Cameras

Likely has either bad battery, or bad USB charging cable. Check support.samsung.com for more info.

You cannot connect a DVR directly to the camera. You have to use a computer connected to the camera. And Configure the camera in the way it saves all data on the computer hard drive. After that you will have to configure the computer to save the data to the DVR after certain period of time.

Yes; you should consult an attorney for a full, qualified review of the circumstances of your situation. You may have a case for slander if:

1. the "wrongful" accusations were, in fact, untrue, and you can prove it

2. others heard the accusations

3. you were tangibly damaged (e.g. loss your job) by the accusations

"Sliver" (1993). Stars Sharon Stone, William Baldwin, Tom Berenger.

The "Lemon law" is generally requiring the seller of a thing to replace the thing if it fails to work properly- such as a new car. It does not cover theft of the item.

Whether your insurance covers it depends on what insurance you had- it may cover breakage or damage, but not theft. Read the terms of your insurance policy.

I think your question could be re-phrased as the difference between long exposure photography and deep depth of field photography. A long exposure is where a long exposure time is used, either to record movement over a period of time, for artistic effect, or in order to provide a greater depth of field, (deep focus), achieved by using a smaller 'F' number on the camera, which provides a smaller aperture for the light to pass through.

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For some, it relates to what is technically known as hyperfocal distance (a point of focus deduced and utilized to maximize depth of field beyond normal). IMHO, "deep focus" is a mis-nomer as you can only focus on one plane within the field of view. Anything in front or behind is not in focus; however, it may be acceptably sharp to the eye. This is depth of field. There is also "depth of focus", which is different, though related. Methinks neither depth of field nor depth of focus should be referred to as deep focus

A "multiple exposure" means that two or more exposures are made on the same frame of film. There are various reasons why multiple exposures are taken. Generally, people will reduce each exposure by half to arrive at a single exposure's exposure value. Others lay down 1/3 + 1/3, believing that the pre-sensitized film is more receptive to light, thus 1/3 +1/3 = 1. I think they are both right, depending on the scene. Here are a few reasons for multiple exposures, with examples:

Individual exposures of different scenes (may be difficult to place elements of successive images) - night shot of cityscape with a moon added later.

Same scene with elements added or changed for the second exposure - at night outdoors with electronic flash, insert person on second shot - expose each for half. Person's shadow may be slightly visible in second shot, but they will look "ghostly".

Same scene twice, once out of focus, once in focus. I have seen examples of the surrealism one can create, but the degree of being out of focus and portion of the exposure value I cannot remember. Experiment and take notes or Google something.

Three stops down exposure of an out of focus 18% neutral gray card, then a minus 1/3 exposure of a high contrast scene. You can make a subtle yet significant reduction in contrast on transparency (slide) film. For example, flowers in the bright sunlight spattered shade of trees. The -1/3 should keep the "sun spots" from blowing out, while the pre-exposure raises shadow detail because the film has been "woken up" as I put it. I've always believed my camera bag is the gray it is for a reason...I have used it for this purpose, substituting it for a gray card.

Now for the bad. Multiple exposures occur when you rewind the film, don't rewind all the way into the container, then load it normally at a later date and use it again.

If your film camera has a multiple exposure lever to prevent film transport, any of these are relatively easy to manipulate. Otherwise, you have to advance to set the shutter then depress the film transport button on the bottom of the camera and rewind a specified amount. Your camera manual may indicate how much, but it's a real hit-and-miss proposition if accurate registration is needed for the second shot but I have done it.

For humans, when you flash the cam, red eye occurs. That's because the flash passes through the eye and is reflected off the retina and the blood vessels of retina impart the red colour to the out coming reflected light.

More detailed: You see an object when light reflects off it. The colour of the object is the colour not absorbed by it from the incident light. Blood is red because it does not absorb red colour. When you send heavy light in the form of a flash, a large magnitude of red colour goes unabsorbed and the eyes' reflected light's red component becomes significant which is noted as red eye. If there is no flash, the atmospheric light getting reflected off the retinal blood vessels is not intense enough forthe red component to be distinguishable from the other lights.

