The Tragedy of Othello, the Moor of Venice

The principal characters are Iago, Othello and Desdemona.

Verdi

Cassio

One Michael Cassio, a Florentine, a fellow almost damn'd in a fair wife; That never set a squadron in the field, nor the division of a battle knows more than a spinster; unless the bookish theoric, wherein the toged consuls can propose as masterly as he:

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Shakespeare's plays rely largely on irony. There are three kinds

of irony presented in this novel. They are: situational, verbal, and

dramatic. Irony plays an important role in Othello. It creates suspense,

and adds interest to the story.

There are many examples of situational irony in this play. Cassio

was the one Iago wanted dead or out of his position. At the end of the play,

Cassio was the only one that did not die and Othello actually promoted him

to a higher position. In the end Iago never accomplishes what he started

to do-- to get back at Othello and take Cassio's place. Both Othello and

Iago treat their wives horribly. Both killed their wives even through

their innocence. Iago killed his wife because she was working against his

plan. Othello killed his wife because he thought she cheated on him when

she really didn't. Before he killed her, Iago used his wife in a way

that helped him to betray Othello. She was a good friend of Desdemona's

and she worked against her friend without knowing it. She took Desdemona's

handkerchief because Iago said he wanted it. Iago then placed the

handkerchief in Cassio's room to make him look guilty. Also, throughout

the play, it seemed that Othello was the only one who didn't know the truth.

Shakespeare uses situational irony well to make the story more

interesting.

The verbal irony in this novel can sometimes be humorous because

of how ironic it is.

Othello often said things that were actually the opposite of Iago:

"O, thou art wise! 'Tis certain"(IV.I.87), "Honest Iago . . . "(V.II.88),

(II.III.179) & (I.III.319), "I know, Iago, Thy honesty and love doth mince

this matter"(II.III.251-52). These lines are just a few of the ironic

that Othello says to Iago. They show the trust that Othello mistakenly

puts in his "best friend." Most things Iago says are ironic and he's

always lying. Othello still considered him his best friend but Iago was

the only one Othello trusted although he was constantly lying. He says, "My

lord, you know I love you"(III.III.136). This is a blatant lie - Iago does

and would do anything to make "his lord's" life miserable. He does not

love Othello. One line that Iago says is very ironic in several ways. He

says, "O, beware, my lord, of jealousy! It is the green-eyed monster,

which doth mock the meat it feeds on"(III.III.192). This line covers many

things because jealousy is the reason Iago is betraying Othell o and

ruining everyone else's lives in the first place. Also, jealousy is what

causes Othello to eventually kill his wife. Just a short sidenote, the

metaphor coined by Shakespear of jealousy being a "green-eyed monster" is

very famous and a very well written phrase. Early in the play,

Desdemona's father says to Othello, "Look to her, Moor, if thou hast eyes

to see. She has deceived her father, and may thee"(I.III.317). This is

not good for Othello to hear. This just helps to enforce what Iago is

trying to him to believe about Desdemona cheating on him. There are many

examples of verbal irony in Othello that add humor to the story and makes

it more interesting to read(or watch).

Dramatic irony plays an important role in captivating the audience.

Dramatic irony makes parts of a story more interesting for the audience to

know something the characters don't. The strongest piece of dramatic irony

which plays out throughout the story is the fact that the reader/veiwer

knows that Desdemona is innocent. Along with this, the audience also knows

that Iago is really crooked. The reader knows all of Iago's schemes and

lies. Othello knows none of these things. He believes that Iago is

honest and that his wife is guilty of adultery. More instances of dramatic

irony show up as characters think aloud to the audience through asides.

Then, the audience knows what is going on when most characters don't.

Dramatic irony is exciting and it makes the reader feel like part of the

story.

Throughout the play, Shakespear uses irony to add humor, suspense,

and just to make it more enjoyable. The three different kinds of irony;

situational, verbal and dramatic, all make the play a classical

Shakespeare play.

Desdemona marries Othello at the beginning of the play against her father's will. The two secretly marry.

From a story called "Un Capitano Moro" (A Moorish Captain) in the book Gli Hecatommithi by the Italian author Cinthio.

It gives Othello the ocular "proof" that he's looking for from Iago ever since his jealousy is sparked. Othello gave it to Desdemona once they began seeing each other and he believes that if she ever lost it that she would no longer be devoted to him. He knocks it out of her hand during an argument, Emilia picks it up and gives it to her husband Iago. He then places it in Cassio's room and he gives it to Bianca who then throws it back at Cassio (saying that she doesn't want the trifles of another woman) while Othello is watching him (just as Iago wanted) and Othello takes this as meaning that Desdemona gave the hankerchief to Cassio, Cassio gave to Bianca, and Bianca gave it back because she didn't want a token that was given to him from another woman.

Othello is a famous soldier. He is respected by the Duke not only because of his usefulness to the state but also by his general dignity, self-respect and good character.

When Iago tells Othello Cassio slept with her.

Desdemona goes to Lago for advice about what to do about Othello's accusations. This is when Othello asks Emilia to go and find Desdemona while accusing her of harlotry.

Othello was a play about a jealous husband that did not trust his wife so he killed her.

they help speed up the play and also help either introduce new ideas into the play or develop them.

"an old black ram / Is tupping your white ewe" Act 1, Scene 1

The term "hero" is much abused in criticism of Shakespeare's works, and has generated, especially when qualified as a "tragic hero" some pretty strange criteria. But basically, it is like this: there are two main characters in this play, Othello and Iago. At the end of the day, does anyone feel even slightly sorry for Iago? He is a villain and no hero. That leaves only Othello. If tragedy is a sadness for the loss of what might have been, it is Othello's and Desdemona's tragedy--we feel sorry for them because they have lost their love, their marriage, their hopes and their lives. What has Iago lost that is comparable? Nothing. The only people who doubt that Othello can be the hero of this play, if anyone is, are racists and feminists, the former because they refuse to accept a hero who is black and the latter because they refuse to accept a hero who treats his wife like that. For them, I guess the play has no hero.

Most scholars believe that Othello was based on a story, not a play, by the Italian author Cinthio called "Un Capitano Moro" or a Moorish Captain.

Oliver Parker was the author of the 1995 version of Othello.

Othello the character probably originated from North Africa. He was a Moor of both mixed Berber and Arab heritage. The word moor in Shakespeare's time also referred to people from sub-saharan African areas like Nigeria and Guinea. Although it is less likely, it is not improper to portray him as having this heritage.

The story of Othello originated with an Italian tale, Il Capitano Moro, which Shakespeare used as his source.

O has a contemporary setting and most of the verse dialogue is rewritten as modern prose.

Because Othello is unsure of Desdemona's actions. He is afraid of losing Desdemona to Cassio.

He sees her as Desdemona's friend and thinks she will know the truth.