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John Steinbeck

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John Steinbeck
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  • Born: 27 February 1902
  • Birthplace: Salinas, California
  • Died: 20 December 1968 (arteriosclerosis)
  • Best Known As: Author of The Grapes of Wrath

John Steinbeck was one of the best-known American novelists of the mid-20th century. His frequent topic was the plight of the misfits, the homeless and the hopeless in a fast-changing America. (Those themes sometimes earned him comparisons with his contemporary William Faulkner.) Steinbeck's first novel, Cup of Gold, was published in 1929. His most celebrated book remains The Grapes of Wrath: the story of the Joads, impoverished farmers who migrate to California after losing their Oklahoma land. Published in 1939, The Grapes of Wrath won the National Book Award and the Pulitzer Prize for fiction. (Henry Fonda played Tom Joad in the 1940 film of the novel.) Steinbeck's other books include Of Mice and Men (1937), Cannery Row (1945) and East of Eden (1952, later made into a film starring James Dean). He was awarded the Nobel Prize for Literature in 1962.

Steinbeck wrote the story for the 1944 Alfred Hitchcock film Lifeboat.

 
 
Writer:

John Steinbeck

  • Born: Feb 27, 1902 in Salinas, California
  • Died: 1968
  • Occupation: Writer
  • Active: '40s-'50s, '70s-'80s
  • Major Genres: Drama
  • Career Highlights: East of Eden, Of Mice and Men, The Red Pony
  • First Major Screen Credit: Of Mice and Men (1939)

Biography

One of the most important American authors of the 20th century, John Steinbeck has had many of his novels adapted into films. He also wrote a few screenplays and stories especially for films. ~ Sandra Brennan, All Movie Guide

 
Biography: John Ernst Steinbeck

John Ernst Steinbeck (1902-1968), American author and winner of the Nobel Prize in 1962, was a leading exponent of the proletarian novel and a prominent spokesman for the victims of the Great Depression.

John Steinbeck was born on Feb. 27, 1902, in Salinas, Calif., the son of a small-town politician and school-teacher. He worked as a laboratory assistant and farm laborer to support himself through 6 years of study at Stanford University, where he took only those courses that interested him, without seeking a degree. In 1925 he traveled to New York (by way of the Panama Canal) on a freighter, collecting impressions for his first novel. Cup of Gold (1929) was an unsuccessful attempt at psychological romance involving the pirate Henry Morgan.

Undiscouraged, Steinbeck returned to California to begin work as a writer of serious fiction. A collection of short stories, The Pastures of Heaven (1932), vividly detailed rural life among the "unfinished children of nature" in his native California valley. His second novel, To a God Unknown (1933), his strongest statement about man's relationship to the land, reveals a strain of neo-primitive mysticism later to permeate even his most objectively deterministic writings. With Tortilla Flat (1935) Steinbeck received critical and popular acclaim, and there are many critics who consider this humorous and idyllic tale of the Monterey paisanos Steinbeck's most artistically satisfying work.

Steinbeck next dealt with the problems of labor unionism in In Dubious Battle (1936), an effective story of a strike by local grape pickers. Of Mice and Men (1937), first conceived as a play, is a tightly constructed novella about an unusual friendship between two migratory workers. Although the book is powerfully written and often moving, its theme lacks the psychological penetration and moral vision necessary to sustain its tragic intention.

Steinbeck's series of articles for the San Francisco Chronicle on the plight of migratory farm laborers provided material for The Grapes of Wrath (1939), his major novel and the finest proletarian fiction of the decade. The struggle of a family of Oklahoma tenant farmers, forced to turn over their land to the banks and journey across the vast plains to the promised land of California - only to be met with derision when they arrive - is a successful example of social protest in fiction, as well as a convincing tribute to man's will to survive. The Grapes of Wrath combines techniques of naturalistic documentation and symbolic stylization, its episodic structure being admirably held together by the unifying device of U.S. Highway 66 and by lyrical inter-chapters which possess a Whitmanesque expansiveness. The novel's weaknesses lie in occasional lapses into sentimentality and melodramatic oversimplification, Steinbeck's tendency to depict human relationships in biological rather than psychological terms, and the general absence of philosophical vision and intellectual content. It received the Pulitzer Prize in 1940.