Similarly, dogs and cats have a tapetal layer in addition to retina. And this tapetal layer is of green or yellow colour depending on the animal species. The flash passes through the tapetal and retinal layer. The colour of the tapetal layer is imparted on the reflected light.

Other than the hand held cameras that usually are supported on a shoulder, cameras can be mounted on a body worn bracket called a steadicam. The camera operator wears a harness that wraps around the chest, shoulders and back and the camera is mounted on a flexible sprung arm in front of the cameraman. The mount is precision engineered and very finely balanced so the camera will remain in one place without being held. More than that, if the operator moves, the camera will remain in the same place. The operator has to move the camera with his hands if he needs to adjust its position or angle.

The great advantage is that the cameraman is free to move without the image shaking wildly, even if the cameraman is running. A steady image is possible without the use of tripods or fixed tracks so the camera can make it to places a tripod or rail mounted camera can't. A shot of someone running through a forest is one example where camera cars, rails or wire mounted cameras cannot do the job. A steadicam can track the runner as he turns and weaves in and out of trees.

The disadvantage is that the harness is difficult to wear, puts a large load on the back and will incapacitate all but the fittest operators very quickly. As well as needing a lot of strength, the operator needs a considerable skill to manoeuvre the camera cleanly and to avoid the camera hitting the limits of its travel range on the mount. Good steadicam operators make the job look easy but make no mistake, it's not a job for the weak and faint of heart. Even the best operators are rarely expected to wear a steadicam for more than 30 minutes or so.

Steadicam is a trade name but there are several manufacturers of the same type of equipment.

i think is nothing...

You cannot copyright a business name, but you can register it as a trademark.

well you can cover her with a blanket or break the cameras then it wont record you! ;)

There have been a lot of rumors that it's Evan Kirkendall (Sound guy) or a friend from back home. A lot of questions have been asked to Evan on his Formspring (http://www.formspring.me/EvanKirkendall) though he never directly answers it. He does imply that he screams in it.

edit: That is true, there have been a lot of rumors and repetitive questions on Evan's formspring about this lately, but I have always thought it was Matt Flyzik and not Evan. I'm not positive, but I just wanted to put that out there.

On MY camera I push a button on the back and choose Flash Forced Off. I have a Panasonic Lumix FX-520

Someone else wrote on our circle map and it said a bunch of bad words

A television camera, associated amplifiers, a monitor, and the cable needed to bring the camera output signal to the control room.

Advantages include having it at a birthday party!

I was in the National Forest with my camera. The day was crisp, and the leaves were turning gold and red. When I spotted the white-tailed buck, I froze. He wasn't more than 15 yards from where I was standing. The wind must have been right, because he kept on browsing the mossy ground. I lifted my camera very slowly. Carefully, holding my breath, I lifted the camera to my eye. Turning the focus ring, I framed the deer's head. Just as I was ready to press the shutter release, the buck raised his head. He was looking my way with wide eyes. Click. I took the picture. An instant later, the deer bounded away into the forest. He took off, but I had the shot. Today, the framed photo of that buck hangs above our fireplace.

he used an 8x10 bellows Calmut

The aperture setting refers to the iris of the camera lens. Like that of your eye, it opens and closes, regulating the amount of light entering the camera body and exposing the film. I always remembered it like this: "The smaller the number (aperture setting), the bigger the hole" and vice versa. If you are in a darker room you need to turn the aperture down to allow more light in so that your prints do not turn out under exposed. You can also adjust your speed setting in correlation with the aperture setting to create greater/less depth of field, meaning what is in or out of focus in front of or behind your subject.

a new way of looking at everyday life

If the mains charger is not broken it will work as good as a computer usb port, all they do is supply 5V to the battery charging circuitry inside your camera.

We have Sony Vegas 8 Pro and it edits HD footage. I don't know about 7.

in 1841

For cameras, about 1902. Production of the patent from that year did not take place until about 1932 and was used in 35mm movie cameras as the first true zoom (meaning the focal plane did not shift appreciably when the lens was zoomed). The concept was first invented for telescopes around 1834, but it was a varifocal lens, in that it did not maintain focus when zoomed).