Performing Arts

No, it's Julianne Hough sporting a darker color for the movie.

Cariñosa

I believe you are talking about the Cupid Shuffle-

To the right, to the right, to the right, to the right

To the left, to the left, to the left, to the left

Now kick, now kick, now kick, now kick

Now walk it by yourself, now walk it by yourself

Well, for an Xbox 360 I know for a fact that you need a capture card which can be bought online, as for playstation 3 I'm not exactly sure but it can't be too different so if you have an Xbox 360 you can capture what footage you want then hook it up into a computer and edit and so on and so forth. Post it online or keep it!

there's an easier way. just get a DVD recorder and buy some empty recordable discs. then, poen up the front flap and plug the wii video and audio plugs (red white and yellow cords) into the openings in the front then press input until it's on line 2. the console will show up on the tv, and you just presss record.

The criteria that a judge might choose to consider are actually too numerous to examine individually in the brief time allotted, since at least six couples are being judged simultaneously. Therefore, the judge must rely on the impression each couple makes relative to the others . The experienced judge, having seen and studied dancing at all levels, can quickly assess these factors collectively:

POSTURE - one of the most important aspects. Good posture makes you look elegant and exude confidence. It improves balance and control, and allows your partner to connect well to your body in the smooth dances. One's competition result is often directly proportional to one's postural correctness. Hence the old adage, "Persistent practice of postural principles promises perfection."

TIMING - if a couple is not dancing on time with the music, no amount of proficiency in any other aspect can overcome this. The music is boss.

LINE - by this we mean the length and stretch of the body from head to toe. Attractive and well- executed lines, either curved or straight, enhance the shapes of the figures.

HOLD - the correct and unaffected positioning of the body parts when in closed dancing position. For instance, the line of the man's arms should be unbroken from elbow to elbow. Also, there should be symmetry of the man's and woman's arms coming together to form a circle, which, although changing in size, should remain constant in shape so that the dancers remain in correct body position relative to each other. The silhouette of the couple should always be pleasing.

POISE - in smooth dancing, the stretch of the woman's body upwards and outwards and leftwards into the man's right arm to achieve balance and connection with his frame, as well as to project outwards to the audience.

TOGETHERNESS - the melding of two people's body weights into one, so that leading and following appear effortless, and the dancers are totally in synchronization with each other.

MUSICALITY AND EXPRESSION - the basic characterization of the dance to the particular music being played and the choreographic adherence to musical phrasings and accents; also the use of light and shade to create interest value in response to these accents and phrases. For instance, in foxtrot, the stealing of time from one step to allow another to hover; or a quick speed of turn in an otherwise slow rumba; or the snap of a head to suddenly freeze and then melt into slowness in tango.

PRESENTATION - Does the couple sell their dancing to the audience? Do they dance outwardly, with enthusiasm, exuding their joy of dancing and confidence in their performance? Or do they show strain or introversion?

POWER - Energy is exciting to watch. I've noticed that, in a jive, it always seems to be the most energetic couple that wins this dance. But the energy must be controlled, not wild. For instance, powerful movement is an asset in waltz or foxtrot, but only if it is channeled into the correct swing of the body, and not just by taking big steps. The lilt of the music must be matched by the action of the body. In a waltz for instance, the dancers' body action must clearly show the influence of the one down beat and two up beats. So the release of power into the beginning of a figure must be controlled and sustained during the rise at the end of the figure.

FOOT AND LEG ACTION - the stroking of feet across the floor in foxtrot to achieve smoothness and softness; the deliberate lifting and placing of the feet in tango to achieve a staccato action; the correct bending and straightening of the knees in rumba to create hip motion; the extension of the ankles and the pointing of the toes of the non- supporting foot to enhance the line of a figure; the sequential use of the four joints (hip, knee, ankle, and toes) to achieve fullness of action and optimal power; the bending and straightening of knees and ankles in waltz to create rise and fall; the use of inside and outside edges of feet to create style and line all fall under this most important of categories.

SHAPE - Shape is the combination of turn and sway to create a look or a position. For instance, in Paso Doble does the man create the visual appearance of maneuvering his cape? Does the lady simulate the billowing flow of the cape through space? In foxtrot, does the man use the appropriate shape on outside partner steps to enable body contact to be maintained?

LEAD AND FOLLOW - Does the man lead with his whole body instead of just his arms? Does the lady follow effortlessly or does the man have to assist her?

FLOORCRAFT - This refers not only to avoiding bumping into other couples, but the ability to continue dancing without pause when boxed in. It shows the command of the couple over their choreography and the ability of the man to choose and lead figures extrinsic to their usual work when the necessity presents itself.

INTANGIBLES - such as how a couple "look" together, whether they "fit" emotionally, their neatness of appearance, costuming, the flow of their choreography, and basically whether they look like "dancers"; all have an affect on a judge's perception and therefore on his markings.

Different judges have different predilections in what they want to see, and weight these factors differently. One judge, for instance, might be especially interested in technique, while another wants to be moved by musicality and expression. While both factors are obviously important and need to be considered, it can result in couples getting widely disparate markings. Couples wondering what a judge saw to give them a particularly high or low mark should know that any one of the many factors listed in this article could be responsible. The use of a heel when a toe is warranted can just as easily hurt you in a judge's eyes as a meticulous closing of feet can help. Because the judge sees each couple for only a few seconds, anything that draws the attention, either positively or negatively, could very well be the deciding factor on how you are marked.