During World War II Steinbeck served as a foreign correspondent; from this experience came such nonfiction as Bombs Away: The Story of a Bomber Team (1942); his dispatches of 1943, collected as Once There Was a War (1958); and A Russian Journal (1948) with photographs by Robert Capa. More interesting nonfiction of this period is The Sea of Cortez, coauthored with marine biologist Edward F. Ricketts. This account of the two explorers' research into sea life provides an important key to many of the themes and attitudes prevalent in Steinbeck's novels.

Steinbeck's fiction during the 1940s includes The Moon Is Down (1942), a tale of the Norwegian resistance to Nazi occupation; Cannery Row (1944), a return to the milieu of Tortilla Flat; The Wayward Bus (1947); and The Pearl, a popular allegorical novella written in a mannered pseudobiblical style about a poor Mexican fisherman who discovers a valuable pearl which brings ill fortune to his family.

In the 1950s Steinbeck's artistic decline was evident with a series of novels characterized by their sentimentality, pretentiousness, and lack of substance. The author received modest critical praise in 1961 for his more ambitious novel The Winter of Our Discontent, a study of the moral disintegration of a man of high ideals. In 1962 Travels with Charley, a pleasantly humorous account of his travels through America with his pet poodle, was well received. Following the popular success of the latter work, Steinbeck was awarded the Nobel Prize.

Steinbeck's finest novels are a curious blend of scientific determinism, romantic mysticism, and a rudimentary, often allegorical, type of symbolism. His work remains popular in both the United States and Europe, chiefly for its social consciousness and compassion and the narrative qualities exhibited in the early novels. Although he refused to settle into political conservatism in his later years, his all-embracing affirmation of American values and acceptance of all national policies, including the Vietnam War, lost him the respect of many liberal intellectuals who had once admired his social commitments. He died on Dec. 28, 1968, in New York City.

Further Reading

There is no biography of Steinbeck. Critical studies of his work are Harry T. Moore, The Novels of John Steinbeck: A First Critical Study (1939; 2d ed. 1968), and Peter Lisca, The Wide World of John Steinbeck (1958). Peter Covici, ed., The Portable Steinbeck (1943; 3d ed. 1963), contains an extensive introduction to the writer and his works by Louis Gannett. For brief but important criticism see Edmund Wilson, The Boys in the Back Room (1941), and those chapters devoted to Steinbeck in such studies of American literature as Maxwell Geismar, Writers in Crisis (1942); Wilbur M. Frohock, The Novel of Violence in America, 1920-1950 (1950; 2d ed. 1957); and Frederick J. Hoffman, The Modern Novel in America (1951). The most comprehensive collection of Steinbeck criticism is E. W. Tedlock, Jr., and C. V. Wicker, eds., Steinbeck and His Critics: A Record of Twenty-five Years (1957).

 
Britannica Concise Encyclopedia: John Ernst Steinbeck

John Steinbeck.
(click to enlarge)
John Steinbeck. (credit: Encyclopædia, Britannica, Inc.)
(born Feb. 27, 1902, Salinas, Calif., U.S. — died Dec. 20, 1968, New York, N.Y.) U.S. novelist. Steinbeck intermittently attended Stanford University and worked as a manual labourer before his books attained success. He spent much of his life in Monterey county, Calif. His reputation rests mostly on the naturalistic novels on proletarian themes that he wrote in the 1930s. Among them are Tortilla Flat (1935), In Dubious Battle (1936), Of Mice and Men (1937), and the acclaimed The Grapes of Wrath (1939, Pulitzer Prize), which aroused widespread sympathy for the plight of migratory farm workers. In World War II he served as a war correspondent. His later novels include Cannery Row (1945), The Pearl (1947), The Wayward Bus (1947), and East of Eden (1952). He received the Nobel Prize for Literature in 1962.

