Documentary Films

yes there was

James Cameron invented "Jack Dawson" and found out later that there was a "J. Dawson" aboard the ship. Research points to J. Dawson as someone with the first name Joseph. See attached link.

i.o.u.s.a.

Gilda Joyce is a psychic investigator in training. She follows a lead to the house belonging to her distant uncle, Lester, and his anti-social daughter, Juliet. Gilda leaves for San Francisco and discovers a rustic tower in which Juliet's insane Aunt Melanie supposedly jumped off of. She also sees that at times, Juliet unknowingly zones out and talks to the spirit of Melanie. Gilda talks to Juliet and proposes the idea of trying to communicate with her deceased aunt. At first, Juliet refuses, but after she zones out again, she reluctantly agrees. Juliet and Gilda start their investigation by sneaking into Lester's study to dig up old files, going into Lester's law firm to ask questions in a disguise, and other feats that would get them very little facts, such as, that Melanie refused to go to a home, that Juliet is a painter like Melanie, and the fact that Lester didn't push her off the tower.

Gilda and Juliet's investigation goes so far that they went into the forbidden tower, climbed up the spiral stairs, and saw the whole room was filled with Melanie's interesting, but eerie paintings. They find a goodbye letter to Lester. Lester ends up sleepwalking straight into the tower, and after waking up; he scolds the two girls for entering the tower. He then asks Gilda to go back to Michigan. Juliet claims that if he kicks Gilda out, she will go with her. All three of them proceed to go to sleep and discuss the matter the next day. In the morning, Lester finds Juliet packing her clothes to go to Michigan with Gilda. Lester begs her to stay, and as a last resort, he hands a letter addressed to Juliet from Melanie. They make up and say that Gilda won't go back until the original return date. The next day, Gilda and Juliet go to the beach with Lester's assistant, Summer, who they befriended over the summer. Before Gilda departs for Michigan, Juliet promises to write to each other and Gilda leaves.

This is a profit sharing plan where the employee designates a certain percentage or dollar amount of his/her paycheck as a 'pre-tax' deduction that goes into an IRS approved 401k plan. It makes money from earned interest or from corporate matches.

If any funds are removed before a certain age, an automatic 20% is withheld for Federal tax and an additional 10% penalty for withdrawal before age 59-1/2.

A video-game's footage can be used without permission under the "fair usage" laws. Before you go sticking it into your movie, brush up on those laws, because it is way open to interpretation. This is not an exact wording by any stretch of the imagination, but the general spirit of "fair usage" or "fair use": The use of copyrighted information, music or imaging can be used as an example of a broader theme as long as the copyrighted material is not claimed by the documentarian, or to be used as purely entertainment content. For example, if you include screenshots or action in Quake as an example of video game violence, then you are okay. But if you use it as the opening credit graphics of the film, then there will be trouble. Make certain that you credit every piece of copyrighted material.

The best way to use graphics of a video game is to videotape the monitor as a person is playing it instead of directly feeding the image to a recorder. This adds a separating layer away from infringement -- it's a person playing Quake, not Quake being exploited as the sole piece of entertainment. Your legal stance should show in the film that your intent is to give examples of video game violence, not that Quake is a good or bad game.

Even if you say something good about a product, you open yourself up to legal consequence. If your film is about the evolution of video game graphics, you should take the same precautions.

no!

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James Mo'

a rough crossing would have made the documentary more dramatic

Some notable straight edge documentaries include "Edge: The Story of an American Punk Rock Band," which explores the origins and impact of the straight edge movement within punk culture. "Straight Edge Kegger" provides a glimpse into the lives of young straight edge individuals, showcasing their perspectives and experiences. Additionally, "The Edge of Quarrel" examines the intersection of straight edge and hardcore punk, highlighting its ethos and community. These films collectively illustrate the philosophy and lifestyle of straight edge, shedding light on its cultural significance.

Netflix

where are the bouvier sons

"Cleaver"

Lewis Jacobs was a noted author, filmmaker and publisher. Initially trained as artist in the Philadelphia at the epicenter of the growing ashcan movement, his interests moved into photography and the the emerging world of cinema. He founded Experimental Cinema one of the first publications to take a serious look at film as art spending time with noted early pioneers like Eisenstein. After gaining acclaim from "The Rise" he moved to Hollywood where one of his first jobs was advising a young radio talent Orson Welles on his first feature film Citizen Kane. He also directed the unknown Elizabeth Taylor in her screen test for her first film National Velvet. He spent many years in Hollywood as a contract studio writer but moved to New York during the blacklist period of Hollywood. In New York he authored numerous books on cinema, taught courses at multiple universities, was a jurist at many film festivals and continued writing and directing film including the film Sweet Love Bitter that became the cult classic and inspiration for Clint Eastwood's Bird. In his later years he focused on creating mixed media collage winning numerous awards in art competitions. He passed away in 1997 at the age of 92.

Leonardo DiCaprio :) yum

Did you know that NASA were advertising for computer buffs to check the moons surface for structures. You could visit there site and another small documentary is the STS-75 tether incident 25th February 1996, do you think they have been here all along. The space critters is worth a view. If it starts an interest who known what you my find out.

Roger & Me was directed by Michael Moore.

The docu-film was released in December 1989.

The end credits on a documentary are often determined by what kind of production it is, and the medium for which it's intended. At one end of the spectrum, if you're doing a 10 or 15-minute video for your local cable access channel and you did all the shooting and editing yourself, you may be able to get away with, "A film by John/Jane Doe." If the cable channel provided equipment or editing facilities, they may require some credit or acknowledgement for their support, and possibly the names of individuals who worked on it. A station where the employees are union members will have specific rules on who gets credited and how. An independent film for theatrical screening may not. The most common credits are: Executive Producer [usually somebody who signs checks], Producer [the one who pulls a project together], Director [the one who decides where the camera is pointed, and what shots are kept in], Writer [if there is one], Camera Operator or Director of Photography [who actually runs the camera], and Editor [responsible for final assembly of the film or video]. Others may include people who did audio, lighting, makeup, or production assistants, who may have helped carry and set up equipment, or fetched coffee. You also want to credit any person or organization that provided money for the projct, as well as archives or libraries that supplied film or video footage or photographs. Lastly, if the project uses music, you will need to credit the composers and possibly performers if you used original music; or the composers, original artists and their publishers if you use previously recorded material.

One - "The Killers". It was his last film.

Key light

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You can't. Crupi was sued by several socialites featured in the movie. Currently the film is "locked" in litigation.