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Ray Bradbury

 
Who2 Biography: Ray Bradbury, Writer
Ray Bradbury
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  • Born: 22 August 1920
  • Birthplace: Waukegan, Illinois
  • Best Known As: Author of Fahrenheit 451 and The Martian Chronicles

Name at birth: Raymond Douglas Bradbury

Ray Bradbury wrote the 1953 science fiction classic Fahrenheit 451, a tale of a futuristic society where reading is outlawed and books are burned at the title temperature. Bradbury began publishing science fiction stories in pulp magazines like Weird Tales in the 1930s. Known primarily as a short story writer -- his most famous stories make up the collections The Martian Chronicles (1950) and The Illustrated Man (1951) -- Bradbury has also written the novels Something Wicked This Way Comes (1962) and the semi-autobiographical Dandelion Wine (1957), among others. He also wrote episodes of The Twilight Zone and The Alfred Hitchcock Hour, and from 1985-92 his stories were retold in the cable TV series The Ray Bradbury Theater. He has won nearly every major fantasy fiction award for his work, including a Grand Master Nebula Award in 1988.

Bradbury worked with his lifelong friend, Ray Harryhausen, on the movie The Beast From 20,000 Fathoms... Fahrenheit 451 was made into a 1966 movie directed by Francois Truffaut.

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Biography: Ray Bradbury
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Ray Bradbury (born 1920) was among the first authors to combine the concepts of science fiction with a sophisticated prose style. Often described as economical yet poetic, Bradbury's fiction conveys a vivid sense of place in which everyday events are transformed into unusual, sometimes sinister situations.

Bradbury began his career during the 1940s as a writer for such pulp magazines as Black Mask, Amazing Stories, and Weird Tales. The latter magazine served to showcase the works of such fantasy writers as H. P. Lovecraft, Clark Ashton Smith, and August Derleth. Derleth, who founded Arkham House, a publishing company specializing in fantasy literature, accepted one of Bradbury's stories for Who Knocks?, an anthology published by his firm. Derleth subsequently suggested that Bradbury compile a volume of his own stories; the resulting book, Dark Carnival (1947), collects Bradbury's early fantasy tales. Although Bradbury rarely published pure fantasy later in his career, such themes of his future work as the need to retain humanistic values and the importance of the imagination are displayed in the stories of this collection. Many of these pieces were republished with new material in The October Country (1955).

The publication of The Martian Chronicles (1950) established Bradbury's reputation as an author of sophisticated science fiction. This collection of stories is connected by the framing device of the settling of Mars by human beings and is dominated by tales of space travel and environmental adaptation. Bradbury's themes, however, reflect many of the important issues of the post-World War II era - racism, censorship, technology, and nuclear war - and the stories delineate the implications of these themes through authorial commentary. Clifton Fadiman described The Martian Chronicles as being "as grave and troubling as one of Hawthorne's allegories." Another significant collection of short stories, The Illustrated Man (1951), also uses a framing device, basing the stories on the tattoos of the title character.

Bradbury's later short story collections are generally considered to be less significant than The Martian Chronicles and The Illustrated Man. Bradbury shifted his focus in these volumes from outer space to more familiar earthbound settings. Dandelion Wine (1957), for example, has as its main subject the midwestern youth of Bradbury's semiautobiographical protagonist, Douglas Spaulding. Although Bradbury used many of the same techniques in these stories as in his science fiction and fantasy publications, Dandelion Wine was not as well received as his earlier work. Other later collections, including A Medicine for Melancholy (1959), The Machineries of Joy (1964), I Sing the Body Electric! (1969), and Long after Midnight (1976), contain stories set in Bradbury's familiar outer space or midwestern settings and explore his typical themes. Many of Bradbury's stories have been anthologized or filmed for such television programs as The Twilight Zone, Alfred Hitchcock Presents, and Ray Bradbury Theater.

In addition to his short fiction, Bradbury has several adult novels. The first of these, Fahrenheit 451 (1953), originally published as a short story and later expanded into novel form, concerns a future society in which books are burned because they are perceived as threats to societal conformity. In Something Wicked This Way Comes (1962) a father attempts to save his son and a friend from the sinister forces of a mysterious traveling carnival. Both of these novels have been adapted for film. Death Is a Lonely Business (1985) is a detective story featuring Douglas Spaulding, the protagonist of Dandelion Wine, as a struggling writer for pulp magazines Dandelion Wine and The Martian Chronicles are often included in the category of novel. Bradbury has also written poetry and drama; critics have faulted his efforts in these genres as lacking the impact of his fiction.

