Composers

Beethoven number 1 :)

In chronological order, Haydn, Mozart, Beethoven. There are no other famous classical composers. Now, should we chose to expand to the other two periods of music we would find several other famous composers, such as Chopin or Bach. However, there are many famous composers, the question is a little vague. I would say the four most famous of all baroque, classical or romantic composers are Bach, Mozart, Beethoven, Chopin. The fifth could be argued however.

The four I've mentioned put out many popular works- the most popular are as follows-

Bach- Brandenburg Concerti, Fugues and other various organ works

Mozart- Concerto for Clarinet, Symphony #40 "Jupiter", "The Magic Flute", "The Marriage of Figaro", Eline Klein Nautsmek (original German transcription spelling), and works for solo piano (such as the famous "Turkish March")

Beethoven- Piano Sonatas such as "Moonlight", "Pathetique" and "Appassionata", the five piano concerti (especially the fifth, nicknamed "Emperor"), his Violin Concerto, his nine symphonys (particularly his 5th, 6th and 9th), and other various works.

Chopin- Piano Concerti, Scherzos, Impromptus, Etudes, Nocturnes and Waltzs.

Beethoven, for instance.

Franz Joseph Haydn

One of Bach's friends was the scholar Johann Matthias Gesner, who made comments about how much he looked up to Bach.

Nationalism.

When he was 34 he married Harmony Twitchell.

Harmony - a great name for a composer's wife!

They had no children but adopted a little girl called Edith (Osborne) who was the youngest of about six children.

Five pieces of music written for the clarinet include Time Pieces for Clarinet and Piano by Robert Muczynski, Clarinet Concerto in A by Mozart, 3 Clarinet Concerta but Cruseel, 3 Pieces for Clarinet Solo by Igor Stravinsky and Clarinet Concerto No., 1 by Carl Maria von Weber,.

This is a statement, not question.

his very own Funeral March

"He wrote it"

Margarita Gabriela, Cecilia Maria, Bonaventura Tomaso, Zanetta Anna, and Francesco Gaetano

The 1920s were the golden age of the sophisticated popular song, like those of Irving Berlin and Cole Porter. Songs were put into revues without much regard for integrating the song into the plot. During the 1930s there was a shift in musical theatre from musical revues to musicals that used the song to further the plot, limiting the demand for the pure stand-alone song. The Tin Pan Alley (named for the cacophony of pinaos in the Manhattan area that housed the song business, which sounded like the banging of tin pans)songwriters who wrote songs followed the money. Many of the early Hollywood stars, such as Bing Crosby and Fred Astaire were veterans of these plotted Broadway and London musicals, and brought the form to Hollywood. Their songwriters and lyricists followed.

Chris Westland

Literally you would say it as "Day-bu-say"

Franziska Bronnen is 172 cm.

Richard Wagner had three children with Cosima Francesca Gaetana Wagner. The first was Isolde who was born on April 10, 1865. The second was Eva who was born in February of 1867. The third was Siegfried (Cosima and Wagner's only son) who was born in June 1869

Vienna

Duke johann Ernest and prince cöthen or something like that

dajee lamar happened to george gersgwin . dajee lamar beat george gershwin up when he was only in his mothers stomach . george gershwin did not know what to do when he got beat up by a baby that wasnt even thought about . dedicated to the finest boy in beck academy dajee lamar ! from armani

Mozart was 22 when he composed the 12 variations of 'Twinkle, Twinkle little star'.

I know this because Mozart composed this piece of music in 1778 and he was born in 1756, this means 1778-1756=22!

Romantic era.

I can't give you specifics without some research-- it's not as if he worked for a "Composition Firm" from 9 to 5 earning a regular salary. In those days composers might be fortunate enough to have rich titled patrons who supported them in their artistic work, usually with requirements to produce various works for the patron's court. A good example of such an artist is Francois Couperin (Le Grand, a contemporary of JS Bach) who was a musician in the court of Louis XIV. By Beethoven's day it was becoming more common to receive some private commissions for the composition of various works. And of course he was a famous and celebrated pianist before deafness overtook him. I think it's very interesting to note that while some composers (notably Mozart) died penniless and destitute, Beethoven managed his affairs in such a way that he was able to take care of himself and even leave an estate.

In 1791, the last year of his life, Mozart received a commission to compose a Requiem by a nobleman named Franz von Walsegg. Walsegg communicated with Mozart anonymously through intermediaries, so Mozart never knew who actually had commissioned the work. Walsegg was fond of commissioning pieces from composers and passing them off as his own. In the case of the Requiem, he intended to have it performed as his own work in memory of his late wife.

Mozart was paid half his fee for composing the Requiem up-front, with the balance to be paid upon completion and delivery of the score. When he died in December, 1791 leaving it unfinished, his wife Constanze, desperate for money, asked several composers to complete it for her so she could collect the final payment. Mozart's student Franz Sussmayr ended up completing the work, though he was not Constanze's first choice. After a performance was arranged for Constanze's benefit January, 1793, the score was delivered to Walsegg and it was performed in memory of his wife in December, 1793.

If you mean to ask what instruments/voices Mozart intended for his Requiem, it is scored for: 2 Bassett Horns (a relative of the clarinet), 2 Bassoons, 2 Trumpets in D, 3 Trombones, Timpani, Strings (Violin I, Violin II, Viola, 'Cello and Bass) and Organ, accompanying Soprano, Alto, Tenor and Bass soloists and Chorus.

The genre is Classical from the Romantic Period.