For more information on John Ernst Steinbeck, visit Britannica.com.

 
US History Companion: Steinbeck, John

(1902-1968), author. Steinbeck's place in American literature is assured by his late 1930s novels about the plight of the working class: In Dubious Battle (1936), Of Mice and Men (1937), and the Pulitzer Prize-winning The Grapes of Wrath (1939).

Growing up in agrarian Salinas, California, Steinbeck felt both empathy for the weak and scorn for the middle-class complacency of his hometown. At fourteen, he decided to write romances, but after a long apprenticeship, he found his voice in more realistic stories about ordinary people trying to achieve dignity in a repressive society. His short stories of the early 1930s, collected in The Long Valley (1938), tell of the misplaced, the lonely, and the misunderstood, their frustration conveyed in prose that, like Hemingway's, is terse and suggestive.

That compact style also served humorously to expose the stifling norms of the middle class. The rollicking Tortilla Flat (1935), his first commercial success, relates the misadventures of a group of drunken, finagling paisanos whose uninhibited zest for life and loyalty to one another are contrasted favorably with bourgeois sensibilities, a theme and tone he later adopted when he wrote about Monterey's Cannery Row (1945). Steinbeck's symbolic realism and sociopolitical convictions achieve their fullest expression, however, in his masterpiece, The Grapes of Wrath. This saga of the Joad family--"tractored out" of Oklahoma, exiled to California, and oppressed as migrant laborers--focused national attention on the plight of the homeless. The popularity of the book and of John Ford's classic film version brought Steinbeck the fame that, in fact, he scarcely relished.

To escape publicity, Steinbeck turned to seemingly unrelated projects. In 1941 he and marine biologist Edward Ricketts published Sea of Cortez, an account of their expedition cataloging marine life and a philosophical record of their ecological perspective. Steinbeck's decision to become a serious student of science was characteristic of his career. He was among the first major twentieth-century writers to view his characters with scientific detachment, focusing on what is, not on what could or should be. Steinbeck and Ricketts called this "non-teleological" or "is" thinking. Steinbeck's Sea of Cortez and Cannery Row give full expression to this ecological and holistic awareness.

Steinbeck's shift from politics to biology was but an occasion of his constant experimentation with genres. In the 1940s and 1950s he composed screenplays, a musical, journalistic pieces, travel narratives, fables, an epic, and play/novelettes--his term to describe short fiction that could be performed directly from the text. Perhaps because of this diversity, his later work is uneven. Although some of his journalistic pieces reflect the clarity and sympathy of his earlier work, others are unmistakably slight. That same unevenness is reflected in his experiments with fabulist fiction. Whereas the symbolic play/novelette Burning Bright (1950) was a critical failure, the tight fable The Pearl (1947) occupies a high place in his canon. Undoubtedly his most impressive fictional experiment after Grapes, however, is East of Eden. In this epic novel, he intertwined realistic family history with a symbolic rendering of the Cain and Abel story. Technically flawed and again uneven, the novel is nevertheless riveting. Its importance lies in Steinbeck's efforts to come to terms with individual ethical responsibility rather than social dynamics.

At the end of his career, Steinbeck recorded with increasing dismay the problems of a materialistic culture. After publishing an incisive critique of America's moral decline, The Winter of Our Discontent (1961), he was awarded the Nobel Prize for literature. Taken together, his works are remarkable in their diversity and their power to articulate the dreams and frustrations of average Americans within quintessentially American landscapes.

Bibliography:

Jackson J. Benson, The True Adventures of John Steinbeck, Writer (1984); Elaine Steinbeck and Robert Wallsten, eds., Steinbeck: A Life in Letters (1975).

Author:

Susan Shillinglaw

See also Literature.


