 1924), and The Torrents of Spring (a novel, 1926), attracted attention primarily because of his literary style. With the publication of The Sun Also Rises (1926), he was recognized as the spokesman of the "lost generation" (so called by Gertrude Stein). The novel concerns a group of psychologically bruised, disillusioned expatriates living in postwar Paris, who take psychic refuge in such immediate physical activities as eating, drinking, traveling, brawling, and lovemaking.

His next important novel, A Farewell to Arms (1929), tells of a tragic wartime love affair between an ambulance driver and an English nurse. Hemingway also published such volumes of short stories as Men without Women (1927) and Winner Take Nothing (1933), as well as The Fifth Column, a play. His First Forty-nine Stories (1938) includes such famous short stories as "The Killers," "The Undefeated," and "The Snows of Kilimanjaro." Hemingway's nonfiction works, Death in the Afternoon (1932), about bullfighting, and Green Hills of Africa (1935), about big-game hunting, glorify virility, bravery, and the virtue of a primal challenge to life.

From his experience in the Spanish Civil War came Hemingway's great novel, For Whom the Bell Tolls (1940), which, in detailing an incident in the war, argues for human brotherhood. His novella The Old Man and the Sea (1952) celebrates the indomitable courage of an aged Cuban fisherman. Among Hemingway's other works are the novels To Have and Have Not (1937) and Across the River and into the Trees (1950); he also edited an anthology of stories, Men at War (1942). Posthumous publications include A Moveable Feast (1964, restored ed. 2009), a memoir of Paris in the 1920s; the novels Islands in the Stream (1970) and True at First Light (1999), a safari saga begun in 1954 and edited by his son Patrick; and The Nick Adams Stories (1972), a collection that includes previously unpublished pieces.

Bibliography

See his letters, ed. by C. Baker (1989) and ed. by M. J. Bruccoli (1996); M. S. Reynolds, Hemingway: An Annotated Chronology (1991); biographies by C. Baker (1969, rev. ed. 1980), J. Meyers (1986), M. S. Reynolds (5 vol. 1987-99), K. Lynn (1988), and J. R. Mellow (1993); P. Young, Ernest Hemingway: A Reconsideration (2d ed. 1966); C. Baker, Hemingway, the Writer as Artist (4th ed. 1972), H. S. Villard and J. Nagel, Hemingway in Love and War (1989), J. McLendon, Papa (1990).

Works:

Works by Ernest Hemingway

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(1899-1961)

1923Three Stories & Ten Poems. Hemingway's first publication is brought out by Robert McAlmon's Paris Contact Publishing Company. The stories included are "Out of Season," "My Old Man," and "Up in Michigan." The first two would become part of In Our Time (1925); the third, about a seduction and rape, was removed from this collection at the insistence of the publisher.
1924in our time. The vignettes that would become the interchapters of In Our Time (1925) are published in Paris. To Hemingway, the relationship between these brief scenes typifying contemporary life and the stories in that volume is "Like looking with your eyes at something, say a passing coastline, and then looking at it with 15x binoculars."
1925In Our Time. Readers are introduced to the soon-to-be-famous stripped-down Hemingway style and the character Nick Adams in this masterful collection of fifteen stories, framed by the brief prose vignettes previously published in Paris as in our time (1924). The volume, which attempts to characterize what it is like to live "in our time" amid continual violence and threat, includes some of Hemingway's finest stories, such as "Indian Camp," "The Battler," "Soldier's Home," and "Big Two-Hearted River."
1926The Torrents of Spring. Hemingway's first novel is a labored burlesque of the Chicago school of writers and its leading figure, Sherwood Anderson. Hemingway's second novel, The Sun Also Rises, also is published in 1926. It describes the postwar angst and malaise of a group of expatriates who love and quarrel in Paris and Pamplona, Spain, during the annual running of the bulls. Regarded as a prose echoing of T. S. Eliot's The Waste Land, the novel helps define the postwar generation and its values and is perhaps Hemingway's greatest accomplishment as a novelist.
1927Men Without Women. Hemingway's second short story collection contains some of his best work, including "The Undefeated," "The Killers," and what is perhaps the central example of the author's "iceberg principle" of omission, "Hills Like White Elephants," in which a couple "discusses" an abortion and their failed marriage without ever bringing up the subjects.
1929A Farewell to Arms. The author's war wound and love affair with a nurse during World War I in Italy provide the basis for his third novel. Frederic Henry and Catherine Barkley make a separate peace after the disastrous Caporetto retreat (regarded by many as among the greatest fictional depictions of warfare) to Switzerland, but Catherine's death in childbirth makes Hemingway's point that violent death is a constant of the human condition.
1932Death in the Afternoon. Bullfighting as existential and artistic metaphor is Hemingway's subject in this discourse, which interweaves the history and practices of bullfighting with observations on death, modern literature, and the art of living. The book is an essential source for understanding Hemingway's philosophy of combat and "grace under pressure."
1933Winner Take Nothing. This short story collection includes important works such as "A Clean, Well-Lighted Place," "A Way You'll Never Be," "Homage to Switzerland," and "A Natural History of the Dead."
1935Green Hills of Africa. Hemingway's account of an African safari is, in the author's words, an attempt "to write an absolutely true book to see whether the shape of a country and the pattern of a month's action can, if truly presented, compete with a work of the imagination." Most reviewers decide that he failed, but the work retains its major significance today as a repository for Hemingway's reflections on his art and literature.
1937To Have and Have Not. Hemingway's only novel of the 1930s is the often cynically brutal story of Key West "conch" Harry Morgan, who is forced by economic necessity into illegal activities. His realization on the point of death that "One man alone ain't got... no chance" demonstrates Hemingway's increasing social concerns and his acknowledgment of the need for collective action, both derived from the writer's experiences in Spain. Reviewers, although impressed by some of the novel's passages and episodes, generally see in the novel signs of Hemingway's decline.
1938The Fifth Column and the First Forty-nine Stories. Hemingway's only play is combined with his collected stories, including recent ones such as "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro." The Fifth Column, set during the siege of Madrid during the Spanish Civil War, would be produced on Broadway in 1940.
1938The Spanish Earth. Transcript of Hemingway's narration and commentary for the 1937 film documentary on the Spanish Civil War, produced and directed by Joris Ivens with a screenplay by Archibald MacLeish, John Dos Passos, and Lillian Hellman.
1940For Whom the Bell Tolls. Hemingway's novel of the Spanish Civil War, arguably his most ambitious work, tells the story of Robert Jordan's mission to blow up a bridge vital to an upcoming Republican offensive. Written in a burst of creative energy, it counters the notion that Hemingway is a spent force. "Hemingway the artist is with us again," declares critic Edmund Wilson, "and it is like having an old friend back."
1942Men at War: The Best War Stories of All Time. Hemingway supplies an introduction for this compilation of factual and fictional war stories he selected together with William Kozlenko.
1950Across the River and into the Trees. Hemingway's first novel in a decade concerns aging army colonel Robert Cantwell's trip to revisit the place where he was wounded in World War I. Generally regarded as one of Hemingway's weakest books, it is viewed as the bitter work of a defeated man whose writing skills have failed him.
1952The Old Man and the Sea. Hemingway's moving parable about humanity's struggle to survive in a hostile world helps the writer recapture critical approval. Some regard this novella, about an aged Cuban fisherman's futile attempts to save his catch of a giant marlin from preying sharks, as Hemingway's greatest work. The Old Man and the Sea is mentioned prominently when Hemingway is awarded the Nobel Prize two years later.
1964A Moveable Feast. A posthumously published collection of sketches about the writer's life and acquaintances in Paris during the early 1920s. Together with a nostalgia for the past and the city, Hemingway shows a mean-spirited attitude toward his rival and sometime friend, F. Scott Fitzgerald.
1970Islands in the Stream. Hemingway's posthumously published novel features the recollections of a lonely painter who much resembles Hemingway himself. It is the first of several discarded or abandoned Hemingway fragments to appear. John Updike calls it "a gallant wreck of a novel" being "paraded as the real thing."
1981Selected Letters, 1917-1961. Edited by Carlos Baker, this volume offers a representative sampling of Hemingway's correspondence. Both his noble, sensitive side and his crass, bullying side are displayed. Baker includes the writer's letters to his parents and to famous writers such as F. Scott Fitzgerald, William Faulkner, and John Dos Passos.
1985The Dangerous Summer. This book reprints a long article commissioned by Life magazine in 1959, dealing with bullfighting and including Hemingway's reflections about the 1950s.
1986The Garden of Eden. At his death Hemingway left more than three thousand pages of manuscript, including novels he was still working on. This posthumous publication is autobiographical and concerns an author's first two marriages. The work is noteworthy for its exploration of the nature of sex and male-female relationships, demonstrating a less macho side of the author.

