Violin

Oh, dude, they all have strings attached! Like, literally. The violin and guitar are string instruments, the fish has those stringy things hanging from its mouth, and the music note represents stringed instruments. So, yeah, they're all connected by strings... metaphorically speaking.

viola, cello, bass

check your exaust system including headers,pipes,cat if still on and the muffler there is a possiablity that the muffler A. has been damaged and has a hole in it or B.it has a preformance muffler on it causing the annoying sound or C. the other parts have holes in them and are letting exsive sound pass out * it sounds as if a fart_can has been installed on it,take it to a muffler shop

no

David Oistrakh died on 24th October 1974, after conducting a cycle of Brahms with the Concertgebouw Orchestra, of a heart attack in Amsterdam, aged 66 years old.

An amazing male with super-human strength from New Jersey U.S.A.

Jahangir Khan of Pakistan

No, unless your scratching it so much the skin is gone. Skin flakes off and that's why 90% of the dust in your house is from your skin. When you scratch your scalp you just getting rid of deed skin. (Dandruff)

don't be lazy -hairflick-

:D string: D D E G F E switch to a string: A A A B switch to d string: F G E E E G F E D : switch to a string: D C B A 1ST ENDING- switch to a string: D C B A switch to d string: G F E 2ND ENDING- d string: D switch to a string: A switch to d string: E F D D

D D E G F E A A A B F G E E E G F E D D C B A G F E D D E G F E A A A B F G E E E G F E D A E F D D

William Bartuff The earliest known four string violin was created by Andrea Amati in 1555. Although there were violin like instruments before this, it was the Amati violin that we would recognize as a 'violin' today. The Amati family would go on to produce famous violins until the mid 18th century, with the family eventually being eclipsed by Stradivari, who's instruments are considered to be among the greatest made.

If you put a viola c string on a violin, it will probably sound like a rubber band because the violin is not big enough to allow the sound to develop.

Usually, people just stick with the regular wood look. I have a really nice violin and it looks like polished wood. Mine is rather dark colored.

The key components of the iPod are the casing, screen, mainboard, battery and click wheel. The iPod also requires a cable and iTunes software to connect it to a computer. iPods also come with headphones and in some cases a dock and a protective case. The total number of parts in an IPOD is between 400 and 500.

A chromatic tuner.

Davidov Stradivarius was created in 1712.

It is impossible for even a luthier to value a violin based on a label because many of the cheapest violins tend to paste a Stradivarius or Guarnerius label in their violins in an attempt to increase the value. However, this violin is most likely not a true Stradivarius made by Antonius Stradivarius himself. In fact, you have a better chance of getting struck by lightning than finding a real Stradivarius.

In my experience, rosin (for any instrument) has a shorter life than the manufacturers claim, because, long before the rosin goes bad, it gets dropped.

Most of the rest of what is said about rosin is unsupportable. Since rosin makers rarely reveal all the additives and the purity of the colophon (the resin that is extracted from sap, which gives rosin its characteristic stickiness), it is a shot in the dark to make comparisons. In fact, for the manufactures of the high-volume lines, there isn't even a lot of guarantee that the rosin of this month is the same as next month's batch.

Some manufacturers advertise that their rosin is made only of purified colophon, and some of it might just be. Others advertise additives which are supposed to make the rosin cause a "smoother sound", whatever that might mean. Some of these component are surprising, others are downright startling: Beeswax, for instance, melts at temperatures which are compatible with rosin-melting temperatures, and might just form a uniform admixture which is preserved through pouring, cooling, shipping, sitting on shelves, being rubbed on bow hairs, and then on strings. Others, like gold, silver and ground meteor bits (which are never qualified, let alone quantified) are supposed to have nearly magical effects on sound.

It is said that La Scala's pit orchestra used the same block of rosin for decades, and that it only required a single stroke of a bow before a performance for the most perfect sound of Violin through string bass. The recipe for that rosin is, of course, lost to history.

If you are finding that the effect of your rosin is changing within short periods (one or two months), it is a good idea to look to the amount of rosin you apply to your bow, how (or if) you clean your strings between sessions, and whether you are inadvertently contaminating the strings with oils from the skin of your fingers or other body-oils. Only after ensuring that you aren't causing the problem, should you worry about the rosin: are you using too much? Too little? Does your rosin produce a great deal of dust? Maybe one of the "professional" grades which are touted to produce little or no dust would work better for you. (These are sometimes sold as "non-allergenic", because some people become allergic to rosin dust and need a rosin which doesn't produce dust.)

If you loosen your bow and run a _very_ clean comb which has not been used on human or animal hair through the hairs, you can see if you are using too much rosin or too soft rosin for your environment fairly easily: the hairs will not separate easily. If the comb becomes covered with rosin dust, you should be cutting back on application of rosin. If the hairs appear more yellowed in the area near where you hold your bow, you may be oiling them with finger oils.

well, some would call it rosin, but you rub it on your bow so it has a better sound...and actually makes sound

Also, it helps the bow get a better grip on the strings.

depending of the condition ,in good condition 1200 dolars

THIS NOT FOR THE VIOLIN, IT FOR THE TRUMPET, I don't know the whole part, but I'm pretty sure that from 2:01 until 2:14, it is a G, A, F#, E, and then repeat it. It is the same every time, except on the last time playing it, the last note is and E flat, not E natural. I hope this helps some.

Hellier Stradivarius was created in 1679.

Markees Stradivarius was created in 1701.

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