 
Columbia Encyclopedia: Steinbeck, John,
1902–68, American writer, b. Salinas, Calif., studied at Stanford. He is probably best remembered for his strong sociological novel The Grapes of Wrath, considered one of the great American novels of the 20th cent. Steinbeck's early novels—Cup of Gold (1929), The Pastures of Heaven (1932), and To a God Unknown (1933)—attracted little critical attention, but Tortilla Flat (1935), an affectionate yet realistic novel about the lovable, exotic, Spanish-speaking poor of Monterey, was enthusiastically received. A compassionate understanding of the world's disinherited was to be Steinbeck's hallmark. The novel In Dubious Battle (1936) defends striking migrant agricultural workers in the California fields. In the novella Of Mice and Men (1937; later made into a play), Steinbeck again presents migrant workers, but this time in terms of human worth and integrity—a theme he also used in The Moon Is Down (1942; later made into a play), about Norwegian resistance to the Nazis. The Grapes of Wrath (1939; Pulitzer Prize), while treating the plight of dispossessed Dust Bowl farmers during the 1930s, presents a universal picture of victims of disaster. Steinbeck's depiction of the westward migration of the Joad family, and their subsequent struggles in the exploitative agricultural industry of California, is realistic and moving, and he endows his humble characters with nobility. Steinbeck's other works are diverse, ranging from the literal account of a voyage, The Sea of Cortez (1941; written with the marine biologist E. F. Ricketts); to a parable, The Pearl (1948); to a playful French folk piece, The Short Reign of Pippin IV (1957). Love of his native land shines through the exquisitely nostalgic story “The Red Pony” in The Long Valley (1938). The somewhat sentimental attitude of Tortilla Flat appears again in Cannery Row (1945), The Wayward Bus (1947), and Sweet Thursday (1954). More ambitious are the novels East of Eden (1952), a family chronicle with the Cain and Abel theme, and Winter of Our Discontent (1961), about a suburbanite's moral conflict. Steinbeck also wrote notable nonfiction, particularly The Log from the Sea of Cortez (1951) and A Russian Journal (1948), and the screenplays for the motion pictures The Forgotten Village (1941) and Viva Zapata! (1952). Travels with Charley in Search of America appeared in 1962 and America and Americans in 1966. Steinbeck was awarded the 1962 Nobel Prize in Literature.

Bibliography

See his letters, ed. by E. Steinbeck and R. Wallsten (1975); biographies by J. Benson (1984) and J. Parini (1995); study by J. H. Timmerman (1986).

 
Works: Works by John Steinbeck
(1902-1968)

