Musical Chords

f-f transition: the transition of an electron from an f orbital which is lower in energy to an f orbital which is higher in energy is a f-f transition.

i think i can help you :)

with capo in the fist space, the chords could be

A

Sleeping in sunday morning

D

Bodies interwinted

A

playing fake, we're awake

D

but we don't wanna rise

Bm E

I saved a place on my chest

A

for you to rest your head

Bm E

On me

Bm E

A part of me is a mess

A

I must confess

Bm D-E

It's time to come clean

Chorus

A Bm D E

I am addicted to your touch

A Bm E

No other woman's made me want it this much

Bm E

I cannot resist the warmth of your hips

A Bm D a single serving is never enough

E A

'cause I'm addicted to your touch

Saludos desde Chile :) ______________

Catalina

or intro

-------------------------------------------------7-------7-------

--2---------------3-----5----5-----------------------------7-----

-----2-----2--------------------7------------7---------------5---

--------2-----2--------------------7------7----------7---------5-

--0---------------2----4----5----------5----------5--------------

-----------------------------------------------------------------

-------------------------------------------------7------7---------

--2---------------3-----5----5---------------------7------7-------

-----2-----2--------------------7------------7-------5------5-----

--------2-----2--------------------7------7------------5------5---

--0---------------2----4----5----------5--------------------------

------------------------------------------------------------------

Sleeping in, Sunday Morning...

-------------------------------------------------7-------7-------

--2---------------3-----5----5-----------------------------7-----

-----2-----2--------------------7------------7---------------5---

--------2-----2--------------------7------7----------7---------5-

--0---------------2----4----5----------5----------5--------------

-----------------------------------------------------------------

playing fake, we're awake...

-------------------------------------------------7------7---------

--2---------------3-----5----5---------------------7------7-------

-----2-----2--------------------7------------7-------5------5-----

--------2-----2--------------------7------7------------5------5---

--0---------------2----4----5----------5--------------------------

------------------------------------------------------------------

I saved a place in my chest...

-----------------------------------------------------------------

--5-------------9--10-------10-----------3-----------------------

-----6----6--------------9-----9------------4---4----------------

-------6----6---------11--------11------------4---4--------------

--4-------------9------------------9-----2-----------------------

-----------------------------------------------------------------

----------------------------------------------------------------

---0------3-------2---------------------------------------------

---1------1-------2---------------------------------------------

---2------2-------2------------------------------------------------

---2-------------------------------------------------------------

----------0-------2-------------------------------------------------

These lyrics are from

"Collide" by Howie Day from the album 'Stop All The World Now"

the root of a f chord could be f i hope!

when you're smiling

Probably because there is an interval of an augmented second between the 6th and 7th scale degrees.

sdsf

In C its

C C C C

F F C C

G F C C

u can transpose 2 any key

no

Because the subdominant seventh chord in any key introduces the flattened mediant in the original key, this new flat note becomes the subdominant note in the new key. One logical progression is:

C F7 Bâ™­

It stands to reason that this remains consistent through each of the twelve major keys - though the treatment of major chords in minor keys is different.

No it is not the same.

G major has a tonic (root) a third and a fifth

The G major 7 has an added seventh

In the case of G maj 7 the the notes would be G B E and the added sventh is in this case an F#

7 chords are mostly used in jazz and sometimes in pop or rock music in order to alter the harmony of the song.

DFA is an abbreviotion of (DEPARTMENT OF FOREIGN AFFAIRS)

Answer:

Design for All (DfA) is about ensuring that environments, products, services and interfaces work for people of all ages and abilities.

Design for All has recently become a mainstream issue because of ageing of population.

The tonic, the submediant and the dominant (1, 3 and 5).

That's pretty much up to you.

C# b g# f# e e e e e d# d# e e

c# b g# f# e e e e e c# c# b b

repeat

D major(D,F#,A,D) for sub domonant, and E major(E,G#,B,E) for dominant

D Db A E Gb G A D C A

The subdominant triad of Eb major is the Ab major triad.

Well, the basic answer is, you play notes within the chord structure, and follow the written chord progression, but, what I think you're asking can't really be answered easily here. You should take lessons.

Respell the G-sharp as A-flat, then it's an F minor chord. If the C is on bottom, then it's Fm/C.

If that's a minor V moving to a IV chord, then no, it's not allowed. A minor V doesn't fit in anywhere in a major key, nor is V permitted to move directly to IV. To have a lowered 7th scale degree in the 2nd chord, leading to IV, try a V7/IV. It's a I chord with a minor 7th in it, working as a secondary dominant.

c# d# f# g# a# g# f# f# f# f# f# d# c# d# f# g# a# g# f# f# f# f# f# d# f f f f f f f d# c# c# c# d# d# d# c# f f f f f f f d# c# c# c# d# d# d# c# a# a# c# d# a# a# c# d# f f f f f f f d# c# c# c# d# d# d# c# f f f f f f f d# c# c# c# d# d# d# c#