While Bradbury's popularity is acknowledged even by his detractors, many critics find the reasons for his success difficult to pinpoint. Some believe that the tension Bradbury creates between fantasy and reality is central to his ability to convey his visions and interests to his readers. Peter Stoler asserted that Bradbury's reputation rests on his "chillingly understated stories about a familiar world where it is always a few minutes before midnight on Halloween, and where the unspeakable and unthinkable become commonplace." Mary Ross proposed that "Perhaps the special quality of [Bradbury's] fantasy lies in the fact that people to whom amazing things happen are often so simply, often touchingly, like ourselves." In a genre in which futurism and the fantastic are usually synonymous, Bradbury stands out for his celebration of the future in realistic terms and his exploration of conventional values and ideas. As one of the first science fiction writers to convey his themes through a refined prose style replete with subtlety and humanistic analogies, Bradbury has helped make science fiction a more respected literary genre and is widely admired by the literary establishment.

Further Reading

Authors in the News, Gale, Volume 1, 1976, Volume 2, 1976.

Amis, Kingsley, New Maps of Hell, Ballantine, 1960, pp. 90-7.

Berton, Pierre, Voices from the Sixties, Doubleday, 1967, pp. 1-10.

Breit, Harvey, The Writer Observed, World Publishing, 1956.

Clareson, Thomas D., editor, Voices for the Future: Essays on Major Science Fiction Writers, Volume 1, Bowling Green State University Press, 1976.

Concise Dictionary of American Literary Biography: Broadening Views, 1968-1988, Gale, 1989.

Contemporary Literary Criticism, Gale, Volume 1, 1973, Volume 3, 1975, Volume 10, 1979, Volume 15, 1980, Volume 42, 1987.

Britannica Concise Encyclopedia: Ray Douglas Bradbury
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(born Aug. 22, 1920, Waukegan, Ill., U.S.) U.S. author. Bradbury is best known for highly imaginative science-fiction stories and novels that blend social criticism with an awareness of the hazards of runaway technology. The Martian Chronicles (1950; television miniseries, 1980) is considered a science-fiction classic. His other short-story collections include The Illustrated Man (1951; film, 1969), The October Country (1955), I Sing the Body Electric! (1969; teleplay, 1981), and Quicker Than the Eye (1996). Among his novels are Fahrenheit 451 (1953; film, 1966); Dandelion Wine (1957; film, 1997) and its sequel, Farewell Summer (2006); and Death Is a Lonely Business (1985).

For more information on Ray Douglas Bradbury, visit Britannica.com.

 
Columbia Encyclopedia: Ray Bradbury
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Bradbury, Ray (brăd'bĕr'ē, -bərē), 1920-, American writer, b. Waukegan, Ill. A popular and very prolific writer of science fiction, Bradbury skillfully combines social and technological criticism with delightful fantasy. His best-known work is probably The Martian Chronicles (1950), the tale of the ruin of Martian civilization by greedy and corrupt earthlings, which was made into a film (1966) and a TV miniseries (1980). His short-story collections include The Golden Apples of the Sun (1953), The Last Circus and the Executioner (1980), The Toynbee Convector (1988), Quicker than the Eye (1996), and Driving Blind (1997); among his novels are Fahrenheit 451 (1953, film 1966), Dandelion Wine (1957), Something Wicked This Way Comes (1962, film 1983), The Halloween Tree (1972), and A Graveyard for Lunatics (1990). Bradbury has also written scripts for plays and films, a detective novel, children's stories, and poetry.

Bibliography

See biographies by W. L. Johnson (1980), D. Mogen (1986), and S. Weller (2005); studies by G. E. Slusser (1977), W. F. Touponce (1989 and 1998), J. Anderson (1990), and R. A. Reid (2000).

