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Horror
The suspense and thrills of danger and the unknown are greatly leveraged in this genre of literature. Frankenstein is one of the earliest novels to set the stage and many of these literary classics have been adapted for the screen.
1,182 Questions
Is the reckoning a good horror story title?
That depends on what your story is about - if it's about a reckoning, then it can be a good title.
What does gothic horror means?
Gothic horror is a literary genre that combines elements of horror and romanticism to create a dark, eerie atmosphere. It often features supernatural phenomena, haunted settings, and intense emotions, aiming to provoke feelings of fear and suspense in the audience. Key themes in gothic horror include the unknown, the macabre, and the exploration of human psychology.
Has the zombie apocalypse started yet?
No, there is no evidence to suggest that a zombie apocalypse has started. It is a fictional scenario often featured in movies and TV shows.
The Tower, a horror novel, was written by Simon Clark.
What gothic horror stories have haunted rooms in?
My favorites are from the famous author Clark Ashton Smith. You can find many of his short stories at eldritchdark.com. Of course you can always do a search for gothic horror stories and various sites will show up with all kinds of gloom and doom - some good and some bad.
What is the story of the staircase?
The Staircase is a documentary series that follows the trial of Michael Peterson, an author accused of murdering his wife Kathleen. The series explores the events leading up to her death, the legal proceedings, and the various theories surrounding the case, including the possibility of an owl attack.
Where did Frankensteins monster kill Frankensteins brother?
In Mary Shelley's novel "Frankenstein," the monster kills Victor Frankenstein's brother, William, in the woods near Geneva. The monster is driven by a combination of curiosity and anger towards the Frankenstein family.
What is the adjective for horror?
The adverb of horror is horribly.
An example sentence is "this whole thing has gone horribly wrong".
Another one is "it smelt horribly".
What is the rising action in Vampire Kisses?
The rising action in "Vampire Kisses" involves the protagonist, Raven, meeting and falling for a mysterious new boy in town named Alexander, who she suspects is a vampire. As their relationship develops, Raven gets drawn deeper into the world of the supernatural and faces conflicts with her conservative hometown and those who disapprove of her romance.
In folklore, banshees are typically spirits and cannot be killed in a physical sense. It is said that if you hear a banshee's cry, it may signal an impending death. Traditional methods to ward off a banshee include blessing a house or wearing iron.
well first off there might not even be a zombie apocalypse that's prepostrous.But there could be a virus or bacteria that may make you like that but ill tell you how the world will end.Gas first will start rising and rising until it becomes rare and gas companys go out of business then well im not sure of the order how the world will end but then there will be diseases and stuff water will start becoming contaminated with bacteria and all sorts more stuff but you will eventually see this is going to happen and to prevent youll have to be eco eco eco frienly because people treat our planet like trash and that's why its going to happen unless we stop this the world will die off over a few years or so and it will just just just start to happen in 2012 but the world wont end within that year trust me.
The fall of the house of usher why do the narrator and his friend go to a vault below the mansion?
The narrator and his friend go to the vault below the mansion in "The Fall of the House of Usher" in order to place the body of Madeline, Roderick Usher's sister, in a temporary resting place. It is part of the Usher family tradition to bury their dead in the family vault.
Is there such a thing as the scary Candyman?
No, he is completely fictional. While the Bloody Mary legend is oral folklore that has been passed down from generation to generation, the Candyman is the creation of one man, an English writer named Clive Barker.
Clive Barker is an acclaimed horror author who has been publishing novels, short stories, and novellas (very long short stories) for decades. The 1992 movie Candyman, starring Virginia Madsen and Tony Todd, was based on his novella, "The Forbidden," which was published in In the Flesh, a collection of four novellas by the author. Both the story and the movie are terrifying, but they are no more real than King Kong. The part about the Candyman being summoned when you say his name 5 times into the mirror is only in the movie, not the book. That part was invented by the screenwriter, Bernard Rose, who got the idea from the Bloody Mary legend.
Candyman is not the only film adaptation of a Clive Barker story. His story, "The Hellbound Heart," spawned the Hellraiser movies, and Clive Barker himself directed and wrote the screenplay for the first one, which came out in 1987. The 2008 movie The Midnight Meat Train was based on a short story of the same name, from his collection, Books of Blood: Volume 1. Among many other film credits, he has also done two episodes of the show Masters of Horror, and a Tales From the Darkside episode was based on one of his stories, "The Yattering and Jack."
Can you use carnage in a sentence?
The carnage was horrifying to look at.
When I was in the war, carnage was all around: one would often see severed limbs and strewn bodies.
The crime scene investigator had to search for evidence admist the carnage of the bloody murder.
What is the book 'Tins' about?
