Plays

Alfon v. Republic of the Philippines

I would put it in the setting of the television series The Office.

Shakespeare's tragedies invariably end with the deaths not only of the main character or characters but usually a bunch of others. Timon of Athens is probably the least bloody--Timon is the only one who dies. Coriolanus is likewise fairly restrained, but Coriolanus of course dies at the end (there are a lot of bloody battle scenes in the middle though). The body count in Hamlet, King Lear and Titus Andronicus is through the roof. (In Hamlet, not only does Hamlet die, but so does his mother, and his stepfather, and his girlfriend, and her father and brother, and two of Hamlet's schoolfriends. In Titus, Titus dies and so do three of his sons and his daughter and his son-in-law, plus the Emperor and the Empress and three of her sons. In Lear, Lear dies together with all three of his daughters, one of his sons-in-law, plus the Duke of Gloucester and one of his sons, sundry soldiers and in all probability Lear's Fool)

who is the crazy Russian billionaire who tried to kill the three England goalkeepers

Turbans asked her if they could remain as strangers to each other and Nora replies 'that will be the greatest miracle' I believe that means that she would rather have them unaware of each other exstitance after she have lefted him

He tells Brabantio just to accept the marriage because Othello is a good man and for what he told him about how they fell in love shows the quality of Othello

His half-brother Edgar.

Minola

a street in Rome

The professions of all 12 jurors is not made clear during the play. Some professions are revealed while the rest of the jurors are symbolized more by their character than what they profess to do for a living. The list as follows (NOTE: the translation of character attributes is in some cases based upon my translation and review of the play):

#1) Foreman of the Jury

#2) <Wish-washy, opinions swayed by others with seemingly no personal basis)

#3) <In denial about his poor relationship with his own son>

#4) Stock broker

#5) <Young man who grew up in the slums, similar environment as the defendant>

#6) House Painter

#7) Salesman

#8) <The 'Shadow of a doubt' juror from the start - the holdout>

#9) <Described as a "mild, gentle old man waiting to die">

#10) <Racist, self-made proclamations supporting this made later in the play>

#11) <European refugee with a heart-felt sense of the American Justice system>

#12) Advertising Executive

Adam has just come in to warn Orlando to get out of the house he is in because his brother Oliver plans to kill him by burning it down while Orlando sleeps. Orlando says that's all very well but he has no means of support; he might run away but he'd soon starve to death unless he became a thief or beggar, and that he refuses to do; "I rather will subject me to the malice of a diverted blood and bloody brother", that is, he'd rather face Oliver murdering him. Oliver is the "bloody brother" who plans to kill Orlando. His blood is "diverted" from its natural course; brothers are supposed to help and stand up for each other not try to kill each other.

Fortunately this is a comedy and Adam offers his life savings as a means of sustenance, which persuades Orlando not to stay and be immolated.

Puck put the juice of love-in-idleness(a potion from a flower), which makes a sleeping person fall in love with the first person they see when they wake up, into Lysander's eyes.

Fall

InA Doll's House, initially in the beginning of the rising action of the play, both husband and wife seem happy, or at least, Ibsen leads us to believe they are. Nora seems to thrive upon his pet names and is happy to comply with the domination of Torvald. As long as Nora plays the role of the "doll-like" and dutiful housewife and mother, Torvald is in his element, that being the decision maker and the "thinking" of Nora. This all is part of the developing characters; that is, until the inciting incidence and the conflicts that grow.

We do not know exactly when Shakespeare started writing plays, but it was probably around 1589 or so. We know that he was a well-known playwright by 1592. At the other end, he appears to have stopped writing in about 1613. So his plays were written probably between 1589 and 1613.

If you are talking about Freytag's pyramid, the "climax" is always Act 3. In terms of dramatic tension, this reaches its peak when Othello is about to kill Desdemona.

Hale advises the condemned to plead guilty in order t save their lives.

Desdemona is murdered by Othello her husband. On stage Othello normally smothers her with a pillow. Othello feels that she is a liar and cheated on him with his ex-lieutenant Michael Cassio, (who Othello believed was killed already by Iago).

"He who the Gods would destroy they first make great'

"Don't believe everything you hear and only half of what you see"

"Keep your friends close and your enemies closer"

"Prove all things, hold fast to that which is good."

it is a cool play and it is called the fox and the grapes written by guilherem figueiredo. now that is the plot summary of the fox and the grapes written by guilherme figueiredo.

Aesop - genius of the fable - gave the world thousands of truths to be converted into freedom. Figueiredo gives us the greatest hymn to love and man's freedom, based on one of Aesop's most famous fables. One the central themes of the play, Liberty, so often debated about and longed for, is approached differently here. In this context, it is examined through a fragment of the life (or legend) of Aesop, a Greek slave born in Frigia. (reference: http://teatrodelaluna.org/temporada/t98/lazorraylasuvas/home_i.htm)

I think it was because he thought that he could never surpass his own greatness.

Uncle Tom's Cabin

The story Sepang Loca by Amelia Lapena Bonifacio is about the depths of a village that rises with cruelty and religious but self-righteous folk.

in the movies there's some African American grown up in it but in the book it doesn't mention anything about a Afro-American. also the film has a black guy as a foreman instead of the white foreman in the play...