Jack uses propaganda in "Lord of the Flies" by manipulating the other boys through fear and deception. He spreads rumors about the beast to control the group and solidify his power. Jack also uses symbols like the painted faces to inspire fear and loyalty among his followers.

This statement is hypocritical because it criticizes the behavior of the boys for not living up to expectations, implying that they should have behaved differently, yet it fails to consider the factors that may have influenced their actions or the challenges they faced. It overlooks the complexities of human behavior and dismisses the underlying reasons for their behavior.

In most cases, it is not illegal to touch a dead body, especially in situations involving funerals, autopsies, or morgue services. However, it is important to respect cultural, religious, and legal guidelines surrounding handling deceased individuals. Unauthorized interference with a dead body or improper disposal may be considered a criminal offense.

Jack from Lord of the Flies would likely be placed in Kohlberg's pre-conventional stage of moral development. His actions are primarily driven by self-interest and a desire to avoid punishment or seek rewards, rather than being guided by internalized moral principles or social norms.

DOG Cannis familiaris

ANT Hymenopetrous formicida

COBRA Elapida naja

CAT Felis domestica

DOLPHIN Delphinidae delphis

FROG Anura ranidae

GOAT Capra hircus

HIPPOPOTAMUS Hippopotamus amphibius

HORSE Equus caballus

HOUSEFLY Musca domestica

The hunters raid Ralph's group because they want power, control, and dominance over the other boys on the island. They are attracted to Jack's leadership and the promise of hunting and violence, which appeals to their primal instincts. This leads to a power struggle and conflict between Ralph's group, focused on civilization and order, and Jack's group, focused on savagery and chaos.

Ralph notes that his pursuers have become obsessed with the hunt and have lost their sense of rationality and humanity. He sees how they have descended into savagery, willing to harm and kill without reason, leading to their own destruction in the end.

When Percival speaks, he is unable to remember where the beast comes from and becomes overwhelmed with fear. He struggles to articulate his thoughts and eventually breaks down due to the intensity of his emotions.

He is wearing clay and blood

Ralph represents the leader archetype, Jack embodies the archetype of the rebellious instigator, and Simon embodies the archetype of the wise and spiritual figure. Each character demonstrates different qualities and behaviors that align with these social archetypes throughout the story.

The candle-buds that Simon sees on the mountain bloom during the day and close up at night. They only bloom once a year and are described as producing a sweet fragrance.

An example of personification in Lord of the Flies is when the conch shell is described as having the power to bring order and civilization to the boys on the island. Personifying the conch shell suggests it has human-like qualities and influences the boys' behaviors.

No, the South American longhorn beetle is not the biggest insect in the world. The biggest insect is the Goliath beetle, which is native to Africa and can grow up to 4.3 inches in length.

They are a symbol of order and intelligence, and a link to making fire for rescue. As they get slowly destroyed throughout the novel (taken, one lens smashed, then stolen) it shows the breaking down of order. However, he is short sighted, so his lenses would not have magnifiedd the sun and therefore not started a fire. In this case Golding has chosen to put symbolism above the reality of the story

Piggy's glasses represent intelligence and reason in the novel. By using the glasses to light the fire, it shows how civilization and order can be achieved through technology and rationality. The fire symbolizes hope and rescue but also the potential for destruction if not controlled.

1. In Lord of the Flies, the island is described as "fringed with water" (pg. 51), personifying the water as having the ability to surround and protect the island like a fringe. This is personification because it gives human characteristics to the water by implying it has the ability to accessorize the island.

2. Another example is when the parachute in the tree is described as "flapped and sank" (pg. 175), personifying the parachute as if it were alive and capable of movement. This personification creates a sense of unease and tension as it suggests an ominous presence watching over the boys.

3. Additionally, the storm in the novel is depicted as "growling" (pg. 189), personifying the storm by attributing the sound of growling, typically associated with animals, to the weather. This personification adds an element of danger and hostility to the storm, heightening the sense of foreboding in the scene.

Ralph clutches the conch shell when he talks about Simon's murder. The conch shell symbolizes order and civilization on the island, and Ralph holds onto it as a reminder of the group's initial attempts to maintain law and order.

Fire moves because it is a chemical reaction that generates heat and light by the rapid combination of oxygen with a fuel source. The movement of fire is driven by the flow of hot gases, which rise due to their lower density compared to the surrounding air, creating a swirling motion.

At Jack's party in "Lord of the Flies," the ice is broken when Jack insists that everyone dance, leading to a wild and primal dance around the fire. This moment of freedom and abandonment helps the boys momentarily forget their fears and inhibitions.

Simon discovers a parachutist whose body has been tangled in the trees. The flies have swarmed around the body, giving it a lifelike appearance and making it seem like the figure is moving. Simon removes the parachute lines in an attempt to free the body, but he is ultimately unable to do so and walks away. This event serves as a pivotal moment in the novel symbolizing the loss of innocence and the brutal reality of human nature.

Piggy's aunt asks him not to run due to his asthma, as exercise could trigger an asthma attack. She is concerned for his health and wants to avoid any potential risks that could worsen his condition.

Piggy's glasses break in Chapter 11 of "Lord of the Flies" when Roger shoves a boulder off a cliff, crushing Piggy and causing his glasses to shatter.

"Lord of the Flies" is significant today because it explores themes of power, human nature, and societal structure, raising questions about the capacity for evil within humanity. The novel's examination of group dynamics and the consequences of unchecked power remains relevant in understanding the behavior of individuals and societies. Additionally, it serves as a cautionary tale about the fragility of civilization and the potential for violence and chaos when societal norms break down.

Golding used British school boys in "Lord of the Flies" to symbolize the inherent capacity for violence and evil within human nature, even in those who are sheltered and seemingly innocent. By depicting the breakdown of society and morality among these boys, Golding explores the destructive forces that can emerge when societal constraints are removed.