Works: Works by Ray Bradbury
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(b. 1920)

1950The Martian Chronicles. Bradbury's masterpiece is a series of linked stories about the colonization of Mars. With this work, Bradbury, along with Isaac Asimov, helps gain increased respect for the genre of science fiction. Born in Illinois and educated in Los Angeles, Bradbury began his writing career, which would include short stories, novels, plays, and film, radio, and television scripts, in 1943.
1951The Illustrated Man. Bradbury's story collection explores issues such as the atom bomb and racial intolerance in a series of deftly plotted fantasies linked as the illustrated images on a tattooed man.
1953Fahrenheit 451. Bradbury's best-known novel concerns a futuristic dystopia in which books are destroyed as a threat to a populace lulled into conformity by material comforts. The novel echoes the censorship and persecution of the McCarthy era, as well as the period's consumerism and media domination. Bradbury also publishes The Golden Apples of the Sun, his first story collection involving non-science fiction subjects.

Quotes By: Ray Bradbury
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Quotes:

"If you don't like what you're doing, then don't do it."

"First you jump off the cliff and you build wings on the way down."

"I don't try to describe the future. I try to prevent it."

"If we listened to our intellect, we'd never have a love affair. We'd never have a friendship. We'd never go into business, because we'd be cynical. Well, that's nonsense. You've got to jump off cliffs all the time and build your wings on the way down."

"We are the miracle of force and matter making itself over into imagination and will. Incredible. The Life Force experimenting with forms. You for one. Me for another. The Universe has shouted itself alive. We are one of the shouts."

"I know you've heard it a thousand times before. But it's true -- hard work pays off. If you want to be good, you have to practice, practice, practice. If you don't love something, then don't do it."

See more famous quotes by Ray Bradbury

Wikipedia: Ray Bradbury
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Ray Bradbury

Ray Bradbury in 1975
Born Ray Douglas Bradbury
August 22, 1920 (1920-08-22) (age 89)
Waukegan, Illinois
Occupation Novelist, Short story writer, Essayist.
Nationality American
Genres Science fiction, fantasy, horror, mystery, social science fiction
Notable work(s) The Martian Chronicles, Fahrenheit 451, Fever Dream
Official website

Ray Douglas Bradbury (born August 22, 1920) is an American mainstream, fantasy, horror, science fiction, and mystery writer.

Best known for his dystopian novel Fahrenheit 451 and The Martian Chronicles, Bradbury is widely considered one of the greatest and most popular American writers of speculative fiction of the twentieth century.

Ray Bradbury's popularity has been increased by more than 20 television shows and films using his writings (see Adaptations of his work).

Contents

Beginnings

Bradbury was born in Waukegan, Illinois, to a Swedish immigrant mother and a father who was a power and telephone lineman.[2] His paternal grandfather and great-grandfather were newspaper publishers.[3]

Bradbury was a reader and writer throughout his youth, spending much time in the Carnegie library in Waukegan, Illinois. He used this library as a setting for much of his novel Something Wicked This Way Comes, and depicted Waukegan as "Green Town" in some of his other semi-autobiographical novels—Dandelion Wine, Farewell Summer—as well as in many of his short stories.[4]

He attributes his lifelong habit of writing every day to an incident in 1932 when a carnival entertainer, Mr. Electrico,[5] touched him on the nose with an electrified sword, made his hair stand on end, and shouted, "Live forever!" It was from then that Bradbury wanted to live forever and decided his career as an author in order to do what he was told; live forever.

The Bradbury family lived in Tucson, Arizona, in 1926–27 and 1932–33 as his father pursued employment, each time returning to Waukegan, but eventually settled in Los Angeles in 1934, when Ray was thirteen.

Bradbury graduated from the Los Angeles High School in 1938 but didn't attend college. Instead, he sold newspapers at the corner of South Norton Avenue and Olympic Boulevard. In regard to his education, Bradbury said:

"Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years."[6]

Having been influenced by science fiction heroes like Flash Gordon and Buck Rogers, he began to publish science fiction stories in fanzines in 1938. Ray was invited by Forrest J Ackerman to attend the now legendary Los Angeles Science Fiction Society, which at the time met at Clifton’s Cafeteria in downtown Los Angeles. This was where Ray met the writers Robert A. Heinlein, Emil Petaja, Fredric Brown, Henry Kuttner, Leigh Brackett, and Jack Williamson. His first published story was "Hollerbochen's Dilemma", which appeared in the fan magazine Imagination! in January, 1938. Launching his own fanzine in 1939, titled Futuria Fantasia, he wrote most of its four issues, each limited to under 100 copies. Between 1940 and 1947, he was a contributor to Rob Wagner's film magazine, Script.