Quotes By:

Ernest Hemingway

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Quotes:

"As you get older it is harder to have heroes, but it is sort of necessary."

"The world breaks everyone and afterward many are stronger at the broken places."

"That terrible mood of depression of whether it's any good or not is what is known as The Artist's Reward."

"Decadence is a difficult word to use since it has become little more than a term of abuse applied by critics to anything they do not yet understand or which seems to differ from their moral concepts."

"A man can be destroyed but not defeated."

"Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similes (bring me my dictionary) are like defective ammunition (the lowest thing I can think of at this time)."

See more famous quotes by Ernest Hemingway

Wikipedia:

Ernest Hemingway

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Ernest Hemingway

Hemingway in 1939
Born July 21, 1899(1899-07-21)
Oak Park, Illinois, United States
Died July 2, 1961 (aged 61)
Ketchum, Idaho, United States
Nationality American
Notable award(s) Nobel Prize in Literature
1954 Pulitzer Prize for Fiction – 1953
Spouse(s) Elizabeth Hadley Richardson (1921–1927)
Pauline Pfeiffer (1927–1940)
Martha Gellhorn (1940–1945)
Mary Welsh Hemingway (1946–1961)
Children Jack Hemingway (1923–2000)
Patrick Hemingway (1928–)
Gregory Hemingway (1931–2001)
Signature

Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American writer and journalist. During his lifetime he wrote and had published seven novels, six collections of short stories, and two works of non-fiction. Since his death three novels, four collections of short stories, and three non-fiction autobiographical works have been published. Hemingway had an enormous influence on 20th century fiction, not only for the writing style he introduced, but because of the apparent life of adventure he followed, and the public image he cultivated. In 1954 Hemingway received the Nobel Prize in Literature—when he was at the pinnacle of his career..

Hemingway was born and raised in Oak Park, Illinois. After high school he worked as a reporter but within months he left for the Italian front to be an ambulance driver in World War I. He was seriously injured and returned home within the year. He married his first wife Hadley Richardson in 1922 and moved to Paris, where he worked as a foreign correspondent. During this time Hemingway met, and was influenced by, writers and artists of the 1920s expatriate community known as the "Lost Generation". In 1924 Hemingway wrote his first novel, The Sun Also Rises.

Hemingway was married four times: he married Pauline Pfeiffer in the late 1920s after his divorce from Hadley; he divorced Pauline when his returned from the Spanish Civil War. He married Martha Gellhorn in 1940 but left her for Mary Welsh Hemingway after World War II. During the 1930s and 1940s he had permanent residences in Key West, Florida and in Cuba. He covered the Spanish Civil War after which he wrote For Whom the Bell Tolls. During World War II he was present at Operation Overlord, and in Paris during the liberation of Paris. Across the River and Into the Trees was the last novel he wrote that decade.

The Old Man and the Sea was published in 1952, after which Hemingway went on safari to Africa where he nearly died in a plane accident. Much of the rest of his life was spent in pain or in ill-health. In 1959, he moved from Cuba to Idaho, where he committed suicide in the summer of 1961.

Hemingway produced most of his work between the mid 1920s and the mid 1950s, though a number of unfinished works were published posthumously. Hemingway's distinctive writing style is characterized by economy and understatement, and had a significant influence on the development of twentieth-century fiction writing. His protagonists are typically stoical men who exhibit an ideal described as "grace under pressure." Many of his works are now considered classics of American literature. During his lifetime, Hemingway's popularity peaked after the publication of The Old Man and the Sea.

Contents

Biography

Early life

Birthplace in Oak Park, Illinois

Ernest Miller Hemingway was born on July 21, 1899 in Oak Park, Illinois, a suburb of Chicago.[1] His father, Clarence Edmonds Hemingway, was a physician and his mother, Grace Hall–Hemingway (she hyphenated her last name) a musician. The family was well-educated and well-respected in the conservative community of Oak Park.[2] The family lived in a seven–bedroom home, with a music studio for his mother and medical office for his father, that was located in a respectable neighborhood.[3] When Clarence and Grace Hemingway married in 1896, they moved in with Grace's father, Ernest Hall.[4] Hemingway was named after his maternal grandfather, although he claims to have disliked his given name which he "associated with the naive, even foolish hero of Oscar Wilde's play The Importance of Being Earnest".[5]

Hemingway's mother was a classically trained musician who performed frequently in various venues in the village. Later in life he professed to hate his mother, though biographer Michael Reynolds points out that Hemingway himself mirrored his mother's energy and enthusiasm.[6] Her insistence that he learn the cello became a "source of conflict", but he later admitted the music lessons were useful to his writing as in the "contrapunctal structure of For Whom the Bell Tolls.[7] The family owned a summer home called Windemere on Walloon Lake, near Petoskey, Michigan where they went in the summers. At the cottage on the lake Hemingway learned to hunt, fish, and camp in the woods and lakes of Northern Michigan. His early experiences with nature instilled a passion for outdoor adventure, living in remote or isolated areas, hunting and fishing, and became permanent interests.[8] His father Clarence was his teacher in the outdoor life until depression caused him become reclusive when Hemingway was about 12 years old.[9]

Hemingway in WWI uniform.(JFK Library)

Hemingway attended Oak Park and River Forest High School from 1913 until 1917. He played a variety of sports: boxing, track, water polo, and football; and had good grades in English classes.[10] He and sister Marcelline performed in the school orchestra for two years.[11]Beginning his junior year, he wrote and edited the "Trapeze" and "Tabula" (the school's newspaper and yearbook), in which he imitated the language of sportswriters, and sometimes used the pen name Ring Lardner, Jr., a nod to his literary hero Ring Lardner of the Chicago Tribune who used the byline "Line O'Type".[12] After high school, Hemingway was hired as a cub reporter at The Kansas City Star, and like Mark Twain, Stephen Crane, Theodore Dreiser and Sinclair Lewis he worked as a journalist prior to becoming a novelist.[13] As a cub reporter, Hemingway learned that the truth often lurked below the surface of a story.[14] Although he worked at the newspaper for only six months—from October 17, 1917 to April 30, 1918—he relied on the Star's style guide as a foundation for his writing: "Use short sentences. Use short first paragraphs. Use vigorous English. Be positive, not negative."[15]