"Tins" is a fictional book by Alex Shearer that follows the story of a group of robotic creatures called Tins who are thrown away as garbage but find themselves on a journey towards freedom and self-discovery. The book explores themes of identity, friendship, and the impact of technology on society.
What awards has The Stone Child by Dan Poblocki won?
"The Stone Child" by Dan Poblocki has not won any major literary awards. However, it has received positive reviews and is a popular choice among readers who enjoy middle-grade horror and mystery novels.
Science fiction found in Frankenstein?
Yes. Up to a point, though you don"t find it alongside Heinlein, Verne, or Bradbury, the seminal Frankenstein novel by Mary Shelley is in a sense a (Gothic) science-fiction novel on the artificial life theme- nearly always considered taboo. here"s one. Up to a point- and this was written much later than Frankenstein- Pinochhio ( lit, lit wooden boy) can be considered a juvenile-toned down adaptation of Frankenstein. The inventor ( Gepetto) roughly little Joe"s motives for creating the living puppet are not really examined- now if it was a female android- wow- the Churchmen would bang the gong to ( Full Stop!).
What is the summary of 'the silver kiss'?
The Story
Zoe's life has been turned upside down. Her mother is in the hospital, dying from cancer. Her father, who spends most of his time at the hospital, is distant and distracted during the few minutes he has to spend with Zoe, and they communicate mostly through notes pinned to the fridge door. She misses her mother very much, but her visitation times are limited, so in effect, Zoe feels like she's lost both parents. And to make things worse, her best (and only) friend Lorraine is moving to another state where it is unlikely they'll see each other much.
A rash of murders is plaguing their town, women found drained of blood, their throats brutally slashed. Despite the danger, Zoe still relishes walking after dark--with no parents to stop her doing otherwise--and one day while sitting in the park, she meets a mysterious young man clad in black with hair so blond it appears almost silver. His name is Simon, and he's not what he seems...
The Good Stuff
Like the book of Klause's that I previously reviewed entitled Blood and Chocolate, The Silver Kiss also has a heroine with a strong personality who is dealing with growing up. Zoe faces the challenge of living a life that seems prematurely independent. Although it's fairly clear she's still in high school, both of her parents are usually absent and she has very few friends and no one to talk to. Even her best friend Lorraine is uncomfortable discussing the one issue that features largely in Zoe's life--the illness of her mother and how she's changed from a vibrant, lively person to one wasting away in a hospital bed.
All of Zoe's feelings are very realistically dealt with in this novel. She longs to have her mother back the way she was, she feels guilty for not being there more often, indignant that her parents seem to shut her out, and frightened to see her mother so ill. There's so much Zoe wants to tell her, but the words sometimes get stuck.
Simon's presence really changes her situation. He becomes a friend and confidante, and truly, a little more than just a friend to Zoe. As a sympathetic vampire character, he's not at all like Anne Rice's rather egomaniacal Lestat. Simon was an unwilling vampire, one who is disgusted by the necessity of taking drinking blood and one who has fought against his vampire nature ever since he became one. But Simon isn't just hanging around. As an immortal, he's lived for centuries in pursuit of his mother's murderer--another vampire. Ironically, Zoe, with all her fumblings with her other relationships, is the first human being to make him feel human again. Her friendship makes immortality a little easier to bear, where before Simon always regarded it as an unpleasant burden.
Klause's descriptions are again, fairly lush and sensual. It would be difficult to write about vampires without addressing the issue of the romance and sexuality behind the vampire myth. The drinking of blood is an intimate sharing, and in Klause's book, vampires are able to exercise a certain power of their victims. Simon is able to make the blood ritual more of a sensual experience, one without fear:
"Poor Simon. What can I believe?"
Her throat throbbed with life near his mouth, and the gentle, warm smell of her made him giddy. He fought it briefly, but it was no good; she was too near, too inviting. The fangs slid from their sheaths. "Believe this," he whispered, and kissed her neck softly. "And this, and this." Then he kissed her with the sharp, sleek kiss, the silver kiss, so swift and true, and razor sharp, and her warmth was flowing into him. He could feel it seeping through his body--warmth, sweet warmth.
She uttered a small, surprised cry and fought him for a second, but he stroked her hair and caressed her. I won't hurt you, he thought. Little bird, little dear. I won't hurt you. And she moaned and slipped her arms around him.
Simon himself is, not unsurprisingly, beautiful:
"He was young, more boy than man, slight and pale, made elfin by the moon. He noticed her and froze like a deer before a gun. They were trapped in each other's gaze. His eyes were dark, full of wilderness and stars. But his face was ashen. Almost as pale as his silver hair."