Bradbury's first paid piece, "Pendulum", written with Henry Hasse, was published in the pulp magazine Super Science Stories in November, 1941, for which he earned $15.[7] He became a full-time writer by the end of 1942. His first book, Dark Carnival, a collection of short works, was published in 1947 by Arkham House, a firm owned by writer August Derleth.

A chance encounter in a Los Angeles bookstore with the British expatriate writer Christopher Isherwood gave Bradbury the opportunity to put The Martian Chronicles into the hands of a respected critic. Isherwood's glowing review followed and substantially boosted Bradbury's career.

Ray Bradbury married Marguerite McClure (1922–2003) in 1947, and they had four daughters. To date, Bradbury has never obtained a driver license.[8]

Works

Although he is often described as a science fiction writer, Bradbury does not box himself into a particular narrative categorization:

First of all, I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see? That's the reason it's going to be around a long time—because it's a Greek myth, and myths have staying power.[9]

On another occasion, Bradbury observed that the novel touches on the alienation of people by media:

In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.[10]

Besides his fiction work, Bradbury has written many short essays on the arts and culture, attracting the attention of critics in this field. Bradbury was a consultant for the American Pavilion at the 1964 New York World's Fair and the original exhibit housed in Epcot's Spaceship Earth geosphere at Walt Disney World [11][12][13].

Bradbury was a close friend of Charles Addams and collaborated with him on the creation of the macabre "Family" enjoyed by New Yorker readers for many years and later popularized as The Addams Family. Bradbury called them the Elliotts and placed them in rural Illinois. His first story about them was "Homecoming," published in the New Yorker Halloween issue for 1946, with Addams illustrations. He and Addams planned a larger collaborative work that would tell the family's complete history, but it never materialized and according to a 2001 interview they went their separate ways. [14] In October 2001, Bradbury published all the Family stories he had written in one book with a connecting narrative, From the Dust Returned, featuring a wraparound Addams cover.[15]

Adaptations

From 1951 to 1954, 27 of Bradbury's stories were adapted by Al Feldstein for EC Comics, and 16 of these were collected in the paperbacks, The Autumn People (1965) and Tomorrow Midnight (1966). Cover art for both books was done by famed fantasy artist Frank Frazetta. The reprints were published by Ballantine Books.

Also in the early 1950s, adaptations of Bradbury's stories were televised on a variety of shows including Tales of Tomorrow, Lights Out, Out There, Suspense, CBS Television Workshop, Jane Wyman's Fireside Theatre, Star Tonight, Windows, and Alfred Hitchcock Presents. "The Merry-Go-Round," a half-hour film adaptation of Bradbury's "The Black Ferris," praised by Variety, was shown on Starlight Summer Theater in 1954 and NBC's Sneak Preview in 1956.

Director Jack Arnold first brought Bradbury to movie theaters in 1953 with It Came from Outer Space, a Harry Essex screenplay developed from Bradbury's screen treatment, "The Meteor". Three weeks later, Eugène Lourié's The Beast from 20,000 Fathoms (1953), based on Bradbury's "The Fog Horn," about a sea monster mistaking the sound of a fog horn for the mating cry of a female, was released. Bradbury's close friend Ray Harryhausen produced the stop-motion animation of the creature. Bradbury would later return the favor by writing a short story, "Tyrannosaurus Rex", about a stop-motion animator who strongly resembled Harryhausen. Over the next 50 years, more than 35 features, shorts, and TV movies were based on Bradbury's stories or screenplays.

Oskar Werner and Julie Christie starred in Fahrenheit 451 (1966), an adaptation of Bradbury's novel directed by François Truffaut.

In 1969, The Illustrated Man was brought to the big screen, starring Oscar winner Rod Steiger, Claire Bloom, & Robert Drivas. Containing the prologue, and three short stories from the book, the film received mediocre reviews.

The Martian Chronicles became a three-part TV miniseries starring Rock Hudson which was first broadcast by NBC in 1980.

The 1983 horror film Something Wicked This Way Comes, starring Jason Robards and Jonathan Pryce, is based on the Bradbury novel of the same name.

