Piano

The way the Oracion is played is very simple, i learned how to play by listening to Alice play when all the Pokemon got in to a fight, it goes like this:

CDEBAGC CDEABGE ABCEBEAGC DEDCC A B CEBEAGGC ABCGDD EGEDE DCEBEAGC DED CC.

You will find that it sounds beautiful when played right.

It is:

G A B D D E D B G A B B A G A

G A B D D E D B G A B B A A G

G A B D D E D B G A B B A G A

G A B D D E D B G A B B A A G

C C E E E D D B G A B B A A G

Hope this helps!

The simplest answer is, read it down a third. In treble cleff, G is one line up from the bottom line. In bass clef, G is the bottom line. However, note that the bass cleff note would be an octave lower than its treble clef counterpart. But then, you have the added problem of transposing keys. For instance, B-flat trumpet music is written in a different key than tenor trombone or piano music. If the trombone part is in b-flat, the trumpet part will be in C, so depending on what music you are transposing, you may or may not have to change the key.

F major, Bb major, Eb major, Ab major, Db major, Gb major and Cb major plus their relative minors.

This is a loaded question however I have been searching for the same thing . The best one I could find was . The NeKoxxl from the company open labs .Most of us dont have 10000 usd to throw away though! You do have the keyboard right but the price is $24,000 usd the Gold version

The value of a piano very rarely has to do with the make, model or serial number. The only cases where a piano might be notable in this way would be if the specific piano had some kind of history associated with it, like, perhaps, the piano that Prokofiev used to practice on. (And, in fact, that piano is probably either very worn down, or has been reworked so many times that it hardly has any of Prokofiev's magic left in it!)

Anyway. The value of any piano can only be properly assessed by a piano technician. It is, in fact, part of a piano technician's training and experience. The technician will evaluate the piano's condition, suitability for continued use, tone qualities (and if and how the tone might be improved or changed), and structural integrity.

To be honest, and straight forward, a piano's value (besides some historical or personality-related thing) is solely based on its tone, playability and to some extent, appearance. When all is said and done, a piano is a major piece of furniture, and this actually affects how some folk value an instrument which will occupy significant square footage in their home!

Some of the things that reduce a piano's value:

* infestation by rodents or bugs which have eaten/chewed parts of the piano or left residues. Disinfecting a rodent-infested piano is so difficult to do reliably without making the instrument even more poisonous than it already is that it is rare that anyone bothers * moisture. If the wood (especially in the Pin Block) is too dry, the piano will be hard to tune. If the lack of moisture has allowed the immense pressures on the pins to compress the wood enough, the pinblock may need to be replaced. This is not a simple repair. Likewise, but in the opposite direction, if the wood has been damaged by water or even moisture, the piano may have little value left to it. Rust on the strings, rust in the 'harp' (the brass-looking frame, which is usually cast iron with a brass-colored paint), etc may compromise those parts and endanger the whole instrument. * maintenance history. A piano which has been regularly tuned and maintained, hammers refelted when worn too far to revoice, etc, will be worth much more than a piano which has sat for years, without tuning. * Application of a working humidity-control system. (This applies to areas with seasons.) The change of humidity has far more affect, which are more long-lasting, than the effects of temperature. Leave a piano in a building with good humidity control overnight in the winter, and it will go out of tune as the temperature drops. Bring the temperature up the next day, and the piano will come back in tune (usually.) Change the humidity by 40% and then bring it back to the original humidity, and the piano will not return to its original tuning. Moreover, long-term effects of warping and unwarping with humidity changes can significantly shorten the working life of a piano. (Also note: room humidifiers can, even in fairly well-sealed rooms, cause short-term wild fluctuations in humidity, rather than long-term stability!) There are many more things that can affect piano value. The best way to keep the value of a piano is to ensure that it is regularly tuned and inspected by a technician. The best way to find the value of a piano is to have a technician evaluate it, and the best way to get back lost value from a piano is to have it worked on by a piano technician. As in any realm of life, second opinions are valuable, and certification indicates proven ability. In the US, the Guild of Piano Technicians is the testing and certifying body for Piano Technicians: they are worth contacting to find the certified technicians in your area.

I have never heard of them before, but I can tell you that Steinway is the best brand, then K. Kawai, then Yamaha.

There are two minums in a semibreve.

There are two Crotchets in a Minum.

There are two Quavers in a Crotchet.

There are two Semiquavers in a Quaver.

There are two DemiSemiQuavers in a SemiQuavers.

There are two HemiDemiSemiQuavers in a DemiSemiQuavers.

The Kawai KS1 was made prior to 1970, most likely the latter 1960's, but finding the specific year requires the serial number oand some research. If it is the KS1f, then that means it was made in the 1980's.

Basically he found that it wasnt much different from the harpsichord, so he took the concept of that and changed the pitch, amplitude, strings inside etc.... this then gave him the piano, he solved what harpsichord manufacturers had been trying to solve for ages. Hopefully this helps you x

Here is a website picture of the Circle of fifths or Circle of key signatures: http://www.pianoclues.com/wp-content/uploads/2008/03/circle-keysigs.gif

primary key: primary creates a clustered index on the

column and it doesn't allow null values.

unique key: unique key creates non clustered index by

default.it allows "one null value".

foreign key: A foreign key (FK) is a column or combination

of columns used to establish and enforce a link between the

data in two tables.

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88 KEYS on a Piano

A very talented hawk. Ludwig Van Hawkins perhaps?

The purpouse of a piano is to play music. The piano is a very popular instrument to play and very enjoyable to listen to.

pp - pianissimo - very soft

p - piano - soft

mp - mezzo-piano - medium-soft

mf - mezzo-forte - medium-loud

f- forte - loud

ff - fortissimo - very loud

cresc. - crescendo - get louder

decresc. - decrescendo - get softer

sf - sforzando - sudden accent

sfp - sforzando-piano - sudden accent and sudden piano

In an octave there are eight white notes, C D E F G A B C. For the black notes there are 6, if you are going from C sharp to C sharp again. Hope this helps. Five black keys per octave is probably a better way to think about it.

To locate Middle C on a piano, sit in front of the center of the keyboard. Locate the set of two black keys, the pair directly under the piano makers name. Then, the white key to the immediate left of the two black keys is Middle C.

Sixteenth notes are these to the left. They are played 2x the speed that eighth notes are played.

Because it cannot be bowed like a string instrument, nor does it have a mouthpiece for air to be blown into to make a sound. Certainly isn't made of brass, so it doesn't fit that family either. The sound of a rain stick is created by beads falling against pegs inside the stick ... it's just as percussive a sound as say, the the brush moving back and forth on the top of a snare drum.

You can play percussion instruments with sticks, brushes, rods or play with your hands.

Damper- It is a damper consisting of a small felted block that drops onto a piano string to stop it's vibration.

In other words a damper peddle is the Sustain peddle

Sustain - to hold, to keep going

holding the note further through other notes played