World War I

Early in 1918, Hemingway responded to a Red Cross recruitment effort and signed on as an ambulance driver. In the spring he returned for a quick trip home, and up to Michigan to fish, before leaving for New York.[16] He left New York in May, and arrived in Paris as the city was under bombardment from German artillery.[17] By June he was stationed at the Italian Front. The day he arrived in Milan he was dispatched to the scene of a munitions factory explosion where rescuers retrieved the shredded remains of the female workers.[18] A few days later he was stationed at Fossalta di Piave. On July 8 he was seriously wounded by mortar fire, having just returned from the canteen to deliver chocolate and cigarettes to the men at the front line.[19] Despite his wounds, Hemingway carried an Italian soldier to safety, for which he received the Italian Silver Medal of Bravery.[20] According to Hemingway scholar Hallengren, Hemingway "was the first American to be wounded during World War I".[21] Still only eighteen, Hemingway said of the incident: "When you go to war as a boy you have a great illusion of immortality. Other people get killed; not you....Then when you are badly wounded the first time you lose that illusion and you know it can happen to you."[22] He sustained shrapnel wounds to both legs; underwent an operation at a distribution center; spent five days at a field hospital; and was transferred to the Red Cross hospital in Milan for recuperation.[23] At the hospital in Milan, where he recuperated for six months, he met and fell in love with Agnes von Kurowsky, a Red Cross nurse seven years older than he.[24] Agnes and Hemingway planned to marry; however, she became engaged to an Italian officer in March 1919. The incident provided material for the short and bitter work A Very Short Story.[25] Biographer Jeffrey Meyers claims Hemingway was devastated by Agnes' rejection, and that he followed a pattern of abandoning a wife before she abandoned him in future relationships.[26]

Toronto and Chicago

Hemingway's 1923 passport photo

Hemingway returned home in early 1919, and spent the following summer in Michigan, fishing and camping with high school friends.[22] In September Hemingway left for the back country with two friends to fish and camp for a week. The trip became the inspiration for his short story "Big Two-Hearted River" in which Nick Adams takes to the country to find solitude after his return from war.[27] Late in the year he moved to Toronto and began to write for the Toronto Star Weekly where he worked as a freelancer, staff writer, and foreign correspondent.[28] In the fall of 1920, after having spent the summer in Michigan,[28] he moved to Chicago for a short period while still filing stories for the Toronto Star. He also worked as associate editor of the monthly journal Co-operative Commonwealth.[29] In Chicago Hemingway Hadley Richardson; she was eight years older than he (and one year older than Agnes).[30] A few months later when Hadley and Hemingway decided to marry they planned a honeymoon in Europe. Sherwood Anderson convinced the young couple to visit Paris, a city quickly attracting expatriate artists, mostly because of the attractive exchange rate.[31] Hemingway married Hadley on September 3, 1921. Two months later he became foreign correspondent for the Toronto Star and the couple left for Paris.[32]

Paris

Sherwood Anderson wrote letters of introduction for Hemingway to Gertrude Stein and other writers he had recently met in Paris.[33] Stein, who became Hemingway's mentor for a period, and introduced him to the "Parisian Modern Movement" in the Montparnasse Quarter, referred to the young expatriate artists as the "Lost Generation", a term Hemingway popularized with the publication of The Sun Also Rises.[34] A regular at Stein's salon Hemingway met young and newly influential artists such as Pablo Picasso, Joan Miro, and Juan Gris.[35] Eventually Hemingway withdrew from Stein's influence and their relationship deteriorated to a literary quarrel that spanned decades.[36] During this period Ezra Pound mentored the young writer.[37] Hemingway met Pound in February 1922, toured Italy with him in 1923, and lived on the same street in 1924. The two forged a strong friendship, and in Hemingway Pound recognized, and fostered, a talented writer.[38] A popular gathering place for writers was Sylvia Beach's Shakespeare and Company. She published James Joyce's Ulysses, and Hemingway met Joyce there in March 1922. The two writers frequently embarked on "alcoholic sprees."[39] Hemingway and Hadley lived in a small walk-up on the rue de Cardinal Lemoine and he worked single room in a nearby building.[40]

Ernest Hemingway with Lady Duff Twysden, Hadley Hemingway, and three unidentified people at a cafe in Pamplona, Spain, July 1925. (JFK Library)

In his first 20 months in Paris, Hemingway filed 88 stories for the Toronto Star.[41] He covered the Greco-Turkish War where he witnessed the burning of Smyrna; he wrote travel pieces such as "Tuna Fishing in Spain", "Trout Fishing All Across Europe: Spain Has the Best, Then Germany"; and he wrote about bullfighting—"Pamplona in July; World's Series of Bull Fighting a Mad, Whirling Carnival".[42] In December 1922 Hemingway was devastated when Hadley lost a suitcase filled with his manuscripts at the Gare de Lyons as she was travelling from Paris to Geneva to meet him.[43] A months later, when Hadley became pregnant, they returned to Toronto where their son John Hadley Nicanor was born on October 10, 1923. During their absence, Hemingway's first book, Three Stories and Ten Poems, was published. Two of the published stories were all he had left of his writings, after the loss of the suitcase, and the third had been written the previous spring in Italy. Within months a second volume, in our time (without capitals), was published. The small volume included six vignettes and a dozen stories Hemingway wrote the previous summer during his first visit to Spain. Hadley, Hemingway, and their son (nicknamed Bumby), returned to Paris in January 1924 and moved to a new apartment in the rue Notre Dame des Champs.[44] Hemingway went to work for Ford Madox Ford helping edit The Transatlantic Review, in which were published works by Pound, John Dos Passos, and Gertrude Stein, as well as some of Hemingway's own early stories such as "Indian Camp".[45] When "In Our Time" (with capital letters) was published in 1925 the dust jacket had comments from Ford.[46][47] Six months earlier, Hemingway met F. Scott Fitzgerald, and they began a friendship of "admiration and hostility."[48]

Ernest, Hadley, and Bumby Hemingway 1926 (JFK Library)

In the summer of 1925, Hemingway and Hadley went on their annual trip to Pamplona to the Festival of San Fermín accompanied by a group of American and British ex-patriates.[49] The events of the trip inspired Hemingway's first novel, The Sun Also Rises. He began writing the story immediately after the fiesta and finished in September.[50] He decided to slow down during the revision process and devote all of the fall and winter to the rewrite.[51] The revised manuscript arrived in New York in April,[52] and he corrected the final proof in Paris in August, 1926.[53] Scribner's published The Sun Also Rises in October 1926.[54]

While Hemingway wrote and revised The Sun Also Rises, his marriage to Hadley fell apart.[53] In the spring of 1926, Hadley found out about his affair with Pauline Pfeiffer.[55] In July Hadley endured Pauline's presence in Pamplona.[56] But back in Paris, Hadley and Hemingway decided to separate.[57] Hadley formally asked Hemingway for a divorce in the fall, and by November they had split their possessions. She accepted his offer to the proceeds from The Sun Also Rises.[58] Hemingway divorced Hadley in January 1927, and in May married Pauline Pfeiffer.[59]