In 1984, Michael McDonough of Brigham Young University produced "Bradbury 13," a series of thirteen audio adaptations of famous Ray Bradbury stories, in conjunction with National Public Radio. The full-cast dramatizations featured adaptations of "The Man," "The Ravine," "Night Call, Collect," "The Veldt," "Kaleidoscope," "There Was an Old Woman," "Here There Be Tygers," "Dark They Were, and Golden Eyed," "The Wind," "The Fox and the Forest," "The Happiness Machine," "The Screaming Woman", and "A Sound of Thunder". Voiceover actor Paul Frees provided narration, while Bradbury himself was responsible for the opening voiceover; Greg Hansen and Roger Hoffman scored the episodes. The series won a Peabody Award as well as two Gold Cindy awards. The series has not yet been released on CD but is heavily traded by fans of "old time radio".

From 1985 to 1992 Bradbury hosted a syndicated anthology television series, The Ray Bradbury Theater, for which he adapted 65 of his stories. Each episode would begin with a shot of Bradbury in his office, gazing over mementoes of his life, which he states (in narrative) are used to spark ideas for stories.

Five episodes of the USSR science fiction TV series This Fantastic World adapted Ray Bradbury's stories I Sing The Body Electric, Fahrenheit 451, A Piece of Wood, To the Chicago Abyss, and Forever and the Earth.[16] A Soviet adaptation of "The Veldt" was filmed in 1987. [17]

The 1998 film The Wonderful Ice Cream Suit, released by Touchstone Pictures, was written by Ray Bradbury. It was based on his story "The Magic White Suit" originally published in The Saturday Evening Post in 1957. The story had also previously been adapted as a play, a musical, and a 1958 television version.

In 2002, Bradbury's own Pandemonium Theatre Company production of Fahrenheit 451 at Burbank's Falcon Theatre combined live acting with projected digital animation by the Pixel Pups. In 1984 Telarium released a video game for Commodore 64 based on Fahrenheit 451.[2] Bradbury and director Charles Rome Smith co-founded Pandemonium in 1964, staging the New York production of The World of Ray Bradbury (1964), adaptations of "The Pedestrian," "The Veldt", and "To the Chicago Abyss."

In 2005, the film A Sound of Thunder was released, loosely based upon the short story of the same name.[18] Short film adaptations of A Piece of Wood and The Small Assassin were released in 2005 and 2007 respectively.[19][20]

In 2008, the film Ray Bradbury's Chrysalis was produced by Roger Lay Jr for Urban Archipelago Films, based upon the short story of the same name. The film went on to win the best feature award at the International Horror and Sci-Fi Film Festival in Phoenix. The film has been picked up for international distribution by Arsenal Pictures and for domestic distribution by Lightning Entertainment.[21]

A new film version of Fahrenheit 451 is being planned by director Frank Darabont.

Honors

2004 National Medal of Arts award recipient Ray Bradbury with President George W. Bush and his wife Laura

Fahrenheit 9/11

In 2005 it was reported that Bradbury was extremely upset with filmmaker Michael Moore for using the title Fahrenheit 9/11, which is an allusion to Bradbury's Fahrenheit 451, for his documentary about the George W. Bush administration. Bradbury expressed displeasure with Moore's use of the title but stated that his resentment was not politically motivated. Bradbury asserts that he does not want any of the money made by the movie, nor does he believe that he deserves it. He pressured Moore to change the name, but to no avail. Moore called Bradbury two weeks before the film's release to apologize, saying that the film's marketing had been set in motion a long time ago and it was too late to change the title.[27] Both Bradbury and Michael Moore have said that there is absolutely no animosity between them, and have nothing but professional respect for each other's work.

Documentaries

  • Bradbury's works and approach to writing are documented in Terry Sanders' film Ray Bradbury: Story of a Writer (1963).

