Performing Arts

DANCING ORIGINALLY CAME FROM AFRICA!!! PEOPLE ALWAYS SAY DANCING WAS WHEN HUMANS FIRST WALKED BUH THAS NOT TRUE AT ALL!!!

All of its body. The waggle dance is comprised of a sequence of movements done on a surface in the colony which denotes to the other bees the direction and distance of a source of nectar or pollen that it has found.

salman

Dance focuses on body movements to the rhythm of music. There are many different styles of dance and it would be best to research the different styles to learn what you are interested in.

Gymnastics focuses on strength and flexibility to rotate/propel the body in the different event involved with gymnastics. There is floor which gymnasts mostly use for tumbling, beam for balance showcasing, bars, trampoline, etc.

Cheerleading focuses on promoting spirit, team bonding and good sportsmanship. Cheerleading may incorporate various aspects of dance and tumbling, but each area is more stylized for cheerleading. Cheerleaders focus more on fast paced things rather than being graceful and elegant. Every motion has to be hit sharply with great precision.

Ballet is a formalized form of dance with its origins in the Italian Renaissance courts of the 15th and 16th centuries. It quickly spread to the French court of Catherine de' Medici where it was developed even further. In the 17th century at the time of Louis XIV, ballet was codified. The predominance of French in the vocabulary of ballet reflects this history. It also became a form closely associated with the opera. Ballet then spread from the heart of Europe to other nations. The Royal Danish Ballet and the Imperial Ballet of the Russian Empire were founded in the 1740s and began to flourish, especially after about 1850. In 1907 the Russian ballet in turn moved back to France, where the Ballets Russes of Sergei Diaghilev and its successors were particularly influential. Soon ballet spread around the world with the formation of new companies, including London's The Royal Ballet (1931), the San Francisco Ballet (1933), American Ballet Theatre (1937), The Australian Ballet (1940), the New York City Ballet (1948), the National Ballet of Canada (1951), and the Delhi Ballet (2002). In the 20th century styles of ballet continued to develop and strongly influence broader concert dance, for example, in the United States choreographer George Balanchine developed what is now known as neoclassical ballet, subsequent developments have included contemporary ballet and post-structural ballet, for example seen in the work of William Forsythe in Germany.

The etymology of the word "ballet" reflects its history. The word ballet comes from French and was borrowed into English around the 17th century. The French word in turn has its origins in Italian balletto, a diminutive of ballo (dance). Ballet ultimately traces back to Latin ballare, meaning "to dance".

when dancers touch or lift one another.

It is Irish step dancing.

Belly dance began as a ritual in which both men and women could participate. Men and women are constructed differently, which can create challenges for men trying to imitate women's belly dancing styles. Men can learn to dance the same way like women, but it may take them long time. Because, women have larger hips, which are well suited for side-to-side use, while men are better at forward and back movements.

thedancersworld.com

its where you contract you muscles in where you need to use tention its often used in street dance etc types of dance its like loking and poping your body

what is the meaning of ppft

Yes I can can do the cancan.

Dance that tells a story is the Hula Dance.

gago si sir tang ina ni sir vidallon chodi gago ka by grant john alzaga and joselito gabane

some folk songs are the rainy day and somebody to love, and some dances are the disco and the chicken dance.

---> Wala lang magawa ang gumawa nito!

ones which dont say hot or cold on!

I have BLOCH because they have a stretchy part of it so your foot is more comfy and they bend easily. =]

I played this part once. In the beginning of the show when Bloody Mary is trying to hawk her goods to the men Quale says, "That's some fine merchandise" or something like that. In another scene he enters the commanders office with a package ready to for the commander to send. He reads off the address. (Quale is like the secretary to the commander). At the very end Quale is yelling out directions to the various units departing the base. Quale is a lot like Radar O'Reilly in M.A.S.H.

Macarena

plie

takte hndi ko alam

matt duke

Assuming you mean how mothballs dance in certain solutions, I can describe to you one way in which you can make mothballs dance. When vinegar and baking soda combine, they form a gas called carbon dioxide (which is the fizz in sparkly drinks like coke, champagne and soda). If you fill a jar halfway with water, and mix in about 2 tablespoons of baking soda, drop in a few mothballs, and then mix in about 2 tablespoons of vinegar, you will see the mothballs dance in the water!