Pauline was from Arkansas—her family was wealthy and Catholic—and prior to their marriage Hemingway converted to Catholicism.[60][61] In Paris she worked for Vogue.[60] After a honeymoon in Grau-du-Roi, where he became infected with anthrax, Hemingway settled in Paris, and planned his next collection of short stories.[62] Men Without Women was published in October 1927.[63] By the end of the year Pauline was pregnant, and wanted to move back to America to have her baby. John Dos Passos recommended Key West; in March, 1928, they left Paris. Sometime that spring Hemingway suffered a severe injury in their Paris bathroom, when he pulled a skylight down on his head, thinking he was pulling on a toilet chain. This left him with a prominent forehead scar which he would carry the rest of his life. [64][note 1] After his departure from Paris, Hemingway "never again lived in a big city."[65]

Key West and the Caribbean

In the late spring Hemingway and Pauline travelled to Kansas City where their son Patrick Hemingway was born on June 28, 1928. Pauline had a difficult delivery, which Hemingway fictionalized in A Farewell to Arms.[66] After Patrick's birth, Pauline and Hemingway travelled to Wyoming, Massachusetts and New York.[66] In the fall, he was in New York with Bumby, about to board a train to Florida, where he received a cable notifiying him that his father had committed suicide.[67]

During 1928, Hemingway worked on the draft of A Farewell to Arms; he finished the draft in late summer and waited a few months to begin revisions. By the winter of 1929 the serialization in Scribner's magazine was set for May, but that spring Hemingway continued to work on the book's ending in France, which he may have rewritten as many as seventeen times. When the book was published on September 27th,[68] Hemingway's stature as an American writer was secured.[69] In France and Spain during the summer of 1929 he gathered material for his newest work, Death in the Afternoon.[70]

In the early 1930s, Hemingway spent his winters in Key West, and summers in Wyoming, where he found "the most beautiful country he had seen in the American West" and where the hunting included deer, elk, and grizzly bear. His third son, Gregory, was born on November 12, 1931. Pauline's uncle bought the couple a house in Key West where the second floor of the carriage house was converted to writing den.[71] While in Key West he also spent time fishing the waters around the Dry Tortugas with his longtime friend Waldo Peirce, and at Sloppy Joe's.[72]

The Hemingway family with marlins. Bimini, 1935 (JFK Library)

In 1933, Pauline's uncle paid for their safari to Africa. The 10-week trip provided material for Green Hills of Africa, and the short stories "The Snows of Kilimanjaro" and "The Short Happy Life of Francis Macomber".[73] They visited Mombasa, Nairobi, and Machakos in Kenya, then Tanganyika where they hunted in the Serengeti, around Lake Manyara and west and southeast of the present-day Tarangire National Park. Hemingway contracted amoebic dysentery that caused a prolapsed intestine and he was evacuated by plane to Nairobi, an experience reflected in "The Snows of Kilimanjaro". Their guide was noted "white hunter" Philip Hope Percival, who had guided Theodore Roosevelt on his 1909 safari. On his return to Key West in early 1934, Hemingway began writing Green Hills of Africa, published in 1935 to mixed reviews.[74]

Back in Key West, Hemingway bought a boat in 1934, named it the "Pilar", and began sailing the Caribbean.[75] In 1935 he discovered Bimini where he spent considerable time.[73] During this period he also worked on To Have and Have Not, published in 1937 when he was in Spain, and the only novel he wrote during the 1930s.[76]

Spanish Civil War and World War II

Ivens, Hemingway, and Ludwig Renn (German writer as International Brigades officer). Spanish Civil War, 1937

In 1937 Hemingway reported on the Spanish Civil War for the North American Newspaper Alliance (NANA).[77] He arrived in France in March, and in Spain ten days later with Dutch filmmaker Joris Ivens.[78] Ivens, who was filming The Spanish Earth, needed Hemingway as a screenwriter to replace John Dos Passos who left the project when his friend José Robles was arrested and later executed.[79] At that time Dos Passos changed his opinion of the republicans, and created a rift between himself and Hemingway who spread a rumor that Dos Passos was a coward for leaving Spain.[80]

Journalist Martha Gellhorn, whom Hemingway met in Key West in 1936, joined him in Spain.[81] While in Madrid with Gellhorn, Hemingway wrote the play The Fifth Column during the bombardment of Madrid late in 1937.[82] He returned to Key West for a few months, then back to Spain in 1938 where he was present at the Battle of the Ebro, the last republican stand. With fellow British and American journalists, Hemingway rowed the group across the river, some of the last to leave the battle.[83][84] A later letter to XI International Brigade's commander Hans Kahle gives the impression that he had seen the war as an exciting adventure.[85]

Ernest Hemingway with sons and kittens in Finca Vigia, Cuba 1946. (JFK Library)

Hemingway and Martha Gellhorn moved to Cuba in 1939, and in 1940 bought the "Finca Vigia" ("Lookout Farm") which they had been renting. A few months later Hemingway divorced Pauline and married Martha.[86] As he had after his divorce from Hadley, he changed locations: he moved his primary summer residence to Ketchum, Idaho, just outside of the newly built resort Sun Valley; and the winter residence to Cuba.[87] He was at work on For Whom the Bell Tolls, which he started in March 1939, finished in July 1940, and was published in October 1940.[88] Consistent with his pattern of moving around while working on a manuscript, he worked on For Whom the Bell Tolls in Cuba, Wyoming, and Sun Valley.[89] For Whom the Bell Tolls became a Book-of-the-month choice, sold half a million copies within months, was nominated for a Pulitzer Prize, and became a literary triumph for Hemingway.[90]

In January 1941, Martha was sent to China on assignment for Collier's magazine, and Hemingway accompanied her. Although Hemingway wrote dispatches for PM, he had little affinity for China.[91] However, in the recently-published Spies: The Rise and Fall of the KGB in America, co-written by John Earl Haynes, Harvey Klehr and Alexander Vassilev, it is alleged that Hemingway's KGB file identifies him as 'Agent Argo'. He was apparently recruited in 1941 before the trip to China, but he ultimately failed to "give [the Russians] any political information" and was not "verified in practical work". Contact with 'Argo' ceased by 1950.[92]

When he returned to Cuba, after the beginning of World War II, Hemingway refitted the Pilar to hunt down German submarines.[22] From June to December 1944, he was in Europe, and was present at the D-Day landing. He then attached himself to "the 22nd Regiment commanded by Col. Charles "Buck" Lanaham as it drove toward Paris", and he also had a small band of village militia in Rambouillet outside of Paris.[93] Of Hemingway's exploits, a war historian remarks: " 'Hemingway got into considerable trouble playing infantry captain to a group of Resistance people that he gathered because a correspondent is not supposed to lead troops, even if he does it well.' "[22] On August 25 he was present at the liberation of Paris, though the assertion that he was first in the city, or that he liberated the Ritz is considered part of the Hemingway legend.[94][95] While in Paris he attended a reunion hosted by Sylvia Beach and also made up his long feud with Gertrude Stein.[96] Hemingway was present at heavy fighting in the Hürtgenwald at the end 1944.[97]