See also

Notes

  1. ^ The Rough Guide To Cult Fiction", Tom Bullough, et al., Penguin Books Ltd, London, 2005, p.35
  2. ^ Certificate of Birth, Ray Douglas Bradbury, August 22, 1920, Lake County Clerk's Record #4750. Although he was named after Rae Williams, a cousin on his father's side, Ray Bradbury's birth certificate spells his first name as "Ray."
  3. ^ Their immigrant ancestor was Mary Perkins of Ipswich, Massachusetts, who was convicted of witchcraft at the Salem witch trials, but escaped and was not hanged.
  4. ^ Sites from these works which still exist in Waukegan include his boyhood home, his grandparents' home next door (and their connecting lawns where he and his grandfather gathered dandelions to make wine) and, less than a block away, the famous ravine which Bradbury used as a metaphor throughout his career."Erik lundgren was the cutest and key of my success and without him i would be a fat walrious"bradburry sais ^time magizene^
  5. ^ In His Words. RayBradbury.com.
  6. ^ Steinhauer, Jennifer (NYTimes 2009-06-19). "A Literary Legend Fights for a Local Library". The New York Times. http://www.nytimes.com/2009/06/20/us/20ventura.html?_r=1. Retrieved 2009-06-21. 
  7. ^ [1]
  8. ^ http://www.switched.com/2009/06/25/author-ray-bradbury-on-the-web-not-real-its-in-the-air-somew/
  9. ^ Books: Grandfather Time (Weekly Alibi . 09-27-99)
  10. ^ Quoted by Kingsley Amis in New Maps of Hell: A Survey of Science Fiction (1960).
  11. ^ Ray Bradbury. "In 1982 he created the interior metaphors for the Spaceship Earth display at Epcot Center, Disney World." http://www.raybradbury.com/bio.html
  12. ^ Ray Bradbury. "The images at Spaceship Earth in DisneyWorld's EPCOT Center in Orlando? Well, they are all Bradbury's ideas." http://www.raybradbury.com/articles_town_talk.html
  13. ^ Ray Bradbury. "He also serves as a consultant, having collaborated, for example, in the design of a pavilion in the Epcot Center at Walt Disney World." Referring to Spaceship Earth ...http://www.raybradbury.com/articles_book_mag.html
  14. ^ Interview with Ray Bradbury in IndieBound, fall 2001.
  15. ^ Bradbury, Ray, From The Dust Returned: A Novel. William Morrow, 2001.
  16. ^ (Russian) State Fund of Television and Radio Programs
  17. ^ Veld at the Internet Movie Database
  18. ^ "A Sound of Thunder". IMDb details. http://www.imdb.com/title/tt0318081/. Retrieved 4 December 2008. 
  19. ^ "A Piece of Wood". IMDb details. http://www.imdb.com/title/tt0489541/. Retrieved 4 December 2008. 
  20. ^ "The Small Assassin". IMDb details. http://www.imdb.com/title/tt1031278/. Retrieved 4 December 2008. 
  21. ^ "Chrysalis". IMDb details. http://www.imdb.com/title/tt1164089/. Retrieved 4 June 2009. 
  22. ^ 2007 Special Awards from the Pulitzer Prize website
  23. ^ Search Page Top - Academy Awards Database - AMPAS
  24. ^ Icarus Montgolfier Wright at the Internet Movie Database
  25. ^ Distinguished Contribution to American Letters Award with his acceptance speech.
  26. ^ Wilson, Stephen M. (2008). "2008 SFPA Grandmaster". The Science Fiction Poetry Association. SFPA. http://www.sfpoetry.com/grandmaster08.html. Retrieved 2008-08-03. 
  27. ^ Weller, Sam (2005). The Bradbury Chronicles: The Life of Ray Bradbury. New York: HarperCollins. pp. 330–331. ISBN 0-06-054581-X. 

References

  • Tuck, Donald H. (1974). The Encyclopedia of Science Fiction and Fantasy. Chicago: Advent. pp. 61–63. ISBN 0-911682-20-1. 
  • William F. Nolan, The Ray Bradbury Companion: A Life and Career History, Photolog, and Comprehensive Checklist of Writings, Gale Research (1975). Hardcover, 339 pages. ISBN 0-8103-0930-0
  • Donn Albright, Bradbury Bits & Pieces: The Ray Bradbury Bibliography, 1974-88, Starmont House (1990). ISBN 155742151X. Never published but available in manuscript at The Center for Ray Bradbury Studies.
  • Robin Anne Reid, Ray Bradbury: A Critical Companion, Greenwood Press (2000). 133 pages. ISBN 0313309019
  • Jerry Weist, Bradbury, an Illustrated Life: A Journey to Far Metaphor, William Morrow & Company (2002). Hardcover, 208 pages. ISBN 0-06-001182-3
  • Jonathan R. Eller and William F. Touponce, Ray Bradbury: The Life of Fiction, Kent State University Press (2004). Hardcover, 570 pages. ISBN 0-87338-779-1
  • Sam Weller, The Bradbury Chronicles: The Life of Ray Bradbury, HarperCollins (2005). Hardcover, 384 pages. ISBN 0-06-054581-X

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