1929Cup of Gold. The California writer debuts with this romantic novel based on the career of the pirate Sir Henry Morgan.
1932The Pastures of Heaven. Steinbeck's second publication is a story collection linked by the setting of a California farming community. It introduces Steinbeck's characteristic subject of the common man's relationship with the land.
1933To a God Unknown. Steinbeck's second novel (but his third to be published) is a highly symbolic story of a California farmer's self-sacrifice as part of a fertility ritual. The novel is noteworthy for working out Steinbeck's philosophy of man's relationship with nature, a theme reflected in his future works.
1935Tortilla Flat. Steinbeck's fourth novel becomes his first popular success. Treating the ethnically mixed "paisanos" of Monterey, California, it would be dramatized by Jack Kirkland in 1937.
1936In Dubious Battle. The first of the writer's novels to take up the subject of California's migratory farm laborers, the story concerns the tragic impact of a fruit pickers' strike on a group of radical union organizers.
1937Of Mice and Men. Having written his 1937 novel "as a play," Steinbeck quickly adapts it for the stage. It wins the New York Drama Critics Circle Award.
1937Of Mice and Men. In Steinbeck's short novel the dreams of two itinerant laborers, George and Lennie, about a place of their own collapses when the simple-minded Lennie accidentally breaks the neck of another man's wife. Steinbeck weaves social themes around concepts of evolutionary biology and the survival of the fittest.
1938The Long Valley. A short story collection mainly dealing with farming life in California's Salinas Valley. It includes highly regarded stories such as "The Snake," "Flight," "The Red Pony," the medieval parable "Saint Katy the Virgin," as well as "Chrysanthemums," widely regarded as Steinbeck's best story and one of the greatest American short stories of the twentieth century.
1939The Grapes of Wrath. The only social protest novel of the 1930s to reach a mass audience, Steinbeck's dust-bowl saga of the Joad family's forced exodus from Oklahoma to California would be banned, burned, and acclaimed as the decade's defining masterpiece. Winner of the 1940 Pulitzer Prize, the book is regarded as an American classic, Steinbeck's most enduring work, and the summation of the author's artistic and moral vision.
1941Sea of Cortez. Written with marine biologist Edward F. Ricketts (1896-1948), this is a journal of the writer's travels and research in the Gulf of California. It is an important source document on the author's philosophy.
1942The Moon Is Down. Steinbeck's attempt to show German soldiers in human rather than monstrous terms draws strong condemnation. Steinbeck's dramatic adaptation opens on Broadway on April 7.
1945Cannery Row. In a return to the Monterey lowlife setting of Tortilla Flat (1935), Steinbeck offers a whimsical tale of what happens when a surprise party for a marine biologist goes awry. Many are charmed by Steinbeck's efforts here; others are disappointed, finding the novel overly sentimental.
1947The Wayward Bus. Steinbeck uses a microcosmic group of passengers stranded overnight in a California gas station to explore and criticize contemporary American values.
1948The Pearl. In a retelling of a Mexican folktale, Steinbeck relates how a great pearl found by a Mexican fisherman brings only misfortune.
1948Russian Journal. An impressionistic account of the author's brief tour of Russia, with photographs by Robert Capa (1913-1954).
1950Burning Bright. The only work Steinbeck wrote initially for the stage is his last dramatic work, closing after only thirteen performances. Conceived as a modern morality play about a man's acceptance of a child fathered by another, it employs expressionistic techniques, with universalized characters and symbolic settings, elements of what Steinbeck calls "this new form--the play-novelette."
1952Viva Zapata! Steinbeck writes the film script for Elia Kazan's popular film on the Mexican revolutionary, starring Marlon Brando. The script's characterizations and themes recall Steinbeck's best work from the 1930s.
1952East of Eden. Steinbeck's most ambitious work explores both social history and his home region, the Salinas Valley of California, by following three generations of the Trask family. Loosely structured by the biblical story of Cain and Abel, the novel revolves around free will and the capacity to forgive. A popular 1954 movie version would star James Dean.
1954Sweet Thursday. Steinbeck brings back characters from Cannery Row in a comedy set on the Monterey waterfront during the postwar period, concerning Doc's marriage to the prostitute Suzy. It would be turned into the musical Pipe Dream by Rodgers and Hammerstein in 1955.
1957The Short Reign of Pippin IV. Steinbeck's unusual departure is a limp satire on French politics, which imagines the restoration of the monarchy in the twentieth century.
1958Once There Was a War. The volume collects Steinbeck's 1943 war dispatches from England, Africa, and Italy.
1961The Winter of Our Discontent. Steinbeck's final novel is a bleak portrait of a materialistic American wasteland dramatized through the financial and moral collapse of a member of an old New England family.
1962Travels with Charley: In Search of America. Steinbeck's odyssey to "rediscover" America, accompanied by his pet poodle in a converted truck named Rocinante, offers an often bitter reaction to contemporary American life and includes a frank self-assessment of Steinbeck's career and capabilities.
1966America and Americans. Steinbeck's final book published during his lifetime is a reflective essay accompanying a book of photographs in which he meditates on the American character and his own American odyssey.

 
Quotes By: John Steinbeck

Quotes:

"No one wants advice, only corroboration."

"If you're in trouble, or hurt or need -- go to the poor people. They're the only ones that'll help -- the only ones."

"This monster of a land, this mightiest of nations, this spawn of the future, turns out to be the macrocosm of microcosm me."

"No man really knows about other human beings. The best he can do is to suppose that they are like himself."

"Lord, how the day passes! It is like a life, so quickly when we don't watch it, and so slowly if we do."

"Texas is not a state -- it's a state of mind."

See more famous quotes by John Steinbeck

 
Wikipedia: John Steinbeck