Competitors, please be assured that virtually no qualified adjudicator will mark you for any reason other than his or her honest evaluation of your performance. Most judges hold their own opinions highly, and try to do a conscientious job. Anyway, no one judge can make or break you. The use of a panel of these experts usually insures that the end result is the correct and equitable one.

Yes. She did have voice lessons by a person named Renee Grant Williams. I am not sure how accurate this is but yeah.

All you got to do is get the rytham of the music and sling you feet around and around well thats what I do

No, Belly dance is a entertainment performing art and nothing else. Because women can use their beauty and attractiveness to earn money easily, which does not works easy for in case of male. The biggest argument about this show is that dancing/performing goes against everything they believe about modesty. But some experienced belly dancer always say that belly dance is a celebration of joy of life and grace of God.

thedancersworld.com

YMCA

Robot

Hustle

Rocking chair

Bump

Bus stop

Helicopter

Funky chicken

The Saturday night fever dance to the stayin' alive song

Cocomotion

Rock

Electric slide

She Dont Wanna Man- Asher Roth- Asleep in the Bread Aisle

There are different mudras, depending on the source. In Natya Shastra there are more than are described in Abhinaya Darpanam.

Prof.Raghuraman of Kalakshetra is working on translation of Koothanool which contains over 300 hastas/mudras.

This is the 21st century so "ballet in the 21st century" is how it is now, confusing and HARD

Here are the lyrics to Just Dance, and go to www.goldatude.webs.com! Lady Gaga: Red wine Convict Gaga I've had a little bit too much(much) All of the people start to rush. Start to rush babe. How does he twist the dance? Can't find my drink or man. Where are my keys, I lost my phone. What's go-ing out on the floor? I love this record baby, but I can't see straight anymore. Keep it cool what's the name of this club? I can't remember but it's alright, alright. Chorus: Just dance. Gunna be okay. Da-doo-doo-doo Just dance. Spin that record babe. Da-doo-doo-doo Just dance. Gunna be okay. Duh-duh-duh-duh Dance. Dance. Dance. Ju-just dance. Lady Gaga: Wish I could shut my playboy mouth. (mouth) How'd I turn my shirt inside out? Inside out babe. Control your poison babe Roses with thorns they say. And we're all gettin' hosed tonight. What's go-ing out on the floor? I love this record baby, but I can't see straight anymore. Keep it cool what's the name of this club? I can't remember but it's alright, alright. [Chorus] Colby Donis: When I come through on the dance floor checkin out that catalogue. Can't believe my eyes so many women without a flaw. And I ain't gonn' give it up, steady tryna pick it up like the car I'ma hit it, I'ma hit it and flex until the til done until tomorr' yeah. Shawty I can see that you got so much in the jean The way you twirling up them hips round and round There's no reason, I know why you can't leave here with me In the meantime stand, let me watch you break it down. [Chorus] Lady Gaga: I'm psychotic synchypnotic I got my blue burners and phonic I'm psychotic synchypnotic I got my brand electronic I'm psychotic synchypnotic I got my blue burners and phonic I'm psychotic synchypnotic I got my brand electronic Go. Use your muscle comin out work and hustle I got it, just stay close enough to get it Go slow. Drive it, clean it like so clean it's been molesto, I got it, and your popped coll'

Dirkinshnof Toejam.

he was from canada

:)

Try your best,if you have worked hard in lessons you should know everything they will test you on.

don't think of it as an exam think of it as another dance lesson but in this one work as hard as you can.

keep your head up straight smile, but most of all enjoy it :)

hope you pass x

No, dance doesn`t have to have music. It really depends on the kind of dance you are doing. Types of dances like jazz, is something that everyone dances with music because its upbeat and you can have a great time jazz dancing with music. Evacuate the dance floor is a great song to dance to, so is Mine. But, no you don`t need music to dance to.

Mexicans dance to Banda Music

ex. http://www.youtube.com/watch?v=lsgqQUCMu5c

ex.2 http://www.youtube.com/watch?v=m0-jYl8v6u4

but in today's times its basically Reggae ton- grinding for partying

and also Cumbia, :)

Fred Astaire had 2 children, Fred Jr. and Ava Astaire

If you are asking about the value I recently saw one in an antique shop priced at $300.00

More or less, on demand video and rent-by-mail services happened. These are more convenient and more comprehensive than brick-and-mortar video stores, so people don't go to places like Blockbuster anymore. As a result, they're quickly going out of business.

It is basically a group of people who sing songs with out instrumentals in the background. The instrument noises can be made with your voice, or none at all. If you were to watch a show like Sing off the groups on there are either all or mostly acapella. Also, if you watch glee, the Warblers are an all acapella group.

On Smackdown vs Raw 2010 (for PS2/PS3), you can climb the turnbuckle while in the ring by running into it, or pressing L1 while near it. To climb the turnbuckle outside of the ring, press X while near it.