What's happening is the formed gas, carbon dioxide (or CO2), reaches and coats the mothballs and causes them to float up, and as they fall down after the gas has reached the surface, they collect even more bubbles which causes them to float up again, creating a "dancing mothball" display. I hope this answers your question at least partially.

Farendole

At game stores like game stop or online.

Subli is the dance portion of a devotion performed in honor of the Mahal na Poong Santa Cruz, a large crucifix of anubing wood with the face of the sun in silver at the center. The icon was discovered in the early decades of Spanish rule in what is now the town of Alitagtag, Batangas. It is the patron of many towns in the area, notably the ancient town of Bauan, Batangas.

The subli consists of a long sequence of prayers in verse, songs, and dances, performed in a fixed sequence. The verse recounts the first journey of the early manunubli ( subli performer)through the fields, hills, and rivers of Batangas in search of the miraculous cross. Sections of verse are sung to a fixed punto or skeletal melody, which may be elaborated on in a different way by a different subli troupe.

About five of these punto are used in a complete subli performance. These sections may be divided further into various fixed dance patterns involving one, two or eight pairs of men and women. These numbers seem to be the norm in Bauan, although other towns may have formations involving three pairs at a time. The stances, gestures, and movements of the male dancers are freewheeling and dramatic, consisting of leaping, striking the ground with kalaste (wooden bamboo clappers held in both hands), and other movements suggesting the martial arts. The women circle on half-toe, performing the talik (small refined gestures with wrists and fingers), their fingers grazing the small-brimmed hats and alampay (triangular scarf worn loosely over the shoulder)that are the essential parts of their costume. They dance and sing, to the rhythm beaten out by a stick on the tugtugan, a goblet-shaped, footed drum of langka wood with a head made of iguana skin. -E.R. Mirano

According to Miguela "Mila" Maquimot, there once lived a couple in Dingin, Alitagtag. The husband was of the jealous type and a drunkard. The wife was the one who mainly did the work, one of which was fetching water from a well to the water jar wherein they drank water from. One time, the husband went home drunk and there was no water in the big water jar so the wife went to the well to get some.

By the well was wood from which sprung water. And on that wood, the woman noticed a naaginging doll. Because of this, many towns sought to get the wood but no one could lift it. So the people from Bauan, together with their parish priest, went to the well and looked at the doll. They sang and danced the subli, and were gladdened when they were able to lift the wood. They carved the wood into a saint. Their patron saint is Sta. Elena, but is referred to as Sta. Cruz.

The dancing of subli was passed on from their ancestors who were once subli dancers. They watched the performances of their elders veteran in dancing the subli. Afterward, the youngsters would gather and dance bit by bit until they learn the dance steps. And whenever they dance, they dance before their saint.

Ms. Maquimot was only 12 years old when she became a subli dancer. According to her, she and her co-dancers are no longer struck by stage fright whenever they dance the subli because they are already used to performing before an audience. She and her co-dancers were discovered on Batangas City Day, where they participated and won in a subli dance competition.

From then on, they have gone to many places to dance the subli, with the help of Ed Borbon, who was the organizer or manager of the group. As director of cultural affairs in Batangas, Borbon would contact Ms. Maquimot whenever there are occasions for them to dance in.

The group has danced at the Manila Hotel, Intramuros, Folk Arts Theater, Nayong Pilipino, Cultural Center of the Philippines, and even in places outside the Philippines. The group of Miguela Maquimot at Abdon Cruzat have gone to Washington, D.C. from June 21 to July 5 as representatives of the Philippines.

The Philippines was the only place that performed as an independent nation. The USA was represented by Wisconsin, while the Baltic nations were represented by Estonia, Latvia, at Lithuania.

During that period, they danced constantly. And on October 21, they danced again in Manila. They also dance in Batangas during the senior citizens day, Batangas Day and women's organization day.

Aside from that, they also teach subli in various schools including Sta. Teresa College, Lyceum and PBMIT.

They have attained various awards such as a plaque of appreciation from the CCP, trophies and certificates. Even those whom they have taught have also won first place in the subli competition back in July 25, 1995.

Many sulbi dancers begin learning subli at the age of 12, during the start of teen years when young girls and boys are not yet getting married and are merely at the stage of courtship. Subli is not mainly a courtship tradition, but courtship has become an element of the dance. The dance movements reflect the good actions and attitude that is expected of these young girls and boys as they grow into adulthood

Plié [plee-AY] Bent, bending.