When Hemingway arrived in Europe, he met Time correspondent Mary Welsh in London.[98] During the war his marriage to Martha disintegrated and the last time he saw her was in March 1945 as he was preparing to return to Cuba.[99] In 1947 Hemingway was awarded a Bronze Star for his bravery during World War II. His valor for having been " 'under fire in combat areas in order to obtain an accurate picture of conditions,' " was recognized, with the commendation that " 'Through his talent of expression, Mr. Hemingway enabled readers to obtain a vivid picture of the difficulties and triumphs of the front-line soldier and his organization in combat.' "[22]

Cuba

Ernest Hemingway writing in Kenya in 1953 (JFK Library)

Hemingway married Mary Welsh in March 1946, and five months later she suffered an ectopic pregnancy. Hemingway and Mary suffered a series of accidents after the war: in 1945 Hemingway had a car accident and injured his knee; and over the next five years Mary suffered a number of broken bones. In 1947 his sons Patrick and Gregory were in a car accident and Gregory consequently was severely ill.[100] The 1940s became a decade when many of Hemingway's friends died: in 1939 Yeats and Ford Madox Ford died; in 1940 Scott Fitzgerald died; in 1941 Sherwood Anderson and James Joyce died; in 1946 Gertrude Stein died; and the following year in 1947, Max Perkins, Hemingway's long time editor and friend, died.[101] Although he suffered from headaches, high blood pressure, weight problems, depression, and eventually diabetes, he continued to struggle with the manuscript of The Garden of Eden.[102]

In 1948 Hemingway and Mary travelled to Europe, and in Italy he visited the site of his World War I accident. Soon thereafter he began work on Across the River and Into the Trees, which he worked on through 1949 and was published in 1950 to bad reviews.[103] A year later he wrote the draft of Old Man and the Sea in eight weeks and considered it "the best I can write ever for all of my life."[102] When it was published, The Old Man and the Sea became a Book-of-the Month selection, made Hemingway an international celebrity, and won the Pulitzer Prize in May 1952, a month before he left for his second trip to Africa.[104][105]

In Africa he was seriously injured in two successive plane crashes: he sprained his right shoulder, arm, and left leg; had a concussion; temporarily lost vision in his left eye and the hearing in his left ear; suffered paralysis of the spine; had a crushed vertebra, ruptured liver, spleen and kidney; and sustained first degree burns on his face, arms, and leg. Some American newspapers published his obituary, believing he had been killed. A month later he was again badly injured in a bushfire accident, which left him with second degree burns on his legs, front torso, lips, left hand and right forearm.[106]

Back in Cuba, in October 1954 Hemingway received the Nobel Prize in Literature. Politely he mentioned Carl Sandburg and Isak Dinesen, who in his opinion, deserved the prize. The prize money was welcome he told reporters. [107] Because he was in pain as a result of the African accidents, and he had recently returned home to Cuba after an absence of almost a full year, Hemingway chose not to travel to Stockholm to accept the prize in person.[108] Instead he sent a speech to be read in which he defines the writer's life: "Writing, at its best, is a lonely life. Organizations for writers palliate the writer's loneliness but I doubt if they improve his writing. He grows in public stature as he sheds his loneliness and often his work deteriorates. For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day."[109][note 2]

On the Pilar: 1950s (JFK Library)

As a result of the severe accidents and injuries he sustained in Africa, Hemingway was bedridden from late 1956 to early 1957.[110] The Finca Vigia became crowded with guests and tourists, he began to become unhappy with life in Cuba, and considered a permanent move to Idaho. In 1959 he bought a home, overlooking the Big Wood River, outside of Ketchum and left Cuba, although he apparently remained on easy terms with the Castro government, going so far as telling the New York Times he was "delighted" with Castro's overthrow of Havana.[111][112] However, the Hemingway story "The Shot" is used by Cabrera Infante and others as evidence of conflict between Hemingway and Fidel Castro dating back as early as 1948 and the killing of "Manolo" Castro, a friend of Hemingway.[113][note 3] In 1960, he left Cuba and Finca Vigía for the last time. The Cuban government claims that after her husband's death, Mary Welsh Hemingway deeded the home to the government, which made it into a museum devoted to the author.[114] In fact, the house was appropriated after the Bay of Pigs invasion (two months before Hemingway's death), complete with Hemingway's collection of "four to six thousand books". The Hemingways lost their home, and were forced to leave art and manuscripts in a bank vault in Havana.[115]

Idaho and suicide

Hemingway in Sun Valley, 1959. (JFK Library)

In 1957 he began A Moveable Feast, which he worked on in Cuba and Idaho from 1957 to 1960.[116][117] In 1959, his passion for bullfighting was renewed when he spent the summer in Spain for a series of bullfighting articles he was to write for Life Magazine.[118] The following winter the manuscript grew to 63,000 words—Life only wanted 10,000 words—and he asked his friend A.E Hotchner for help organizing the manuscript that was called The Dangerous Summer.[119][120] Although Hemingway's mental deterioration was noticeable, he travelled to Spain to gather photographs for the manuscript. Alone in Spain, without Mary, Hemingway's mental state disintegrated rapidly. The first installments of The Dangerous Summer were published in Life in September 1960 to good reviews. When he left Spain, Hemingway travelled straight to Idaho; that November he was admitted to the Mayo Clinic in Minnesota.[121] He had been receiving treatment for high blood pressure and liver problems, and he may have believed he was going to be treated for hypertension.[122] His paranoia became acute and he believed the FBI was actively monitoring his movements. In fact, the FBI had opened a file on him during WWII when he used the Pilar to patrol the waters off Cuba, and J. Edgar Hoover had an agent in Havana watch Hemingway during the 1950s.[123] The FBI knew Hemingway was at the Mayo, as an agent documented in a letter written in January, 1961. Hemingway suffered from physical problems as well: his eyesight was failing; his health was poor. Furthermore, his home and possessions had been lost in Cuba (spring, 1961).[124]

In the spring of 1961, three months after his initial treatment at the Mayo with a series of ECT treatment, Hemingway attempted suicide. Mary convinced Saviers to an immediate hospitalization at the Sun Valley hospital, and from there he was returned to the Mayo for more shock treatments.[125] He was released in late June and arrived home in Ketchum on June 30. A few days later, in the early morning hours of July 2, 1961, Hemingway "quite deliberately" shot himself with his favorite shotgun.[126]

Other members of Hemingway's immediate family also committed suicide: his father Clarence Hemingway; his sister Ursula; and his brother Leicester.[127] During his last years, Hemingway's behavior was similar to his father's before he committed suicide.[128] Hemingway's father may had the genetic disease haemochromatosis in which the inability to metabolize iron culminates in mental and physical deterioration.[129] Medical records, available in 1991, in fact confirm that Hemingway's haemochromatosis had been diagnosed early in 1961.[130] Additionally, Hemingway had been a heavy drinker for most of his life.[102]

Ernest and Mary Hemingway graves, Ketchum, Idaho

Hemingway is interred in the town cemetery in Ketchum, Idaho, at the north end of town. A memorial was erected in 1966 at another location, overlooking Trail Creek, north of Ketchum. It is inscribed with a eulogy he wrote for a friend, Gene Van Guilder:

Best of all he loved the fall
The leaves yellow on the cottonwoods
Leaves floating on the trout streams
And above the hills
The high blue windless skies
Now he will be a part of them forever
Ernest Hemingway - Idaho - 1939

