Your question includes Arthur, a character being heard as a voice over, and action. Here is an example of how you can write this sequence. Use standard script formatting:

EXT. PLAYGROUND - DAY

Mavis and Arthur swing on the swing set.

ARTHUR - VO

Mavis and I liked to swing together.

Mavis falls off the swing. Arthur jumps off his swing and rushes to her side.

ARTHUR - VO (CON'T)

Her fall scared me. I didn't know what to do.

Regardless of the genre, getting 'someone important' to read it depends on your definition of 'someone important'.

You may be able to connect through musical genre networks to a potential producer, once your reputation earns you a spot in that network. Otherwise, you can enter your script into script contests and it may succeed on its own merits.

With what you have to offer, you don't want 'a (random) list'.

You want to find production companies that produce stories like the one you're telling. For example, sending your script to Jerry Bruckheimer's production company -- if its a romance -- is probably not a good idea.

One free source for the names of production companies is available on the IMDb Web site, below. Your job is to identify films like yours, then look up their production companies and approach only those who could possibly be interested.

NB: Unsolicited scripts and treatments are rarely read by anyone who receives them. A better suggestion is to enter your completed script into script contests. (Again, find the appropriate genre.) Those scripts -- at least the first 10-20 pages -- are read.

It's always most engaging to reveal a child's innocence and purity of emotion, especially if that is the state of the child in your story.

In real life, until they learn differently from adults, children have a tendency to touch others with a very light, exploratory touch.

They touch others with kindness, so picking lint off the sleeve of another's sweater, or kicking a rock out the way for another person as the two walk together are examples. A child might share a precious toy or sentimental object.

Depending on the actor, the shooting script can be altered on the set, or not, again, depending on the actor.

Essentially dialog is dialog, wherever it's found.

In literature, spoken words are identified within quote marks. The context of the dialog is contained within the context-describing text.

In film, spoken words -- by actors -- are contained within the context of the rest of the story being told visually.

A major character is the focus of the story. Major characters are different at the end of the story than they were at the beginning of a story. The same is not so true of supporting characters.

use the first-person pronoun I to write the story

The first thing that comes to mind is for you to bend the paper like a chute, support the four corners at the required height and tilt it slightly downward, make the next level 90 degrees to the first so it catches the egg from the first level and bring it down to table level using the last 2 straws to pad and stop the egg like an ell shape.

The screenplay format for a movie is a precise document that represents about one minute of film time. In order to maintain this standard, the type face, spacing, margins indentations and so forth are strictly dictated.

You can review a sample screenplay format, below.

There are industry standard software packages that you can use, so that your screenplay conforms to the standard used by all the people involved in reviewing, editing, updating, shooting and otherwise using it as a guide to tell the story on film.

Research all the contact details you can and send a printed copy of your script.

Before you send it, however, copyright it or register it, to protect your interests. As well, work with an attorney to craft a cover letter absolving Mr Lee of any conflict that may exist based on his reading of your script. (If he already has access to a script with basically the same story as yours, he doesn't want you to sue him.)

In completing your research, look for contacts for his agent, his business manager, his attorney, his CPA and so forth.

For example, you can pitch your script to producers and actors who work with Spike Lee.

As an 'outsider', there is no guaranteed direct route to any celebrity. Competition for script-reading time is intense. But if you persist, and your script is absolutely top quality, you never know what can happen.

Warner Brothers [US] is listed as the production company for this 1944 film. You could write them and inquire as to how you could obtain a copy of the script.

The first two things I think are those I learn from you. One is that she is a 'kameene' and the other is that she may not survive at all. I am not 'Hindi' or 'urdu' speaking person and hence do not really know what 'kameene' exactly mean, but I guess it is an abusive description, and consequently it reveals that you are not quite fond of her. At the same time, the suggestion that she may not survive is apparently a wishfull thinking rather than a true anxiety or apprehension. Well, sir, it makes me think that you are somewhat disgusted with the path law usually takes to evaluate an offence (to you, I mean, otherwise why call her 'kameene'?) and in a disappointed state of heart want to see her dead by some means (you have not predicted exactly how). So what I primarily think of her is that she must be a lady who is disliked by persons so desperate that they start through the use of a word like 'kameene'. Then what strikes me is that she must be strong enough to defend herself legally, otherwise why should her enemies wish to see her dead before any judgment from competent authorities! These two qualities are potent enough to make any woman famous and if Ms Nasreen is out to earn fame then her enemies are helping a lot by appropriate propaganda, particularly through the language they are using. Well, is not it natural then that I think I need to know more about her and her reputation which may one day make a mark on contemporary history? She must be great!

Framing comes from photography, implying that when picking the subject of a shot, one positions the subject within the frame.

Composition as well implies that the subject in the frame is surrounded by other material in the frame that either compliment or oppose the subject, depending on the purpose of the photograph.

These are basic vocabulary words used by people who tell stories on film.

In video production, you may have some ability to adjust the frame and/or distort or modify composition once you have the raw footage.

history!, its one of those things that developed from play scripts in the Jacobean/Elizabethan era into the playscripts of modern day.

If you agree that 'presentational devices' are descriptors that focus on the appearance and organization of text, then you could imagine a story about a graphic designer who works with text.

Insofar as using them in the setting of a scripted story, you could imagine an animated story based on text characters made up of different fonts, font sizes, colours and so forth, giving each character a personality.