Music Theory

You have to transpose the music into either a higher or lower key.

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Polyphonic compositions started in about the Baroque period, with Bach and Handel.

Monophonic compositions-Medieval, one simple melody.

Homophonic compositions-Reneissance, one melody accompanied by chords.

Polyphonic compositions-Baroque, many melodies at the same time, SATB (soprano, alto, tenor, bass) compositions start.

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Beyond defying a traditional approach of absolute music (in where music represents nothing other than itself) words do not only add to the atmosphere of program music, but can be used as linguistic instruments in cooperation with the voice itself. Today, vocal music reigns supreme with its instrumental counterpart not seeing the same success. So it can be seen that most view words as the ultimate form of expression therefore it is also a vehicle to more clearly and efficiently declare whichever message an artist chooses to convey. This is known as lyricism, though there are many artists today who choose to ignore this in favour of senseless words with disjointed meanings or no meanings at all.

If you are speaking about music theory, the regimented order is as such:

Syllabic: One note of music per syllable of text

Neumatic: Two notes of music per syllable of text

Melismatic: Multiple (more than two) notes of music per syllable of text.

The last sharp in the circle of fifths is a B#.

Going high to low, it goes treble, alto, then bass.

Music theory is the study of how music works. It examines the language and notation of music. It seeks to identify patterns and structures in composers' techniques, across or within genres, styles, or historical periods.

Could you mean "Your touch, your kiss"?...which is Tracy Chapman, "The Promise".

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its a devotional song right?

A metronome is a device for measuring or setting the tempo, or speed, of a piece of music. As such, terminology such as "high" or "low" are confusing because such words typically refer to pitch.

Instead, one might indicate a tempo being "fast" or "slow".

Tempo is measured in "beats per minute", or bpm. The metronome was invented in the early 19th century, and famously used by Beethoven to specify "authoritative" tempo markings for his compositions. Prior to the invention of the metronome, composers would indicate the speed by Italian terminology such as "Allegro" (fast), "Allegretto" ('little' Allegro), "Presto" (very fast), "Adagio" (slowly), "Largo" (very slowly).

Once the metronome came into being, many of these Italian words took on a numerical value as well. An "Allegro" tempo is generally assumed to be in the range of 116 to 136 bpm. "Presto" would range above 160 bpm. "Adagio" can be closer to 72 bpm, whereas "Largo" might be as slow as 54 bpm.

A good musicians can learn to judge tempo by watching the second hand of a clock (which ticks away at precisely 60 bpm).

Most mechanical metronomes will top out around 180 or 200 bpm. Some digital metronomes will run all the way to 255 bpm.

The word you are looking for is not actually "Shardie". It is "Shorty" or "Shawty" and refers to a girl or girlfriend. In French, the word for girlfriend is "petite copine", meaning "little friend", which relates to the meaning of Shorty/Shawty.I can see why you might be confused though, in many rap/hiphop/rnb songs especially Iyaz's "Replay", the word sounds quite like "Shardie". Male singers use "Shawty" as a way to describe their girl.

Believe it or not, all major musical keys sound the same to the average human ear when played seperately. It's like the idea that you can play the same song with the same fingering one string higher on a violin and it will sound identical as long as the notes are tuned relative to the starting note.

That would be the equivalent of a half note.

In other words, a sound lasting two beats (assuming a quarter note gets a beat).

In the traditional Western scale, an H is not a part of the musical alphabet - however, in some countries, such as Russia, the note name H is used to represent what the Western world would term as B natural.

This is especially prevalent in the works of Dmitri Shostakovich, who used a DSCH cypher - his own signature - within his works - consisting of a D, E flat, C, and B natural. This is prevalent in such works of his as the String Quartet No. 8 in D minor.

The Western musical system has 12 individual semitones which divide the octave (an octave being the point at which the musical system repeats itself). However, the Western musical system only uses seven letter names to represent notes (A, B, C, D, E, F, G). The remainder of the 5 notes are given names which identify their relationship between the note and the closest named note.

On the piano keyboard, the "named" notes are the white notes. The black notes take their names from the closest white note.

The purpose of Sharps/flats is to raise/lower a note by a half-step.

The word "sharp" indicates a note which is half-step higher (to the right). C-sharp (also, C#) is the black note to the right of the note named "C". D# is the black note to the right of the note named "D".

The word "flat" indicates a note which is half-step lower (to the left). E-flat (also, Eb) is the black note to the left of the note named "E". Db is the black note to the left of the note named "D".

This naming system creates two strange issues.

First, each black note takes on two different names. The black note to the right of C is also to the left of D. This means that this note is known as both C# and Db. Musicians say that C# is the ENHARMONIC EQUIVALENT to Db, and understand that both names refer to the same location on the keyboard.

Second, because not every white note has a black note beside it, certain white notes can also be known by "sharp" or "flat" terminology. For example, there is no black note in between B and C, and no black note in between E and F.

This means that C is to the right of B, and is therefore also B#. B is to the left of C, and is therefore also Cb. By the same logic, F is E# and E is Fb.

A 4 at the top of a time signature indicates that there are 4 beats in the bar of what ever the bottom number is in the time signature. For example in 4/4 times there is 4 quarter note beats. In 4/8 there is 4 eighth note beats.

If it refers to the "flow of a musical line" it is the same as moving through space; time, flow, direction, that stuff. However, if it refers to a "movement of a piece" then it means one section of a multi-section work. It is analogous to one song of a concept album, like The Wall by Pink Floyd or Hemispheres by Rush (sorry, showing my age there).

A lot of classical music uses multi movement forms. For example: Classical and Romantic symphonies frequently have 4 or more "movements" in the work. Each movement has a beginning and end (usually) of its own; having a particular speed and emotional feel. Compared to prose the movement would be one chapter of a larger book or story.

yes. any instrument can.

My friend you answered your own question. The song is called "Thank You for the Good Times" by Oasis

That is why we listen to music. It is something we hear that is aesthetically pleasing.

well when you get to high school, you will have a written exam on it so the sooner you learn it, the better.

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it is shown as ff in music and means very loud