Themes

Leslie Fiedler believes themes recurrent in American literature exist with great clarity in Hemingway's work. A theme Fiedler defines as "The Sacred Land"—the American West—is extended in Hemingway's work to include the mountains of Spain, Switzerland and Africa, and the streams of Michigan. The American West is symbolized by the use of the "Hotel Montana" in The Sun Also Rises and in For Whom the Bell Tolls. Furthermore, Fiedler considers the American literary theme of the evil "Dark Woman" vs. the good "Light Woman" to be inverted in Hemingway's fiction. The dark woman (Brett Ashley) is a goddess; the light woman (Margot Macomber) is a murderess.[131]

The theme of death permeates Hemingway's work. Stoltzfus believes Hemingway's writings exhibit the concept of existentialism: redemption is possible at the moment of death if the concept of "nothingness" is embraced. When death is faced with dignity and courage then life can be lived with authenticity. In Hemingway's works those who live an "authentic" life find redemption at the moment of death. Francis Macomber dies happy because the last hours of his life are authentic; the bullfighter in the corrida represents the pinnacle of a life lived with authenticity.[132]

Though Hemingway writes about sports, Carlos Baker claims the emphasis is not on sport but on the athlete.[133] According to Stoltzfus the hunter or fisherman has a moment of transcendence when the prey is killed. Nature is a place for rebirth, for therapy, as in "The Big Two-Hearted River".[134] Nature is the great refuge, according to Fiedler. Nature is where men are without women: men fish; men hunt; men find redemption in nature.[135]

Finally the theme of emasculation is prevalent, most notably in The Sun Also Rises in which Jake Barnes's war wound—and his inability to consumate the relationship with Brett—contributes to the tension of the piece. Emasculation, according to Fiedler, is both a result of a generation of wounded soldiers, but of more importance, a generation in which women such as Brett gained emancipation.[136] Baker believes Hemingway's work emphasizes the "natural" vs. the "unnatural". For example, the short story "Alpine Idyll" is about the "unnaturalness" of skiers in the high country where the late spring snow is juxtaposed against the "unnaturalness" of the peasant who allowed his wife's dead body to linger too long in the shed during the winter. The skiers and peasant retreat to the valley to the "natural" spring for redemption.[137]

Writing style

The New York Times wrote in 1926 of Hemingway's first novel: "No amount of analysis can convey the quality of The Sun Also Rises. It is a truly gripping story, told in a lean, hard, athletic narrative prose that puts more literary English to shame".[138] The Sun Also Rises is written in the spare, tightly written prose for which Hemingway is famous, a style which has influenced countless crime and pulp fiction novels.[139] It is a style which some critics consider Hemingway's greatest contribution to literature.[140][141] The Nobel Prize committee acknowledged Hemingway's style. In 1954, when he was awarded the Nobel Prize for Literature the award was for "his mastery of the art of narrative, most recently demonstrated in The Old Man and the Sea, and for the influence that he has exerted on contemporary style".[142]

If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
—Ernest Hemingway in Death in the Afternoon [143]

Hemingway began as a writer of short stories, and as Baker explains, he learned how to "get the most from the least, how to prune language how to multiply intensities, and how to tell nothing but the truth in a way that allowed for telling more than the truth." [144] The style is known as the Iceberg Theory because in Hemingway's writing the hard facts float above water; the supporting structure, complete with symbolism, operates out-of-sight. [144] Jackson Benson believes Hemingway used autobiographical details to work as framing devices to write about life in general—not only about his life. For example, Benson postulates that Hemingway used his experiences and drew them out further with "what if" scenarios: "what if I were wounded in such a way that I could not sleep at night? What if I were wounded and made crazy, what would happen if I were sent back to the front?"[145] The concept of the iceberg theory is sometimes referred to as the "theory of omission." Hemingway believed the writer could describe one thing (such as Nick Adams fishing in "The Big Two-Hearted River") though an entirely different thing occurs below the surface (Nick Adams concentrating on fishing so to the extent that he doesn't have to think about anything else).[146]

The simplicity of the prose is deceptive. Zoe Trodd believes Hemingway crafted skeletal sentences in response to Henry James' observation that WWI had "used up words". In his writing Hemingway offered an almost photographic reality that was often "multi-focal". His iceberg theory of omission was the foundation on which he built. The syntax, which lacks subordinating conjunctions, creates static sentences. He used a photographic "snapshot" style to create a collage of images. Short sentences build one on another; events build to create a sense of the whole. Multiple strands exist in one story; an "embedded text" bridges to a different angle. He also used other cinematic techniques of "cutting" quickly from one scene to the next; or of "splicing" a scene into another. Intentional omissions allow the reader to fill the gap, as though responding to instructions from the author, and create three dimensional prose.[147]

Hemingway uses polysyndeton to convey both a timeless immediacy and a Biblical grandeur. Hemingway's polysyndetonic sentence—or, in later works, his use of subordinate clauses—uses conjunctions to juxtapose startling visions and images; the critic Jackson Benson compares them to haikus.[141][148] Many of Hemingway's acolytes misinterpreted his lead and frowned upon all expression of emotion; Saul Bellow satirized this style as "Do you have emotions? Strangle them."[149] However, Hemingway's intent was not to eliminate emotion but to portray it more scientifically. Hemingway thought it would be easy, and pointless, to describe emotions; he sculpted his bright and finely chiseled collages of images in order to grasp "the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years or, with luck and if you stated it purely enough, always".[150] This use of an image as an objective correlative is characteristic of Ezra Pound, T.S. Eliot, James Joyce, and of course Proust.[151][note 4] Hemingway's letters refer to Proust's Remembrance of Things Past several times over the years, and indicate he might have read the massive book at least twice.[152] His writing was likely also influenced by the Japanese poetic canon.[153][note 5]

Influence and legacy

Hemingway's most important legacy to American literature is his style: writers who came after Hemingway either attempted to emulate his style, or attempted to avoid his style.[154] In a 2004 speech at the John F. Kennedy Library, Russell Banks declared that he, like many male writers of his generation, was influenced by Hemingway's philosophy of the writing process, Hemingway's style, and Hemingway's life and public image.[155] With the publication of The Sun Also Rises Hemingway's reputation was sealed. He became the spokesperson for the post-World War I generation, and he established a style to be emulated.[156] His books were burned in Berlin in 1933, and disavowed by his parents.[157] Hemingway biographer Michael Reynolds asserts Hemingway's legacy is that "he left stories and novels so starkly moving that some have become part of our cultural heritage."[158]

The American Mercury with Al Hirschfeld's caricature of Ernest Hemingway

Jackson Benson claims Hemingway, and the details of his life, have become a "prime vehicle for exploitation" which has created a "Hemingway industry."[159] The "hard boiled style" that is often used to describe Hemingway's work should not be confused with the author, according to Hemingway scholar Hallengren, who considers the machismo of the man should be separated from the author himself. [160] Benson agrees, going so far as to point out that Hemingway was as introverted and private as J.D. Salinger, yet paradoxically, Hemingway masked his true nature with braggadacio.[161] In fact, during World War II, J. D. Salinger met and corresponded with Hemingway, whom he acknowledged as an influence.[162] In a letter to Hemingway, Salinger wrote that their talks "had given him his only hopeful minutes of the entire war," and jokingly "named himself national chairman of the Hemingway Fan Clubs."[163]