Weaknesses
I was a little disappointed that Klause hadn't expanded more on the vampire culture as she did for the werewolf culture in Blood and Chocolate. The basic things get covered--sunlight is deadly, running water, crucifixes (garlic is not mention) are unpleasant to Simon. There's not really any unusual developments regarding the general vampire myth. I find myself wishing Klause had written a little more about vampire history and how Simon had spent his time between the moment he became a vampire to the present day. She only hints at his activities in this period. I also found the ending to wrap up all too quickly, although I remember loving it the first several times I read it.
The other major weakness is probably the language itself. Unlike Blood and Chocolate, The Silver Kiss feels a bit more dated. Even though it was published in 1990, it has a somewhat 1980's feel to it with references to punk culture, etc. I can't quite put my finger on it, because it's not like black leather and funky hair is really limited to the 80's, but the atmosphere just seems a couple decades behind. This isn't necessarily a bad thing, although since this is a Young Adult book, younger audiences today aren't really going to have as much in common with this era.
The language is also a tad more melodramatic than I remembered. This appealed to me a lot more when I was younger, and the topic of vampires certainly lends itself to very flowery descriptions, eyes being "full of wilderness and stars" being a prime example. Even Anne Rice is not immune to this! It does stick out a little more to me now, but generally, I'd have to say it's appropriate for this subject and this age group.
Recommendations
I think this is a good book for a mature young adult audience. The themes were very easy to identify with when I was that age--loneliness, isolation, failing to fit in and having a slight dread of what the future would hold, etc. The romance between Simon and Zoe also made an impression, since it was more or less a doomed one. All of this appealed to me very much, as did this book. Like Blood and Chocolate, there is no explicit sex, although there are sexual situations. Zoe is a healthy, but rather lonely young woman and her awakening sexuality is one of the minor issues in the story. Naturally, there are lots of other fascinating issues, like how one deals with death and tragedy. Simon's immortality is a big draw to Zoe, especially now when she fears losing her mother. There are also some rather graphic scenes in the novel, so it's not for those who are squeamish about blood. (Although why such people would be reading about vampires, I don't know!)
Tastes change as one gets older, so it's inevitable that not every childhood favorite remains a favorite into adulthood. I'd rather hoped The Silver Kiss would be one of them, but I think I like it more for its nostalgia than anything else. If I'd read it for the first time today, I would probably be more critical. Out of both books, I think I prefer the werewolf one simply because it had better plot pacing. The end seemed to be a little rushed in this novel and didn't have quite the same bang-up ending or resolution. It's still worth a look if you like vampire fiction, but remember its limitations and the fact that it is meant for a younger, perhaps less picky audience.
Recommended:
Yes
What effects are created in Frankenstein chapter 20?
In chapter 20 of "Frankenstein," the main effects created are suspense and tension as Victor Frankenstein confronts his creation in the mountains. The scene is described with a sense of isolation and foreboding, adding to the dramatic atmosphere. This chapter also highlights the psychological conflict between Victor and the creature, setting the stage for their final confrontation.
What qualifies a story as horror?
Characteristics on ghost stories are: The ghosts name, age, how it died, and what century its from, and why its haunting. For the people: name, age, how they found the ghost, if they are skeptics or not.
What is one sentence summary of the first book twilight pg 80?
Bella is asking/telling her dad that she is going to Port Angeles,for the book on Quillette legends.
What can an author's use of forshadowing help create in a gothic story?
Foreshadowing in a gothic story can help create suspense, tension, and a sense of unease. It can also contribute to the story's atmosphere of mystery and impending doom. Additionally, foreshadowing can hint at the dark secrets and sinister events that are about to unfold, adding depth to the narrative.
Rosalie was 18 in 1933,during the Great American Depression. But her Dad was a rich banker and theyweren't affected by Americastrouble's she was to marry a young man named Royce king II who wanted to be a banker also a few days before her wedding she went to see a friend Vera who was married to a carpenter named Vera had a beautiful son and Rosalie was jealous for the first time as Rosalie walked home that night she ran into her fiance (Royce) and some friend they were very drunk the abused and raped her and left her there then Carlisle smelt her blood and took her back when she turned into a vampire she wore a wedding dress and went to beat them up.
Horror fiction, horror literature and also horror fantasy is a genre of literature, which is intended to, or has the capacity to frighten its readers, scare or startle viewers/readers by inducing feelings of horror and terror. It creates an eerie and frightening atmosphere. Horror can be either supernatural or non-supernatural. Often the central menace of a work of Horror fiction can be interpreted as a metaphor for the larger fears of a society. The genre has ancient origins which were reformulated in the 18th century as Gothic horror, with publication of the Castle of Otranto (1764) byHorace Walpole.