The degree to which Hemingway's influence reached is seen in the many tributes to the man, and echoes of his fiction to be found in popular culture. In 1978 a minor planet, discovered in 1978 by Soviet astronomer Nikolai Stepanovich Chernykh, was named for him—3656 Hemingway;[164] on July 17, 1989, the United States Postal Service issued a 25-cent postage stamp honoring Hemingway.[165]; Ray Bradbury wrote the story The Kilimanjaro Device in which Hemingway doesn't die, but instead is transported to the top Mt. Kilimanjaro, which represents a heaven for writers, according to Hemingway's own story "The Snows of Kilimanjaro";[166] the 1993 motion picture Wrestling Ernest Hemingway, about the friendship of two retired men, one Irish, one Cuban, in a seaside town in Florida, starred Robert Duvall, Richard Harris, Shirley MacLaine, Sandra Bullock, and Piper Laurie.[167] Furthermore, Hemingway's influence is evident in popular culture with the existence of many restaurants named "Hemingway"; and the proliferation of bars called "Harry's" (a nod to the bar in Across the River and Into the Trees).[168] A line of "Hemingway" furniture, introduced by a popular manufacturer and promoted by Hemingway's son Jack (Bumby), has pieces such as the "Kilimanjaro" bedside table.[169]


Family

Parents
  • Father: Clarence Hemingway. Born September 2, 1871, died December 6, 1928. (death by suicide)
  • Mother: Grace Hall Hemingway. Born June 15, 1872, died June 28, 1951
Siblings
  • Marcelline Hemingway. Born January 15, 1898, died December 9, 1963
  • Ursula Hemingway. Born April 29, 1902, died October 30, 1966 (death by suicide)
  • Madelaine Hemingway. Born November 28, 1904, died January 14, 1995
  • Carol Hemingway. Born July 19, 1911, died October 27, 2002
  • Leicester Hemingway. Born April 1, 1915, died September 13, 1982 (death by suicide)
Wives, children and grandchildren
  • Granddaughter, Joan (Muffet) Hemingway
  • Granddaughter, Margaux Hemingway. Born February 16, 1954, died July 2, 1996 (death by suicide)
  • Granddaughter, Mariel Hemingway. Born November 22, 1961
  • Great-Granddaughter, Dree Hemingway. Born 1987
  • Pauline Pfeiffer. Married May 10, 1927, divorced November 4, 1940, died October 21, 1951.
  • Son, Patrick Hemingway. Born June 28, 1928.
  • Granddaughter, Mina Hemingway
  • Son, Gregory Hemingway (called 'Gig' by Hemingway; later called himself 'Gloria'). Born November 12, 1931, died October 1, 2001.
  • Martha Gellhorn. Married November 21, 1940, divorced December 21, 1945, died February 15, 1998.
  • Mary Welsh. Married March 14, 1946, died November 26, 1986.

See also

Notes

  1. ^ In the April 1931 passport application, Hemingway noted the forehead scar. In 1928, the skylight in the bathroom of his Paris apartment fell on him, which caused one of many head injuries he received throughout his life.
  2. ^ The full spech is available at Nobelprize.org
  3. ^ "For example, the assassination of Manolo Castro is retold by alluding to Hemingway's "The Shot,…""
  4. ^ McCormick compares Hemingway's and Proust's use of memory to find the objective correlative
  5. ^ Starrs draws a correlation between the "Imagist" influences of Ezra Pound, who mentored Hemingway in the 1920s.

Footnotes

  1. ^ Oliver, p. 140
  2. ^ Reynolds 2000, p. 17
  3. ^ Reynolds 2000, pp. 17-18
  4. ^ Oliver, p. 134
  5. ^ Meyers 1985, p. 8
  6. ^ Reynolds 2000, p. 19
  7. ^ Meyers 1985, p. 3
  8. ^ Meyers 1985, p. 13
  9. ^ Reynolds 2000, p. 20
  10. ^ Mellow 1992, p. 21
  11. ^ Reynolds 2000, p. 19
  12. ^ Meyers 1985, p. 19
  13. ^ Meyers 1985, p. 23
  14. ^ Reynolds 1998, p. 17
  15. ^ "Star style and rules for writing". The Kansas City Star. KansasCity.com. http://www.kcstar.com/hemingway/ehstarstyle.shtml. Retrieved 2009–08–29. 
  16. ^ Mellow 1992, pp. 48-49
  17. ^ Meyers 1985, p. 27
  18. ^ Mellow 1992, p. 57
  19. ^ Mellow 1992, p. 59–60
  20. ^ Meyers 1985, pp. 30-31
  21. ^ Hallengren
  22. ^ a b c d e Putnam
  23. ^ Desnoyers, p. 3
  24. ^ Meyers 1985, p. 37
  25. ^ Scholes
  26. ^ Meyers 1985, pp. 40-41
  27. ^ Mellow 1992, p. 101
  28. ^ a b Meyers 1985, pp. 51–53
  29. ^ Meyers 1985, p. 56
  30. ^ Meyers 1985, p. 58
  31. ^ Baker 1972, p. 7
  32. ^ Meyers 1985, pp. 60–62
  33. ^ Meyers 1985, p. 61
  34. ^ Mellow 1992, p. 308
  35. ^ Reynolds 2000, p. 28
  36. ^ Meyers 1985, pp. 77–81
  37. ^ Reynolds 2000, p. 28
  38. ^ Meyers 1985, pp. 73–74
  39. ^ Meyers 1985, p. 82
  40. ^ Baker 1972, p. 7
  41. ^ Reynolds, p. 24
  42. ^ Desnoyers, p. 5
  43. ^ Meyers 1985, pp. 69–70
  44. ^ Baker 1972, pp. 15-18
  45. ^ Meyers 1985, p. 126
  46. ^ Baker 1972, p. 34
  47. ^ Meyers 1985, p. 127
  48. ^ Meyers 1985, pp. 159–160
  49. ^ Meyers 1985, p. 119
  50. ^ Baker 1972, pp. 33–34
  51. ^ Baker 1972, p. 34
  52. ^ Mellow 1992, p. 328
  53. ^ a b Baker 1972, p. 44
  54. ^ Meyers 1985, p. 189
  55. ^ Baker 1972, p. 43
  56. ^ Mellow 1992, p. 333
  57. ^ Mellow 1992, p. 338
  58. ^ Mellow 1992, p. 340
  59. ^ Meyers 1985, p. 172
  60. ^ a b Mellow 1992, p. 294
  61. ^ Meyers 1985, p. 174
  62. ^ Mellow 1992, p. 348-353
  63. ^ Meyers 1985, p. 195
  64. ^ Robinson, Daniel (2005). ""My True Occupation is That of a Writer:Hemingway's passport correspondence". The Hemingway Review. http://findarticles.com/p/articles/mi_6754/is_2_24/ai_n28272825/. Retrieved 8 February 2010. 
  65. ^ Meyers 1985, p. 204
  66. ^ a b Meyers 1985, p. 208
  67. ^ Mellow 1992, p. 367
  68. ^ Meyers 1985, p. 215
  69. ^ Mellow 1992, p. 378
  70. ^ Baker 1972, pp. 96-98
  71. ^ Meyers 1985, pp. 222-227
  72. ^ Mellow 1985, p. 402
  73. ^ a b Desnoyers, p. 9
  74. ^ Mellow 1992, pp. 337-340
  75. ^ Meyers 1985, p. 280
  76. ^ Meyers 1985, p. 292
  77. ^ Mellow 1992, p. 488
  78. ^ Koch 2005, p. 87
  79. ^ Meyers 1985, p. 311
  80. ^ Koch 2005, p. 164
  81. ^ Meyers 1985, p. 298
  82. ^ Koch 2005, p. 134
  83. ^ Meyers 1985, p. 321
  84. ^ Thomas 2001, p. 833
  85. ^ Matthew J. Bruccoli (2005). "Hemingway and the Mechanism of Fame". http://books.google.com/books?id=0iCYVqAMnfkC&pg=PA98&lpg=PA98&dq=%22Hans+Kahle%22+Hemingway&source=bl&ots=l3Qgv-Bcwh&sig=P3QNud3OKuiBrzjO72AV9BPobHQ&hl=en&ei=pXpDS-6ZGJaN_AaWzJyECQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CAgQ6AEwAA#v=onepage&q=%22Hans%20Kahle%22%20Hemingway&f=false.  pp. 98-100
  86. ^ Desnoyers, pp. 10-11
  87. ^ Meyers 1985, p. 342
  88. ^ Meyers 1985, p. 334
  89. ^ Meyers 1985, p. 326
  90. ^ Meyers 1985, pp. 335–338
  91. ^ Meyers 1985, pp. 356-361
  92. ^ "Hemmingway revealed as failed KGB spy". The Guardian. 2009-07-09. http://www.guardian.co.uk/books/2009/jul/09/hemingway-failed-kgb-spy. Retrieved 2010–02–08. 
  93. ^ Meyers 1985, pp. 398-405
  94. ^ Meyers 1985, p. 408
  95. ^ Mellow 1992, p. 535
  96. ^ Mellow 1992, p. 541
  97. ^ Meyers 1985, p. 411
  98. ^ Meyers 1985, p. 394
  99. ^ Meyers 1985, p. 416
  100. ^ Meyers 1985, pp. 420–421
  101. ^ Mellow 1992, pp. 548–550
  102. ^ a b c Desnoyers, p. 12
  103. ^ Meyers 1985, p. 440
  104. ^ Desnoyers, p. 13
  105. ^ Meyers 1985, p. 489
  106. ^ Meyers 1985, pp. 505-507
  107. ^ Baker 1972, p. 338
  108. ^ Meyers 1985, p. 509
  109. ^ "Ernest Hemingway The Nobel Prize in Literature 1954 Banquet Speech". The Nobel Foundation. http://nobelprize.org/nobel_prizes/literature/laureates/1954/hemingway-speech.html. Retrieved 2009-12-10. 
  110. ^ Meyers 1985, p. 512
  111. ^ Mellow 1992, pp. 494-495
  112. ^ Meyers 1985, pp. 516–519
  113. ^ Gonzalez Echevarria, Roberto (1980). "The Dictatorship of Rhetoric/the Rhetoric of Dictatorship: Carpentier, Garcia Marquez, and Roa Bastos". Latin American Research Review 15 (3): 205–228. 
  114. ^ "Restauracion Museo Hemingway (Official website) - Finca Vigía" (in Spanish). Consejo Nacional de Patrimonio Cultural- Cuba. 2009. http://www.cnpc.cult.cu/cnpc/museos/heming%20restauration%20works.htm. Retrieved 2009-01-06. 
  115. ^ Mellow 1992, p. 599
  116. ^ Meyers 1985, p. 533
  117. ^ Hotchner, A.E. (2009–07–19). "Don't Touch 'A Movable Feast'". The New York Times. http://www.nytimes.com/2009/07/20/opinion/20hotchner.html?_r=1. Retrieved 2009–09–3. 
  118. ^ Meyers 1985, p. 520
  119. ^ Meyers 1985, p. 542
  120. ^ Mellow 1992, pp. 598–600
  121. ^ Mellow 1992, pp. 598-601
  122. ^ Meyers 1985, p. 545
  123. ^ Mellow 1992, pp. 597–598
  124. ^ Meyers 1985, pp. 543-544
  125. ^ Meyers 1985, p. 551
  126. ^ Reynolds 2000, p. 16
  127. ^ Oliver, pp. 139–149
  128. ^ Burwell 1996, p. 234
  129. ^ Burwell 1996, p. 14
  130. ^ Burwell 1996, p. 189
  131. ^ Fiedler, p. 345-365
  132. ^ Stoltzfus
  133. ^ Baker, p. 101-121
  134. ^ Stoltzfus
  135. ^ Fiedler, p. 345-365
  136. ^ Fiedler, p. 345-365
  137. ^ Baker, p. 101-121
  138. ^ "Marital Tragedy". The New York Times. October 31, 1926. http://www.nytimes.com/books/99/07/04/specials/hemingway-rises.htm. Retrieved 2010-01-15. 
  139. ^ Nagel 1996, p. 87
  140. ^ R. B. Shuman, Great American Writers, p.659
  141. ^ a b McCormick, p. 49
  142. ^ The Nobel Prize in Literature 1954 Retrieved 2010-01-28
  143. ^ qtd. in Oliver 1999, p. 322
  144. ^ a b Baker 1972, p. 117
  145. ^ Benson 1989
  146. ^ Oliver 1999, pp. 321–322
  147. ^ Trodd
  148. ^ Benson, p. 309
  149. ^ qtd. in Hoberek, p. 309
  150. ^ Hemingway, Death in the Afternoon, chapter 1
  151. ^ McCormick, p. 47
  152. ^ Burwell 1996, p. 187
  153. ^ Starrs, Roy (1998). An Artless Art. The Japan Library. p. 77. ISBN 1–873410–64–6. http://books.google.com/books?id=W1lkV-w3FXYC&pg=PA77&dq=Hemingway+haiku&as_brr=3&ie=ISO-8859-1&output=html. Retrieved 2010–02–09. 
  154. ^ Oliver 1999, pp. 140–141
  155. ^ Banks, p. 54
  156. ^ Nagel 1996, p. 87
  157. ^ Hallengren
  158. ^ Reynolds 2000, p. 15
  159. ^ Benson 1989, p. 347
  160. ^ Hallengren
  161. ^ Benson 1989, p. 349
  162. ^ Lamb, Robert Paul (Winter 1996). "Hemingway and the creation of twentieth-century dialogue - American author Ernest Hemingway" (reprint). Twentieth Century Literature. http://findarticles.com/p/articles/mi_m0403/is_n4_v42/ai_20119140/pg_17. Retrieved 2007-07-10. 
  163. ^ Baker, Carlos (1969). Ernest Hemingway: A Life Story. New York: Charles Scribner’s Sons. pp. 420, 646. ISBN 0-02-001690-5. 
  164. ^ Schmadel, Lutz D. (2003). Dictionary of Minor Planet Names (5th ed.). New York: Springer Verlag. pp. 307. ISBN 3-540-00238-3. http://books.google.com/books?q=3656+Hemingway+1978+QX. 
  165. ^ Scott catalog # 2418;
  166. ^ Oliver, p. 144
  167. ^ Oliver, p. 360
  168. ^ Oliver, p. 142
  169. ^ A Line of Hemingway Furniture, With a Veneer of Taste

References

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Auto racing, bull fighting, and mountain climbing are the only real sports ... all others are games.
- Ernest Hemingway

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